“The Simpsons”

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part I: “The Simpsons”)

/ Jack Marshall / 16 Comments

Item: Fox’s apparently immortal animated series The Simpsons  released a statement last month regarding casting for non-white characters, including  black characters like  Dr. Julius Hibbert: “Moving forward, ‘The Simpsons’ will no longer have white actors voice non-white characters.”

This, stupid as it is, follows the non-logic of recent white actresses who dropped their gigs as the voices of grayish-brown inked “mixed-race” cartoon characters. How will that “only people of the same race can play roles of characters of that race” be reconciled with the objective of  non-traditional casting, which was devised in part (many decades ago) to open up more opportunities for black and minority actors, allowing them to take on roles written as white?

It can’t. It’s as simple as that. The two approaches eventually clash, and are mutually exclusive. “The Simpsons” policy is wrong and destructive in every conceivable way, and its ethical values, as in competent, fair or responsible, are non-existent.

  • If white actors can only play white characters, then white characters cannot be played (or voiced) by black performers. Oh, I’m sure that while in the grip of fear during the George Floyd Freakout and overwhelmed with the desire to signal virtue to one’s peers, white performers will tolerate such an obviously unfair and absurd double standard for a while, but show business is a brutal and competitive field, and the vast majority of actors of any color have scant financial resources and no job security. The arrangement being pushed by black performers and activists as they sense a window of opportunity created by the Freak-out and the concomitant intimidation of decision-makers will eventually engender resentment and conflict. If the BLM lackeys in the entertainment field really think that this double-standard “solution” to “systemic racism”—which means installing a new system of systemic anti-white racism—will prevail, they are deluded.
  • Moreover, the idea is anti-art, as is the “non-traditional casting as affirmative action” fallacy. If the performing arts aren’t a meritocracy driven by the market—does the performance entertain, or doesn’t it?—then they are doomed. Even with all the brainwashing and bullying to come, the public will never have enough people who will like a show (or a novel, or a painting, or a song)—or pay money to see it— based on its demographics and diversity rather than the quality of the performances
  • To “The Simpsons” and similar products, if the authentically black voice of Dr. Hibbert isn’t as funny, well-timed and deft as white Harry Shearer’s performance, the character won’t be as effective.

I look at all productions this way: a perfect show has 1000 points. Everything that isn’t perfect loses points for that production—a bad accent here, an ill-fitting costume there, missed lines–they all count.  One flaw that loses a few points won’t kill the show; it might not even be noticed. But all of those lost points add up, and when the points sink below a certain level, the production is no longer viable.

“The Simpsons” is voluntarily giving up points, which is simply bad show business and terrible art. If Harry Shearer is the best voice for the Simpsons’ family doctor, then it can’t matter what color he is. The audience doesn’t care.  Every show loses points no matter how perfect it tries to be; giving them up intentionally is unethical, because the artist’s duty is to present the best, most popular and most profitable  work possible, not to meet EEOC quotas.

Continue reading →

And That’s The Rest Of The Stupid Story: Finally, Apu Is Officially Toast. Or A Somosa. Whatever.

/ Jack Marshall / 11 Comments

Hank Azaria, who has performed the voice of the Indian convenience store owner Apu since  1990, now says the series will capitulate to The Woke and Widiculous, and eliminate the character, who represents a stereotype. You know, unlike all the other characters on “The Simpsons.” “All we know there is I won’t be doing the voice anymore,” Azaria told the website SlashFilm. “We all made the decision together… We all agreed on it. We all feel like it’s the right thing and good about it.”

OK, what’s right and good about it? Hank is a Hollywood actor, so I don’t expect much nuanced ethical analysis from him, or any kind of analysis, really, but if an animated satire show can’t defend using stereotypes in a cartoon, then it might as well just give up.

I’m embarrassed to say this is the fourth post on this silly story, but like so many others, it is canary dying in the mine stuff. Yes, it’s just one canary. Still, the mine is looking awfully toxic.

A recap: The controversy was launched when a new documentary debuted Nov. 19, 2017  called “The Problem with Apu.” It reveals that Indian-Americans….well, at least some,  viewed Apu as a charged stereotype, and were especially upset that a non-Indian actor (Azaria), did the voice. I responded,

Move through the muck and emerge in the bright sunlight of reality,  and one sees that there is no problem with Apu. There are problems with lacking a mature reaction to humor and satire, being deliberately hyper-sensitive, power-grabbing using group-identification politics, and cynically looking for offense to justify claiming victim status,  but there is no problem with Apu.

I would love to know why Indian-Americans feel all the other characters in the show can be  outrageous stereotypes and extreme caricatures,  but Apu is unacceptably offensive and insensitive. This is contrived victimization. One cannot reasonable compare the Indians feasting on bugs and chilled monkey brains in “Indiana Jones and the Temple of Doom” to Apu because 1) Apu is entirely benign: he is one of the smartest, sanest and nicest characters in “The Simpsons,” and 2) he’s a cartoon.

“The Simpsons”writers initially took the responsible approach to this contrived controversy: they ridiculed it, taking my route and  noting that it was a cartoon, meaing to sane people that the accusation that the show was marginalizing human beings was not worth  arguing about, being box of rocks dumb. Here was the woke rebuttal to that, from a white female critic offended on behalf of cartoon Indians everywhere: Continue reading →

First Do No Harm? Ethics Observations On “Dragon Lady”

/ Jack Marshall / 34 Comments

Richard Hernandez, who now goes by Tiamat Legion Medusa, or just “Dragon Lady,” has spent more than $70,000 on a series of plastic surgeries and body modifications, a process triggered when the former bank vice-president was diagnosed with AIDS.

He/She/It/Them (He prefers it, and I won’t use “them”,) has had 18 horn implants, both ears removed, a partial nose removal (so he would look like Voldemort in the “Harry Potter” movies—COOL!), 32 teeth pulled and six of his remaining teeth sharpened to points, the whites of both eyes tinted green, and his tongue split into a fork. Tiamat has also had his chin altered nine times and nine piercings, among other procedures. He also underwent gender modification treatment.

Next up, Tiamat says, is the amputation “Mr. Bojangles,” his penis, along with having rainbow scales tatooed over every inch of skin, more horn implants, and both eyeballs stained  purple. The long term goal is to be transformed into a “genderless reptile” by 2025.

Good plan.

Observations: Continue reading →

Sunday Ethics Warm-Up, 3/10/2019: Ethics Savings Time Edition!

/ Jack Marshall / 24 Comments

It’s still morning according to MY watch…

1. When ethics alarms don’t ring...How could Philadelphia’s retailers and stores not have seen this problem? The city of Philadelphia has passed a law that will requiring retailers to accept cash, responding to increasing numbers that have gone “cashless.”The new law was signed by Mayor Jim Kenney last week and takes effect on July 1 . Violations could bring  fines of up to $2,000.

City Councilman Bill Greenlee co-sponsored  the bill. “It just seemed to me unfair that I could walk into a coffee shop right across from City Hall, and I had a credit card and could get a cup of coffee. And the person behind me, who had United States currency, could not,” he explained.

Good. Serving only people with credit cards is obviously discriminatory.

2.  More on the robocalling experiment. I previously noted that MLB is using the independent Atlantic League to try out some new rules, innovations, and suggested “fixes” for baseball. Only one is of obvious ethics interest: the electronic calling of pitches, which is a matter of integrity. Games should not be warped by crucial decisions that are obviously erroneous and that the game now has the technological tools to prevent. The rest of the measures being tested raise issues of their own:

  • The mound will be moved back two feet to 62’6″. Comment: I assume this is an effort to make hitting easier and pitching harder. I find it difficult to believe that anything this radical has a chance of being adopted.
  • Larger bases will be used (18″ instead of 15″). Comment: Okaaaay…
  • Defensive shifts will be banned. Comment: A terrible idea, constraining defensive creativity and the constant back-and forth change-and-response that has kept baseball dynamic. Let batters figure out how to beat shifts. They have the ability to do it.
  • A radar-enabled strike zone will be employed. Comment: It’s about damned time!
  • Time between innings and pitching changes reduced from 2:05 to 1:45. Comment: Good.
  • Three batter minimum for pitchers entering a game. Comment: This is to eliminate the single pitcher-per-batter trend in late innings that slows down the game with minimal benefits. I see no reason not to do it; there are similar rules already, such as requirements that a pitcher must pitch to at least one batter.
  • There will be no mound visits unless a pitcher is removed from the game or for medical issues. Comment: NO visits is draconian. All this will do is speed the intrusion of electronic communications between catcher and pitcher and pitcher and manager. Yechhh!

3. When lawyers should just shut-up. ABA Model Rule Of Professional Conduct 3.6 says in part:

a) A lawyer who is participating or has participated in the investigation or litigation of a matter shall not make an extrajudicial statement that the lawyer knows or reasonably should know will be disseminated by means of public communication and will have a substantial likelihood of materially prejudicing an adjudicative proceeding in the matter.

It also says,

c) Notwithstanding paragraph (a), a lawyer may make a statement that a reasonable lawyer would believe is required to protect a client from the substantial undue prejudicial effect of recent publicity not initiated by the lawyer or the lawyer’s client. A statement made pursuant to this paragraph shall be limited to such information as is necessary to mitigate the recent adverse publicity.

The rule, which has substantially identical versions in all jurisdictions, needs to be enforced more stringently. It isn’t, I assume, because the bar associations are worried about a court striking down the rule as a First Amendment violation.

Here’s Jussie Smollett’s lawyer, media hound Mark Geragos, on the charges against his client.:

“This redundant and vindictive indictment is nothing more than a desperate attempt to make headlines in order to distract from the internal investigation launched to investigate the outrageous leaking of false information by the Chicago Police Department and the shameless and illegal invasion of Jussie’s privacy in tampering with his medical records. Jussie adamantly maintains his innocence even if law enforcement has robbed him of that presumption.”

ALL the publicity was initiated by Gallegos’s client! His crime was designed to get publicity!

Shut up, Mark. This is the kind of statement that does your client no good, and adds to the public’s distrust of lawyers.

I do give him credit for one thing, though: note that he says, “Jussie adamantly maintains his innocence,” and not “Jussie is innocent,” which he knows is a lie.

4. Nah, there’s no mainstream media bias!

  • Headline (NYT): “Border at ‘Breaking Point’ as More Than 76,000 Unauthorized Migrants Cross in a Month.” Quote:”More than 76,000 migrants crossed the border without authorization in February, an 11-year high and a strong sign that stepped-up prosecutions, new controls on asylum and harsher detention policies have not reversed what remains a powerful lure for thousands of families fleeing violence and poverty.”

Gee, sounds like a national emergency to me! Nope: it’s Trump’s fault: “the Trump administration’s aggressive policies have not discouraged new migration to the United States.”

  • Because the Democrat’s watered down “anti-hate” resolution did nothing to condemn the anti-Semitic statements by Rep. Omar, some Republicans withheld their votes for it in protest. Here was how Politico spun it: “Republican leadership splits, and party splinters over hate resolution.”

5. I suppose this should be a stand-alone post, but I don’t want to write about Michel Jackson any more than I have to. It is now official [Pointer: JutGory]: “The Simpsons” is airbrushing away the classic 1991 episode “Stark Raving Dad,” because a key character was voiced by Michael Jackson. James L. Brooks, co-creator of the show, says that the 1991 episode guest-starring Michael Jackson will be pulled out of its archives, permanently, and will be removed from all platforms including DVD sets and streaming services. “It feels clearly the only choice to make,” Brooks says. “The guys I work with—where we spend our lives arguing over jokes—were of one mind on this.”  He added, “I’m against book burning of any kind. But this is our book, and we’re allowed to take out a chapter.”

Sure it’s book burning, and  “the guys Brooks works with” are probably all in favor of tearing down the statues of Confederate generals and monuments to slave-holding Founders, too. Brooks’ ideological clones are suddenly fans of censorship and hiding history when it becomes uncomfortable. There is so much wrong with this decision, it boggles the mind, but a few will suffice…

  • Why now? Oh, right: a documentary made a decade after Jackson’s death suddenly proves what couldn’t be proved in court, is that the theory?
  • Is Brooks really asserting that any artist who releases his or her art to the public is justified in unilaterally destroying it because of a personal motive? The artist has the right, yes. It’s also unethical. The work is no longer the artist’s, it belongs to the culture. This is why Stephen Spielberg has regretted and reversed his politically correctness-addled decision to change the guns carried by the federal agents in “E.T.” to walkie-talkies.
  • This is a time for Kant’s Categorical Imperative. If this is the right thing to do because of Jackson’s alleged misconduct,  then it must be absolute, an unconditional requirement to be observed in all circumstances and justified as an end in itself. That means that no work by Woody Allen, Bing Crosby, Bill Cosby, Errol Flynn, Richard Pryor, John Lennon (and by extension, The Beatles), Peter, Paul and Mary, Charlie Chaplin, Jerry Lee Lewis, and too many others to list, should ever again be available for the public to view, hear, or enjoy.
  • Presumably any film that O.J. Simpson appeared in must be vaporized as well, including “The Naked Gun” films and the greatest disaster movie ever made, “The Towering Inferno.”

The main thing is that “Stark Raving Dad” is a terrific episode.

This is flagrant narcissism, virtue-signaling and grandstanding by Brooks and his colleagues.

Sunday Morning Ethics Warm-Up After The Red Sox Complete An Unprecedented Late Inning Comeback In The World Series HAHAHAHAHA!, 10/28/18: Obama’s “Norms”, Goodbye Apu, #MeToo Hypocrisy, And “Roshomon,” Chicago-Style

/ Jack Marshall / 15 Comments

Focus, Jack, focus!

1. Not the World Series, ETHICS! And speaking of ethics…

  • What kind of lie is this? Rich Hill, the Dodgers starting pitcher last night who almost unhittable, said in an interview that he “liked” his team’s chances of winning the Series despite being behind 3 games to 1. World Series history and basic math says that the chances are “slim.” He likes the slim chances? Does he really like them? Does he believe liking them means they are more likely to break his way?

Is he just lying to buck up his team and its fans, when he really doesn’t “like” the chances at all, not being, you know, an idiot? Does that make it a “good lie”?

  • The Fox World Series broadcast team of Joe Buck and John Smoltz is incompetent. In a potentially game-changing play in which the Boston catcher’s throw attempting to complete a home-to-first double-play sailed past first, allowing the game’s first run to score, the two alleged experts said that there was no interference. Wrong. There was interference, and it was obvious: Bellinger, the Dodgers runner, was on the infield grass rather than the yard-wide running lane to the right of the baseline, which exists precisely for plays like that, when the catcher needs a lane to throw unimpeded to first base to get the out.  It should have been called runner’s interference, completing a double-play and ending the inning without a run scoring. Instead, the run scored on the errant throw from Boston catcher Vasquez, and the next batter, Yasiel Puig, hit a three-run homer to give L.A. a 4-0 lead. There was no discussion of the rules and issues involved.

But after the game, over at the MLB cable channel, former Yankees manager Joe Girardi and baseball analyst Harold Reynolds graphically illustrated that the interference should have been called. This is what the Fox broadcasters are paid for: to explain the nuances of the rules and the game to the average World Series viewer, whose baseball acumen is rudimentary. The umpires missed the play, even though as Reynold pointed out, it was called many times during the season. Umpires are reluctant to call interference of any kind during the post-season, because it’s messy, and guarantees controversy and an on-field arguments.

  • For an unusual first ball ceremony, former Red Sox-Oakland Hall of Fame pitcher Dennis Eckersley (Now an ace Boston TV color man, known New England-wide as “Eck”) threw a pitch to ex-Dodgers catcher Steve Yeager as Kirk Gibson stood in the batters box. Gibson, you should recall, hit the famous “The Natural” home run off Eckersley to win Game #1 of the 1988 World Series, after limping to the plate as a pinch-hitter in the bottom of the 9th inning. How many ex-players would voluntarily re-enact their worst moment on the field on national TV? Imagine Ralph Branca throwing a ceremonial first pitch to Bobby Thompson.

Eck personifies humility and exemplary sportsmanship.

  • Trump Tweets, Baseball Division. This made me laugh out loud, I have to admit. During the game, the President criticized Dodgers manager Dave Roberts decision to replace Hill with his first baseball tweet:

“It is amazing how a manager takes out a pitcher who is loose & dominating through almost 7 innings, Rich Hill of Dodgers, and brings in nervous reliever(s) who get shellacked. 4 run lead gone. Managers do it all the time, big mistake!”

I wish the President would confine all of his tweeting to second-guessing managers and coaches. It’s obnoxious, but harmless. Dodgers manager Dave Roberts, presented with the tweet during his post-game press conference, handed it ethically and well. Steely-faced, he asked, “The President said that?” and responded, sufficiently respectfully, “I’m happy he was tuning in and watching the game. I don’t know how many Dodgers games he’s watched. I don’t think he was privy to the conversation. That’s one man’s opinion.”  Roberts was referring to the fact that Hill told him that he might be getting fatigued. Nonetheless, lots of people other than the President questioned Robert’s decision.

It is pure hindsight bias, of course, as well as consequentialism. If the Dodger bullpen had held a late-inning  4-run lead as every previous World Series bullpen had, nobody would be criticizing Roberts.

2. The confiscated handicapped van. [Pointer: Michael Ejercito] Andrea Santiago’s $15,000 van with a customized wheelchair lift was confiscated  by the City of Chicago as an abandoned vehicle. She has polio and multiple sclerosis, and the family claims the vehicle was parked legally and obviously not abandoned. This is a Roshomon situation, for the accounts of the city and the family are irreconcilable. Chicago’s Department of Streets & Sanitation sent this statement: Continue reading →

Afternoon Ethics Incitement, 4/10/2018: All About Apu

/ Jack Marshall / 80 Comments

Ethics Alarms covered the silly, hyper-political correctness attacks on ‘The Simpsons” character  Apu Nahasapeemapetilon—Oh NO! They are making fun of Indian NAMES!—, the Indian immigrant owner of the local convenience store. Now “The Simpsons” itself addressed the issue:

Naturally, the progressive victim-mongers who cooked up this phony controversy are mad at Marge and Lisa. Here is a typical response from the Angry, Perpetually Offended Left, by former TV critic and lawyer-turned-blogger Linda Holmes, who I am now convinced turned away from the law because she couldn’t meet the tough reasoning requirements.

(And have a mentioned before that taxpayer funds should not be used to pay for social justice warrior drivel like this? I’m sure I have…)

At the end of her screed, she writes,

“I know: It’s a cartoon. That is the easiest, silliest response to this debate. It’s just a cartoon. It’s just a comedy. Or, as the photo of Apu pointedly says, don’t have a cow. But the show doesn’t have this defense to call on, because it has accepted accolades for decades as a thoughtful, intelligent, satirical work that deserves to be taken seriously. It has accepted a Peabody Award, and a GLAAD Media Award. It has been praised and slobbered over and quoted and praised again, and to plead insignificance at this point is unavailing.”

I hate to be harsh, but this is idiotic beyond excusing. To say “It’s a cartoon” is not to say that it is insignificant, and to say “It’s just a comedy” is not to argue that its content doesn’t matter.  It’s a cartoon means that cartoons as an art form, exaggerate, stereotype and mock individuals and groups using funny faces, voices, words and actions, and anyone who takes personal offense—or who works hard to find offense– at a cartoon that was not intended to offend is best dealt with by saying to him or her, “Avoid animated entertainment. You don’t understand it.” And maybe a pat on the head will help.

This is me, by the way:

 

(I’m not offended, though I am not yellow, have broader shoulders, my skull isn’t that big in proportion to by body and don’t have that big line in my forehead.) Continue reading →

Observations On The La Jolla High Cartoon Controversy

/ Jack Marshall / 44 Comments

I was going to make this an Ethics Quiz, but category that  can’t quite encompass the issues involved, and the more I considered it, the more certain I became of what should have happened. Here is the story:

A student-drawn cartoon was  published last month in the La Jolla High School’s “Hi-Tide” newspaper. It depicted eight ethnic groups in a blatantly stereotypical manner ( which is to say, it was a cartoon), with each figure pictured wearing T-shirts with messages  reinforcing the stereotypes. The cartoonist’s purpose was to lampoon the controversial H&M ad that caused the company to pull the ad and apologize:

Here was the student’s cartoon…

The requisite number of sensitive students and /or their sensitive parents complained about the cartoon to compel the school principal to grovel an apology, saying that the decision to publish the cartoon was an “error in judgment and a breach of all the values we hold dear at La Jolla High School,” since the cartoon depicted multiple ethnic groups as “ugly racial stereotypes.”

Observations: Continue reading →

The Problem With Apu?

/ Jack Marshall / 40 Comments

Commenting on the recent attacks from progressives on the allegedly racist drawings of Dr. Seuss, I wrote,

I’ve missed it: have social justice warriors been protesting “The Simpsons”? No? Not even Apu, the Indian immigrant Springfield resident—Wait! Isn’t the Dr. Seuss Museum in Springfield?–who has the stereotypical ethnic occupation of a convenience food proprietor (Full disclosure: my local 7-11 is owned by an Indian American)? You know, this guy?

Apparently I inadvertently set something in motion in the zeitgeist; I’m so sorry. For the New York Times informs us that a new documentary debuting Nov. 19 on truTV  is called “The Problem with Apu,” and “wrestles with how a show praised for its incisive humor — over the years, it has explored issues like homophobia and political corruption — could resort to such a charged stereotype. Making matters worse is the fact that the Indian character is voiced by a non-Indian (albeit an Emmy-winning) actor, Hank Azaria.”

The article goes on,

“In the film, Mr. Kondabolu places Apu within the broader history of Hollywood’s depiction of Indians, including Peter Sellers’s brownface rendition of an idiot in the 1968 Blake Edwards film “The Party” and the Indians feasting on chilled monkey brains in Steven Spielberg’s “Indiana Jones and the Temple of Doom.” He also reached out to a who’s-who of South Asian actors to talk about their experiences in Hollywood.”

The Indian-Americans quoted in the artical are especially upset that Apu’s accent isn’t authentic; it’s just funny. Can’t have that.

Move through the muck and emerge in the b right sunlight of reality,  there is no problem with Apu. There are problems with lacking a mature reaction to humor and satire, being deliberately hyper-sensitive, power-grabbing using group-identification politics, and cynically looking for offense to justify claiming victim status,  but there is no problem with Apu.

I would love to know why Indian-Americans feel all the other characters in the show can be  outrageous stereotypes and extreme caricatures,  but Apu is unacceptably offensive and insensitive. This is contrived victimization. One cannot reasonable compare the Indians feasting on bugs and chilled monkey brains in “Indiana Jones and the Temple of Doom” to Apu because 1) Apu is entirely benign: he is one of the smartest, sanest and nicest characters in “The Simpsons,” and 2) he’s a cartoon. Cartoons are always exaggerated, and if they are not, they aren’t funny. They also aren’t cartoons. Continue reading →

Ethics Dunce: The Dr. Seuss Museum

/ Jack Marshall / 52 Comments

The fanatics who pollute the left end of our political spectrum apparently have no limits to their purges, political correctness tantrums, grandstanding, bullying, and efforts to warp the past, present and future. To fit their rigid view of a “just” culture, they have begun demanding that the cultural landscape must constantly be cleansed; no real or imagined discomfort to sensitive progressive souls can be permitted to survive in art, history, literature or the public square.

Since even their worst excesses are cloaked in self-righteousness and the Saint’s Excuse, what this requires of the rest of us—you know, those who have perspective and proportion, believe in diversity of thought, and object to airbrushing reality out of the nation’s palette—to have the courage and integrity to say, “No.”

Sometimes “Hell no.”

The directors of the new Dr. Seuss Museum in Springfield, Massachusetts lack these and other necessary markers of ethical character and responsible citizenship. Thus when three prominent children’s authors who had been invited to attend the Children’s Literature Festival at the Seuss Museum to be held on October 14 threatened to boycott the event because the above mural, painted to replicate a scene from Dr. Seuss’s “And to Think That I Saw It on Mulberry Street,”  was, they claimed, offensive, the museum cravenly excised that section of the painting.

Mo Willems, Mike Curato and Lisa Yee issued a public letter condemning the drawing as a “jarring racial stereotype… with chopsticks, a pointed hat, and slanted slit eyes.”

“We find this caricature of ‘the Chinaman’ deeply hurtful, and have concerns about children’s exposure to it,” they wrote.

If the directors possessed comment sense, principle or the backbone God gave a guppy, they would have written back,

“We are sorry you cannot attend, and also that you are so enamored of political correctness grandstanding that you would unjustly insult Theodore Geisel, his work, his millions of fans, and this museum by your false and hysterical characterization. We do not engage in censorship here, nor do we accept presentist slurs on past art that involve retroactively applying modern sensibilities or hyper-sensitivities, to classic works that are decades old.”

There is nothing racially jarring about Geisel’s painting of a “Chinaman” except to someone already looking for offense. Dr. Seuss’ drawings can be fairly termed cartoons. The definition of a cartoon is “a simple drawing showing the features of its subjects in a humorously exaggerated way.”  What are these juvenile children book authors asserting…that all cartoons are racially insensitive? That only cartoon of non-whites are offensive?

Let’s look at the offensive figure again: Continue reading →

Morning Ethics Warm-Up: 8/1/17

/ Jack Marshall / 49 Comments

 

Good Morning, World!

1. Follow-Up on the 7/28 morning post: Sometimes a popular public figure’s words and conduct so obviously show a deficit of character that I wonder if those who admire him or her are not paying attention, or are creeps themselves. “Harry Potter” author J.K. Rowling is officially in this category. First, I do not care for foreigners who obsessively bash our leaders, however bashable. They don’t have standing, in most cases, and their opinions are by definition uninformed if they don’t live here. Most obnoxious of all, however, in Rowling’s case, was her indefensible conduct regarding her recent infamous fake news tweet that circulated to her mob of followers a deceptively edited video showing President Trump cruelly ignoring a boy in a wheelchair, when he in fact stopped, crouched, and spoke to the child. She did this (“When someone shows you who they are, believe them.’ – Maya Angelou” was the snotty accompanying comment) on July 28, and the same day it was widely debunked, with the actual video being circulated on the web. No response came from Rowling, even as her tweet and libel continued to be liked and retweeted by “the resistance.”

On July 30, even CNN’s Brian Stelter, with extra time on his hands because his alleged news media ethics show avoids criticizing bias in the news media, flagged the bad tweet, and asked why Rowling hadn’t retracted it. Come on, Brian, you know why! It is for the same reason CNN continues to use unethical journalism to attack the President: they don’t believe he’s worthy of fairness or honesty.

Finally,  after various conservatives dredged up this year-old tweet from Rowling to show her hypocrisy and shame her with her own chosen words…

…and after left-wing, fellow Brit Trump-basher Piers Morgan expressed frustration with her, and after PunditFact, a spin-off of PolitiFact, rated Rowling’s claim “Pants on Fire,” and after the boy’s mother herself denied that Rowling’s version occurred, the author finally retracted the tweet and took it down. She also tweeted this unethical apology:

Re: my tweets about the small boy in a wheelchair whose proferred hand the president appeared to ignore in press footage, multiple sources have informed me that that was not a full or accurate representation of their interaction. I very clearly projected my own sensitivities around the issue of disabled people being overlooked or ignored onto the images I saw and if that caused any distress to that boy or his family, I apologise unreservedly. These tweets will remain, but I will delete the previous ones on the subject.

This is a miserable apology, containing the stinking tell of the non-apology apology, “if anyone was offended” in this case the equivalent “if that caused any distress.”  The two people she non-apologizes to had no reason to be “distressed,’ since the tweet wasn’t an attack on them. This is not an apology at all, since it does not apologize ..

…to the person fraudulently attacked, President Trump, as well as his family and supporters

…to those deceived by her retweeted lie, and

…to the people who trusted her and became accessories in the false attack

…for taking four days to take down a lie that had been thoroughly exposes as one.

On the Ethics Alarms Apology Scale, it is a bottom of the barrel #10:

An insincere and dishonest apology designed to allow the wrongdoer to escape accountability cheaply, and to deceive his or her victims into forgiveness and trust, so they are vulnerable to future wrongdoing.

This rot is actually worse than a #10, as Rowling dares to ladle soppy virtue-signalling onto it. She only falsely attacked the President of the United States and spread a lie around the world because she is so, so sensitive and concerned about the treatment of handicapped people! Don’t you understand? It’s because she’s so compassionate and good that this happened!

It is my experience that good people can usually manage a sincere and remorseful apology to those harmed by their words or conduct.

2. This unethical lawsuit could sustain a stand-alone post, but I refuse to devote one to it as a matter of principle. Continue reading →