“The Simpsons”

Apu Returns! [Repaired]

/ Jack Marshall / 8 Comments

There are some manifestations of “The Great Stupid” that, sorry not sorry, I refuse to concede even a millimicron of tolerance for. If you think the idiotic notion that only actors of the same race and ethnicity of a character in a movie, TV show or stage play can be ethically cast in the role is high on the Ethics Alarms intolerance list you are right (and you’ve been reading EA for a while), but my disgust for that woke crap is but a mole on a bee’s knees compared to the bonkers assertion that the same limitation applies to the voice actors in cartoons.

Way back in 2017 I wrote several posts about the ejection of Apu, the Indian immigrant “Kwik-E-Mart” owner on “The Simpsons,” from the show’s cast after an outbreak of political correctness outrage over the fact that the character was voiced by versatile non-Indian actor Hank Azaria. Azaria used a comic exaggeration of a stereotype Indian accent.

As I look back and re-read the main article in the group for the first time since I wrote it, I wonder if that kerfuffle wasn’t the true beginning of The Great Stupid, which I generally mark as getting fully underway in 2020.

I’m re-posting the whole piece below (fixed some typos!) because 1) I really like it, 2) I still agree with every word, 3) there has been a new development in the story and 4) this extended episode is really stupid. After the character was banished—Azaria didn’t help by blathering apologies and refusing to voice Apu because to do so would be racist (he’s talented by not very bright)—I never watched “The Simpsons” again, not even in re-runs. As I wrote in “The Problem With Apu?,”

I would love to know why Indian-Americans feel all the other characters in the show can be  outrageous stereotypes and extreme caricatures,  but Apu is unacceptably offensive and insensitive. This is contrived victimization. One cannot reasonable compare the Indians feasting on bugs and chilled monkey brains in “Indiana Jones and the Temple of Doom” to Apu because 1) Apu is entirely benign: he is one of the smartest, sanest and nicest characters in “The Simpsons,” and 2) he’s a cartoon. Cartoons are always exaggerated, and if they are not, they aren’t funny. They also aren’t cartoons.

The dilemma this kind of victimization gotcha! creates for writers and artists should be obvious: if all they are going to get is complaints, why have an Indian character at all? Apu was one of the very first characters of Indian descent to be in any TV series. “The Simpsons” deserves credit, not blame.  I don’t take offense that the main character in the show, a bald, white guy, is portrayed as an insensitive cretin. His father, Abe, is elderly, and talks like a stereotypical vaudeville old man. His stories wander; he falls asleep mid-sentence. We used to tease my late father, when he got lost in one of his rambling stories, that he was beginning to sound like Abe Simpson. He got it. Lionel Hutz, sadly deceased, was a lawyer who became transfixed when he heard an ambulance siren. Cletus the Slack-jawed Yokel is as cruel a caricature of a poor rural hick as one will ever see. (But funny!) Professor Frink, the local scientific genius, has thick glasses and talks like Jerry Lewis. Ned Flanders, an Evangelical Christian, is an absurdly mild-mannered do-gooder.  Officer Wiggum, the Chief of Police, is always eating donuts. Mr. Burns, the town tycoon, is a polluting, conniving, murdering, cackling personification of evil.  There are two frequently appearing Italian characters: one is a Mafia leader, and the other makes pizza, has a big, curled mustache and talks like Chico Marx.

I could go on and on, literally, because there are over a hundred such characters, all of them stereotyped and extreme, all of them effective comic devices. I wish there was a Greek-American character on “The Simpsons.” He would be a restaurant owner, and have curly hair, a big laugh, and olive skin. He would regard anyone who wasn’t Greek as a lower species, speak a weird hybrid of English and Greek around family, listen to balalaika music, and tend to hug people so hard they passed out. My relatives would see the humor in the exaggerations, and I would not issue a screed titled “The Problem with Stavros”…

The New York Times announced that Sunil Malhotra, an actor of “South Asian descent,” will now perform Apu in a non-funny accent. Apu returns in this year’s Halloween episode of “The Simpsons.” Malhotra did a fatuous Variety interview in which described “his doubts about voicing Apu,” saying that he had walked away from offers to voice other South Asian characters in the past when he felt they were caricatures. Uh, Sunil? Apu is still a cartoon. Cartoons are caricatures by definition. How is it more respectful to smart Indian-American characters to have them voiced by morons?

“It had been eight years since Apu had spoken on the show, and it got me thinking: Did the writers’ room look different now?” Malhotra said to Variety. “Could they bring him back in a way that acknowledged and apologized for past mistakes? Could I make the character my own, and reclaim him in some way?”

Ugh. As Rhett tells Scarlett, “Frankly my dear, I don’t give a damn.”

Here’s “The Problem With Apu?”…

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Pope Leo Says “Ramalama-Ding-Dong” In His First Sunday Blessing [Corrected]

/ Jack Marshall / 8 Comments

Okay, what he really said was “Never again war.” Same thing.

The reference is to the immortal episode of “The Simpsons” when Lisa heard her father singing along with a popular recording containing a gibberish chorus that is really “Join the Navy” backwards. “You gotta love that crazy chorus,” said Homer. “What does it mean?” asked Lisa. “Eh, it doesn’t mean anything,” he replied. “It’s like “ramalama-ding-dong,” or “give peace a chance.” I have referred to the exchange frequently on Ethics Alarms.

Why? Because empty virtue-signalling is unethical. It is dishonest, cynical and substitutes sentiment for substance. When the Pope said the equivalent of “Give peace a chance,” or “Make love, not war,” or “Let there be peace on earth” or “War is Hell” or FDR’s “I hate war!,” the assembled thousands cheered. It’s an applause line. If the Pope isn’t going to do better than applause lines, what good is he?

The only way to end wars is to end nations and religions, just as John Lennon said in his other fatuous hit, “Imagine.” The only way to do that, is to have a world dictator who is also, unlikely as it seems, benevolent….well, like a Pope! Brilliant!

Influential world figures admired and regarded as serious and thoughtful abuse their position by defaulting to such useless nostrums. They are supposed to make people wiser, not naive and confused. War will not go away, and the Pope knows that, unless he’s an idiot. He is not an idiot.

Raising false hopes and seeking popularity by seeming to advocate the impossible is not ethical behavior. It is the equivalent of a lie.

I officially award Pope Leo the second ever “Imagine” Award, unveiled here, which will be periodically bestowed upon the public figure, pundit , journalist or academic whose pronouncements most reflect virtue-signaling of the late John Lennon.

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part I: “The Simpsons”)

/ Jack Marshall / 16 Comments

Item: Fox’s apparently immortal animated series The Simpsons  released a statement last month regarding casting for non-white characters, including  black characters like  Dr. Julius Hibbert: “Moving forward, ‘The Simpsons’ will no longer have white actors voice non-white characters.”

This, stupid as it is, follows the non-logic of recent white actresses who dropped their gigs as the voices of grayish-brown inked “mixed-race” cartoon characters. How will that “only people of the same race can play roles of characters of that race” be reconciled with the objective of  non-traditional casting, which was devised in part (many decades ago) to open up more opportunities for black and minority actors, allowing them to take on roles written as white?

It can’t. It’s as simple as that. The two approaches eventually clash, and are mutually exclusive. “The Simpsons” policy is wrong and destructive in every conceivable way, and its ethical values, as in competent, fair or responsible, are non-existent.

  • If white actors can only play white characters, then white characters cannot be played (or voiced) by black performers. Oh, I’m sure that while in the grip of fear during the George Floyd Freakout and overwhelmed with the desire to signal virtue to one’s peers, white performers will tolerate such an obviously unfair and absurd double standard for a while, but show business is a brutal and competitive field, and the vast majority of actors of any color have scant financial resources and no job security. The arrangement being pushed by black performers and activists as they sense a window of opportunity created by the Freak-out and the concomitant intimidation of decision-makers will eventually engender resentment and conflict. If the BLM lackeys in the entertainment field really think that this double-standard “solution” to “systemic racism”—which means installing a new system of systemic anti-white racism—will prevail, they are deluded.
  • Moreover, the idea is anti-art, as is the “non-traditional casting as affirmative action” fallacy. If the performing arts aren’t a meritocracy driven by the market—does the performance entertain, or doesn’t it?—then they are doomed. Even with all the brainwashing and bullying to come, the public will never have enough people who will like a show (or a novel, or a painting, or a song)—or pay money to see it— based on its demographics and diversity rather than the quality of the performances
  • To “The Simpsons” and similar products, if the authentically black voice of Dr. Hibbert isn’t as funny, well-timed and deft as white Harry Shearer’s performance, the character won’t be as effective.

I look at all productions this way: a perfect show has 1000 points. Everything that isn’t perfect loses points for that production—a bad accent here, an ill-fitting costume there, missed lines–they all count.  One flaw that loses a few points won’t kill the show; it might not even be noticed. But all of those lost points add up, and when the points sink below a certain level, the production is no longer viable.

“The Simpsons” is voluntarily giving up points, which is simply bad show business and terrible art. If Harry Shearer is the best voice for the Simpsons’ family doctor, then it can’t matter what color he is. The audience doesn’t care.  Every show loses points no matter how perfect it tries to be; giving them up intentionally is unethical, because the artist’s duty is to present the best, most popular and most profitable  work possible, not to meet EEOC quotas.

Continue reading →

And That’s The Rest Of The Stupid Story: Finally, Apu Is Officially Toast. Or A Somosa. Whatever.

/ Jack Marshall / 11 Comments

Hank Azaria, who has performed the voice of the Indian convenience store owner Apu since  1990, now says the series will capitulate to The Woke and Widiculous, and eliminate the character, who represents a stereotype. You know, unlike all the other characters on “The Simpsons.” “All we know there is I won’t be doing the voice anymore,” Azaria told the website SlashFilm. “We all made the decision together… We all agreed on it. We all feel like it’s the right thing and good about it.”

OK, what’s right and good about it? Hank is a Hollywood actor, so I don’t expect much nuanced ethical analysis from him, or any kind of analysis, really, but if an animated satire show can’t defend using stereotypes in a cartoon, then it might as well just give up.

I’m embarrassed to say this is the fourth post on this silly story, but like so many others, it is canary dying in the mine stuff. Yes, it’s just one canary. Still, the mine is looking awfully toxic.

A recap: The controversy was launched when a new documentary debuted Nov. 19, 2017  called “The Problem with Apu.” It reveals that Indian-Americans….well, at least some,  viewed Apu as a charged stereotype, and were especially upset that a non-Indian actor (Azaria), did the voice. I responded,

Move through the muck and emerge in the bright sunlight of reality,  and one sees that there is no problem with Apu. There are problems with lacking a mature reaction to humor and satire, being deliberately hyper-sensitive, power-grabbing using group-identification politics, and cynically looking for offense to justify claiming victim status,  but there is no problem with Apu.

I would love to know why Indian-Americans feel all the other characters in the show can be  outrageous stereotypes and extreme caricatures,  but Apu is unacceptably offensive and insensitive. This is contrived victimization. One cannot reasonable compare the Indians feasting on bugs and chilled monkey brains in “Indiana Jones and the Temple of Doom” to Apu because 1) Apu is entirely benign: he is one of the smartest, sanest and nicest characters in “The Simpsons,” and 2) he’s a cartoon.

“The Simpsons”writers initially took the responsible approach to this contrived controversy: they ridiculed it, taking my route and  noting that it was a cartoon, meaing to sane people that the accusation that the show was marginalizing human beings was not worth  arguing about, being box of rocks dumb. Here was the woke rebuttal to that, from a white female critic offended on behalf of cartoon Indians everywhere: Continue reading →

First Do No Harm? Ethics Observations On “Dragon Lady”

/ Jack Marshall / 34 Comments

Richard Hernandez, who now goes by Tiamat Legion Medusa, or just “Dragon Lady,” has spent more than $70,000 on a series of plastic surgeries and body modifications, a process triggered when the former bank vice-president was diagnosed with AIDS.

He/She/It/Them (He prefers it, and I won’t use “them”,) has had 18 horn implants, both ears removed, a partial nose removal (so he would look like Voldemort in the “Harry Potter” movies—COOL!), 32 teeth pulled and six of his remaining teeth sharpened to points, the whites of both eyes tinted green, and his tongue split into a fork. Tiamat has also had his chin altered nine times and nine piercings, among other procedures. He also underwent gender modification treatment.

Next up, Tiamat says, is the amputation “Mr. Bojangles,” his penis, along with having rainbow scales tatooed over every inch of skin, more horn implants, and both eyeballs stained  purple. The long term goal is to be transformed into a “genderless reptile” by 2025.

Good plan.

Observations: Continue reading →

Sunday Ethics Warm-Up, 3/10/2019: Ethics Savings Time Edition!

/ Jack Marshall / 24 Comments

It’s still morning according to MY watch…

1. When ethics alarms don’t ring...How could Philadelphia’s retailers and stores not have seen this problem? The city of Philadelphia has passed a law that will requiring retailers to accept cash, responding to increasing numbers that have gone “cashless.”The new law was signed by Mayor Jim Kenney last week and takes effect on July 1 . Violations could bring  fines of up to $2,000.

City Councilman Bill Greenlee co-sponsored  the bill. “It just seemed to me unfair that I could walk into a coffee shop right across from City Hall, and I had a credit card and could get a cup of coffee. And the person behind me, who had United States currency, could not,” he explained.

Good. Serving only people with credit cards is obviously discriminatory.

2.  More on the robocalling experiment. I previously noted that MLB is using the independent Atlantic League to try out some new rules, innovations, and suggested “fixes” for baseball. Only one is of obvious ethics interest: the electronic calling of pitches, which is a matter of integrity. Games should not be warped by crucial decisions that are obviously erroneous and that the game now has the technological tools to prevent. The rest of the measures being tested raise issues of their own:

  • The mound will be moved back two feet to 62’6″. Comment: I assume this is an effort to make hitting easier and pitching harder. I find it difficult to believe that anything this radical has a chance of being adopted.
  • Larger bases will be used (18″ instead of 15″). Comment: Okaaaay…
  • Defensive shifts will be banned. Comment: A terrible idea, constraining defensive creativity and the constant back-and forth change-and-response that has kept baseball dynamic. Let batters figure out how to beat shifts. They have the ability to do it.
  • A radar-enabled strike zone will be employed. Comment: It’s about damned time!
  • Time between innings and pitching changes reduced from 2:05 to 1:45. Comment: Good.
  • Three batter minimum for pitchers entering a game. Comment: This is to eliminate the single pitcher-per-batter trend in late innings that slows down the game with minimal benefits. I see no reason not to do it; there are similar rules already, such as requirements that a pitcher must pitch to at least one batter.
  • There will be no mound visits unless a pitcher is removed from the game or for medical issues. Comment: NO visits is draconian. All this will do is speed the intrusion of electronic communications between catcher and pitcher and pitcher and manager. Yechhh!

3. When lawyers should just shut-up. ABA Model Rule Of Professional Conduct 3.6 says in part:

a) A lawyer who is participating or has participated in the investigation or litigation of a matter shall not make an extrajudicial statement that the lawyer knows or reasonably should know will be disseminated by means of public communication and will have a substantial likelihood of materially prejudicing an adjudicative proceeding in the matter.

It also says,

c) Notwithstanding paragraph (a), a lawyer may make a statement that a reasonable lawyer would believe is required to protect a client from the substantial undue prejudicial effect of recent publicity not initiated by the lawyer or the lawyer’s client. A statement made pursuant to this paragraph shall be limited to such information as is necessary to mitigate the recent adverse publicity.

The rule, which has substantially identical versions in all jurisdictions, needs to be enforced more stringently. It isn’t, I assume, because the bar associations are worried about a court striking down the rule as a First Amendment violation.

Here’s Jussie Smollett’s lawyer, media hound Mark Geragos, on the charges against his client.:

“This redundant and vindictive indictment is nothing more than a desperate attempt to make headlines in order to distract from the internal investigation launched to investigate the outrageous leaking of false information by the Chicago Police Department and the shameless and illegal invasion of Jussie’s privacy in tampering with his medical records. Jussie adamantly maintains his innocence even if law enforcement has robbed him of that presumption.”

ALL the publicity was initiated by Gallegos’s client! His crime was designed to get publicity!

Shut up, Mark. This is the kind of statement that does your client no good, and adds to the public’s distrust of lawyers.

I do give him credit for one thing, though: note that he says, “Jussie adamantly maintains his innocence,” and not “Jussie is innocent,” which he knows is a lie.

4. Nah, there’s no mainstream media bias!

  • Headline (NYT): “Border at ‘Breaking Point’ as More Than 76,000 Unauthorized Migrants Cross in a Month.” Quote:”More than 76,000 migrants crossed the border without authorization in February, an 11-year high and a strong sign that stepped-up prosecutions, new controls on asylum and harsher detention policies have not reversed what remains a powerful lure for thousands of families fleeing violence and poverty.”

Gee, sounds like a national emergency to me! Nope: it’s Trump’s fault: “the Trump administration’s aggressive policies have not discouraged new migration to the United States.”

  • Because the Democrat’s watered down “anti-hate” resolution did nothing to condemn the anti-Semitic statements by Rep. Omar, some Republicans withheld their votes for it in protest. Here was how Politico spun it: “Republican leadership splits, and party splinters over hate resolution.”

5. I suppose this should be a stand-alone post, but I don’t want to write about Michel Jackson any more than I have to. It is now official [Pointer: JutGory]: “The Simpsons” is airbrushing away the classic 1991 episode “Stark Raving Dad,” because a key character was voiced by Michael Jackson. James L. Brooks, co-creator of the show, says that the 1991 episode guest-starring Michael Jackson will be pulled out of its archives, permanently, and will be removed from all platforms including DVD sets and streaming services. “It feels clearly the only choice to make,” Brooks says. “The guys I work with—where we spend our lives arguing over jokes—were of one mind on this.”  He added, “I’m against book burning of any kind. But this is our book, and we’re allowed to take out a chapter.”

Sure it’s book burning, and  “the guys Brooks works with” are probably all in favor of tearing down the statues of Confederate generals and monuments to slave-holding Founders, too. Brooks’ ideological clones are suddenly fans of censorship and hiding history when it becomes uncomfortable. There is so much wrong with this decision, it boggles the mind, but a few will suffice…

  • Why now? Oh, right: a documentary made a decade after Jackson’s death suddenly proves what couldn’t be proved in court, is that the theory?
  • Is Brooks really asserting that any artist who releases his or her art to the public is justified in unilaterally destroying it because of a personal motive? The artist has the right, yes. It’s also unethical. The work is no longer the artist’s, it belongs to the culture. This is why Stephen Spielberg has regretted and reversed his politically correctness-addled decision to change the guns carried by the federal agents in “E.T.” to walkie-talkies.
  • This is a time for Kant’s Categorical Imperative. If this is the right thing to do because of Jackson’s alleged misconduct,  then it must be absolute, an unconditional requirement to be observed in all circumstances and justified as an end in itself. That means that no work by Woody Allen, Bing Crosby, Bill Cosby, Errol Flynn, Richard Pryor, John Lennon (and by extension, The Beatles), Peter, Paul and Mary, Charlie Chaplin, Jerry Lee Lewis, and too many others to list, should ever again be available for the public to view, hear, or enjoy.
  • Presumably any film that O.J. Simpson appeared in must be vaporized as well, including “The Naked Gun” films and the greatest disaster movie ever made, “The Towering Inferno.”

The main thing is that “Stark Raving Dad” is a terrific episode.

This is flagrant narcissism, virtue-signaling and grandstanding by Brooks and his colleagues.

Sunday Morning Ethics Warm-Up After The Red Sox Complete An Unprecedented Late Inning Comeback In The World Series HAHAHAHAHA!, 10/28/18: Obama’s “Norms”, Goodbye Apu, #MeToo Hypocrisy, And “Roshomon,” Chicago-Style

/ Jack Marshall / 15 Comments

Focus, Jack, focus!

1. Not the World Series, ETHICS! And speaking of ethics…

  • What kind of lie is this? Rich Hill, the Dodgers starting pitcher last night who almost unhittable, said in an interview that he “liked” his team’s chances of winning the Series despite being behind 3 games to 1. World Series history and basic math says that the chances are “slim.” He likes the slim chances? Does he really like them? Does he believe liking them means they are more likely to break his way?

Is he just lying to buck up his team and its fans, when he really doesn’t “like” the chances at all, not being, you know, an idiot? Does that make it a “good lie”?

  • The Fox World Series broadcast team of Joe Buck and John Smoltz is incompetent. In a potentially game-changing play in which the Boston catcher’s throw attempting to complete a home-to-first double-play sailed past first, allowing the game’s first run to score, the two alleged experts said that there was no interference. Wrong. There was interference, and it was obvious: Bellinger, the Dodgers runner, was on the infield grass rather than the yard-wide running lane to the right of the baseline, which exists precisely for plays like that, when the catcher needs a lane to throw unimpeded to first base to get the out.  It should have been called runner’s interference, completing a double-play and ending the inning without a run scoring. Instead, the run scored on the errant throw from Boston catcher Vasquez, and the next batter, Yasiel Puig, hit a three-run homer to give L.A. a 4-0 lead. There was no discussion of the rules and issues involved.

But after the game, over at the MLB cable channel, former Yankees manager Joe Girardi and baseball analyst Harold Reynolds graphically illustrated that the interference should have been called. This is what the Fox broadcasters are paid for: to explain the nuances of the rules and the game to the average World Series viewer, whose baseball acumen is rudimentary. The umpires missed the play, even though as Reynold pointed out, it was called many times during the season. Umpires are reluctant to call interference of any kind during the post-season, because it’s messy, and guarantees controversy and an on-field arguments.

  • For an unusual first ball ceremony, former Red Sox-Oakland Hall of Fame pitcher Dennis Eckersley (Now an ace Boston TV color man, known New England-wide as “Eck”) threw a pitch to ex-Dodgers catcher Steve Yeager as Kirk Gibson stood in the batters box. Gibson, you should recall, hit the famous “The Natural” home run off Eckersley to win Game #1 of the 1988 World Series, after limping to the plate as a pinch-hitter in the bottom of the 9th inning. How many ex-players would voluntarily re-enact their worst moment on the field on national TV? Imagine Ralph Branca throwing a ceremonial first pitch to Bobby Thompson.

Eck personifies humility and exemplary sportsmanship.

  • Trump Tweets, Baseball Division. This made me laugh out loud, I have to admit. During the game, the President criticized Dodgers manager Dave Roberts decision to replace Hill with his first baseball tweet:

“It is amazing how a manager takes out a pitcher who is loose & dominating through almost 7 innings, Rich Hill of Dodgers, and brings in nervous reliever(s) who get shellacked. 4 run lead gone. Managers do it all the time, big mistake!”

I wish the President would confine all of his tweeting to second-guessing managers and coaches. It’s obnoxious, but harmless. Dodgers manager Dave Roberts, presented with the tweet during his post-game press conference, handed it ethically and well. Steely-faced, he asked, “The President said that?” and responded, sufficiently respectfully, “I’m happy he was tuning in and watching the game. I don’t know how many Dodgers games he’s watched. I don’t think he was privy to the conversation. That’s one man’s opinion.”  Roberts was referring to the fact that Hill told him that he might be getting fatigued. Nonetheless, lots of people other than the President questioned Robert’s decision.

It is pure hindsight bias, of course, as well as consequentialism. If the Dodger bullpen had held a late-inning  4-run lead as every previous World Series bullpen had, nobody would be criticizing Roberts.

2. The confiscated handicapped van. [Pointer: Michael Ejercito] Andrea Santiago’s $15,000 van with a customized wheelchair lift was confiscated  by the City of Chicago as an abandoned vehicle. She has polio and multiple sclerosis, and the family claims the vehicle was parked legally and obviously not abandoned. This is a Roshomon situation, for the accounts of the city and the family are irreconcilable. Chicago’s Department of Streets & Sanitation sent this statement: Continue reading →

Afternoon Ethics Incitement, 4/10/2018: All About Apu

/ Jack Marshall / 80 Comments

Ethics Alarms covered the silly, hyper-political correctness attacks on ‘The Simpsons” character  Apu Nahasapeemapetilon—Oh NO! They are making fun of Indian NAMES!—, the Indian immigrant owner of the local convenience store. Now “The Simpsons” itself addressed the issue:

Naturally, the progressive victim-mongers who cooked up this phony controversy are mad at Marge and Lisa. Here is a typical response from the Angry, Perpetually Offended Left, by former TV critic and lawyer-turned-blogger Linda Holmes, who I am now convinced turned away from the law because she couldn’t meet the tough reasoning requirements.

(And have a mentioned before that taxpayer funds should not be used to pay for social justice warrior drivel like this? I’m sure I have…)

At the end of her screed, she writes,

“I know: It’s a cartoon. That is the easiest, silliest response to this debate. It’s just a cartoon. It’s just a comedy. Or, as the photo of Apu pointedly says, don’t have a cow. But the show doesn’t have this defense to call on, because it has accepted accolades for decades as a thoughtful, intelligent, satirical work that deserves to be taken seriously. It has accepted a Peabody Award, and a GLAAD Media Award. It has been praised and slobbered over and quoted and praised again, and to plead insignificance at this point is unavailing.”

I hate to be harsh, but this is idiotic beyond excusing. To say “It’s a cartoon” is not to say that it is insignificant, and to say “It’s just a comedy” is not to argue that its content doesn’t matter.  It’s a cartoon means that cartoons as an art form, exaggerate, stereotype and mock individuals and groups using funny faces, voices, words and actions, and anyone who takes personal offense—or who works hard to find offense– at a cartoon that was not intended to offend is best dealt with by saying to him or her, “Avoid animated entertainment. You don’t understand it.” And maybe a pat on the head will help.

This is me, by the way:

 

(I’m not offended, though I am not yellow, have broader shoulders, my skull isn’t that big in proportion to by body and don’t have that big line in my forehead.) Continue reading →

Observations On The La Jolla High Cartoon Controversy

/ Jack Marshall / 44 Comments

I was going to make this an Ethics Quiz, but category that  can’t quite encompass the issues involved, and the more I considered it, the more certain I became of what should have happened. Here is the story:

A student-drawn cartoon was  published last month in the La Jolla High School’s “Hi-Tide” newspaper. It depicted eight ethnic groups in a blatantly stereotypical manner ( which is to say, it was a cartoon), with each figure pictured wearing T-shirts with messages  reinforcing the stereotypes. The cartoonist’s purpose was to lampoon the controversial H&M ad that caused the company to pull the ad and apologize:

Here was the student’s cartoon…

The requisite number of sensitive students and /or their sensitive parents complained about the cartoon to compel the school principal to grovel an apology, saying that the decision to publish the cartoon was an “error in judgment and a breach of all the values we hold dear at La Jolla High School,” since the cartoon depicted multiple ethnic groups as “ugly racial stereotypes.”

Observations: Continue reading →

The Problem With Apu?

/ Jack Marshall / 40 Comments

Commenting on the recent attacks from progressives on the allegedly racist drawings of Dr. Seuss, I wrote,

I’ve missed it: have social justice warriors been protesting “The Simpsons”? No? Not even Apu, the Indian immigrant Springfield resident—Wait! Isn’t the Dr. Seuss Museum in Springfield?–who has the stereotypical ethnic occupation of a convenience food proprietor (Full disclosure: my local 7-11 is owned by an Indian American)? You know, this guy?

Apparently I inadvertently set something in motion in the zeitgeist; I’m so sorry. For the New York Times informs us that a new documentary debuting Nov. 19 on truTV  is called “The Problem with Apu,” and “wrestles with how a show praised for its incisive humor — over the years, it has explored issues like homophobia and political corruption — could resort to such a charged stereotype. Making matters worse is the fact that the Indian character is voiced by a non-Indian (albeit an Emmy-winning) actor, Hank Azaria.”

The article goes on,

“In the film, Mr. Kondabolu places Apu within the broader history of Hollywood’s depiction of Indians, including Peter Sellers’s brownface rendition of an idiot in the 1968 Blake Edwards film “The Party” and the Indians feasting on chilled monkey brains in Steven Spielberg’s “Indiana Jones and the Temple of Doom.” He also reached out to a who’s-who of South Asian actors to talk about their experiences in Hollywood.”

The Indian-Americans quoted in the artical are especially upset that Apu’s accent isn’t authentic; it’s just funny. Can’t have that.

Move through the muck and emerge in the b right sunlight of reality,  there is no problem with Apu. There are problems with lacking a mature reaction to humor and satire, being deliberately hyper-sensitive, power-grabbing using group-identification politics, and cynically looking for offense to justify claiming victim status,  but there is no problem with Apu.

I would love to know why Indian-Americans feel all the other characters in the show can be  outrageous stereotypes and extreme caricatures,  but Apu is unacceptably offensive and insensitive. This is contrived victimization. One cannot reasonable compare the Indians feasting on bugs and chilled monkey brains in “Indiana Jones and the Temple of Doom” to Apu because 1) Apu is entirely benign: he is one of the smartest, sanest and nicest characters in “The Simpsons,” and 2) he’s a cartoon. Cartoons are always exaggerated, and if they are not, they aren’t funny. They also aren’t cartoons. Continue reading →