voices

Confronting My Biases, Episode 14: Female Baseball Broadcasters

/ Jack Marshall / 9 Comments

There is really no good excuse for this one, just reasons, but I’m trying, I really am.

Major League Baseball is making a concerted effort to get more women into the baseball broadcast booths for both radio and TV. I don’t know if this is a DEI-inspired initiative or just a rational response to a long-lasting gender prejudice. Either way, there is no reason why a woman who knows the game, has a pleasing voice and is an experienced broadcaster shouldn’t be doing play-by-play or color commentary.

I am not used to it, however; nobody is. Baseball games to loyal fans are the voices of Vin Scully, Earnie Harwell, Mel Allen, Curt Gowdy, Harry Carey, and the rest. It didn’t help that the first prominent national baseball female broadcaster was whoever the young softball star was who was put in a three-person ESPN Sunday Night Baseball booth next to Alex (yecchh!) Rodriguez several years ago. Cheatin’ A-Rod was terrible as always, but she was embarrassing: NOW should have petitioned to have her fired. She was cute, which I suspect was the major reason she got the job, but most of the time she was giggling or laughing. She set the cause of female baseball broadcasting back at least a decade.

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Presenting The Complete Fake Voice Ethics Verdicts

/ Jack Marshall / 4 Comments

Voiceprint

In Roadrunner: A Film About Anthony Bourdain, filmaker Morgan Neville,examines the life and death of the famous TV chef Bourdain. In the process of doing so, he introduced a new documentary device: using Artificial Intelligence to simulate Bourdain’s voice.

In a recent interview with the New Yorker, Neville explained that he used AI to synthetically create a voiceover reading of a Bourdain email that sounded like Bourdain was the reader. He engaged a software company and provided about a dozen hours of recordings, allowing them to create a convincing electronic version model of Bourdain’s voice. That voice reads three lines in the film, including an email sent to a friend by Bourdain: “My life is sort of shit now. You are successful, and I am successful, and I’m wondering: Are you happy?” But Bourdain, of course, never read that or any of the other three lines, to which Neville’s message to viewers is “Nyah, nyah, nyah!” “If you watch the film … you probably don’t know what the other lines are that were spoken by the AI, and you’re not going to know,” he said.

Well, critics, including Ottavia Bourdain, the chef’s former wife, objected to the ethics of an unannounced use of a “deepfake” voice to say sentences that Bourdain never spoke.

I was going to make this an Ethics Quiz, and then after thinking about for a few seconds, decided that the issue doesn’t rate a quiz, because I’m not in nay doubt over the answer. Is what Neville did unethical?

Yes, of course it is. It is unethical because it deliberately deceives listeners into believing that they are hearing the man talking when he never said the words they are hearing. It doesn’t mitigate the deception, as Neville and his defenders seem to think, that Fake Bourdain is reading the actual unspoken words in an email. It’s still deception. Is the creation and use of a zombie voice for this purpose also unethical, like the creation of CGO versions of famous actors to manipulate in movies they never made, discussed (and condemned) here?

That’s a tougher call, but I come down on the side of the dead celebrity who is being made into an unwilling ventriloquist’s dummy by emerging technology.

This would be a propitious time to point out what is ethical and what isn’t when it comes to using a dead celebrity’s voice, real or fake, in various forms of communications and education:

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Q: “What Kind Of Person Fakes Her Voice?” A: “A Competent One.”

/ Jack Marshall / 28 Comments

http://www.youtube.com/watch?v=-0442iO6My0

Preface: This is the kind of issue that can be hard to find, unless one has unlimited time to search all sources and for better or ill, I don’t. Ethics Alarms is still feeling the effects of losing the regular services of topic scout Fred, who had a remarkable reach, finding ethics issues in all sorts of places I never would (though Fred does drop by here to comment, and I am grateful for that, as well as his long service.) I really do depend on the readers for tips, particularly in the non-political arena. Even the news aggregating sites like The Daily Beast, The Daily Caller, the Blaze and Huffington Post have become more politics obsessed than ever, so Ethics Alarms has to dig deeper and go farther. Some of our best discussions have arisen out of obscure venues. So please: keep an ye open, and write me at jamproethics@verizon.net/

Ann Althouse found this, from The Cut:

There are many fascinating, upsettingdetails in the story of Elizabeth Holmes, but my favorite is her voice. Holmes, the ousted Theranos founder who was indicted last year on federal fraud charges for hawking an essentially imaginary product to multi-millionaire investors, pharmacies, and hospitals, speaks in a deep baritone that, as it turns out, is fake. Former co-workers of Holmes told The Dropout, a new podcast about Theranos’s downfall, that Holmes occasionally “fell out of character” and exposed her real, higher voice — particularly after drinking. One can only assume the voice will be discussed in the upcoming HBO documentary, too.

To begin with, as anyone can hear from the video above, Theranos did not and does not speak in deep baritone voice, which tells us immediately that the author, Katie Heaney, doesn’t know what she’s talking about. Neither, apparently, does Ann, who directs us to another video and describes Holmes’ voice as “a ludicrous phony voice.” There’s nothing ludicrous about it, and if she is not using a ventriloquist, it’s not phony either. Continue reading →