They Just Couldn’t Do It…Critic Wesley Morris And The New York Times Blow Up Standards, Ethics And My Head To Try To Excuse Will Smith

Two graphics are called for to introduce this ethics horror. This:

..because I had hoped against hope that I wouldn’t have to write another post about Will Smith’s attack on Chris Rock during the Oscars broadcast. But it is obviously and ethics train wreck now, and I have no choice. And this…

…because I am stunned, shocked, and disgusted, and think, or perhaps hope, that we have reached a tipping point where the sensible people in this nation say, “Enough!”

Spuds had woken me from a sound sleep up to go outside, good boy that he is, and though I was ready to go back to bed, I made the mistake of picking up the New York Times from my lawn. Then I made the bigger mistake of taking it to the bathroom with me, and the bigger mistake yet of turning to the Arts section. And there it was: an epic, head-exploding, all-in screed by Times critic Wesley Morris explaining why Will Smith was not really to blame for his astounding, incredible, unethical, unprofessional, unjust, infantile, and criminal attack on comedian Chris Rock (who will get his Ethics Hero award from me today). but just about everyone else and everything else was.

I’m taking a pause now because my head feels ready to go off again…

They just couldn’t do it, could they? The Left, the race-baiters, black activists, the news media and the opinion-making elite could not stop themselves from turning an attack by one black celebrity on another into another bigoted weapon in the “antiracism” war against American culture. I’m such an idiot. With everything we’ve seen, I just didn’t see it coming. Oh, I expected the racists and bigots on the right to try to make Smith actions symbolic of something rotten and predictable in black culture; except for the hypocrisy of its source, I agree with the assessment of Bernice A. King, the daughter of Martin Luther King Jr. and Coretta Scott King wrote, “Anybody who thinks ‘Black people look bad’ after the #Oscars already thought Black people look bad.” But I should have seen this stage coming, the desperate need to make Smith the victim instead of Rock, and someone, something, the wrongdoer instead of Smith. The big clue was the Oscar audience giving Smith a huge ovation after he had slapped Rock for an award he should not have been allowed to accept. I should read what I write sometimes: I already mused in one post about how different the response would have been if it had been Alec Baldwin slapping Rock.

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The Great Smith-Rock Rumble Ethics Round-Up!, Part 1

As Glenn Reynolds often says, “You’re going to need a bigger blog!” But there are many ethics alarms a-ring in this fiasco, so attention must be paid.

Let’s get to it:

1. Will Smith’s apology, posted last night on Instagram:

Violence in all of its forms is poisonous and destructive. My behavior at last night’s Academy Awards was unacceptable and inexcusable. Jokes at my expense are a part of the job, but a joke about Jada’s medical condition was too much for me to bear and I reacted emotionally.

I would like to publicly apologize to you, Chris. I was out of line and I was wrong. I am embarrassed and my actions were not indicative of the man I want to be. There is no place for violence in a world of love and kindness.  

I would also like to apologize to the Academy, the producers of the show, all the attendees and everyone watching around the world. I would like to apologize to the Williams Family and my King Richard Family. I deeply regret that my behavior has stained what has been an otherwise gorgeous journey for all of us.

I am a work in progress.

  • There are some acts that cannot be apologized for, and this was one. “I’m sorry I hit a fellow performer in the face during the live TV broadcast’ is required pro forma, but nobody should treat it as anything more than that. The conduct can’t be excused or forgiven.
  • As Tim LeVier noted in his Comment of the Day yesterday, Smith is obligated to apologize to his victim, Chris Rock, face-to-face. He did not mention Rock in his half-mea culpa while accepting his Oscar. Rock will be professionally obligated to be gracious, of course, when and if that happens.
  • Do not think for a second that Smith composed that statement. I wonder how much he paid for it. I would have written him a better one for less. I’m sure.
  • I would have, for example, omitted: “Jokes at my expense are a part of the job, but a joke about Jada’s medical condition was too much for me to bear and I reacted emotionally.” Jokes at Jada’s expense are also part of her job: she’s a celebrity, actress and talk show host. Furthermore, the joke was abut her shaved haircut, not her “medical condition”—this advances the dishonest “It’s Chris Rock’s fault” spin the Smith lobby is pushing. Hair loss is a medical condition, but as I wrote yesterday as a target of bald jokes and before that, “losing your hair” jokes since my early 20s, women are not exempt, by their own rules.

Oh, you acted emotionally by dashing up on stage, smacking Rock, and then shouting for him to keep the name of your wife out of his “fucking mouth”? Thanks for that clarification. Continue reading

Comment Of The Day: “Additional Morning Thoughts: ‘Smith Vs. Rock At The Oscars'”

You never know.

I assumed yesterday that I wouldn’t be writing anything about the Oscars, which have politicized and wokified the ceremony into irrelevance, and here we are with the third Oscars-related post, following my my earlier ones here and here. This, a Comment of the Day by one of Ethics Alarms’ most veteran (and most restrained) commenters, Tim LeVier, is also by far the best, delving fearlessly and perceptively into the ethical issues raised by Will Smith’s astounding physical attack on Chris Rock in front  of the Hollywood glitterati and an American TV audience of diminished but still significant numbers.

Before turning things over to Tim, I will mention here, because I may forget later, that my print version of the New York Times today included a story covering last night’s awards and broadcast that did not mention the Smith-Rock episode at all. How do you explain that? The story included Oscar fashions and the “historic” awards (apparently whoever plays Anita in “West Side Story” must get a statuette); it mentioned the three smug hosts’ infantile “Gay, gay, gay!” chant. But a major star attacking a major comic on stage in an iconic awards ceremony wasn’t deemed by the New York Times as “news.”

What a great newspaper. If anything called for the “Naked Gun” clip, this does...

Now, here is Tim’s Comment of the Day on the post, “Additional Morning Thoughts: ‘Smith Vs. Rock At The Oscars'”….

***

Honestly, I’m more interested in the public reaction than the event itself. People seem to have this immediate need for clear thinking and the next chapter of the story. It’s a problem in our society more commonly referred to as instant gratification. Most of the posts and hot takes are in this vein but with varying objectives.

The pearl clutchers are the worst. “Why didn’t a police officer go an arrest him?” “Why didn’t the show director eject him?” “Why didn’t security intervene?”

Police need a complaint. The director needs time. Security aren’t in on the performance and have a tough time knowing reality from fiction particularly when the assaulted party engages with the assaulter and the assaulter casually moves into position.

It will be interesting to hear from Glenn Wiess the director and any producer about the mental gymnastics they were doing to figure out how to proceed. In the moment, during that commercial break, I’m sure it was “Is everyone cooled down now?” “Can we get through the remainder of the program?” “Am I required to take action?” “What does Chris Rock have to say?”

It was an unprecedented moment for sure and I guarantee there are some figures having discussions this morning on how to treat this going forward. There will be bright line rules put in place for the future. Everyone has now considered this predicament. Should it happen again, that person will be ejected….and then we’ll get to hear about “double standards” and “hypocrisy”. Continue reading

Additional Morning Thoughts: “Smith Vs. Rock At The Oscars” [Updated]

Last Night, I was shutting down my computer when I saw the Rock-Smith story, and dashed out a post at about 1am. Those were literally immediate reactions, and I knew nothing else about the broadcast except that Smith was allowed to stay, and that he later won the Oscar for Best Actor for a movie I didn’t see and am unlikely to, especially after his behavior last night.

I had some additional thoughts after my first coffee this morning.

  • Some people are suggesting that the episode was staged, even Ann Althouse, an Oscars fan for some reason. Ann needs to get out more. Trust me on this: it wasn’t staged. I am a stage director; I have staged such things. Actors are notoriously terrible at faking contact, and Chris Rock isn’t exactly a professional stunt man. Smith hit him with the flat of his hand, which saves him from broken bones: if it had been staged, it would have been a fist.

Furthermore, what happens near the beginning of any live show vastly influences the audience’s reaction to the whole evening: if the episode was staged, it would have been at the beginning, otherwise there was no point. That bit of ugliness toward the end clouded the ceremonies both for the live audience and the home audience, and especially undermined Smith’s  Best Actor moment. In addition, as Althouse finally convinced herself as she wrote her post, it put Smith’s wife in a bad light as well as the actor, embarrassed Rock, and made no sense except as a temper tantrum (or protective husband grandstanding) by Will Smith. Later, the Academy put out a pro forma statement that it didn’t condone violence, which would have been reasonable coming from anywhere but Hollywood.

  • I hadn’t seen what Jada Pinkett Smith looked like at the Oscars when I wrote the post last night, nor heard exactly what Rock said. She has shaved her head…you know, like me. And Bruce Willis. And the TCM co-host, Jacqueline Stewart. See?

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Smith Vs Rock At The Oscars: Res Ipsa Loquitur, And In So Many Ways

Yes, that’s actor Will Smith, who later was awarded the Best Actor Oscar, physically battering comedian Chris Rock during the live Academy Awards Broadcast last night. Rock staggered back and said,  “Wow, Will Smith just smacked the shit out of me!” Then Smith returned to his seat and shouted: “Keep my wife’s name out of your fucking mouth!”

Rock had made an ill-considered wisecrack about Jada Pinkett, Mrs. Will Smith.

I know the headline is “Res Ipsa Loquitur” (“The thing speaks for itself”) and the photo does, but I’m going to list some ethics observations anyway. Continue reading

More Casting Ethics Madness: “Colorism” And Will Smith

Perusing the Ethics Alarms essays on casting ethics (there are a lot of them), I think I finally understand the rules. It’s wrong to cast a black actor to play a black character when the original character was white, but if the black character is playing a white character as white, that’s OK. Casting an African-American actor to play a fictional Arab sheik in “Ben-Hur” is fine, but casting a black Samoan-American as fictional black icon John Henry is unacceptable. It’s wrong to cast an abled actor to play a disabled character, wrong to cast a cis actress to play a real life woman who pretended to be a man, wrong to cast that same actress to play an animated heroine who was originally drawn as Japanese, but brilliant to cast black and Puerto Rican actors to play Alexander Hamilton and the Founders. Oh! I nearly forgot! It’s wrong to cast a white actor to replace a black actor who replaced a white actor playing the role of a white character.

Clear?

Now we have a casting ethics controversy that has raised its empty head before: Will Smith is on the verge of being cast to play Serena and Venus Williams’ father Richard in a film, and critics and social justice warriors are calling it “colorism,” because Smith isn’t as dark and the tennis stars’ dad.  Black sports writer Clarence Hill Jr tweeted, “Colorism matters..love will Smith but there are other black actors for this role..” Another indignant political correctness warrior  (in Great Britain) wrote, “Why are they whitewashing the dad with Will Smith? Colourism is constantly subconsciously fed to us and we just eat it up…”

“Colorism” is unethical because, the BBC tells us, because

“It can lead to a lack of representation in film, TV and fashion, particularly in Hollywood and Bollywood, as well as discrimination at work or on dating sites, and even to serious health problems from skin bleaching creams.”

Except, you know, casting Smith as Williams isn’t colorism. It is “casting a prominent actor for the role who will put fannies in the seats-ism.” Who cares how dark or light Richard Williams is? What does his skin shade have to do with the reason he’s worthy of a film portrayal? Would Venus and Serena be better or worse athletes if he were the shade of Will Smith?

The “colorism” argument has come-up before, in the controversy over The Rock playing John Henry, and when not-sufficiantly black actress Zoe Saldana was cast to play singer Nina Simone, and wore dark make-up to resemble her.

I’m pretty sure that I’ve finally figured out what’s going on. Just as rape isn’t about sex but about asserting power, so the progressive complaints about casting aren’t truly about race, or color, or fairness, or white-washing, or any of the supposed justifications for manufactured outrage. They virtually always for the purpose of asserting and cementing the power to bend others to their will, to establish the precedent that whatever they demand, even when it is the opposite of what they may have demanded in the day before, even if it is obvious that they are making up the rules as they go along, must be accepted. It is the equivalent of an abusive boss ordering a subordinate to strip, get down on all fours, and bark like a dog.  They do it because they can.

The only way to end this nonsense is to defy it, but as we have seen in most of the casting controversies, since actors are generally too shallow and too cowardly to articulate ethical principles much less take a stand in favor of them, the actor who is the target of the complaint usually grovels an apology and withdraws. I’m hoping that Smith is made of sterner stuff, but I wouldn’t bet on it.

 

Ethics Hero: Ice Cube…Adult

Ice Cube

The Academy Awards nominations flap has been gradually acquiring Ethics Train Wreck Status. Naturally, since it involves race (black artists didn’t get their quota this year, whatever that quota is–it’s a secret quota, but clearly zero isn’t it) and thus an opportunity for him to get some publicity, Al Sharpton weighed in with sputtering outrage, calling for a boycott of the Oscars. Then Spike Lee announced a personal boycott, making no sense in the process, rapidlly followed by Jada Pinkett Smith, who really made no sense, writing,

“Begging for acknowledgment or even asking diminishes dignity and diminishes power. And we are a dignified people. And we are powerful. Let’s not forget it. So let’s let the Academy do them, with all grace and love. And let’s do us.”

Gibberish. What is throwing a tantrum and boycotting your industry and profession as it honors itself and your colleagues’ art because  the people you really care about—those of the right color, you know— didn’t get a nomination, if it isn’t demanding recognition, which is as pathetic as asking or begging for it, just more obnoxious?

Next her husband, Will Smith, who looks like a poor sport by doing so, followed her lead, muttering inappropriate platitudes. He said, “There is a position that we hold in this community, and if we’re not part of the solution, we’re part of the problem.” If you say so, Will. Causing racial division in your profession and sabotaging its big self-promotion night is part of what solution, now?

In ethics train wrecks, all passengers live to regret it. Over at Fox News, panelist and former “Clueless” actress Stacey Dash suggested that black actors had nothing to complain about as long as they participated in blacks-only honors, like the BET Awards, and the NAACP Image awards. What was that supposed to mean? That Oscar should be all-white, since there are all-black awards? Is this a plug for separate but equal? Her argument was incoherent, so naturally Donald Trump endorsed it, saying, and I quote, “Blah, blah, blah, blah…” Among the blahs, he noted,

“So over there — the whites don’t get any nominations, or don’t get — and I thought it was an amazing interview, actually. I never even thought of it from that standpoint. But with all of that being said, it would certainly be nice if everybody could be represented properly…”

Trenchant analysis, you moronContinue reading