Morning Ethics Warm-Up, 7/10/2019: The All-Star Game, The National Anthem, Quotas, And Secretary Acosta

Good morning!

1. All-Star Game ethics reflections (with a dash of women’s soccer):

  • Competence. Can someone tell me how many different keys MAX wandered into while trying to sing the National Anthem at the MLB All-Star game last night? He was flat, he was sharp, he fluctuated mid-phrase.  My rule is that I don’t care to hear a singer’s self-indulgent riffs at the end of the anthem if he couldn’t sing the real notes accurately earlier. That was awful. I know: it’s a tough song to sing on pitch without accompaniment, but these people are supposed to be professionals, and that was an amateurish, sloppy job.Incredibly, MAX has performed the Star-Spangles Banner at other sporting events.

Somebody tell him.

A saving grace: at least he remembered all the words (more or less) and didn’t kneel.

  • [ Speaking of kneeling: Women’s soccer team captain Megan Rapinoe “explained” her disrespecting the National Anthem (in defiance of her own team’s rules) while representing the nation abroad, telling Anderson Cooper last night (of course Anderson had neither the wit nor integrity to challenge her nonsense,

“I think that protest is not comfortable ever. It’s going to force people to look inward and question everything they thought that they knew….taking care of others, standing up for yourself and other people if they don’t have the ability to do so, is very uniquely American…I don’t think anybody can deny the horrors of racism and Jim Crow and mass incarceration and what’s happening on the southern border and gay rights and women’s rights.”

This is a sub-breed of Authentic Frontier Gibberish, the increasingly common species called the Self-Righteous Virtue-Signaling Authentic Frontier Gibberish, or “Kaepernick-speak,” SRVSAFG for short.. If an athlete hates the country because of its past mistakes more than he or she is proud of the country because of what it stands for, aspires to, and has accomplished, then it is hypocritical to play for a national team. “What’s happening” on the Southern border is an under-funded law enforcement and security agency doing the best it can to handle a flood of deliberate law-breakers who have chosen to endanger their own children. “What’s happening” in gay rights is that they are stronger now than they were during the first term of the previous administration. “What’s happening” in women’s rights is a healthy national debate over whether those rights should include an upon-ended right to end the life of  another human being—none of which has anything to do with soccer.

But I digress–we were talking about an American sport, baseball…

  • Integrity. Fox’s baseball broadcasting is marginally better than ESPN’s but only because Fox doesn’t include a sociopathic steroid cheat like Alex Rodriguez on its broadcast team. However, the devise of having live interviews with the players on the field during the game is offensive and insulting. MLB is foolish to allow it.

2.  Oh for God’s sake...In her review of “Dog Man: The Musical,” New York Times reviewer Laurie Graeber writes, “[M]y only quibble is the same one I have with the novel: All the really interesting characters are male.” Okay, it’s only a quibble, but it’s an offensive and biased quibble, and since her editor–if the Times still uses editors; I see no sign of them of late—didn’t have the sense to slap her down, it’s up to the rest of us. What does she want, EEOC quotas in every story now? Yes, that’s exactly what she wants, and the idea is creatively stultifying. This quibble leads to other similar quibbles, and the next thing you know, a production of “Twelve Angry Men” or “That Championship Season” or “The Fantastiks” will be labelled racist, sexist, homophobic or “ablist” because it does’t perfectly balance its casting with an equal number of men, women, blacks, Asians, Hispanic, gay, transgender, non-binary, “differently-abled” characters. If there aren’t enough characters to get them all in, then eliminate the white males.

Graeber’s “quibble” is based on tribalism and bigotry, and she should not be allowed to get away with it without a fight.

3. Apparently Labor Secretary Acosta is resigning today. GOOD. Ethics Alarms covered the reasons this is necessary and now long-past due in a November 2018 post about the revelations involving Jeffrey Epstein’s unconscionable plea deal. I wrote then..

I do not see how Acosta can remain as Secretary of Labor following these revelations, incomplete as they are. I don’t see how we can trust his judgment, and even if, somehow, he could justify the deal with Epstein on legal, technical or pragmatic grounds, I doubt that the general public would be reassured. He should resign.

Yet it took eight more months and a new set of charges against Epstein for President Trump, or Acosta to accept the obvious and to do the right thing. There’s no excuse for this.

Air Travel Ethics: When In Doubt, Play The Race Card.

Dr. Tisha Rowe, an African-American family physician from  Houston, was pulled off a recent American Airlines flight and required to cover herself with a blanket before being allowed back on the plane, which was traveling from Jamaica to Miami. You can see above what Dr. Rowe was wearing, thanks to her angry tweet about the episode.

I have no idea why this outfit was found so objectionable; I’ve seen much worse on many flights. On the other hand, a little taste and decorum while flying in close quarters with strangers is basic manners and civility.

Yesterday she said that she had been humiliated in front of her 8-year-old son, and asserted that racial bias was behind the incident. “Had they seen that same issue in a woman who was not a woman of color, they would not have felt empowered to take me off the plane,” Dr. Rowe said. “In pop culture, especially black women with a body like mine, they’re often portrayed as video vixens. So I’ve had to deal with those stereotypes my whole life.”

SHE looks like a “video vixen?” Okay! Whatever you say, doctor! Continue reading

Unethical Quote Of The Week: An Ice Cream-Licking, Fame-Seeking Moron

“All I wanted to do was be famous.”

—Accused ice-cream carton-licker, Lenise Lloyd Martin III, a 36-year-old unemployed man who has been arrested in Louisianan for making a video of himself licking a carton of ice cream in the Big B’s Supermarket in  Belle Rose.

“It’s a shame,” commented Matt Walters, who works at the store. “A grown man doing something like that.” Yes, that’s a shame, but a greater shame is a grown man thinking like that, and a culture that raises its children to believe that fame itself is an accomplishment, regardless of what one is famous for.

The internet and social media have spread this disease of ethics and the mind, but it began long before the web took over our lives. Andy Warhol’s prescient quote, “In the future, everyone will be world-famous for 15 minutes”, first appeared in the program for a 1968 exhibition of his work at the Moderna Museet in Stockholm, Sweden. We saw the hints of the cultural malady with the advent of television, as we saw ordinary Americans getting a thrill from acting like giddy fools behind announcers and TV journalists when they saw a TV camera.

This compulsion spawned such pop culture freaks as “Rocken Rollen” also known as Rainbow Man, who somehow managed to get himself and his rainbow-hued Afro on camera at dozens of live sporting events. At least he stayed in the stands; another example of the phenomenon was fans who ran out on the field mid-game hoping that a TV camera would capture their moment of “fame.”

Clearly, the culture is sending a toxic message to our youth. The movie and subsequent TV series “Fame,” following the travails of aspiring teenage performers, both pushed the false concept that being famous itself is an achievement:

Baby, look at me
And tell me what you see
You ain’t seen the best of me yet
Give me time
I’ll make you forget the rest

Don’t you know who I am
Remember my name!
Fame!
I’m gonna live forever
I’m gonna learn how to fly, high
I feel it comin’ together
People will see me and cry,
Fame!
I’m gonna make it to heaven
Light up the sky like a flame,
Fame!
I’m gonna live forever
Baby, remember my name
Remember, remember, remember, remember
Remember, remember, remember, remember…

Continue reading

Comment Of The Day: “Unethical Times Op-ed Of The Week?”

Timothy Egan’s spectacularly dishonest op-ed for the Times, The Founders Would Gag at Today’s Republicans: The cult of Trump has embraced values and beliefs that Jefferson, Washington and Lincoln abhorred,” was one more conservative- and Trump-bashing exercise disguised as a history lesson, albeit for Americans who know little about history and foolishly assume that they can trust pundits like Egan to enlighten them. Of course, all such exercises in time-traveling appeals to authority are inherently dishonest. 18th century minds, even those as sharp and creative as the Founders possessed, would go into shock at most of what they saw today if somehow provided the opportunity, and would take a while to understand why things have evolved as they have.

Frequent commenter JutGory sat down and treated Ethics Alarms readers with an analysis of developments the Founders would have had trouble with without indulging in the sort of cherry-picking and distortion Egan did to pander to the Times’ progressive readership. The result of what Jut called his “retro-prognostications” is a genuinely educational post, and a distinguished Comment of the Day.

Here it is:

If we are doing retro-prognostications, I bet I could do better:

Disclaimer: the Founders would probably be a bit mystified at the technological advances in general.

They would not be surprised by the abolition of slavery. They would be half-surprised that it took a war to do it (“We put in an amendment process for pretty much this reason, people!”)

They would probably be surprised at how much power the Supreme Court (the weakest branch) wields. Of course it only wields that much power because the other branches have gotten more powerful. To wit:

They would be surprised by the 16th Amendment (income tax), as it is a direct tax of the individual by the Federal Government, but okay (“Yay, Amendment process).

Of course, money is power, so, with more tax money comes more power.

They would be completely baffled by the 17th Amendment (direct election of Senators). That opens the Senate up to national influences, instead of influence from a small group of state legislators. That was kind of the whole point of the Senate: to represent the States, not its citizens.

But, you can’t pass a farm subsidy bill if Senators answer to their legislatures.

Can’t get universal healthcare if Senators stand in the way.

But, you change the Senate selection process, you get popular candidates, supported by national appeal and no specific understanding of the needs of the State (Hello, Al Franken!)

The power grab of the Commerce Clause would puzzle them. Continue reading

Morning Ethics Warm-Up, 7/9/2019: Then They Came For Mr Peanut…

Good Morning!

1. From what cultural hell in America did this conduct ooze out of? A family got in a brawl in the middle of Disneyland, as on looking children screamed. See?

Nice.

The family was escorted out of the park, and criminal charges are being sought.

This entire family is so devoid of  functioning ethics alarms that it lacked the basic civilized instincts not to a) physically attack each other b) physically attack each other in public c) physically attack each other in a family venue that represents the opposite of what they were doing.

In some kind of record for inappropriate understatement, Disney said that  the company “does not condone this type of behavior.” That’s reassuring.

2. Congratulations to the U.S. Women’s Soccer Team, but its captain is still an asshole. I fully endorse—well, 95%— Washington Post columnist Mark Thiessen, who had this to say about Megan Rapinoe, the team captain who has been grandstanding her hatred for President Trump by refusing to respect the National Anthem abroad. He writes in part,

Rapinoe is not playing for the Trump administration; she is playing for the United States. It’s one thing for a professional athlete to protest the national anthem, but quite another for a member of Team USA to do it. Rapinoe is protesting the Stars and Stripes while wearing the Stars and Stripes. That’s not OK. Representing your country is a privilege, not a right. If she really feels she can’t show respect for the U.S. flag and anthem, then she shouldn’t wear the U.S. jersey. Here’s the worst part: What she’s doing is selfish. Her protest comes at a time when the U.S. women’s team has taken an important stand against gender discrimination. They are suing the U.S. Soccer Federation because, despite being more successful on the field than the men’s team, and bringing in more revenue, they are paid significantly less than the men. They have a point, and the World Cup is a chance to rally the country behind their cause. But instead of unifying Americans behind her team’s admirable fight for gender equity, Rapinoe is dividing Americans with her anthem protests. Untold numbers of Americans who might have been inspired to support the team’s cause have been alienated by its leader.

Thiessen is talking about cognitive dissonance here: he’s pointing out, correctly, that people are less like likely to rally with even a just cause when its advocates are assholes.

My 5% objection is that the women’s team will have a strong claim to equal pay when they prove that they can play soccer as well as the men’s team. Continue reading

Instagram Shows Us Once Again That Social Media Is Dedicated To Rigging Public Debate And Discourse To Ensure Progressive Policies

But conservatives are the autocrats and fascists.

This thoughtful and provocative cartoon by Adam Ford, the founder of the  conservative satire site, The Babylon Bee, was banned as “hate speech” by Instagram:

Observations:

1. Blaming this on a flawed algorithm won’t wash. Yes, it is difficult to write programs to identify genuine non-substantive speech designed only to insult denigrate or defend, and this means that a fair and competent social media platform must lean toward being over-permissive rather than unjustly and illogically censorious.

2. Obviously, the cartoon doesn’t qualify as hate speech even under the vaguest and most sweeping definition of a term that is too flexible anyway. The comparison between slavery and abortion isn’t new, and it keeps arising because abortion advocates have yet to rebut it. Both issues involve what one side believes is a human rights violation that is defended by denying the humanity of the victims, or arguing that the abuse of the victims is justified by the benefits to those abusing them. The analogy has been raised in films (such as “The Island”) and television (as on a memorable episode of “Star Trek: The Next Generation.” The cartoon could be and should be used in classroom discussions on the question of abortion.

3. For that to happen, however, people have to see it, and be allowed to think. Social media, when it censors speech and opinion that offend the sensibilities of the “woke” simply because such speech challenge progressive ideology and cant, isn’t “protecting its users.” It is protecting its allies from having to prevail in policy debates with facts, logic and ethics by bluntly silencing dissent. This is becoming a bad and frightening habit. In his new book “”A Thousand Small Sanities,” liberal commentator David Gropnik writes, “The contemporary left can sometimes seem to have an insufficient respect for the fragility of the very same liberal institutions that allow its views to be broadcast without impediments.” Ya think??

4. Meanwhile, the controversy isn’t being covered by the mainstream media at all, at least not yet. Thus other institutions are enabling social media’s content-based ideological censorship by not publicizing it. All the better to have the metaphorical frog of the American public boiled slowly in progressive censorship before they know what’s going on. (Yes, you pedants out there, I know that you can’t really boil a frog to death slowly, but that’s the old myth.)

5. One overly kind Christian website tried to come up with ways Instagram might have legitimately concluded that the cartoon was hate speech:

There is another possible reason Instagram flagged Ford’s post in question. Throughout the comic, which equivocates old hypothetical pro-slavery arguments with modern pro-choice rhetoric, Ford refers to black people as “blacks” — a term often flagged as offensive, though some style guides do permit “black” to be used as a noun as well as an adjective. While Instagram does not specifically forbid the use of “black” as a noun in their community guidelines, it does require users to only “post photos and videos that are appropriate for a diverse audience.”

Even accepting this theory, the censorship is unethical and ominous. So if “some people” find a term that is generally accepted elsewhere as “offensive,” that justifies banning a substantive message? It is still oppressive speech policing no matter how one looks at it.

Ethics Dunce: AfroFuture Fest…Ethics Hero: Rapper Tiny Jag

Once again, the solution proposed for past racial discrimination is present racial discrimination. The Detroit music festival AfroFuture Fest, scheduled for August 3-4, is charging lower ticket prices for “people of color” than  “non-people of color.” (That should be “people of non-color,” you idiots.) The festival’s explanation for its racism is even worse that its English and proofreading skills:

WHY DO WE HAVE POC(PEOPLE OF COLOR) AND NONPOC(WHITE PEOPLE) TICKETS? I’M GLAD YOU ASKED!

EQUALITY MEANS TREATING EVERYONE THE SAME

EQUITY IS INSURING EVERYONE HAS WHAT THEY NEED TO BE SUCCESSFUL

OUR TICKET STRUCTURE WAS BUILT TO INSURE THAT THE MOST MARGINALIZED COMMUNITIES (PEOPLE OF COLOR) ARE PROVIDED WITH AN EQUITABLE CHANCE AT ENJOYING EVENTS IN THEIR OWN COMMUNITY (BLACK DETROIT).

AFFORDING JOY AND PLEASURE IS UNFORTUNATELY STILL A PRIVILEGE IN OUR SOCIETY FOR POC AND WE BELIEVE EVERYONE SHOULD HAVE ACCESS TO RECEIVING SUCH.

WE’VE SEEN TOO MANY TIMES ORGASMIC EVENTS HAPPENING IN DETROIT AND OTHER POC POPULATED CITIES AND WHAT CONSISTENTLY HAPPENS IS PEOPLE OUTSIDE OF THE COMMUNITY BENEFITING MOST FROM AFFORDABLE TICKET PRICES BECAUSE OF THEIR PROXIMITY TO WEALTH.

THIS CYCLE DISPROPORTIONATELY DISPLACES BLACK AND BROWN PEOPLE FROM ENJOYING ENTERTAINMENT IN THEIR OWN COMMUNITIES.

AS AN AFROFUTURIST YOUTH LEAD INITIATIVE THE VOICES OF OUR YOUTH INFORM OUR RESISTANCE.

HERE’S WHAT THEY HAVE TO SAY

” IF YOU DON’T SEE MY BLACKNESS, YOU DON’T SEE ME. PERIODT!”

I wonder how they pronounced “periodt”? Continue reading

Unethical Poll Of The Year: The Trump-Pence Campaign. But Funny! Or Depressing. Frankly, I Don’t Know What To Call It…

The link is here.

If this is a hoax, let me know. if so, it’s a pretty funny one. I fear it is not, however.

________________________________________

Pointer: valkygrrl

Monday Morning Ethics Warm-Up, 7/8/2019: “Well, No More Oreos For Me!” Edition

An ethical new week dawns!

1. Snopes again. Incredibly, there are still people—like Facebook!—who insist that Snopes is a trustworthy, objective factchecking source. Ethics Alarms had its fill of the site’s partisan spinning many moons ago, but just for giggles, here is another example of the site’s shameless bias.

Last week Snopes pretended to do a “fact check” on whether the Betsy Ross American flag—the thirteen star version that Nike recently rules was too racist to be on a sneaker— was used under President Barack Obama at his inauguration. The strange thing is that no fact check was necessary, since the photographic record is undeniable. As is often the case, however, Snopes’ purpose wasn’t to clarify facts, but to bolster a progressive narrative. Bethania Palma, the most unsubtle of the site’s propagandists, argues that while Obama’s version of the flag wasn’t racist, any use of the flag in 2019 would be racist, because the existence of Donald Trump makes it so.

During the Trump era, what were once relics of the United States’ fraught history with violent racism have been taken up as causes for some far-right extremists. As white supremacists began rallying around Confederate monuments slated for removal, some tried to attach the Betsy Ross flag to their cause as a symbol…The Anti-Defamation League, a non-profit organization that tracks hate groups, doesn’t include the flag in its database of confirmed hate symbols. But many have viewed the flag as symbolizing a time in U.S. history when slavery was legal. “Historically, these symbols have been used by white supremacists, both to hearken back to a time when black people were enslaved, while also painting themselves as the inheritors of the ‘true’ American tradition,” Keegan Hankes, a researcher for the Southern Poverty Law Center, told Rolling Stone.

In other words, now that Trump is President, any symbol or artifact that was used by the United States before the abolishment of slavery is to be regarded as carrying  racist symbolism. That’s a fact! Snopes says so.

2. I won’t link to this because it doesn’t deserve traffic, but the Times just inflicted on its readers a sloppy and incompetent “Guide” to the 80’s cultural references in the third season of the Netflix show “Stranger Things. The popular horror series by “The Duffer Brothers” has always been filled with visual and verbal homages, as well as plot turns, attributable by the culturally aware to  famous 80’s works by better artists–Stephen King, Spielberg, John Carpenter, and more. Sometimes the references are amusing, often they are gratuitous and annoying. The Times piece, including a bold face “Spoilers!” warning, purported to catalogue all such references in the new season.

It doesn’t. It doesn’t come close. It doesn’t come close because the writer is obviously unfamiliar with the works the show references, and didn’t bother to do his research despite representing that he had. What he mainly misses are the lines in the dialogue that are lifted directly out of 80’s movies. For example, at one point, a major character in “Stranger Things 3” says, “I can do anything; I’m the chief of police.”  That’s a direct quote from “Jaws,” as anyone who has seen the film 76 times knows.

If a major newspaper is going to say it has a “Complete Guide” to 80’s pop culture references in a show, then it is obligated to make the effort to ensure that it is, in fact, complete. Continue reading

The Great “Les Miz” Bait-And-Switch

“Les Misérables,” the bloated faux opera based on the Victor Hugo novel, has been running continuously in London’s West End, the theater district, since December 1985.  It holds the Guinness World Record for the longest run of a musical in London. In the U.S., the musical held on for a somewhat less embarrassing  16 years, running from 1987 into  2003, closing after 6,680 performances.

It was always a cynical project, as so many Broadway musicals have become since the genre became a nostalgic invalid in the 1970s. The show itself is derivative crap, and obviously so to anyone who has a passing familiarity with its superior sources. The translated from French lyrics have the resonance of Hallmark cards; there literally isn’t a clever or memorable pack of words in the whole three hour extravaganza. What “Les Miz” has, or rather had, is spectacular stagecraft, thanks to the original staging by Trevor Nunn that mounted the series of scenes on a massive raked turntable that allowed quick transition and the illusion of excitement. The musical didn’t exactly disprove the old Broadway saw that “Nobody leaves the theater humming the scenery”—the TV ad jingle-like earworms in the score assured that—but it came close.

When I saw the touring company version of the show, I realized immediately that the production could never have a life in high school, college, community theater or even in regional professional theaters, because the turntable, and the special effects it permitted, were essential to the production. Not only are stage turntables extremely expensive, they are notoriously risky, since a mechanical breakdown means the performance must be cancelled. Sure enough, after the Broadway production closed in 2003, there were no productions of the show other than the three professional touring companies owned by the Broadway producers. Then the show’s owner had an idea: let’s see if we can eliminate the turntable and get away with it! Continue reading