Nice. A pro-Hamas, pro-Palestine student who was the chosen MIT Commencement speaker this week changed her approved speech to condemn Israel for “genocide,” the current code-word favored by anti-Semites to mean “Jews aren’t allowed to defend themselves.” All the Jewish families as well as the Israeli students walked out of the ceremony in protest. Megha M. Vemuri, the speaker and president of the Class of 2025, was banned by the school from attending the later undergraduate ceremony, an MIT spokesperson told Fox. “MIT supports free expression but stands by its decision, which was in response to the individual deliberately and repeatedly misleading Commencement organizers and leading a protest from the stage, disrupting an important Institute ceremony,” the university said in a statement.
MIT has no one to blame but itself. It has encouraged anti-Semitism on campus (like Harvard and other schools) and teaches its more suggestible students to embrace “intersectionality,” in which Palestinians are equated with “oppressed” minorities, and Jews with “racist whites.”
Meanwhile:
1. Loretta Swit died. She was a minor star who made her name and fame playing the character in “M*A*S*H” that Sally Kellerman had created in the hit Robert Altman movie in the long-running TV adaptation. (The TV show got Swit a lifetime sinecure guest starring on shows like “The Love Boat” and “Murder She Wrote” for the remainder of her career.). The character’s name was “Hot-Lips Houlihan, and because the New York Times cannot stop injecting leftist sentiments and propaganda into every corner of the paper, it wrote in Swit’s obituary,
This is garbage, and it makes me wonder if the writer saw the film. The character was nicknamed “Hot Lips” because a supposedly secret sexual adventure she enjoyed with her obnoxious lover (and ranking superior) Major Burns, had been inadvertently broadcast over the outpost public address system. Margaret Houlihan had been caught saying, “Kiss my hot lips!” and the name stuck. Since “Hot Lips” nicknamed herself, the moniker could hardly be called sexist, but political correctness still reigns at the Times. The movie “M*A*S*H” was about sexual hi-jinks among the doctors and nurses far more extreme than in the moralistic and sometimes oppressively liberal TV version. Writes Ed Driscoll on Instapundit regarding the 1967 hit, “The Times in 2025 looks back at the collective writing, directing and producing efforts of Richard Hooker, Ring Lardner Jr., Robert Altman and Larry Gelbart and concludes “That’s not funny.”







