Let me moderate that: the above comparison of Variety headlines about deceased artists (over two articles by the same writer) “speaks for itself” in that it vividly demonstrates the familiar biases and double standards warping values and analysis in the news media, progressive bubbles, and the realm of entertainment especially.

But allow me to add a few observations:

1. No artist’s political participation or views should “overshadow” his or her legacy, reputation or success in a creative field. I know I have written about this often, perhaps too often, but it seems to be a concept most people have a hard time accepting. I hold that the same principle applies just as strongly to an artist’s personal life and character. Our most brilliant comedians and comic actors, for example, with a few exceptions, were terrible human beings when they were not performing.

2. Chuck Norris was nowhere near as outspoken as Reiner regarding politics; he also was a lesser star in Hollywood’s firmament. His was a narrow genre, and one mostly favored by conservatives. Like John Wayne and Clint Eastwood, his public stance on many issues was consistent with what one would expect from one of his characters. I have found that in such cases, the public opinions are frequently part of the artist’s calculated myth-making.

3. As I have noted before, I love many of Reiner’s films and regard him as, if anything, an under-rated director. He also made some of the most idiotic statements about political matters that I have ever heard or read, including from brain-damaged social media users. (Riener’s Ethics Alarms dossier is embarrassing. EA has never mentioned Norris except with this post.) That doesn’t change my assessment of his achievements as an artist any more than the certifiably demented pronouncements and rants by Robert DiNiro, Bette Midler, and Morgan Freeman (among many others) cause me to enjoy their talents less.

4. The fact that so many progressives seem unable to function this way is, in a word, sad. It also is strong evidence that the left side of the ideological divide is emotionally ill.

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Pointer: Chris Martz