Ethics Hero: Exotic Dancer Genea Sky, Who Kept A-Goin’

To get the day off to an inspirational start: in the video above, now going viral across the net and deservedly so, Dallas exotic dancer Genea Sky falls almost 15 feet from her pole, lands on her face, and keeps twerking until she leaves the stage for urgent medical attention. The fall, which occurred over the weekend,  fractured the dancer’s jaw, which was operated on the next day, broke some teeth,  teeth and sprained her ankle.

On the plus side, she provided a visual example of professionalism, dedication, and guts for the ages. Her diligence in continuing to dance even after the accident is a marvelous exhibition of character. A GoFundMe page set up to help pay her medical expenses has raised more than $20,000.

Good. Sky deserves it. She had a job to do, and by God, she was going to do it. Continue reading

Comment Of The Day: “Titanic Ethics”

Michael West has written a remarkable Comment of the Day in several respects. For one thing, it is a comment on a post that is almost eight years old, a record for Ethics Alarms. For another, he becomes the first commenter to comment on the same post under two different screen names. Finally, there is the fact that his point is one with historic validity, yet seldom if ever mentioned by the many critics of James Cameron’s  epic yet intermittently ridiculous film, including me. Follow the tag: there are a lot of  references to “Titanic” here.

One note in prelude to Michael’s essay: the cruel misrepresentation he alludes to can be partially laid at the now dead feet of Walter Lord, who wrote the influential and popular account of the Titanic’s sinking, “A Night To Remember.” It is an excellent account, but he decided to use Charles John Joughin as comic relief, and the  movies, including the one based on his book, distorted his portrayal, which itself seems to have been unfair.

Here is Michael West’s Comment of the Day on the 2012 post, “Titanic Ethics”

How about every Titanic movie’s depiction of Charles John Joughin?

Verdict: Unethical.

Joughin was the lead baker on board the Titanic. Built big and stout as a bull according to most who met him.

When he first heard the Titanic was going to go down, on his own initiative, he rallied the baking crew to gather what bread they could to distribute ample loaves to every lifeboat anticipating they may be afloat for awhile before rescue — something like 40 pounds of bread per boat. Several witnesses and his own testimony recount that he took multiple trips to help guide passengers from below decks up to the boat deck. He proceeded to a lifeboat, which he had been earlier commanded to be a crewman for (either tilling it or rowing, I’m not sure), only to discover another crewman had taken his spot. He didn’t protest, though he could have, so he helped load that boat and then went back to find more passengers below decks. After realizing there’d not be enough life boats and that many people would have to swim for it, he began to throw as many deck chairs into the water as he could as flotation devices, later he mentioned he hoped he could possibly find one of them after the ship went under. When the ship made its final plunge, he found himself standing on the back of the Titanic riding it into the icy waves. In the water, which was so cold, most people died of hypothermia within fifteen minutes…most much sooner than that, Joughin treaded water and swam for a remarkable one and a half to two hours before finding the upside-down collapsible commanded by Lightoller. Naturally, given Joughin’s luck thus far, the collapsible had no more standing room, so he had to float to the side for a bit longer before another lifeboat came by and picked him up. Continue reading

Oscar Ethics Part II: The “In Memoriam” Snubs

For some reason, Luke Perry’s snub (That’s Luke above) has attracted most of the outrage, though he is far from the worst of the omissions, as you will see.

Luke Perry

(October 11, 1966 – March 4, 2019

Perry became a teen idol at 23 after he was cast as the brooding son of a millionaireon Fox’s prime time soap opera,  “Beverly Hills, 90210.”  A riot broke out when 10,000 teen girls attended one of his  August 1991 autograph sessions  While starring in 90210,” Perry appeared in the original film version of Joss Whedon’s” Buffy The Vampire Slayer” (1992). That was pretty much the high point of his film career, though he had a small role in “Once Upon A Time In Hollywood.”  Mostly he was a TV actor whose career, after a spectacular launch,  settled into the typical orbit of supporting roles in various series and guest shots in everything from sitcoms like “Will and Grace” to “Law and Order: SVU.”  Between those jobs, voice-over work and regional theater paid the bills and kept him working.

He was, in short, a working professional actor who had one burst of superstardom, which is more than most. Perry was only 52 when he died of a massive stroke.

Michael J. Pollard

(May 30, 1939 – November 20, 2019)

Pollard rose to fame in 1967 as  Bonnie and Clyde’s dim-witted gang member, earning an Oscar nomination along with the other honors racked up by Arthur’s Penn’s ground-breaking, violent epic about the lover-killers. He went on to a long career as a Hollywood character actor, aided by one of the most memorable faces in screen history. That face had made him a familiar TV actor before “Bonnie and Clyde” made him famous: he played the cousin of Maynard G. Krebs (Bob Denver) on “The Many Loves of Dobie Gillis,” and Virgil, the cousin to  Barney Fife (Don Knotts), on “The Andy Griffith Show.” In the first season of the original “Star Trek,” he was  a creepy  teenage cult leader on a planet of children.

Pollard continued to make significant films after his Oscar nomination, such as  “Little Fauss and Big Halsy” (1970), a motorcycle racing buddy film in which he co-starred with Robert Redford. He was Billy the Kid in “Dirty Little Billy” (1972), an inept fireman in “Roxanne” (1987), the friend of a Utah gas station owner  who claimed to be Howard Hughes’s beneficiary in“Melvin and Howard” (1980), and  surveillance expert Bug Bailey in “Dick Tracy.”

Pollard was acting right up until his death: two of his films that yet to be released. Continue reading

Oscar Ethics 2020, Part I

I wrote last night that I would not dare watch the Academy Awards broadcast because I was afraid that the political grandstanding might cause me to snap and run through the streets wielding a machete. Alexandria, VA. can thank me now.

  • Almost immediately, the expected “Best Supporting Actor” win by Brad Pitt for “Once Upon A Time In Hollywood” resulted in the first politiacl commentary of the night. Pitt began, “They told me that I only had 45 seconds up here, which is 45 seconds more than the Senate gave John Bolton this week. I’m thinking maybe Quentin does a movie about it, and in the end the adults do the right thing.”

Yeah, that would be the adult voters taking the gavel away from Nancy Pelosi and Adam Schiff losing his seat to the wonderful pit bull Brad’s character owned in “OUATIH.”

  • Do you think Brad, or many of the assembled Hollywood VIP’s, noticed that Julia Reichert, accepting the Oscar for the Netflix documentary  “American Factory,” said “Working people have it harder and harder these days – and we believe that things will get better when workers of the world unite.”

That’s a Karl Marx quote and a deliberate callout to “The Communist Manefesto.”  You have to be  historically illiterate to believe that “Working people have it harder and harder these days,” and it’s fascinating that the Obamas are funding platforms for Communist propaganda.

I wonder what Chris Matthews would say about that? Continue reading

Saturday Ethics Warm-Up, 2/8/2020: “Procrastinating To Delay Writing About Another Debate” Edition [CORRECTED]

Good morning.

Way, way too much ethics-related politics this past week. I keep getting complaints about all the political content, and it annoys me too, but I don’t know what kind of alternatives I have. Back in the sane days, the idea of a House Speaker planning on tearing up the official copy of the State of the Union speech would have been the stuff of Saturday Night Live…when SNL would make fun of Democrats, anyway. I’m trying to keep the politics to a minimum. I swear.

1.  The Astros cheating scandal, cont. Would you wonder about this answer? A.J. Hinch, the ex-Houston Astros manager who was fired and suspended by Major League Baseball for allowing an illegal sign-stealing scheme to be used by his players for the entire 2017 World Champion Astros season, finally sat down for an interview.   When he was asked whether Houston players had utilized buzzers in their uniforms to receive signsduring the 2019 season as some have claimed based on inconclusive evidence and rumors, Hinch only would answer, “The Commissioner’s Office did as thorough of an investigation as anyone could imagine was possible.”

Why not “No”? That was what reporters term a “non-denial denial.”

2. If they advised her to run her sick child through the washing machine and he drowned,  would that be their fault too? The death of a four-year-old boy named Najee is being blamed on an anti-vaxx Facebook group.

The boy had been diagnosed with the flu and the doctor had  prescribed Tamiflu. His mother sought advice from the Facebook group “Stop Mandatory Vaccination” on how to treat her son’s’ illness. The members told her to give the boy vitamins, botanicals, zinc, fruits and vegetables, and to skip the medicine.

“Ok perfect I’ll try that,” she responded. Later that night, Najee had a seizure and died. Continue reading

The Cancel Mob Comes For Kirk Douglas

I nearly wrote a tribute post for Kirk Douglas, the seemingly indestructible Hollywood Golden Age star who finally passed away at the age of 103 this week. He certainly had some impressive ethics moments. When Douglas’s production company set out to make  a big budget film version of “Spartacus,” the actor-producer not only hired blacklisted writer Dalton Trumbo  to do the screenplay, but also allowed Trumbo to use his own name name in the credits. “We all had been employing the blacklisted writers,”  Douglas wrote in his 2012 memoir, “I Am Spartacus!: Making a Film, Breaking the Blacklist.” “It was an open secret and an act of hypocrisy, as well as a way to get the best talent at bargain prices. I hated being part of such a system.” Some have speculated that Douglas’s defiance of the blacklist cost him one or more Oscars.

Later, after his film career had waned, Douglas worked with his wife on a project to build 400 playgrounds in Los Angeles. Together they established the Anne Douglas Center for Homeless Women, the Kirk Douglas High School for at-risk  students to get their high school diploma, the Kirk Douglas Theater. In 2015, the Douglases donated $15 million to the Motion Picture & Television Fund in Woodland Hills toward the construction of the Kirk Douglas Care Pavilion, a $35 million facility for the care of people in the industry with Alzheimer’s disease. Continue reading

From The Ethics Alarms Archives: “Forgetting What We Know”

This post, one of the very first on Ethics Alarms, was written on Halloween, 2009. The blog had essentially no followers then. I judge it an excellent post (if I do say so myself) but just a handful of people read it. There were four commenters: King Kool, who traveled over from the old Ethics Scoreborad site and who, I am happy to say, still weighs in now and then; “Ethics Bob” Stone, who commented her last year,  and a friend I met through my connection with child star advocate Paul Petersen and with whom I am still in touch.

I found it extremely interesting to review–I wouldn’t change anything substantive in it, though I made three small edits—in light of what has happened since, and the theme of the post, which was how ethics evolves.

The post was written before the #MeToo upheaval. For all I know, Harvey Weinstein was forcing an aspiring starlet to have sex with him and Bill Cosby was drugging a young woman as I was posting it. It references several  rationalizations before the Ethics Alarms Rationalizations list had been launched.

I wonder, though, how much out society has really learned since it was written.  Roman Polanski is still living free and directing films in France. Six women have accused him of sex-related crimes, the most recent last November.

Bill Cosby is in prison for one of his rapes: Harvey Weinstein is standing trial right now. Bill Clinton appears to have finally been reduced to persona non grata status among progressives and his former defenders, but his complicit and unapologetic enabler, Hillary Clinton, is still treated as a feminist icon, and even harbors dreams of running for President again. The Lieutenant Governor of Virginia, Justin Fairfax , has been convincingly accused of rape by one woman and sexual harassment by another, yetremains in office, and the local and national media have stuffed the story in the proverbial memory hole.

Six years after this post, David Letterman retired from “The Late Show” hailed as comedy legend, with Barack Obama and three former Presidents appearing on his farewell show. He continues to be sought after for interviews and as an MC, as in the USO event pictured above.  In 2016, Letterman joined the climate change documentary show Years of Living Dangerously as one of the show’s celebrity correspondents. In 2017, Letterman gave the induction speech for Pearl Jam when the group was inducted into the  Rock & Roll Hall Of Fame. That same year, 2017, Letterman was feted on Turner Movie Classics with Alec Baldwin—don’t get me started–as he  co-hosted “The Essentials.”  Letterman and Baldwin introduced seven films for the series.

Wisely, “Rosemary’s Baby” was not among them.

In 2018, Letterman began hosting a six-episode monthly series of hour-long programs on Netflix called My Next Guest Needs No Introduction with David Letterman. His old friend, patron, and feminist hero Barack Obama was his first guest.

The second season premiered on May 31, 2019.

This  is “Forgetting What We Know.” Continue reading

After School Ethics Special, 1/6/2020: Stupidity On Parade

 

“Help?”

A grateful pointer to Althouse for finding this photo, which raises automatic ethics questions. I am viscerally opposed to putting sweater, clothes and costumes on dogs, in part because all of our dogs have hated it, and one, our feisty Jack Russell Dickens, would twist himself like a contortionist to get out of any garb, whereupon he would rip it to shreds. Several of her commenters make a great point, however: it is unethical to force dogs bred for warm and dry climates to live in wet, cold ones. I have dog-lover friends who insist that dogs are humiliated by being dressed up, like Ralphie in his bunny pajamas. That, I think, is a stretch.

1. Don’t blame Disney. Emerson Elementary School in Berkeley, California decided to raise money for the PTA by selling tickets to a screening of  The Lion King. CNN explains,

“One of the dads bought the movie at Best Buy,” PTA president David Rose told CNN. “He owned it. We literally had no idea we were breaking any rules.” While the school doesn’t know how exactly the company discovered the movie was played, Rose said the school’s PTA will “somewhat begrudgingly” cover the cost of the screening. An email sent to the school by Movie Licensing USA informed Emerson faculty that the company had “received an alert” that “The Lion King” was screened during an event on November 15. Movie Licensing USA manages licensing for Disney and other major studios. And since the school does not have a license with the company, it’s been asked to pay $250 for the screening — and $250 per showing of the movie at any future events at the school.”

What? “Somewhat grudgingly”? They had “no idea” charging for tickets to see copyrighted material broke any rules? Those rules are well-displayed on any DVD, and any duty of reasonable intelligence should be able to figure out what’s illegal about doing what they did. There weren’t any lawyers among the organizers and attendees?

In its story about this episode, Boing Boing, an entertaining site with an annoyingly “woke” staff, implies that Disney is being an greedy old meanie, and that the PTA was an innocent victim of another evil corporation.  Wrong, and stupid. If companies don’t protect their copyrights and trademarks, they can lose them. Disney has been overzealous in this area, but not on this occasion.

2. KABOOM! Chris Matthews suggested yesterday that the Democrats should consider nominating Adam Schiff for President. Continue reading

Was Rush Limbaugh A Worthy Recipient Of The Medal Of Freedom Award?…Epilogue

I am doing this for my own sanity. After I researched the post about Rush, I couldn’t stop thinking about the figures who have not received Medals of Freedom. If you think about it, it will drive you crazy too. The honor is now self-defining, like all such honors—the Mark Twain Award and the Kennedy Center Awards come to mind.

The sequence in the post that asked “Why Robert De Niro  and not, say, Al Pacino, Gene Hackman or Dustin Hoffman? Why Loretta Lynn and not Johnny Cash? Why Stephen Sondheim and not Jerry Herman? Why Chita Rivera and not Rita Moreno? Why Vin Scully and not Ernie Harwell?” did it to me. President Trump has entered the realm of post mortem MOF honors, for Elvis (if Elvis, why not Buddy Holly?)and Babe Ruth (If Babe, why not…well, there really isn’t anyone like Babe Ruth). I have no problem with either of them: they are clearly cultural icons who changed America. But once we open the doors to the past, there are thousands of important Americans who haven’t been honored.

Every President from Kennedy on has been awarded a medal (JFK,  LBJ and Bush I posthumously) except Nixon and Bush II.  If dead Presidents are eligible, then where’s Washington? Adams? Jefferson? Madison? Lincoln? FDR? Truman? Ike? Teddy? Trump can make progressives’ heads explode by giving the Medal to Andrew Jackson. He can have a ball with this. Continue reading

Was Rush Limbaugh A Worthy Recipient Of The Medal Of Freedom Award?

What an easy question.

Of course he was. Those who argue otherwise do not appreciate his remarkable influence on the culture, entertainment, and the political landscape. In many cases, they blame him for opening up public discourse and eroding the liberal domination of news commentary and political advocacy. They are the same people who find free speech “problematical,”

I am not a dittohead. Rush Limbaugh’s politics and causes are not mine; I admire his skills, but not always his employment of them.  In the Nineties I  sometimes listened to Rush in the car before I moved permanently to a home office. I have parallel life in theater, acting, comedy, skit writing and stage directing, and I was impressed with Limbaugh as a performer, which is what he is, and has always maintained that he is. His combination of politics, satire and  deft disc jockey patter was unique. It was obvious why he had become, by far, the biggest star in talk radio.

The end of the Fairness Doctrine, which required broadcasters to present all sides of opinion when discussing public issues—(riiiight)—was  repealed in 1987, and  Limbaugh invented a new format, a conservative talk radio show that was dominated by a quick-thinking , quick-tonged, generally jovial ideologue with a sonorous voice. Rush took phone calls from people on all sides of the political spectrum, and unlike so many talkmeisters that followed him, was never rude or abusive to those who challenged his positions.

Continue reading