Titanic

Ethics Quiz: The Dogs of The Titanic

/ Jack Marshall / 2 Comments

According to J. Joseph Edgette from Widener University, there were twelve dogs that have been confirmed as passengers on the iconic doomed ship, which sank in April of 1912. Three of the dogs survived; they were all small breeds that their owners could wrap up in blankets and hide in their coats. The crew told passengers (only the First Class passengers brought their dogs) that the limited number of life boats meant that dogs would have to be left behind. 

When the ship struck the iceberg and it became clear that it was going down, the dog-loving steward in charge of the ship’s kennel released all of its canine occupants, which then ran all over the ship, surely confused, while the chaos intensified. (How did James Cameron not use that in his movie?) The three survivors were all kept in their owners’ staterooms. Lady, a Pomeranian belonging to passenger Margaret Hays, was one; Sun Yat Sen, a Pekingese belonging to Myra Harper and Henry Harper, was another, and a second Pomeranian owned by Martin and Elizabeth Rothschild was the third lucky dog.

The larger dogs that died included a King Charles Spaniel, a Poodle, a Borzoi, an Airedale, another large terrier, a Chow-Chow, a Fox Terrier, a French Bulldog and a Great Dane.

According to Titanic lore, Ann Elizabeth Isham owned the Great Dane pictured above. Rather than leave him to die alone, she chose to stay behind and comfort her beloved dog as the sea rushed in. Isham was one of the four first-class female passengers who lost their lives on the Titanic, but the only one who allegedly decided to die rather than leave her pet.

In fact, there is no evidence that she really died that way, or that she ever owned a dog, much less died with one. Nonetheless, Isham has acquired a saintly reputation among dog lovers, so let’s assume she did die rather than abandon her dog.

Your Ethics Alarms Change-of-Pace Ethics Quiz of the Day is…

Was that decision rational and ethical or emotional and irresponsible?

Would you do that under similar circumstances?

I’m pretty sure my late wife Grace would have.

Incidentally, there is another famous dog story about Titanic that has also been debunked. Supposedly a Newfoundland named Rigel belonging to Titanic’s First Officer William Murdoch was able to withstand the freezing waters after the ship sank. As the rescue ship Carpathia approached, nobel Rigel barked so loudly that the ship could locate the lifeboats. 

The tale is fiction. Murdoch had no dog on board. No survivor mentioned “Rigel.” The story apparently first popped up in 1912, in “The New York Herald.” See? The news media was making stuff up even back then. The news reporter also claimed that Donald Trump was to blame for the sinking. 

Kidding!

Comment of the Day: “How Should We Deal With Friends Who Believe Ridiculous Conspiracy Theories?”

/ Jack Marshall / 4 Comments

Another epic and irritatingly rational Comment of the Day from Extradimensional Cephalopod, this one on the thorny topic of discussing unlikely conspiracy theories with true believers. Almost all of E.C.’s contributions to Ethics Alarms topics are helpful and impressive; this is one of his—its?—best.

This is Extradimensional Cephalopod’s Comment of the Day on the post, “How Should We Deal With Friends Who Believe Ridiculous Conspiracy Theories?”:

Your friend has arrived at a conclusion that is based on, generously speaking, an implausible interpretation of the evidence surrounding the Titanic’s disaster. If he were looking at the evidence with no biases, he presumably would not have come to this conclusion. Therefore, I suspect that he has either an emotional attachment to the conclusion, or an emotional attachment to the process he used to reach it.

An person’s attachment to a conclusion might be as personal as a belief about what that conclusion says about them or someone they respect, or it might be as impersonal as preferring a more pleasant view of the world, such as one where disasters don’t just happen by accident.

An attachment to the reasoning process may be based on a fear of not having a good alternative reasoning process to turn to, a fear of what conclusions those alternative processes might lead to, or (similarly) an attachment to another conclusion that they arrived at through their current process. For example: “I have to believe this person wearing a cape is a bad person, because if people who aren’t bad can wear capes, that means that maybe I did a bad thing by attacking those other people for wearing capes.”

I’d like to talk with your friend and see how his worldview compares to what I suspect it is. My preliminary hypothesis is that your friend’s subconscious reasoning process is loosely based on the following premises, which I am not rendering judgment on at this time:

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How Should We Deal With Friends Who Believe Ridiculous Conspiracy Theories?

/ Jack Marshall / 18 Comments

A friend and business associate just stunned me by professing belief in a conspiracy theory that I had never encountered before. He doesn’t see it as a theory, either: he is certain that it is historical fact, that it has been covered up by historians and other malign forces, and that eventually it will all be revealed.

This one is, I am quite certain, bonkers, just as bonkers as the Truther claim that Bush and Cheney were really behind the attack on the Twin Towers. My cognitive dissonance scale is in revolt: I have to trust and rely on this individual, whom I respect and admire. Yet embracing something this wacky is a red flag. A big one.

The short version of the conspiracy is that the calamitous sinking of “Titanic” in 1912 was secretly orchestrated by financier J.P. Morgan. His motive was to remove three powerful businessmen—Benjamin Guggenheim, Isidor Straus, and John Jacob Astor—who opposed the formation of the Federal Reserve.

A related conspiracy theory is that as part of an insurance fraud scheme, Morgan had “Titanic” secretly switched with one of its sister ships, “Olympic.” That one is, if possible, even wackier than the murder plot, and like it, the theory is easy to debunk. Both ships had distinct construction identification numbers or yard numbers that were stamped on many of their parts, including their wood paneling. “Olympic’s” yard number was 400 and “Titanic’s” was 401. Many artifacts bearing the number 401 have been raised from the wreck of “Titanic,” and items auctioned off after “Olympic” was retired in 1935 show the number 400. Also, I can’t figure out why switching nearly identical ships would benefit anyone, but we don’t need to go into that.

As for the murder plot—

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Comment Of The Day: “Titanic Ethics”

/ Jack Marshall / 9 Comments

Michael West has written a remarkable Comment of the Day in several respects. For one thing, it is a comment on a post that is almost eight years old, a record for Ethics Alarms. For another, he becomes the first commenter to comment on the same post under two different screen names. Finally, there is the fact that his point is one with historic validity, yet seldom if ever mentioned by the many critics of James Cameron’s  epic yet intermittently ridiculous film, including me. Follow the tag: there are a lot of  references to “Titanic” here.

One note in prelude to Michael’s essay: the cruel misrepresentation he alludes to can be partially laid at the now dead feet of Walter Lord, who wrote the influential and popular account of the Titanic’s sinking, “A Night To Remember.” It is an excellent account, but he decided to use Charles John Joughin as comic relief, and the  movies, including the one based on his book, distorted his portrayal, which itself seems to have been unfair.

Here is Michael West’s Comment of the Day on the 2012 post, “Titanic Ethics”

How about every Titanic movie’s depiction of Charles John Joughin?

Verdict: Unethical.

Joughin was the lead baker on board the Titanic. Built big and stout as a bull according to most who met him.

When he first heard the Titanic was going to go down, on his own initiative, he rallied the baking crew to gather what bread they could to distribute ample loaves to every lifeboat anticipating they may be afloat for awhile before rescue — something like 40 pounds of bread per boat. Several witnesses and his own testimony recount that he took multiple trips to help guide passengers from below decks up to the boat deck. He proceeded to a lifeboat, which he had been earlier commanded to be a crewman for (either tilling it or rowing, I’m not sure), only to discover another crewman had taken his spot. He didn’t protest, though he could have, so he helped load that boat and then went back to find more passengers below decks. After realizing there’d not be enough life boats and that many people would have to swim for it, he began to throw as many deck chairs into the water as he could as flotation devices, later he mentioned he hoped he could possibly find one of them after the ship went under. When the ship made its final plunge, he found himself standing on the back of the Titanic riding it into the icy waves. In the water, which was so cold, most people died of hypothermia within fifteen minutes…most much sooner than that, Joughin treaded water and swam for a remarkable one and a half to two hours before finding the upside-down collapsible commanded by Lightoller. Naturally, given Joughin’s luck thus far, the collapsible had no more standing room, so he had to float to the side for a bit longer before another lifeboat came by and picked him up. Continue reading →

Ethics Quote Of The Week: Peggy Noonan

/ Jack Marshall / 8 Comments

“Why does all this matter? Because we are losing history. It is not the fault of Hollywood, as they used to call it, but Hollywood is a contributor to it. When people care enough about history to study and read it, it’s a small sin to lie and mislead in dramas. But when people get their history through entertainment, when they absorb the story of their times only through screens, then the tendency to fabricate is more damaging. Those who make movies and television dramas should start caring about this. It is wrong in an age of lies to add to their sum total. It’s not right. It will do harm.”

—-Former Reagan speechwriter and current columnist Peggy Noonan, after citing the material historical misrepresentations in the Netflix series “The Crown” and the new Spielberg film, “The Post.”

I have written about the ethics of misrepresenting history in films many times, always facing the “Lighten up! It’s just a movie!” chorus. As Noonan explains deftly, the stakes are different now, in an age of rotten public education, mass media and internet indoctrination. The first time I wrote about this issue was 2010, in the post “Titanic” Ethics. It concluded in part,

I don’t blame Cameron for not basing his portrayal on evidence that only was clarified years after his film. I fault him for discounting the testimony of survivors, and misinforming the public by plastering a false version on a giant screen for millions to see, knowing that they would trust that a man who would insist that the doomed ship’s china pattern was accurate…Now the film is back, bigger than ever, and false representations of Officer Murdock, “Unsinkable” Molly Brown, the sinking itself, and other aspects of the iconic event will be embedded even deeper into our historical understanding. It didn’t have to be that way, and it is wrong that it is. History, the public, and the 1500 who died that night in 1912 deserve better.

I’ve seen “The Crown,” and like it a lot. The portrayals that Noonan complains about, however, especially the suggestion that Jack Kennedy abused Jackie, rang false immediately. As for “The Post,” which I haven’t seen, Noonan calls out a misrepresentation of a cultural villain whom the film-makers probably thought nobody would rise to defend: Continue reading →

Ethics Quote Of The Month: Washington Post Film Critic Ann Hornaday on “Selma”

/ Jack Marshall / 14 Comments

selma-movie

“How to reconcile facts and feelings, art and fealty to the truth? When filmmakers recall with pride about the deep reporting and research they’ve done for their projects, then they deserve to be held accountable for their projects. For fact-based films, accuracy becomes a formal element, along with acting, design and cinematography. It’s up to each viewer to identify the threshold where artistic license compromises the integrity of the entire endeavor. Cinema has more responsibility in this regard precisely because of its heightened realism, its ability to burrow into our collective consciousness and memory, where the myth has a tendency to overpower settled fact. But viewers have responsibilities, too. If accuracy has become a formal element of historical dramas, then the ensuing fact-checks have become just as integral a part of how we view them. That means it’s incumbent on audiences to engage in a mode of spectatorship that, rather than decide who’s right, can listen to and respect expert critiques, and still open themselves up to a piece of filmed entertainment that speaks to less literal, more universal truths.”

—–Ann Hornaday, Washington Post film critic, on the controversy regarding the counter-factual treatment of President Lydon Johnson in the new film, “Selma.”

The question of whether film makers have an ethical obligation to fairly represent history, and particularly individual historical figures, in their movies has been a topic visited frequently at Ethics Alarms, and I’m not going to re-hash conclusions that have been thoroughly discussed before, such as

…here, regarding the casting of “The Impossible” with a gleamingly light-skinned central family and the changing of the real life heroine from Spanish to British

…here,  discussing complaints that a fictional event was not portrayed accurately in “Noah”

…here, exploring the many falsehoods, some quite despicable, in James Cameron’s “Titanic”

…here, regarding unfair criticism of “Argo”

and here, discussing “Lincoln” screenwriter, playwright Tony Kushner’s inexcusable choice to represent a real life former Congressman voting against the Thirteenth Amendment abolishing slavery when in fact he voted for it.

The conclusion of that last one sums up the lessons of the rest, I think. Kushner’s defense against criticism of the collateral damage his invented facts wreaked was to argue that they were legitimate tactics in the pursuit of drama and “greater truths.” He then compared smearing the reputation of a Congressman, to the detriment of his descendants, to misrepresenting the kinds of socks Lincoln wore. (Kushner can be a brilliant writer, but his ideological utilitarianism is repellant.) I wrote:
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The Cruelest Month And The Duty To Remember

/ Jack Marshall / 25 Comments

sultana-ablaze

If we have the education, curiosity, perspective and respect for our origins and those who have gone before us, the calendar is a source of constant reminders of what matters in life, and how we can be better citizens and human beings. It is a common belief among Millennials, and a lot of older Americans too, that history is irrelevant to their lives, and this is both a fallacy and a self-inflicted handicap. Not that keeping history in mind is easy: in this month, which T.S. Elliot dubbed “the cruelest,” paying appropriate respect by remembering is especially difficult.

Still, respecting history is our duty. It won’t be remembered, perhaps, but in April, 2012, a 23-year-old drunken fool named Daniel Athens was arrested for climbing over a barrier to urinate on a wall at the Alamo. Monday, a Texas judge threw the book at him, sentencing him to 18 months in state prison for vandalizing a National Monument and a shrine. The sentence seems extreme, and is a good example of how the law is a blunt weapon with which to enforce ethics. The Alamo has near religious significance in Texas, brave men died there, and the ruins serve as a symbol of critical virtues like loyalty, sacrifice, dedication, courage and patriotism. Athens, himself a Texan, defiled the memory of the fallen and symbolically rejected the values and heritage of his community and fellow citizens. Unfortunately, the harshness of the sentence will create sympathy for him: 18 months for peeing? But how else does a culture reinforce the importance of respect for the past? I don’t have an answer. Perhaps I would have sentenced him to take an exam on the lives of Travis, Crockett, Bowie, Seguin and the rest, as well as the siege itself, and imposed the jail term only if he flunked.

Yesterday, Major League Baseball celebrated the heroism and transformative life of Jackie Robinson, who broke baseball’s color barrier on April 15, 1947 by becoming baseball’s first black player, setting in motion powerful forces that propelled the cause of civil rights. Every player wore Robinson’s now retired uniform number 42, and there were commemorative ceremonies in the ball parks where it wasn’t too cold and wet to play ball. This remembrance had a difficult time competing with tax day, as history usually does when our immediate life concerns beckon.

Other important historical events deserving reflection, however, were more or less ignored entirely, for April 15 is a historically awful day: Continue reading →

Ethics Quiz (Movie Division): “The Impossible,” Whitewashing, and Betrayal

/ Jack Marshall / 43 Comments

"Bennett" and Belón

“Bennett” and Belón

I suppose some of you may have thought about this two years ago, when the Spanish film “The Impossible” was first released. I, however, take a while to catch up with my movie-viewing, and though the film was much praised by critics and got Naomi Watts an Academy Award nomination, I had not seen the film until recently. “The Impossible,” about as accurately as a motion picture can, tells the amazing story of how Spanish physician María Belón, her husband Enrique Álvarezs, and her three young sons miraculously  survived the 2004 Indian Ocean earthquake and tsunami when the family was on vacation in Thailand.

It is an engrossing, harrowing movie. I was surprised to find out, however that the family’s name wasn’t “Bennett,” and that they weren’t British, as the movie presented them. Apparently to maximize box office receipts, the film makers decided to take the heroic story of a real family and make the characters “more relatable” by recasting them as English-speaking Brits. There was a minor controversy about the film “whitewashing” the story*, but not much of that made it into the mainstream media. Belón, after all, is white. She was an active participant in the appropriation of story and that of her husband and sons, and they all profited from it, at least financially. Still, the movie’s point of view left a bad taste in the mouths of some international critics. Here is Australian critic Ruby Hamad:

“Based on the true story of a dark haired and darkish-skinned Spanish family, the filmmakers admitted to changing their nationality and casting lily-white actors in order to make the story ‘universal’. In other words, only white people can stand in for the human race as whole. For this reason, Thailand and its people are mere backdrops for the story of a Caucasian family who learn the hard way that even western privilege is no match for the brute force of mother nature.”

Your (two-year late) Ethics Alarms Ethics Quiz, therefore, is:

Is “The Impossible” unethical”?

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Artistic License, History, and Lincoln’s Green Socks

/ Jack Marshall / 26 Comments

Of course, some historical fabrications are harmless.

Of course, some historical fabrications are harmless.

Several well-placed critics are taking “Lincoln” screenwriter Tony Kushner to task for what they believe are unethical misrepresentations of fact in the much-praised, and supposedly scrupulously accurate film. He, on the other hand, is annoyed. Kushner counters that unlike in history books where a historian gives a well-researched “a blow-by-blow account,” it is reasonable and ethical for a screenwriter to “manipulate a small detail in the service of a greater historical truth. History doesn’t always organize itself according to the rules of drama. It’s ridiculous. It’s like saying that Lincoln didn’t have green socks, he had blue socks.”

I’m going to spare Kushner lawyerly word-parsing and not hold him to “a greater historical truth,” though I suspect that in his hands (he is a skilled political propagandist as well as writer), we would not be pleased with what that license would bring. A politically sympatico film director named Oliver Stone, for example, thought it served a greater historical truth to present completely fictional evidence that Lyndon Johnson was complicit in John F. Kennedy’s assassination, even though Stone’s vehicle, “JFK,” was marketed as a veritable documentary on the “truth” of the Kennedy assassination. Let’s just say that Kushner feels that in a work of entertainment and drama, strictly accurate representation of all historical facts is impossible and unreasonable to expect or require.

I agree. But there is a big, big difference between the ethics of showing Lincoln wearing the wrong color socks, and representing a highly dubious story as fact to denigrate the reputation of a probable hero, as James Cameron did in “Titanic” when he showed First Officer William Murdoch taking a bribe to let a passenger on a lifeboat ( fantasy), shooting a passenger (pure speculation), and committing suicide (denied by a fellow officer under oath at the inquest). Continue reading →

The Heroic Bird-Watchers and The Shame of the Star Princess

/ Jack Marshall / 3 Comments

If Captain Stubing had been at the helm, a tragedy might have been averted.

Rescue is a frequent topic on Ethics Alarms, usually in a disturbing context. We all have a duty to rescue others in peril, but we should never underestimate the powerful forces that often work against that duty. Rescue can be dangerous or frightening, and often there are perplexing questions about when an individual has done enough to ensure a rescue, and what constitutes “enough,” especially if the rescue fails.

In March, the Star Princess—a luxury cruise ship operated by Carnival—was on a cruise around South America. Three of the passengers were bird-watchers, who eschewed shuffleboard and the other fun activities organized by whoever was the counterpart to Lauren Tewes on “The Love Boat” to use their binoculars and telescopes to spot seabirds from the ship’s decks.

It was March 10 when one of the bird-lovers, Jeff Gilligan from Portland, Oregon., saw a boat with a person standing up in it, waving a dark piece of cloth. The vessel was at least a mile away.  Another Oregon bird-watcher, Judy Meredith, told reporters that when she focused her lenses on the boat, it was clear to her that the man waving the cloth was trying to get the Star Princess’s attention, and that the boat was drifting, without an engine. She went inside to try to alert the crew about the situation. After she talked to one crew member, she says, he called the bridge and she talked him through what she and Gilligan had seen.”I was trying to have a sense or urgency in my voice — and tell them that the boat was in distress, and they were trying to get our attention.” Another crew member used Gilligan’s telescope to look at the drifting boat, and confirmed their assessment. The boat was drifting in the open seas and in peril. Gilligan said that at that point “We were a bit relieved because he had confirmed that he had seen what we were describing. We expected the ship to turn back or stop or something.” Continue reading →