Arts & Entertainment

You Have Two Weeks To Be Ethical And Decide Not To Watch The Super Bowl

/ Jack Marshall / 16 Comments

Let me say something good about the New York Times: not all of it’s editorials are repetitious attacks on President Trump, just most of them. Last week editorial board member Alex Kinsbury persuaded his colleague to let him used the space for an opinion both ethical and irrefutable. A quick summary: Football is maiming its players, the NFL doesn’t care, and if you watch the Super Bowl and support its sponsors, you’re complicit.

But then you knew that, right? At least you know it if you’re been coming here for any length of time.

Recalling a hard hit on Patriots star Rob Gronkowski, Kinsbury writes, “As the sound of the hit faded into a commercial break, I realized with absolute certainty that I couldn’t watch football anymore. There aren’t enough yards to gain or Super Bowl rings to win that are worth the cost.”

True. What took you so long? He continues by reviewing the well-publicized data:

The first research into the link between football and traumatic brain injury was published in 2005. Since then, the science has become impossible to ignore. In 2017, The Journal of the American Medical Association published the results of the autopsies of the brains of 111 deceased former N.F.L. players, whose relatives gave their bodies up for study. The group was not a random sample, yet 110 showed signs of chronic traumatic encephalopathy, or C.T.E., a degenerative brain disease linked to concussions. Research published in November estimated that a minimum of 10 percent of all professional football players would develop C.T.E. at some point in their lives.

10% is wishful thinking, even for the  players who can still think. Continue reading →

Martin Luther King Day Ethics Warm-Up: The Hate And Hypocrisy Edition

/ Jack Marshall / 32 Comments

It seems wrong, I’ll agree, to concentrate on hate on a day we put aside to commemorate the civil rights leader who managed to accomplish so much by explicitly rejecting hate, despite how much of it was aimed at him and his cause. I think it’s  hypocritical for American society in its current state to pretend to celebrate the life of Dr. King, when they are in the process of rejecting–enthusiastically rejecting–so many of his ideals. It was hypocritical for our society to pretend to celebrate Christmas, too, now that I think about it.

1 You want to see hate? THIS is hate. Blogger James Bovard collected photos from the Women’s March. The civil rights marchers had a lot more to be angry about, but somehow, thanks to Dr. King’s leadership, they managed to avoid displays like these..

But my favorite, I think, is this one… Continue reading →

Is The NFL Anthem Protest Ethics Train Wreck The Dumbest Of Them All?

/ Jack Marshall / 11 Comments

It would seem so. Gladys Knight agreed to sing the National Anthem at the Soper Bowl, and is getting criticized. Why? “The legendary singer is being criticized for agreeing to take the gig in light of some fans boycotting the National Football League over its treatment of former San Francisco 49ers quarterback Colin Kaepernick.”

One of the thinks that makes the NAPETR so mind-numbingly stupid is that the point of the pointless protest keeps changing, because the protesters just want to protest. Kaepernick, when he was a back-up quarterback of fading skills, claimed he was kneeling during the national anthem to protest “bodies in the streets” and “ people getting paid leave and getting away with murder.” That was inarticulate, and also vague Black Lives Matter propaganda paired with a direct assault on the anthem, since he began by saying that the U.S. flag didn’t deserve his respect. Then other players began kneeling in “solidarity,” but claiming that the protest during the anthem had nothing to do with the anthem. When they were all justly criticized for bringing (incoherent, half-baked, virtue-signaling racial) politics into football games, the said they were protesting to exercise their First Amendment Rights. (There is no right for employees to protest in the workplace), Then when President Trump attacked the protesters and the NFL teams for putting up with them, the kneeling was explained (by some) as a protest against President Trump, a nice safe default these days. Now the kneeling is partially justified as a protest against no NFL team hiring a mediocre quarterback whose grandstanding created a huge public relations problem for the league and who cost it many millions of dollars.

Now a pop singer, whose job is to entertain people, is being told she should not entertain people and should refuse to honor the anthem and the flag with her talents because these topics are too important. Of course, whatever Kaepernick thought he was protesting, there was not an electron of a chance that it would accomplish anything positive , particularity since what he was protesting–-you can’t just assume that any police officer is guilty and stop paying him, you moron—was based on bias, racism and ignorance. So why should Gladys withhold her talents from a national sports event that brings Americans of all races and creeds together? Oh, that’s right: because Amy Shumer says so.

This is like a bad Ionesco play.

Ann Althouse’s four reasons that the attacks on Knight are wrong are…

1. Don’t criticize Gladys Knight.

2. Don’t make singing the National Anthem into a bad thing,

3. The question of protesting the National Anthem is separate, and if you want to defend the players who have been protesting, you’re making a big leap if you go from arguing that the protest is respectful, respectable, and permissible to saying that protest is required and anyone not protesting is to be disrespected,

4. Those who are making that big leap are confirming the fears of the kind of people who worry that once something is permitted we’re on a slippery slope to its being required.

Here are mine: Continue reading →

Demanding Blindfolds

/ Jack Marshall / 11 Comments

From the New York Times:

“Netflix said on Thursday that it would not edit its movie “Bird Box” to remove footage of a disaster that killed 47 people in a Canadian town, rebuffing calls from town leaders who called the use of the video insensitive.”

Good.

This has got to stop somewhere, and “Bird Box,” the sensationally popular sci-fi horror film about Sandra Bullock and her children wandering around a forest blidfolded so they won’t see whatever it is that is driving everyone crazy and making them kill themselves, is a good a place to make a stand as anywhere.

In the movie, some things, or demons, or vibes cause insanity if they are seen: people really aren’t safe if they see them. Images that raise unpleasent thoughst and memories in real life are different, but somehow the idea was pawned that people have the right to expect to be “safe” from thoughts, memories, sights, symbols and ideas that might bother them. Thus “woke” college instructors felt compelled to give students “trigger warnings.” This principle, a really bad one that mistakes censorship for sensitivity, quickly metastasized into historical and artistic airbrushing. The National Park Service banned Confederate flags and their images from battlefield  gift shops—might remind some people of the Dylan Roof church shooting. Or slavery. Or racism.  Then the statues started coming down, because, as Carol Folt, blessedly outgoing chancellor of the University of North Carolina at Chapel Hill explained about why the terrifying pedestal of now toppled “Silent Sam,” a campus statue of a fictional Confederate soldier, must be destroyed:

“The presence of the remaining parts of the monument on campus poses a continuing threat both to the personal safety and well-being of our community and to our ability to provide a stable, productive educational environment. No one learns at their best when they feel unsafe.”

Unsafe! Continue reading →

Morning Ethics Warm-Up, 1/18/2019: “The Pussy-Grabber Plays,” And More

/ Jack Marshall / 31 Comments

1. The Comment Of The Day That Wasn’t. An aspiring troll calling himself “Alan P Siegfried, PharmD” attempted to post a debut comment on “Prophesy Confirmed: SNL And Our Nation Of Assholes,” which concerned Saturday Night Live mocking the war wounds of then candidate, now Congressman Dan Crenshaw as part of a campaign of ad hominem attacks on Republican. I considered making the post a Comment of the Day, as I have in the past with especially amusing rants, but it’s not that funny. I am going to reproduce it here, though, first, to provide another example of the kind of approach that the Comment Policies explicitly warn against. You don’t get leave to comment here by insulting me or condescending to your host, much as I am in thrall to the wisdom of pharmacists. I don’t know how someone can think that it is ethical to enter a house and immediately to start vomiting on the furniture, but commenters who do think that aren’t going to be tolerated. I also thought the attempted comment would be instructive on the question of why the current imbalance between commenters on the Left and Right here or late. Recent progressives have been arriving sneering and spitting; new moderate and conservative oriented readers have been acceptably civil. Why is that, I wonder? Here is the post, and my comments follow intermittently:

How many adults did you see ‘roll with laughter?’

This is called “a bad start.” I wrote that the mockery of Crenshaw by snickering Pete Davidson had the SNL barking progressive seals roaring with laughter, which it did. The first line also was signature significance, apparently suggesting that the vicious disrespect of a wounded veteran was mitigated if the laughter was muted. “Ah!” I say, when a comment begins like this. “An idiot!”

Or is that conjecture from a big city gal who dine went and lost touch with reality??

Wait—I’m a “big city gal”? I don’t even identify as one. Continue reading →

The Hypocrisy Of Politically Correct Casting Mandates: Spielberg’s “West Side Story” Virtue-Signaling Debunked

/ Jack Marshall / 22 Comments

There has to be a one word summary for this. “Ha!” “Duh”? “Yecchh!” “Wha?”

There is going to be a new film version of “West Side Story,” apparently to have one that doesn’t involve casting Russian-Americans (Natalie Wood) and Greek-Americans (George Chakiris) as Puerto Ricans. Of course, it’s OK for a white character to undergo a gender and nationality change because shut-up. This is, I believe, a doomed project, much as the remakes of “Ben-Hur” and “The Ten Commandments” were doomed. Remaking a film that won ten Oscars is a fool’s errand. So is making any movie musical in an era when the genre is seen as silly and nerdy by a large proportion of the movie-going audience, especially one that requires watching ballet-dancing street gangs without giggling. Steven Spielberg, who accepted this challenge, must have lost his mind.

Ah, but apparently wokeness, not art or profit, is the main goal.

“When we began this process a year ago, we announced that we would cast the roles of Maria, Anita, Bernardo, Chino and the Sharks with Latina and Latino actors. I’m so happy that we’ve assembled a cast that reflects the astonishing depth of talent in America’s multifaceted Hispanic community,” said Spielberg. “I am in awe of the sheer force of the talent of these young performers, and I believe they’ll bring a new and electrifying energy to a magnificent musical that’s more relevant than ever.”

Maria will be played by 17-year old New Jersey High School student Rachel Zegler,  making her film debut opposite Ansel Elgort as Tony. The Sharks will be played by Ariana DeBose as Anita, David Alvarez as Bernardo, and Josh Andrés Rivera has been cast as Chino. The 1962 film’s Anita, Rita Moreno, is now playing what was the white, non-Hispanic, male role of Doc, now renamed and re-sexed.

Bravo to George Mason law prof. David Bernstein, for this deft take-down: Continue reading →

Morning Ethics Warm-Up, 1/16/19: Blacks With White Privilege, A Home Trump Derangement Test, Defending “Hamilton,” And More…

/ Jack Marshall / 36 Comments

Got up on the wrong side of the bed today..

…and trying to recover.

1. Finally! The Ultimate Trump Derangement Home Test! This is wonderful, and we owe a debt to CNN for making this available. NeverTrump neocon Max Boot, who has been a “rseistance” ally since the 2016 election and who also writes op-eds for the Washington Post, presented this hilarious—but don’t tell anyone you are using the to test hilarious—visual aid to his recent Post screed:

Isn’t that great? I initially thought it was a Saturday Night Live parody, but how could that be, when SNL is all Trump Derangement All The Time itself? All you have to do is show this to a suspected TDS sufferer, and wait for the response. Hearty laughter followed by something along the lines of,” Wow! I didn’t think even CNN would stoop this low, but there it is!”, and you know your friend or family member has escaped the jaws of madness. If the subject’s reaction is to point and shout, “See! See! I told you the election was rigged!”, then it’s time for cold compresses and a 911 call.

Once again, I miss the fevered passion of the self-exiled Trump Deranged commenters on Ethics Alarms, to see exactly how far gone they are, if they are. Hilarity was bound to ensue.

I was tempted to do a whole post showing how every one of Boot’s “reasons” are strained circumstantial evidence at best or utter nonsense at worst, but two words, “confirmation bias,” pretty much covers it, along with a third, “desperation.” Meanwhile, just as self-amusement, I’m working on the list of reasons why Max Boot might be a Russian agent. So far I have Dilbert’s Scott Adams’ observation that while the pitiful Russian fake news on social media couldn’t divide the country, hysterical anti-Trump conspiracy theorists are doing a good job serving Russian interests by undermining the Presidency; Max’s “Boot” code name, which evokes George Orwell’s’ famous metaphor for Communist totalitarianism; and that Curly Howard hair cut, the choice of international anti-democracy villains in James Bond films,  “The Man From U.N.C.L.E,” TV’s “The Black List” and everything in between.

That’s only three, though. Suggestions welcome.

2. Is this good news or bad news? “Family Guy,” Seth McFarland’s nastier, cheaper, uglier rip-off of “The Simpsons,” has announced that it will be “phasing out” homophobic jokes. It’s certainly good news if this includes the disgusting and unfunny running gag about the old man next door to “The Family Guy” who has sexual designs on Peter’s idiot son, I guess. The problem is that the only feature of “The Family Guy” that made its intentionally tasteless and offensive humor excusable was that the show was cruel and unfair to everyone, pretty much equally. If the show is now bowing to victim-group pressure, how long will it be before its only targets are white men, conservatives, Fox News and Donald Trump?

If McFarland and the show are now afraid of being politically incorrect when political incorrectness is a career death sentence for everyone else, then it should just kill the show, rather than wander the airwaves hollowed out and submissive like the brainwashed Winston Smith at the end of “1984.”

Oh-oh. Second Orwell reference already today… Continue reading →

Morning Ethics Warm-Up, 1/15/2019: I Am Cleopatra!

/ Jack Marshall / 41 Comments

Good morning, Ethics Lovers!

1. Coming attractions. Rep. Steve King is now officially a human ethics train wreck, but boy, it would be nice if we could trust the news media. I will be writing a full post on this matter soon, but in the meantime, if someone can find me the full text of the alleged “interview” with the Times that generated King’s infamous “White nationalist, white supremacist, Western civilization — how did that language become offensive?” statement, I would be very happy. The link used by all sources reporting on the interview and its aftermath, including the link used by the Times, goes to “Before Trump, Steve King Set the Agenda for the Wall and Anti-Immigrant Politics.”

But that’s not an interview! It’s an anti-King hit piece. I wanted to see the context of King’s remark, like, say, the question that evoked it. Is that too much to ask? All we get, however, is this:

Mr. King, in the interview, said he was not a racist. He pointed to his Twitter timeline showing him greeting Iowans of all races and religions in his Washington office. (The same office once displayed a Confederate flag on his desk.)

At the same time, he said, he supports immigrants who enter the country legally and fully assimilate because what matters more than race is “the culture of America” based on values brought to the United States by whites from Europe.

“White nationalist, white supremacist, Western civilization — how did that language become offensive?” Mr. King said. “Why did I sit in classes teaching me about the merits of our history and our civilization?”

That’s telling us about the interview, not the interview itself, and doing so while poisoning the well. More later. However, the fact that the Times won’t provide the unredacted interview itself is troubling.

2. Trump Tweets. Finally I can compliment a good one. This morning the President said, in the climax of a tweet, “They got caught spying on my campaign and then called it an investigation.” I’m critical of Trump’s communications skills, but you can’t do better than that. I also strongly suspect that he is correct. Continue reading →

The Dumbest Casting Ethics Controversy Yet

/ Jack Marshall / 27 Comments

Sometimes the line between confused ethics and plain old stupidity is razor thin. This controversy is one of those times.

Actor Bryan Cranston, best known for “Breaking Bad,”  is being criticized for playing a a quadriplegic billionaire in “The Upside,” his new film  released Friday, because he is not actually handicapped.

He’s also not a billionaire, but that doesn’t seem to be an issue for some reason.

Jay Ruderman of the Ruderman Family Foundation complained, “While we don’t know the auditioning history of ‘The Upside,” casting a non-disabled actor to play a character with a disability is highly problematic and deprives performers with disabilities the chance to work and gain exposure.”

No, Jay, it isn’t problematic, because the primary objective of the performing arts is not, and has never been, to provide “the chance to work and gain exposure.” This is the affirmative action mentality that as it gets stretched further and further from reality and common sense by the woke and the wokeness-addled, increasingly ensures that society eventually  rejects the whole tortured concept. The objective of the performing arts is to entertain, engage and enlighten the audience. That requires casting the best actors available, and in film, frequently the best know actors, in the judgment of the director and the producer. Bryan Cranston is one of the most skilled actors in the world. I am extremely confident that there isn’t a single quadriplegic actor that can equal him, if indeed there are any at all. Audrey Hepburn could also play a blind woman better than any of the few available blind actresses, when she starred in “Wait Until Dark.” Tom Hanks and cliff Roberrtson could play  mentally-challenged caharcters in “Forrest Gump” and “Charlie” better than any mentally-challenged actors.

I can’t believe we even have to have this conversation. Continue reading →

The John Lasseter #MeToo Conundrum

/ Jack Marshall / 15 Comments

What is the appropriate treatment for a leader, executive or artist who has been dismissed, disgraced, and exiled because of credible or proven instances of workplace sexual misconduct?

John Lasseter, the genius Pixar co-founder who was forced to resign from the Walt Disney Company in June after complaints that he engaged in unwanted “grabbing, kissing, and making comments about physical attributes” suddenly raises the question, because he is all of these, and now is one of the first men facing ruin in the #MeToo era to find a new position as impressive and lucrative—seven figures—as his old one.

David Ellison,  “Mission: Impossible” producer and founder of Skydance Media, a newish production company affiliated with Paramount Pictures, announced this week that Lasseter would become Skydance’s head of  animation and will start this month. “John is a singular creative and executive talent whose impact on the animation industry cannot be overstated,” Mr. Ellison said in a statement. “We look forward to John bringing all of his creative talents, his experience managing large franchises, his renewed understanding of the responsibilities of leadership and his exuberance to Skydance.”

BUT, he  continued: “We did not enter into this decision lightly. John has acknowledged and apologized for his mistakes and, during the past year away from the workplace, has endeavored to address and reform them.”

On his own behalf, Lasseter, who was the moving creative force behind multiple Pixar classics like “Toy Story” as well as Disney’s “Frozen,” said that he that he had engaged in “deep reflection, learning how my actions unintentionally made many colleagues uncomfortable, which I deeply regret and apologize for.” He added that he planned to build Skydance Animation in the same way he built Pixar, but with renewed dedication to the need for “safety, trust and mutual respect.”

Good enough? No, #MeToo is not pleased. Time’s Up, the #MeToo-spawned political group founded by Reese Witherspoon and Shonda Rhimes among others, protested in response to the announcement that offering a high-profile position to an abuser who has yet to show true remorse, work to reform their behavior and provide restitution to those harmed is condoning abuse.” The hire, Time’s Up added in a statement, “endorses and perpetuates a broken system that allows powerful men to act without consequence.”

Got it. Women, at least these women, want to see men ruined, shunned and reduced to living by crowdfunding and begging on the street if possible, without the certainly of due process and regardless of circumstances. How does someone like Lasseter show “true remorse”? They get to decide. What work do they have to do to reform their behavior? That’s the activists’ call too, I suppose. Meanwhile, absent a trial, what is restitution? If the women involved have a lawsuit, let them bring it. What is the cost of an unwanted workplace hug? Continue reading →