Arts & Entertainment

Afternoon Ethics Incitement, 4/10/2018: All About Apu

/ Jack Marshall / 80 Comments

Ethics Alarms covered the silly, hyper-political correctness attacks on ‘The Simpsons” character  Apu Nahasapeemapetilon—Oh NO! They are making fun of Indian NAMES!—, the Indian immigrant owner of the local convenience store. Now “The Simpsons” itself addressed the issue:

Naturally, the progressive victim-mongers who cooked up this phony controversy are mad at Marge and Lisa. Here is a typical response from the Angry, Perpetually Offended Left, by former TV critic and lawyer-turned-blogger Linda Holmes, who I am now convinced turned away from the law because she couldn’t meet the tough reasoning requirements.

(And have a mentioned before that taxpayer funds should not be used to pay for social justice warrior drivel like this? I’m sure I have…)

At the end of her screed, she writes,

“I know: It’s a cartoon. That is the easiest, silliest response to this debate. It’s just a cartoon. It’s just a comedy. Or, as the photo of Apu pointedly says, don’t have a cow. But the show doesn’t have this defense to call on, because it has accepted accolades for decades as a thoughtful, intelligent, satirical work that deserves to be taken seriously. It has accepted a Peabody Award, and a GLAAD Media Award. It has been praised and slobbered over and quoted and praised again, and to plead insignificance at this point is unavailing.”

I hate to be harsh, but this is idiotic beyond excusing. To say “It’s a cartoon” is not to say that it is insignificant, and to say “It’s just a comedy” is not to argue that its content doesn’t matter.  It’s a cartoon means that cartoons as an art form, exaggerate, stereotype and mock individuals and groups using funny faces, voices, words and actions, and anyone who takes personal offense—or who works hard to find offense– at a cartoon that was not intended to offend is best dealt with by saying to him or her, “Avoid animated entertainment. You don’t understand it.” And maybe a pat on the head will help.

This is me, by the way:

 

(I’m not offended, though I am not yellow, have broader shoulders, my skull isn’t that big in proportion to by body and don’t have that big line in my forehead.) Continue reading →

Morning Ethics Warm-Up, April 9, 2018: Experiment Results, Flowering Trees From Hell, And Ominous Signs From The Left..

/ Jack Marshall / 35 Comments

Good morning…

…Mrs. Calabash, wherever you are…

1. Apologies for a lost Sunday. I was never able to get back to my computer yesterday. The combination of my responsibilities to the Georgetown Gilbert & Sullivan Society as it celebrated its 46th year of operation against daunting odds, some pressing client matters and important family matters just overwhelmed my schedule, plus I was wiped out by the early evening. Of course, based on the blog’s traffic this month and the continuing ethics rot, I console my self in the message of the most famous song from “Ruddigore,” GG&SS’s student production for the anniversary…especially the final line…

“This particularly rapid unintelligible patter isn’t generally heard, and if it is, it doesn’t matter.”

Ethics commentary in a nutshell.

2. However: The regulars came through in a pinch. The free swim produced at least four  Comment of the Day quality posts, including a history of the Gettysburg address. Thanks everybody. The experiment was a ringing success, and I will have more open forums in the future.

3.  This kind of thing is why I have a hard time taking environmentalist doom-saying seriously. We planted Bradford Pear trees, which are now blooming beautifully as is their wont, in front of our house almost 20 years ago. They have their downsides, to be sure, and you have to trim them back or they are likely to split or fall over. However, here is an environmentalist claiming that they are trees from hell, and who writes in part: Continue reading →

Ethics Self-Warm-Up, 4/8/2018: An Ethics Alarms Experiment

/ Jack Marshall / 95 Comments

My gallant crew, Good Morning!

The combination of the 45th Anniversary of the Gilbert & Sullivan performing organization I founded as 1L student at Georgetown and some unusually complex ethics problems tosses to me by some law firm clients have conspired to put me out of action until this afternoon.

I’m opening this post up to commentary on any ethics issue you please. Stay on topic, please, and be civil.

Morning Ethics Warm-Up, 4/7/2018: “Ruggles Of Red Gap” And “Williamson No Longer Of The Atlantic'”

/ Jack Marshall / 29 Comments

 

Good Morning…

(Do you remember when Saturday morning was fun? Stupid, but fun…)

1. Your cultural literacy note of the day. The Charles Laughton classic “Ruggles of Red Gap” was on Turner Movie Classics last night. The movie itself is wonderful—I recommended it in an Independence Day post here—but it is also a cultural literacy triumph.  In 1935, when the film was released, Lincoln’s Gettysburg address was in the process of falling out of the public’s consciousness. The film’s most famous scene, however, revived it. In a saloon, reference is made to “what Lincoln said at Gettysburg,” and all the cowboys in Red Gap ask each other, “What did Lincoln say at Gettysburg?” Then, quietly, unexpectedly, Ruggles the English butler (Laughton) and the only foreign-born man in the room, recites the speech. TCM host Ben Mankiewicz, in his post showing observations, revealed that when the film was first shown, audiences frequently stood and applauded Laughton’s rendition, and the Address itself became more widely known and quoted.

This is how popular culture works when it is in sync with national values, and not attempting to undermine them.

Here is the scene…for some reason YouTube doesn’t have it, but does have the entire film. The saloon scene begins at about the 56:09 mark:

 

 

2. The Atlantic-Kevin Williamson controversy. Unless you routinely plumb the depths of pundit wars and cultural bloodletting, you might well be completely unaware of this skirmish, but it is ultimately an ethics story. Continue reading →

Sunset Ethics, 4/5/2018: Sinclair, Opening Day Ethics, “The Crown” Ethics, And Fake News, Of Course.

/ Jack Marshall / 41 Comments

Did everyone have a nice day?

1.  On the Sinclair broadcasting controversy. I was completely unaware of this, and Sinclair itself, until a couple of jerks accused me of cribbing my criticism of mainstream media bias from the company’s supposedly outrageous public statement. For the record, I don’t appeal to authority, and I make my own arguments. If other entities or pundits happen to reach the same conclusions, that’s to their credit. Go accuse them of following me. When a particular position stated by someone else strikes me as persuasive, I’ll credit the source.

Here is the script that Sinclair required the news anchors of its many local stations across the country. To save time, I’ll interject in BOLD…

“Hi, I’m(A) ____________, and I’m (B) _________________…

(B) Our greatest responsibility is to serve our communities. We are extremely proud of the quality, balanced journalism that XXXX News produces.

(A) But we’re concerned about the troubling trend of irresponsible, one-sided news stories plaguing our country. The sharing of biased and false news has become all too common on social media.

True. There is no denying this, and while the left-wing news media denies it as part of refusing to reform and do its job objectively and responsibly, the fact that the entity correctly framing the reality of U.S. journalism today is a conservative one does not alter the truth. Any news organization could have, and should have, sponsored the same statement.

(B) More alarming, some media outlets publish these same fake stories… stories that just aren’t true, without checking facts first.

This is also undeniable. The truth hurts. Tough.

(A) Unfortunately, some members of the media use their platforms to push their own personal bias and agenda to control ‘exactly what people think’…This is extremely dangerous to a democracy.

Completely accurate. It is terribly dangerous, and for a recent egregious example, look no further than the coverage of the anti-gun movement following the Parkland shooting.

(B) At XXXX it’s our responsibility to pursue and report the truth. We understand Truth is neither politically ‘left nor right.’ Our commitment to factual reporting is the foundation of our credibility, now more than ever.

If Sinclair means this, good. And that is the standard it should be held to going forward.

(A) But we are human and sometimes our reporting might fall short. If you believe our coverage is unfair please reach out to us by going to XXXX News.com and clicking on CONTENT CONCERNS. We value your comments. We will respond back to you.

How can anyone object to this?

(B) We work very hard to seek the truth and strive to be fair, balanced and factual… We consider it our honor, our privilege to responsibly deliver the news every day.

(A) Thank you for watching and we appreciate your feedback”

Since the statement is non-partisan, accurate, much-needed and one that every single news broadcast news source could and should have read to its viewers, daily if possible, there can be no valid ethical objections to it.

Deadspin, which has too many ethics problems of its own to count, attacked the statement as  america’s largest local TV owner turning its news anchors into soldiers in Trump’s war on the media.”

What utter dishonesty! As I said, and documented on the space ad nauseum, it cannot be reasonably denied that the statement’s characterization of news reporting is fair and accurate. Just because the resistances’s reviled President says something is so doesn’t mean it isn’t so, nor does his embrace of the obvious mean that to acknowledge the obvious is to support him. Deadspin then assembled a propaganda video of anchors across the nation saying the same thing, to make the process look sinister. Clever, but if you can’t see this for the misleading sliming it is,  get help. (Or, if you are NPR, get private funding.) Anyone could do the same thing with every baseball broadcaster who reads the MLB script about who owns the material in the broadcast. Anyone could do the same thing with the instructions I and many other CLE trainers read at the beginning of webinar. It can be done with the Pledge of Allegiance. Statements are scripted when it is important to have a carefully considered message communicated without variation. There is absolutely nothing improper, unethical or inappropriate about a stations owner requiring newsreaders to state the station’s mission, philosophy and basic ethical principles.

In fact, it is inappropriate not to. The howls from the Left are the very embodiment of the meaning behind the Bard’s famous line in “Hamlet” (Act 3, Scene 2 ),

The lady doth protest too much, methinks.

Except in this case, it would be, “The biased and partisan journalists who have been manipulating, hiding and distorting the news for years and hate being called on it doth protest too much.”

Methinks.

2. Another dumb “pay gap” controversy. I’m late slapping this one down. “The Crown, ” the Netflix series about Queen Elizabeth II, has been attacked by feminists, progressives and idiots—I’m sorry, but this is egregious—because actress Claire Foy, playing the Queen, was paid considerably less than co-star Matt Smith, who plays Prince Phillip.

The reason this was the case is that Foy, when she was cast, was a relative unknown, Smith, in contrast, had a ready-made fan base as one of the popular Doctors in “Doctor Who.” Thus he was worth more money to the producers in the beginning of the project. Marlon Brandon was paid much more than Al Pacino and James Caan in “The Godfather” for the same reason. This isn’t gender discrimination. This is business, specifically show business. Bigger stars get more money for legitimate and  obvious artistic and business reasons. Now there is a  petition to try to shame Smith into donating part of his salary from the series to Time’s Up.

This nonsense and gender-bullying. I needs to be sneered at and dismissed hard. Continue reading →

Morning Ethics Warm-Up, 4/3/2018: Hypocrisy, Exploitation, Fake Definitions And Fake News

/ Jack Marshall / 46 Comments

Good Morning…

…and believe me, it takes a super-human effort for me to say that right now…

1.  Good. Rep. Esty is not running for re-election. We discussed her hypocrisy in a post two days ago. Now she says, “Too many women have been harmed by harassment in the workplace. In the terrible situation in my office, I could have and should have done better.” This would have been a meaningful and productive statement if she hadn’t previously insisted that she handled the matter correctly and refused to be accountable. She did, however, and mouthing platitudes now should not alter the verdict that she was a cynical and grandstanding #MeToo performer who, when time came to act according to the standards she was demanding of others, failed miserably.

2. Anybody know of an ethical computer protection service? I now have two ghost services torturing me with pop-up ads, slowing down my computer, and generally behaving like a virus because I cancelled them. When I cancel a service I allowed onto my computer, I expect them to say good-bye and leave. I do not recall agreeing in my original contracts that “the undersigned hereby agrees that if for any reason he chooses to end his relationship with ____________, the service will continue to hound him with warnings, special offers, unrequested scans and other harassment until he dies or throws his computer out the window.”

The two companies at issue are AVG and McAfee. I will chew off my foot before I engage either of them again.

3. Big Brother’s way of winning a debate: change the meaning of the terms so you can’t lose.  After the repeated misuses of the term “assault rifle” as a disinformation and fear-mongering tactic by the anti-gun mob were flagged by Second Amendment supporters to the embarrassment of the zealots, Mirriam-Webster rode to the rescue,  changing its online dictionary entry for the term so its ignorant ideological allies could now cite authority:

On March 31, 2018, the following definition was published:

noun: any of various intermediate-range, magazine-fed military rifles (such as the AK-47) that can be set for automatic or semiautomatic fire; also : a rifle that resembles a military assault rifle but is designed to allow only semiautomatic fire

Translation: “This is what the term really means, but it also means what ignorant politicians, journalists and activist refer to erroneously as the same thing even though it’s not, because we support them and this will make it easier for them to mislead other without looking dishonest and foolish.”

[UPDATE: There is some question of whether that definition was added before or after Parkland. Reader Steve Langton reports that he read the current version a couple of days after the shooting.]

Continue reading →

An Ethics Alarms Challenge: Defend Criticism Of The Brooklyn Museum’s Hiring Of Two White Curators Of Its African Art Collections Without Endorsing Racism

/ Jack Marshall / 42 Comments

The Ethics Alarms verdict is that such a defense is impossible. Asks the Huffington Post in its “Black Voices” section, “People Want To Know Why Brooklyn Museum’s New African Art Curator Is White.” Why are they asking this? The answer is obvious and backed by the curriculum vitae of the two (not one) scholars hired, Drew Sawyer and Kristen Windmuller-Luna. They are eminently qualified for their new jobs, and the color of job applicants is not, and never should be considered “a credential.”

From the museum’s release:

Windmuller-Luna will rethink the Brooklyn Museum’s extensive collection of African art, which is comprised of more than 6,000 objects, and organize a freshly conceived temporary installation showcasing the depth of the collection. Her focus will be to create a dialogue between the African art collection and other works within the museum’s holdings while also helping to develop educational programming.

As a curator and historian of African arts and architecture, with a specialization in the early modern period and Christian Ethiopia, her work counters myths about African civilizations and artistic production by focusing on cultural specificity, artistic diversity and global historical context. Windmuller-Luna received her Ph.D. and M.A. in Art and Archaeology from Princeton University and her B.A. in the History of Art from Yale University.

Drew Sawyer will reimagine the role of photography collection within the museum and explore ways to integrate it with other collection galleries and exhibitions.

Sawyer is currently Head of Exhibitions and the William J. and Sarah Ross Soter Associate Curator of Photography at the Columbus Museum of Art in Ohio. He is also a co-organizer of the upcoming historical survey Art after Stonewall, 1969 to 1989 which will tour during the 50th anniversary of the Stonewall Riots in 2019. Sawyer holds a Ph.D. in Art History and Archaeology from Columbia University, specializing in North American art and visual culture of the nineteenth and twentieth centuries.

“Kristen’s vision for a new permanent collection installation that transforms how viewers relate to the arts of Africa is tremendously exciting for us as we near the 100th anniversary of the Brooklyn Museum’s pioneering exhibition of African art in 1923, ”said Deputy Director and Chief Curator Jennifer Chi. “Drew’s deep expertise in social and experimental documentary practices during the twentieth and twenty-first centuries will significantly augment our strong collection and will contribute to our history of championing contemporary artists who continue in this vein.”

Continue reading →

Morning Ethics Warm-Up, 3/31/2018: The Baseball-Trained Rifleman, The Hockey Hero Accountant, And Some Other Stuff That’s Just Annoying…

/ Jack Marshall / 16 Comments

Good morning!

1. “The Rifleman” and “Fix the problem.” I recently was interviewed by a graduate student in organizational leadership and ethics. One thing we discussed was how popular culture in America once dedicated itself to teaching ethical values and ethics problem-solving, especially in shows aimed at young audiences. This is not so true any more; indeed, popular culture models unethical conduct at least as often today.

I told my interviewer about recently watching an episode of “The Rifleman,” the early ’60s TV Western about a single father raising his young son while being called upon to use his skill with a rifle to fight for civilization in the harsh frontier.  In the episode, hero Lucas McCain (played by the under-rated Chuck Connors) had to deal with an old friend, now an infamous outlaw, who had come to town. (The ethical conflict between personal loyalty and an individual’s  duty to society was a frequent theme in Westerns.) Lucas was a part-time deputy, and at the climax of the episode, his friend-gone-bad is prepared to ride out of town to escape arrest for his latest crime. Lucas tells him not to leave, and that if he tries to escape, Lucas will have to let his custom-made rifle settle the matter, as usual. (Peace-loving Lucas somehow managed to kill over a hundred men during the run of the series.)  Smirking, his friend (Richard Anderson, later known as the genius behind “The Six Million Dollar Man”), says that he knows his old friend is bluffing. For Lucas owes him a lifetime debt: he once saved “The Rifleman’s” life.  You’re a good man and a fair man, the villain says. “You won’t shoot me. I know you.” Then he mounts his horse , and with a smiling glance back at “The Rifleman,” who is seemingly paralyzed by the ethical conflict, starts to depart. Now his back is all Lucas has to shoot at, doubling the dilemma.  You never shoot a man in the back, an ethical principle that the two officers who killed Stephon Clark somehow missed. We see McCain look at his deadly rifle, then again at the receding horseman. Then, suddenly, he hurls his rifle, knocking his friend off his horse. The stunned man is arrested by the sheriff, and says, lamely, as he’s led away. “I knew you wouldn’t shoot me.”

I love this episode. It teaches that we have to seek the best solution available when we face ethics conflicts, and that this often requires rejecting the binary option presented to us, and finding a way to fix the problem.

Of course, it helped that Chuck Connors used to play for the Dodgers, and could hurl that rifle with the accuracy of Sandy Koufax.

2. Here we go again! Now that anti-gun hysteria is again “in,” thanks to the cynical use of some Parkland students to carry the anti-Second Amendment message without having to accept the accountability adults do when they make ignorant, dishonest, and illogical arguments in public, teachers and school administrators are back to chilling free speech and expression by abusing their students with absurd “no-tolerance” enforcement. At North Carolina’s Roseboro-Salemburg Middle School, for example, a 13-year-old boy in the seventh grade was suspended for two days for drawing  a stick figure holding a gun.

I drew pictures like this—well, I was little better at it—well into my teens. It’s a picture. It isn’t a threat. It isn’t anything sinister, except to hysterics and fanatics without a sense of perspective or proportion—you know, the kind of people who shouldn’t be trusted to mold young minds. “Due to everything happening in the nation, we’re just being extra vigilant about all issues of safety,” said Sampson County Schools’ Superintendent Eric Bracy, an idiot. How does punishing a boy for a drawing make anyone safer? It makes all of us less safe, by pushing  us one step closer to government censorship of speech and thought.

Then we have Zach Cassidento, a high school senior at Amity High Regional School in Connecticut who was suspended and arrested —arrested!—for posting a picture of his birthday gift, an Airsoft gun, on Snapchat. He was not charged, but was suspended for a day from school….for posting, outside of school, on his personal account, the picture of an entirely legal toy gun (It shoots plastic pellets: my son has several of them).

The people who do this kind of thing to children in violation of their rights as Americans are the same people who cheer on David Hogg while signing factually and legally ridiculous petitions. They should not be permitted to teach, and this kind of conduct ought to be punished.

Where is the ACLU? For the organization not to attack these abuses is an abdication of the organization’s mission. Continue reading →

Morning Ethics Warm-Up, 3/30/18: Classless

/ Jack Marshall / 18 Comments

 

1. Of unethical, and useless, unpaid internships. There is about as a good a summary of what is wrong with unpaid internships at the UConn website as you will find. My only complaint is that the piece, by Henry Zehner, ignores my long-time objection to these positions based on my experiences with various employers who forced me to use out-of-class students in ill-defined roles. (Yes, one of them was the current Secretary of Education.) Zehner mentions that the law requires interns to do substantive work rather than low level office tasks. He doesn’t mention that only the rare intern is able to do tasks “not requiring specialized training.” My experience was that interns usually had negative effects on my time, management and productivity, as I not only had to instruct them, but also often had to re-do whatever work they completed. (Julie and LeeAnn, wherever you are, I don’t mean you.) But as for the young man who was assigned to assemble  my foundation’s annual meeting board books and explained that it took him so long because the “little slips to label the dividers kept falling into the typewriter,” the less said the better.

2. More on the art vs the artist. Last week we discussed the folly of judging art according to the character of the artist, in my post [#3 in a Warm-Up] on the op-ed. “We’ve been too forgiving of unethical artists.”

Here is an example of an artist of disgusting art being found to be disgusting: John Kricfalusi, the creator of the animated “The Ren & Stimpy Show” has been accused by a 37-year old woman of sexually abusing her 20+ years ago, apparently with her consent, but since she was under 18 at the time, such consent is legally meaningless.  So, really, is her late hit, except to gain #MeToo creds. It’s too late to prosecute the cartoonist, and he was remarkably candid about his relationships with teens while he was having them. Kricfalusi had always admitted to his disturbing taste for under-age teenage girls.

Does this old/new information mean that parents should treat “The Ren & Stimpy Show” as taboo, and that channels that feature cartoons should refuse to show it, thus robbing the show’s creator of residuals and income?

No. Kricfalusi’s art has value, if it has value, independent of his own private misconduct. “Lohengrin” is no worse or better because Wagner was a racist and an anti-Semite. The “Alice” books are wonderful, and our culture shouldn’t be robbed of them because Lewis Carroll was creepily obsessed with little girls.

Kricfalusi, for me, is an easy case. I always thought his work was sick and disturbing, and that no parent should allow any child under the age of 13 to watch it. I would feel the same if Kricfalusi was a certified saint. Continue reading →

John Wayne Western Ethics: Just Thought I’d Mention This…

/ Jack Marshall / 31 Comments

“Chisum” is a lesser effort by the Duke for sure; I saw the Western when it came out in 1970, and it made no impression on me at all, apparently. When I watched it again two days ago, almost nothing seemed familiar. There was one scene, however, that raised my eyebrows.

The story is very loosely based on John Chisum (of  Chisum Trail fame) and his involvement in the Lincoln County War of 1878 in the New Mexico Territory. At one point in the story, British rancher and Chisum’s neighbor Henry Tunstall rides to Santa Fe to seek help from Territorial Governor  Sam Axtell in the increasingly tense range war.  Henry does not know that he has been framed for cattle rustling, and when he  is intercepted by two deputies (they are in on the plot, but he doesn’t know that) who accuse him and tell him he is under arrest, he objects strenuously.  Saying he is late, Tunstall starts to reach into a pocket. One of the deputies shoots him dead. The two then plant a gun on Tunstall to back the story that the deputy fired in self defense.

But why did he have to do that? Continue reading →