Call Me An Alarmist, But This Alarms Me Greatly: The Censorious On-Line Anagram-Maker [UPDATED]

In a recent thread—the context is unimportant—commenter Chris facetiously wrote that “Auntie Yang’s Great Soybean Picnic” is an anagram for “Hitler Did Nothing Wrong.” My mind working the way it works, and being incapable of anagrams myself, I immediately went to an online anagram generator, and typed in “Hitler Did Nothing Wrong.”

The page, Wordplays’ Anagramer, told me that there were no anagrams for that phrase, which is, of course, isn’t true.  [UPDATE: See below] “Auntie Yang’s Great Soybean Picnic” isn’t one of them, but there are thousands, my favorite being (courtesy of a the ethical anagram generator here), “Deriding Hog-thrown Lint.” I always deride hog-thrown lint myself.

I amguessing that the only reason Wordplays refused to give me the anagrams I requested was that it decided that I shouldn’t have the right to even write or think the phrase “Hitler Did Nothing Wrong.” Somewhere in programming their site the social justice warrior totalitarians have decided that “bad words” and “bad ideas” can’t be used or thought about, even in jest. Even in an anagram!

‘First  they came for “Hitler Did Nothing Wrong, ” and I did nothing. Then they came for “Deriding Hog-thrown Lint.”‘

This isn’t funny, this is scary. There is a large and growing segment of the American public, many quite powerful, who believe in social change by constriction of words and thought. They see technology as their ally, and those who run technology companies show every sign of being such.

These are enemies to democracy and our liberties as defined by our Founding documents, our traditions and history.

They aren’t enemies because they block anagrams due to their crippling political correctness and arrogance.  That just means they are silly fools. They are enemies because they don’t think using their power to interfere with the speech and thoughts of others is wrong. They think they are doing good.

And if they can–if we let them—they will warp our culture  using laws, intimidation, indoctrination and, of course, technology until everyone believes that controlling words and thoughts is good.

If you think this is just about anagrams, you’re dangerously naive.

UPDATE: Commenter/Blogger Windypundit, who is surely more savvy in these matters than I am, writes in the comments,

I went over to the Wordplays Anagrammer site to play with it. The thing is, I can’t reproduce your results. When I enter the phrase “Hitler Did Nothing Wrong” it displays hundreds and hundreds of anagrams.

Maybe it was just a glitch? …I thought maybe it didn’t work in some browsers, but it worked in all five I tried.

I don’t know what’s going on. I tried twice, and got a “No anagrams found” message. I will assume that it’s me, not them.

The general position of my post stands, however. Even if the web isn’t censoring anagrams, there is a lot of manipulation going on.

Many thanks to Windypundit for the research and the report.

____________________

Pointer: Chris

From The Ethics Alarms Lost Files: The Ballet Dancer, The Man On The Tracks, And The Duty To Rescue

That’s our hero, Gray Davis, in the bottom photo. The top photo is just a suggestion if he decides to go pro…

[This story is several months old, but I missed it.  Luckily my friend, long-time Ethics Alarms reader and commenter Ethics Bob did not, and sent it to me. Then I missed his e-mail. Until today.]

Ethics Alarms often writes about the duty to rescue, but has also often discussed the reasonable limitations on that duty. You are ethically required to do what you can to prevent a tragedy if you have the power to do so, and instant presence of mind to do so. There is no ethical duty to act like Batman, unless, of course, you are Batman.

Gray Davis is Batman.

Well, that’s not quite right.

Let’s call him “Ballet Man,”

In June, a 58-year-old homeless man fell or was pushed onto the subway tracks at the 72nd Street Broadway-Seventh Avenue station in Manhattan. People began screaming and shouting for someone to help. Davis, 31, told reporters that “At first I waited for somebody else to jump down there…. But nobody jumped down. So I jumped down.” Actually he leaped down. Davis is a ballet  dancer with the American Ballet Theater. He had not performed that night, a Saturday, because he was recovering from a herniated disk. He had just watched his wife, soloist Cassandra Trenary, dance in both the matinee and the evening performances of “The Golden Cockerel.”

After Gray’s graceful assemblé from the platform onto the tracks, he lifted up the man, following a temps leve, although the carry itself was not standard and had several technical flaws by ABT standards, forgivable because ballerinas are not typically dead weight, and unconscious homeless men are not typically ballerinas. Gray deposited his temporary partner on the platform, where he was immediately attended to by others.

Then the dancer heard a train in the distance, and for the first time realized how high it was to the platform from the tracks. “Luckily, I’m a ballet dancer,” he said. Luckily for everyone. Lifting his let up over his head is a breeze.

Ballet dancers are much-maligned, and increasingly unappreciated as artists despite the fact that they are among the most skilled athletes in the world. Batman would have to have ballet training; Daredevil too. Unfortunately, they aren’t real. Graey Davis, Ballet Man, is real, and when a life was at stake and everyone else was calling for someone else to he a hero, he was one, because he knew he had the skills to pull it off.

Bravo!

Encore!

_____________________

Pointer: Ethics Bob

Morning Ethics Warm-Up, 9/29/2017: A Rude Librarian, Another Incoherent Knee, I Need To Start Listening To My Own Lectures, And Did YOU Know That “Green Eggs And Ham” Was Racist?

Good Morning!

1 In the middle of yesterday’s continuing legal education seminar on technology and legal ethics, I was telling the attendees about the dangers of all things Google. As I was explaining why lawyers should never, never do legal business on a gmail account, I added that they also have an obligation to tell their clients that there is not a sufficient expectation of privacy when they use gmail to communicate with their attorney. Then I literally froze and stared into space.

“I just realized that one of my recent consulting clients, a lawyer, has been sending all of his communications and documents to me using gmail,” I said. I had noticed it, but it still didn’t trigger the response that I have been teaching to others for at least three years.

As a wise man once said, “D’oh!”

2. In the “I can keep it up as long as they can” category: There is now a viral photo of some idiot taking a kneel  during Taps at the Tomb of the Unknown Soldier.

Continue reading

Hollywood’s Unethical Aging Leading Man Tradition

[Let’s see, I tried to get everyone off the silly NFL kneeling protests (just because I write a lot about something doesn’t mean I don’t think its that important), and a simple pro-civility post turned into a donnybrook. Hmmm...how far can I get from both issues? Maybe this will work…]

The Business Insider has an article about something that has bothered me for decades: Hollywood’s embarrassing addiction to pairing young actresses with aging male stars, even when it’s ridiculous. There is nothing wrong with a 60 year old man romancing a 25 year-old woman, just as there was nothing wrong about the romance between an elderly woman and a twenty-something male in “Harold and Maude.” However, the appearance of such pairings is unavoidably sexist, and cuts hard against Hollywood’s posture that it is a force for liberalizing the culture.

The article, by Meg Shields, says in part…

“American Made” premieres this week, bringing two reunions with it: Tom Cruise and “Edge of Tomorrow” director Doug Liman, and Tom Cruise and his ever-growing age gap with his female co-stars. Sarah Wright (who plays Cruise’s wife in the film) was born in 1983 just a couple months after the premiere of Risky Business, making her 22 years Cruise’s junior. 

…It’s a well-known fact that Hollywood likes to pair older men with younger women. And to be clear, there’s nothing wrong with an age gap between two consenting adults. According to the 2013 US Census, 4.8 percent of heterosexual married couples included a husband 10-15 years his wife’s senior. The problem, rather, is that Hollywood doesn’t really care about showcasing the stories of that 4.8 percent so much as normalizing the expectation that women are only romance material when they’re in their mid-20s/early-30s, whereas men are free to age and remain conceivably f—able.

… I crunched the numbers for every single Tom Cruise movie, comparing his age relative to that of the actresses playing his love interests over time. All told, Cruise’s age gap mirrors, and indeed confirms, the larger critique of Hollywood’s bias against older actresses. This isn’t just anecdotally-sourced rhetoric, by the way. There’s more and more statistical evidence showing how women age out of Hollywood. Time and The Pudding, for instance, do a great job at visualizing how more roles and dialogue are available to men as they age, where the opposite is true for women.

I was intrigued by this article because I just saw Cruise’s remake of “The Mummy” (and a more ludicrous spectacle it would be hard to find). Tom looks great for his age, at least a decade younger than he is, and he is inherently youthful, so it is a bit unfair to use him to make this point. How about the oogy pairing of Catherine Zeta-Jones and Sean Connery (above), looking every inch of his 69 years in “Entrapment”? When Cary Grant at 60 was paired with the gamin Audrey Hepburn in “Charade,” Cary’s fans weren’t bothered, but he was: he said that he felt uncomfortable playing the romantic lead at an advanced age, and began planning his retirement. John Wayne was never a comfortable romantic lead, and while Howard Hawks made the by-play between the Duke at 52 with 28 year-old Angie Dickinson in the great “Rio Bravo” work, teaming Wayne with much younger women didn’t seem right; a few movies later, he was back with Maureen O’Hara. Continue reading

Morning Ethics Warm-Up, 9/26/17: The News Media Hides Sen. Strange’s Corruption, And An NFL Anthem Protest Ethics Train Wreck Update

Good Morning, Dallas! Proud of your politically correct football team?

Good Morning!

1 The New York Times and the rest of the mainstream news media, it is a relief to know, unethically and deceptively slants its news reporting in favor of Republicans when even worse Republicans are involved. Since the Ethics Alarms post about the horrible Strange-Moore run-off, I’ve been reading several articles about the issues involved. So far, I have yet to read any that mention the corrupt manner in which Sen. Strange got his seat. They all mention Moore’s problems, like the fact that he’s a theocrat who doesn’t believe in the Rule of Law.

And now your NFL Anthem Protest Ethics Train Wreck update, because it can’t be avoided, unfortunately…

2. The sports weenies of the year have to be the Dallas Cowboys, who didn’t have either the courage to play it straight and let the silly NFL Anthem Protest Train Wreck miss a stop, or the fortitude to climb right on. On Monday Night Football’s game this week, the Cowboys, owner Jerry Jones, Coach Jason Garrett and other coaches and front office executives kneeled in unison before the anthem, then rose and locked arms as it was being performed. What did it all mean? “Our players wanted to make a statement about unity and we wanted to make a statement about equality,” Jones said at a post game news conference. “They were very much aware that statement, when made or when attempted to be made in and a part of the recognition of our flag, cannot only lead to criticism but also controversy. It was real easy for everybody in our organization to see that the message of unity, the message of equality was getting, if you will, pushed aside or diminished by the controversy. We even had the circumstances that it was being made into a controversy.”

That’s clear as mud, as my dad liked to say.

Here was another theory: Cowboys wide receiver Dez Bryant told the news media that the decision “was a team thing” that was a direct response to comments and tweets by President Trump over the weekend.

“I feel like that’s the true definition of unity.Trump can’t divide this. I think sports show the perfect example of unity. It’s not just black NFL players, it’s different races. I feel like that was a clear shot at Trump, sitting on that knee like that because you just can’t do that [What Trump said was] super disrespectful. We showed great unity tonight. That’s what that was for. I feel like that was needed. … We’re not going to let a guy like that tear us apart. Not just us but this whole entire league. We’re a prime example of positive people. … He should have never said that. It was a clear punch in the face. I feel like we made up for that.”

Wait, so now this is an anti-Trump protest? What happened to protesting officers getting paid while cop-involved shootings were being investigated—you know, what Colin Kaepernick said?

The Cowboys’ whatever it was was naked, cynical virtue-signalling that ended up being stupidity-signalling. Continue reading

Given The Opportunity And The Power, Blacks Will Discriminate Against Whites, Women Will Discriminate Against Men, Gays Will Discriminate Against Straights, And Liberals Will Discriminate Against Conservatives, Because That’s What Human Beings Tend To Do. Now What? I Recommend “In The Heat OF The Night”….

I’ve been meaning to write about this for a long time, at least since February, when professional women’s basketball star Candace Wiggins, who retired from the WNBA last year after eight seasons in the league, told  reporters that she was bullied and harassed during her career because she was not gay.

“Me being heterosexual and straight and being vocal in my identity as a straight woman was huge,” Wiggins said. “I would say 98 percent of the women in the WNBA are gay women. It was a conformist type of place. There was a whole different set of rules they [the other players] could apply.” She says it drove her out of the league and the game. The WNBA denied her allegations, and the story wasn’t around very long.  Gays don’t bully, they ARE bullied! Then, this week, ThinkProgress reported that a former University of Southern California point guard, Camille LeNoir, alleged she was denied an assistant coaching job in the New Mexico State University athletic department because she had the “wrong” sexual orientation.  She claims that she had a firm job offer when the school thought she was a lesbian, but when she announced that she no longer regarded herself as gay, the offer was rescinded. This week, a federal judge in California decided to allow her discrimination case to advance.

I don’t know whether the perceptions of either Wiggins or LeNoir are accurate, but I don’t doubt that the kind of bullying and prejudice they describe goes on. There have been similar accounts in other women’s sports, like tennis and golf. Yes, it appears that unlike the male side (with the exception of men’s figure skating), gay women dominate many if not all women’s sports. I will eschew writing something arch like, “Who would have suspected?” in favor of the more direct, “This should come as no surprise, but saying so will offend feminists, female athletes and lesbians anyway.”

One would think that when a historically oppressed and discriminated-against group gains power or perceives that it has power, it would behave toward others as it wishes it had been treated during all those years of being marginalized. Alas, the opposite is usually the case, and most of the time. In one of my worlds, professional theater, gay men dominate, and there are theaters that have the reputation of actively discriminating against straight actors. Hollywood, of course has become a workplace where being revealed as a conservative is to face virtual blacklisting. Give a minority power, and as often as not, what emerges are bullies and bigots. Continue reading

Morning Ethics Warm-Up, 9/21/2017: Climate Change Deceit, Jimmy Kimmel, Trump’s Golf Ball Attack, Stephen King, And How to Cover The Left’s Epic Freak-Out

GOOD MORNING!

(he shouted…)

1 When I wrote today’s early morning post about the Sherwin-Williams controversy, with a “hit the ball into the paint can” promotion going horrible wrong thanks to fake news and lying sports reporters, I wanted to use a famous old cartoon based on a sign that hung in the outfield in old Ebbets Field, where the Brooklyn Dodgers used to play. I couldn’t find it online, perhaps because it was 4 am. I just did, however…

2.  For some time, now, as the Left has commenced its nervous breakdown following Trump’s election, I have faced a daily dilemma. The ethics breaches, in civility, in journalism, in politics, have been so over-weighted to one side of the political spectrum that to cover issues based on importance and degree of ethics madness automatically makes Ethics Alarms seem partisan. I resent it, to be honest. The counterbalance is, of course, the President himself, but his brand of unethical conduct hasn’t changed since the campaign, though the Trump-haters never tire of freaking out over the same stuff. For example, after the infamous wrestling tweet about CNN, how nuts can you go when Trump posts a gag video showing him hitting Hillary in the head with a golf ball? Yes, it’s childish, yes, its unpresidential, yes, it shows lack of self-restraint, yes, it’s stupid. But I know and you know, and certainly his haters know, that Trump is childish, unpresidential, lacks  self-restraint, and is stupid. I’ve written too much about it already.

He is not, however, getting worse. Democrats, progressives and “the resistance” are getting worse, as they become more desperate in their derangement. I’m seeing things I didn’t believe possible, like serial child abuser Jimmy Kimmel being held up by the news media as the moral center of the Democratic Party. Jimmy Kimmel is nothing. He is a smug high school grad who has never done anything but perform, often disgustingly, as when he was host of the too-vulgar-to-be-believed “Man Show” on Comedy Central.

He’s never run a business; he’s never studied public policy. He’s a comedian whose signature act is egging on parents to make their kids cry and take videos of them. Ah, but he’ll give Hillary Clinton a forum to deliver her shadow UN speech, and pimp for Obamacare, so that makes him a policy expert. Incredible. Incredible, the depths to which progressives have fallen.

An immature, inexperienced, impulsive President, rather than being opposed, as he should be, by a professional, honest, respectable and responsible opposition party, has instead mutated the liberal establishment into as revolting a presence as he is. This is catastrophic for our politics, our culture, and our society, and that’s why Ethics Alarms devotes so much space to it.

3. Ann Althouse has the sharpest hypocrisy detector around, and she nailed horror novelist Stephen King (I like his novels, some of his movies, and he is a big Red Sox fan) for sending this anti-Trump tweet:’

Trump thinks hitting a woman with a golf ball and knocking her down is funny. Myself, I think it indicates a severely fucked-up mind.

She writes in part, Continue reading

From The Ethics Alarms Harry Truman Files: Applause For “The Wrecking Crew”

 

One of my favorite Presidential quotes of all time is from Harry Truman. He said,

“It is amazing what you can accomplish if you do not care who gets the credit.”

Nonetheless, people deserve credit when they do important things, and trying to encourage the culture to not only give credit but also to remember and honor those deserving it across generations is a frequent theme of this blog.  The Ethics Alarms Heroes Hall of Fame is one expression of this theme. This post is another.

I was reminded of The Wrecking Crew when Glen Campbell died, and recently, when I heard old Monkee Mickey Dolenz in a recent interview.  Cambell was the most famous alumni of the studio band, which had many members over the years. Dolenz was a member of the group that was its most famous beneficiary, although The Byrds were also famously represented by The Wrecking Crew in their first hit record, “Mr. Tambourine Man.”

It has always amazed me how little this loosely organized band of brilliant studio musicians is known outside of the music business and the rock and pop trivia nerds. The Wrecking Crew was significantly involved in much of the greatest pop music recorded from the late 1950s to the mid 1970’s. Their musical contributions are indistinguishable and inseparable from the those of the famous singers and groups they backed, and yet fame and credit, as well as sufficient honors, have been elusive.

If people have heard of them at all, the Wrecking Crew is known for “ghosting” the accompaniments for the Monkees’ first two albums. However, its studio band work was far more extensive than that. They were, for example, the creators of Phil Specter’s “Wall of Sound”: in the early years, they were sometimes credited on Specter discs as occasionally credited as “the Phil Spector Wall of Sound Orchestra.” They played under other names too, or no names at all. The nickname “The Wrecking Crew” became public when it was used by drummer and member drummer and member Hal Blaine in his 1990 memoir, “Hal Blaine and the Wrecking Crew”; they also sometimes called themselves “The Clique.”  Blaine, Campbell and keyboardist Leon Russell are the most famous members; some of the better known studio  musicians that formed the backbone of the Crew’s ranks were drummer Earl Palmer, saxophonist Steve Douglas, guitarist Tommy Tedesco,  and bassist Carol Kaye, as well as versatile Larry Knechtel, later a member of Bread.

I checked Wikipedia for a list of the hits The Wrecking Crew played on and made into the classics they are. Here were some of them. Continue reading

Morning Ethics Warm-Up, 9/14/17: Reed College…Fired For Mentioning Grits?…Stupid Protests…The DNC Lies To Democrats…And The Times Clarifies Its Double Standards

Hi there!

1 There is another one of those hybrid ethics stories coming out of Oregon. Cross oppressive political correctness with racial-offense hypersensitivity with Lena Dunham-like totalitarian-minded progressives itching to report “wrong-thinkers” to authorities with organizations punishing individuals for private speech they did not intend to make public and what monstrosity do you get?

This: a white conductor and festival artistic director fired by a music festival after he was overheard talking to a black friend in a fake Southern accent and saying, “Do you want some grits?” or words to that effect.

I’m not going to explain in any detail what and who are unethical in this fiasco, because I shouldn’t have to. Halls is a victim. The woman who reported him after eavesdropping is worse than merely unethical: she is an evil-doer, someone who sets out to hurt other people to feel powerful. She either never heard of the Golden Rule or doesn’t accept it. (Maybe she IS Lena Dunham!) The festival’s conduct is unfair, uncaring, cowardly and irresponsible. It deserves to have its artists boycott the festival in support for Halls, but since artists tend to be leftists of the knee-jerk variety, addicted to virtue-signaling and with the depth of analysis exhibited by the typical dachshund, I wouldn’t expect any colleagial  support if I were the conductor.

If you have functioning ethics alarms, it will be obvious that the episode was disgusting and unjust, and why. If the festival’s conduct  makes sense to you, then I’m afraid you’re hopelessly corrupted.

2. Morning Warm-Up may yet morph into “stories that are so irritating I can’t stand writing full posts about them.” Take this one, for example: at small liberal arts school Reed College,  a mandatory humanities course on ancient Mediterranean civilizations was canceled after student protesters kept  interrupting the class to protest “Eurocentrism.” Western culture has been, like it or accept it or not, the beacon of world civilization, and even those who (idiotically) choose to deride or reject it need to understand the history and forces that brought us to where we are today—where we are today being a time when weak and incompetent college administers refuse to assert the indispensable fact that students are there to learn, not dictate to their elders.

My favorite part of this story: to accommodate protesters, the Reed administration agreed to allow adverse students to stand surrounding lecturers in the course. “The general understanding was that the protesters would be allowed to continue as long as they didn’t interfere in the lecture period”…as if forcing lecturers to teach under such circumstances isn’t inherently interfering, as well as intimidating to the teachers and other students.

Colleges and universities that cannot respond more effectively and professionally to such unethical bullying by extremists don’t deserve to exist at all. If you don’t want to learn about Western civilization, go to another school, probably in California. If you disrupt the learning experience of other students, you should be expelled. Continue reading

Casting Ethics: A Black Joan Of Arc?

Sure, why not?

From Playbill:

Manhattan Theatre Club has announced a Broadway revival of “Saint Joan” by Nobel Prize and Oscar winner George Bernard Shaw with direction by Tony winner Daniel Sullivan. Heading the cast as the famous heroine will be Condola Rashad, fresh off her Tony-nominated performance in “A Doll’s House, Part 2.”

Superficially, at least, the casting of Rashad, an African American actress, as the famous “Maid of Orléans,” the French teenager who gained political and military power as a self-proclaimed messenger of God and who was burned at the stake, would seem like precisely the kind of stunt non-traditional casting that I have condemned by subjugating the intent and art of a playwright to affirmative action and virtue-signaling. However, this is not a legitimate objection to this casting choice, and in fact the upcoming Broadway production is as close to a perfect example of how creative casting can enliven a production and deepen its ability to make an audience think.

Joan of Arc, of course, was not black. Nor was she Swedish, though Ingrid Bergman played her memorably enough in the most famous Hollywood version of  Shaw’s play, She also didn’t speak English, and certainly not Shavian English. She spoke French. Ethnicity, race and color are not part of Shaw’s drama, however, nor are they relevant to what Joan of Arc did in life, and what she meant to her nation, its history and our shared Western culture.

How many public schools teach anything about Joan of Arc? How many U.S. students graduate completely ignorant of the historical Joan, not to mention Shaw’s version? Yet hers is one of the most remarkable stories in recorded history.

Joan of Arc was born around 1412, the daughter of a tenant farmer, Jacques d’Arc, from the village of Domrémy, in northeastern France. She was illiterate, as were most  of her class and gender, but also was indoctrinated into the teachings of the Catholic Church by her mother.  France was engaged in what we now call the Hundred Years’ War with England, and England had France by the throat.  A forced  treaty in 1420 disinherited  Charles, French crown prince, and England’s King Henry V—there’s a famous play about him, too– was made ruler of both England and France. Upon his father’s death, Henry VI succeeded him as king in 1422. At this point England occupied much of northern France, and many in Joan’s village, Domrémy, were forced to abandon their homes under threat of invasion.

Thirteen year-old  Joan began to hear voices in her head. Today we think the cause was tinnitus, but she was certain God was assigning her the mission of  saving France by defeating the English, and installing Charles as its the rightful king. Joan took a vow of chastity, as part of her bargain with God; this allowed her to reject a marriage her father arranged for her when she was 16.

Around this time, Joan traveled by herself to  Vaucouleurs, a nearby stronghold of those loyal to Charles. With her faith and her persuasive claim of being a holy messenger, she attracted a small band of followers who were convinced her sudden appearance was the the result of a popular prophecy coming true, and that she was destined to save France. Joan cut her hair short and dressed in men’s clothes to make an 11-day journey across enemy territory to Chinon, where the crown prince’s palace stood. She met with the young man, and convinced him that she was the Real McCoy (they didn’t use that phrase in France, of course)  by allegedly telling him things only God would know. She also  promised Charles that she would see him crowned king at Reims, the traditional site of French royal investiture, and asked him to give her an army to lead to Orléans, then under siege from the English.

Charles granted her request. Think about this for a bit. A strange teenage girl, dressed like a boy and claiming to hear voices, meets with the leader of a nation at war and convinces him to put her in charge of an army.

Amazing. Continue reading