Ethics Alarms Update: The Borgata Babes

Borgata Babes

Twenty-one female servers at Atlantic City’s Borgata Casino sued their employer,  claiming that they were objectified, discriminated against and demeaned by being forced to maintain slim and fit figures  as “Borgata Babes.” I wrote about this case in 2013, saying,

“While it is true that physical attractiveness can be an employment asset in virtually any job—note #2 on fired TV reporter Shea Allen’s “confessions”— there are some jobs for which it is the primary, or at least a substantial and thus legitimate requirement. Strippers, of course. Fashion models. Cheerleaders. Actresses. Personal trainers. Fox newsreaders. Hooters girls, and pretty obviously, Borgata Babes. To say that a business can’t make a decision to have fantasy sex objects as part of its appeal is an excessive use of political correctness grafted to state power. Essentially, the suing Babes are arguing that they can pull a bait and switch—use their well-toned beauty to get hired, agree to maintain the high standard of visual perfection that they presented to their employer, then go to pot and sue if their employer objects. Beauty is an asset in the workplace and a tangible one: the pressure on the culture to behave as if that asset doesn’t exist (the pejorative labeling of a preference for the lovely over the hideous as “lookism” is the weapon of choice) and to prohibit employers from ever hiring on that basis in jobs where it is a substantial and relevant qualification is as unfair to the fit and comely as requiring an investment banker to look like Kate Upton….”

Now a state appellate court  has ruled that the casino can impose appearance requirements as long as it does so fairly and equally.

Score a victory for the freedom to acknowledge that beauty can be a legitimate job qualification, and against ludicrous political correctness.

_____________

Pointer: Res Ipsa Loquitur

What Do We Do About Steve Rannazzisi?

Comedian Steve Rannazzisi is in the midst of his 7th seasons starring on the popular TV show,“The League;” he has a one-hour special coming up on Comedy Central, and is increasingly in demand for commercial endorsements. How did he distinguish himself among the large pack of similarly young, edgy stand-up comics? Well, he’s good—but them a lot of them are good. He is, however, the only one who has a harrowing tale of being a survivor of the 9/11/2001 Twin Towers attack. For more than a decade he has been telling interviewers about his narrow escape, how he was working at Merrill Lynch’s offices on the 54th floor of the South Tower when the first plane struck the North Tower, and how he rushed  out of the building and into the street just before the second hijacked  plane slammed into the tower he just left. That was an epiphanal moment for Rannazzisi, he has said, and realizing that every second of life was precious and that he was saved for something more important than pushing paper, Rannazzisi quit his conventional day job to pursue a career as a comic.

That back story made Rannazzisi seem uniquely human, appealing, and on a mission. It wouldn’t have boosted his career if he didn’t have the talent to capitalize on it, but he did. To some extent, all of his success has been built on the foundation of the Twin Towers’ fall, so his fans and employers have a dilemma to face: he was lying. The New York Times checked out his account, and determined that the comedian had been working in Midtown on 9-11, never was employed by Merrill Lynch (which had no offices in either tower), and has been lying all these years. This week, Rannazzisi confessed and apologized, saying in part,

“I was not at the Trade Center on that day. I don’t know why I said this. This was inexcusable. I am truly, truly sorry….For many years, more than anything.I have wished that, with silence, I could somehow erase a story told by an immature young man. It only made me more ashamed. How could I tell my children to be honest when I hadn’t come clean about this? It was profoundly disrespectful to those who perished and those who lost loved ones. The stupidity and guilt I have felt for many years has not abated. It was an early taste of having a public persona, and I made a terrible mistake. All I can ask is for forgiveness.”

(Excellent apology: Level One on the Apology Scale.)

Now what? Continue reading

The Ethics Alarms New NFL Season Ethics Quote Of The Week: Ex-Football Fan Steve Almond

football-brain-injury-symptoms

“We know, on some level, that a good many of the players we cheer for each Sunday will be revealed as all too human when they wind up battling dementia. But… fans have a whole suitcase full of rationalizations intended to preserve our right to consume, and thus sponsor, this hyper-violent game. “The players know the risks!” we insist. “They get paid millions!” But ultimately, our most effective dodge resides in our willingness to view the game as one big movie.”

Steve Almond, author of “Against Football, in an essay today for the Washington Post titled “Hollywood’s version of the gridiron is just fantasy football
(It hypes violence for the sake of drama — then reassures us everything is okay)”

Perfect timing for this article, a reminder of what fans are really watching and cheering for during the pro football season, which began today.

No, I won’t be watching.

Her’s another chilling quote from Almond’s article: Continue reading

If They Threw Elliot In Jail For Kissing Erika Eleniak, What Would Have Happened To E.T.?

In a memorable scene in “E.T.,” young hero Elliot (Henry Thomas), intoxicated by his psychic link to his marooned space alien pal, loses impulse control during Middle School science class and, while E.T. watches John Wayne’s passionate kiss with Maureen O’Hara in “The Quite Man,” embraces the class heart-throb—played by barely pubescent “Baywatch” babe-to-be Erika Eleniak!

Erika

— and gives her a passionate smooch.

If Spielberg’s classic premiered today, this scene might be condemned as sexual assault by feminists, who would insist that Elliot should have been charged. Is that really fair? Rational? Sane?

At  Pikesville (Maryland) Middle School, a 13-year-old boy has been charged with second-degree assault for kissing a 14-year-old girl on a dare. Police were called to the scene by the school, undoubtedly influenced by the current sexual assault freak-out on college campuses. (The proper response of an ethical and well-led police force, by the way, would be “Don’t waste our time.”) Continue reading

#BlackZombiesMatter: When The Most Ethical Response To Race Activists Is Mockery

Wait, what color is that hand? I'm keeping track here...

Wait, what color is that hand? I’m keeping track here…

I have no idea what it would like to be black. I accept the truth of  Clarence Darrow’s empathetic words in his defense of Ossian Sweet: I assume being black must be overwhelming at times, all consuming, distorting how everything is seen and experienced. Nevertheless, it does not justify everything, It does not excuse anything. There are some reactions to the black experience that can be fairly labelled destructive, or foolish, or paranoid, or racist. Or ludicrous. When we see these reactions, we ought not to indulge them, nor hesitate for a second to call them exactly what they are. The fact that black Americans are reacting to being black does not mean that the reaction is always worthy of respect, and if there is a mass delusion born of emotion or demagoguery or fanaticism or despair, the best response may well be a bucket of cold water, or to point and laugh. Hard.

AMC’s “The Walking Dead” and it’s prequel “Fear the Walking Dead” are among the most diverse TV shows on network or cable, filled with villains, victims, heroes and martyrs of all races and combination of races, most of whom are doomed. Yet these shows have become yet another target of the Black Lives Matter movement, an even wackier one than Bernie Sanders. Apparently the shows discriminate against black characters. Well, it does if you are so besotted with racial grievances and suspicion of American culture that you can’t think straight.  Just as the group sees hands upraised when there were none, it sees, along with lunatic race-baiter/author Tananarive Due,  racial bias against black men in two shows that are thoroughly post-racial—you know, when the dead are eating the living, color really, really doesn’t matter. Black men was an essential qualification of this latest grievance, because arguably the most admirable and interesting character oin either show so far is a black woman, Michonne, played by Danai Gurira. Never mind, it’s black men that the show, like America, hates.

I know these shows rather well, in part because they  contain great ethics hypothetical. I’ve been trying to think of any white character that these race obsessed guilt-mongers wouldn’t find offensively-treated if they were black. The putative star of “The Walking Dead,” Rick, is a weak leader, not too bright, and unstable. Make him black, and he’s an insult to black men; right now, he’s just an insult to police, Southerners, fathers, leaders, and American characters played by British actors. If Due and the rest can be insulted by the  fates of the wide variety of black characters that have appeared on both shows so far, they can find a way to be insulted by any characters, plot developments, costuming make-up, or manner of death. Continue reading

The Greensboro College “It Stops Here” Ethics Train Wreck

Everybody’s unethical here.

As usual, however, it starts at the top.

It Stops HereGreensboro College in North Carolina  adopted a new policy on student sexual misconduct, and it requires all first year students to attend a performance of  a one hour play, “It Stops Here,” written and directed by student Michaela Richards, based upon “accounts of sexual assault submitted by survivors.”

Ethics Foul 1 (Greensboro): A female-authored play based on “survivors” accounts is a one-sided, biased and ideological work by its very nature. Do we know that the real incidents are being fairly represented, or would the claims of a “Mattress Girl” be included? Presumably proof of “sexual assault” is being validated by the infamous “Dear Colleague” letter from the Obama Administration that has led to multiple examples of male students being harshly punished in violation of basic due process principles.  It is entirely written from a woman’s/alleged victim’s point of view, and thus certain to be received as hostile and unfair by male students.

Ethics principles violated: Responsibility, honesty, fairness, competence.

Ethics Foul II (Greensboro): Using a work of fiction to inform students about a policy is incompetent. Fiction is always infused with the viewpoint, agendas and biases of the playwright; in this case, such a work is bound to be political. A sincere effort to instruct students on policy should have no political content at all.

Ethics principles violated: Abuse of power, responsibility, respect, competence.

Ethics Foul III: Forced viewing of a work of art isn’t instruction, but indoctrination. In a play, any audience member should have the option of walking out. This is especially true of a play written and performed by amateurs. “The student actors on stage are telling stories of an extremely sensitive nature that should be viewed in a respectful manner,” the president of the college said. “We expect no less of our students, who should know better than to make light of an extremely serious subject that affects us all.” WRONG. Forcing students to watch a play consisting of a slanted view of the sexual assault issue on campus is not respectful. It is, in fact, an insult and a provocation.

Ethics principles violated (Greensboro): Abuse of power, respect, fairness, prudence, regard for personal autonomy.

When people, especially young people and especially American young people who, thank heaven, are still imbued by the culture with a natural detestation of arrogant authority and the courage to defy it, are commanded to do something they shouldn’t be, like to watch an agitprop play, they tend to resist. They did, too:

Members of the audience frequently heckled the cast and shouted sexually explicit remarks.“Many of the boys started calling out ‘She wanted it, it’s not rape,’ and making masturbation noises,” stage manager Claire Sellers told a local news station. Sellers said the remarks were so excessive that cast members “became physically ill and vomited after the show because they were so vulgar.”

Continue reading

Colbert And Matthews: You know, Guys,The American Public Deserves Better Than This.

Stephen Colbert

What we  deserve is fairness, truth, respect, and not to have the people with the biggest megaphones working overtime to mislead, corrupt and indoctrinate us.

First, Stephen Colbert.

The media drooling over Colbert taking over for David Letterman has been embarrassing and itself a symptom of anti-conservative bias. Colbert is versatile, smart and funny, but we have many such performers. He is only lovedlovedloved—as opposed to appreciated and admired– because he mocked Republicans and conservatives. and no one else, on his Comedy Central show. (So did Letterman on CBS in his dotage, but Colbert is sunnier and smarter than Dave.) Colbert can be another knee-jerk liberal mouthpiece if he chooses, but its a boring choice and ultimately diminishing: there is ample ammunition for satire and mockery in the conduct of all politicians. Representing otherwise on a big stage every night in an election year will ultimately become an exercise in cultural indoctrination and lazy punditry, like Bill Maher playing to the approving screams of his atheist, drug-loving, progressive audience. Maybe Colbert will get good ratings this way, but it’s not what he suggested would be his course in the run up to yesterday’s premiere on CBS.

I won a bet that I hoped he would lose: I bet that Colbert would mock Trump, and leave Hillary alone. And so he did. Maybe he will make up for this in later shows, but I doubt it very much after his demeanor last night. Trump is an easy mark: Conan has been mocking him for years. But it is Hillary who has provided the best material for a genuine, Equal Opportunity satirist, especially her Manchurian Candidate, robotic “apology” statement from earlier in the day. Talk about creepy…and, if the possibility didn’t exist that this pod person might end up in the White House, comedy gold:

Especially since she didn’t genuinely apologize for anything. Continue reading

UPDATE: Hillary’s Ongoing Corruption Of Democrats, Progressives, and The News Media, Featuring MSNBC’s Andrea Mitchell And Washington Post Editorial Cartoonist Tom Toles

First, Toles. This cartoon ran on Sunday:

Toles

Isn’t that nice? The whole e-mail episode, investigated by the FBI, raising issues of mishandling of classified information (which is a crime), destruction of evidence (which can be a crime, but is always unethical and suspicious) and competence (Hillary says the security implications of making sensitive communications on a private server never occurred to her!), and which Clinton continues to stonewall and lie about, is just an invention of the news media!

Poor Hillary! Look how frustrated she is! How can sending out paid spinners and liars to muddy the water and confuse the issues be a cover-up? How can destroying e-mails before they can be reviewed be a cover-up? How can the State Department employee that she paid to moonlight as her private e-mail tech taking the Fifth Amendment to avoid testifying to Congress be part of a cover-up? How can an obvious cover-up be a cover-up?

This isn’t an ‘editorial cartoon.’ This is Spinning for Hillary, and for the Post to give it center page dominance on its editorial page is endorsing deception and partisan propaganda. Toles has always been a simplistic progressive hack; his cartoons make his predecessor Herb Block look even-handed. This goes beyond hackery, though, to misleading the public.  Or do you believe this is his real opinion? If so, he is too naive and dim-witted to have an editorial voice.

Andrea Mitchell’s Hillary enabling is of a different sort: rank cowardice. Continue reading

The Dissing Of Judy Carne: Wait, Aren’t Newspapers Supposed To Make Us BETTER Informed?

CarneWitness this bit of “information,” courtesy of Washington Post writer Justin Wm. Moyer on the occasion of the death of Judy Carne, Rowen and Martin’s Laugh-In’s “Sock it to me” girl:

“The joke now seems as cruel — and as difficult to explain to millennials — as it seemed hilarious in the 1960s: A young, lithe woman, often in a miniskirt or less, stands onstage. She announces that it’s “sock-it-to-me time.” Then, she is hit with a bucket of water, or dropped through the floor, or otherwise clobbered in some form or fashion.

Is the Post now recruiting its feature writers from Jupiter? Are editors extinct? Has the paper decided that political correctness, hyper-sensitivity, gender-obsession dementia is both mandatory and universal?

What happened to Judy Carne is called slapstick. It is funny. It has always been funny. What happened to Judy Carne is no more cruel—that is, not cruel at all—than what repeatedly happened to Lucy,  Laverne, Wile. E. Coyoteand Raven, Tina Fay…Katy Perry….

Anyone writing about history and culture in a national publication—about anything, really—has has an obligation to actually know what he or she is writing about, and not make stuff up. There was definitely a lot of stuff that was on Laugh-in that will look weird today to anyone under the age of 50 or so; after all, the show is a half-century old, and the Sixties were weird even in the Sixties. Goldie Hahn dancing in a bikini with words written all over her body, for example. People laughing at every mention of the word “bippy.”  Nehru jackets. NOT women and men having staged catastrophes befalling them for laughs. Continue reading

The War Against Wonder Woman

Wonder-Woman-Flying

For a lot of reasons, I have avoided commenting on this story until now. First of all, it is so stupid that if there is someone who wants to defend the conduct of the school in the matter, I don’t want to know them or read them, and I generally don’t post about the obvious. Second, we still don’t have a name of the victim of the anti-Wonder Woman attack, the school involved, or the teacher or administrator involved. Finally, I’m suspicious: a Wonder Woman movie is nearing release, and this seems awfully convenient.

The tale began with a post by someone claiming to be the parent of a little girl named Laura who was sent home is shame because her Wonder Woman lunch box violated school policy. The letter sent home with Laura, which someone supposedly photographed, is head-explosion worthy: Continue reading