Arts & Entertainment

This Is David Letterman’s Final Week On CBS. Good.

/ Jack Marshall / 28 Comments
I have a hard time laughing at awful people.

I have a hard time laughing at awful people.

I will not be shedding tears or watching while biting my lower lip as David Letterman, Late Night Fick and ethics corrupter, finally leaves the pop culture scene, one hopes forever. The testimonials and accolades in Letterman’s case are nauseating; CNN spent almost 20 minutes singing his praises this morning. Every other late night talk show icon—Steve Allen, Jack Paar, Johnny Carson, Jay Leno—managed to finish their tenures without making American society meaner, more divided, and less ethical in the process. Not Dave. He rode his stardom and the initially refreshing irreverent comic instincts that created it to test the limits of the King’s Pass, doing and saying things that would have gotten less lucrative performers fired or suspended. In the process he corrupted his network, his audience and his nation’s culture.

The fact that Letterman is a misanthropic, bitter, angry man should not be a surprise, for almost all the great comics are, and it has ever been thus. “Milton was a miserable bastard. We all are,” Sid Caesar once said to a shocked Larry King as he was trying to coax out some kind words about Milton Berle, who had just died. Sid was undeniably right, but most comic manage to keep their vile behavior out of the spotlight until someone in his inner circle cashes in with a tell-all book. Not Letterman. He cheated on his live-in girlfriend with his current wife, then had a son with his mistress six years before he deigned to marry her. Once whimsical, he became a broadcast bully, neatly choosing victims whom he knew he could abuse without his liberal audience—a bit older and less vulgar than Bill Maher’s—holding him to standards of decency.

In 2009, Letterman noted that Sarah Palin attended a Yankees game during a recent trip to New York City. First Letterman referred to Palin, then Alaska’s governor, as having the style of a “slutty flight attendant,” then said,  “One awkward moment for Sarah Palin at the Yankee game…during the seventh inning, her daughter was knocked up by Alex Rodriguez.” The daughter accompanying Palin was Willow Palin, then 14-years-old. Sarah Palin, among others, sharply criticized the late night host’s choice of targets. The next night, Letterman unconvincingly claimed that he was really attacking Bristol, Palin’s older daughter.

Oh, well that’s OK, then. If he had made a similar joke about Chelsea Clinton, CBS would have suspended Letterman so fast he wouldn’t have had time to say bye-bye to Paul Shaffer. It wasn’t until later, after NOW weighed in on the inappropriateness of Letterman’s joke, that he finally apologized to all involved. See, the National Organization for Women matter–they’re not conservatives. Or Republicans.

NOW was strangely quiet, however, when it was revealed later that year that the recently-married Dave was a serial sexual harasser and running his show and production company like his own personal harem. Among his conquests was Holly Hester, who announced that she and Letterman had engaged in a year-long “secret” affair in the early 1990s while she was his intern and a student at New York University.  The official explanation for why no discipline of Letterman was forthcoming was, believe it or not, that Worldwide Pants, Dave’s  appropriately-named production company, had no policies forbidding superiors from boinking their staff members, who depended on them for their career advancement and livelihood. Gee, I wonder why? Continue reading →

So What’s The Theory, SNL, That After 40 Years, It’s OK to Plagiarize?

/ Jack Marshall / 5 Comments

SNL40

Saturday Night Live’s  “Draw Muhammad” sketch this week was very funny, but then, the cast knew that, since it had already been funny on a Canadian television satire show called “22 Minutes.” The skit, in short, was stolen. You can compare for yourself here.

Yes, what SNL does every week is incredibly stressful, difficult and risky. Writing, rehearsing and performing more than an hour of new material week after week is the equivalent of walking a tightrope with rabid weasels following you. I wrote and directed two original satire stage shows, and it was like riding a roller coaster that crashed every other time you buy a ticket—and you can’t stop riding. So I am sympathetic, very sympathetic. The temptation to swipe proven material from another source must be very strong when time is short and the ideas aren’t coming. Neil Simon, Carl Reiner, Mel Brooks, Woody Allen and Larry Gelbart never stooped to plagiarism when they had to churn out new comedy classics for Sid Ceasar to perform every week on “Your Show of Shows,” but then they were Neil Simon, Carl Reiner, Mel Brooks, Woody Allen and Larry Gelbart. I understand.

Nevertheless, this is a high breach of comedy writing ethics, especially for Saturday Night Live. After 40 years, it is an icon now. It has the status as an elder statesman of satire, a role model for Comedy Bang Bang! and Funny or Die and Archer and every other show written by people who have been watching SNL all their sentient lives. For this show’s writers and cast to cheat validates comedy plagiarism, or, perhaps, invalidates Saturday Night Live.

It will be better, but still unethical, if it turns out that the show bought the skit. For 40 years, SNL has built a reputation as brave, irreverent comic kamikazes who present brand new, original, daring, up-to-the-minute topical material never tested in front of an audience before. If its writers are now recycling the work of other less storied satire shows and their less well-remunerated writers, what does that mean? Is the grind becoming too much? Is the show unable to meet the expectations its previous incarnations created?

Or has it been cheating all along?

Ethics Hero: The “Lone Juror,” Adam Sirois

/ Jack Marshall / 32 Comments
Juror 8

Two lone jurors…

In a remarkable example of life imitating art, a single juror, a 41-year-old health care worker, refused to vote guilty with the rest of the jurors deliberating on the case against the accused murderer of Etan Patz, a little boy whose disappearance in 1979 focused national attention on the child predator problem.  The defendant, Pedro Hernandez, had delivered an elaborate confession to police, then revoked it. For 18 days, Adam Sirois battled the eleven other jurors, who told him that they were convinced by the evidence beyond a reasonable doubt. Sirois, however, said he had doubts, too many to send a man to prison for life. In the end, the vote was 11-1. Yesterday, the judge in the case pronounced the jury deadlocked—hung— and declared a mistrial.

Sound familiar? If Sirois was made the hero of a cable TV  adaptation, it would be considered a shameless knock-off of “12 Angry Men,” the iconic 1957 jury film that originated as a live TV drama by the late Reginald Rose: Continue reading →

“Piss Christ” and Garland

/ Jack Marshall / 68 Comments

Piss-Christ

Ethics Alarms participant Other Bill raised “Piss Christ” on the comment thread to my post about the Garland, Texas attack, progressives’ and news media’s “hate speech isn’t free speech” confusion, and Geller’s supporters’ “gratuitously uncivil speech is laudable” delusion. He posted a column by George Parry, published under the heading “Think Tank” on a Philadelphia site. I’m grateful to Bill for raising the column, which he neither endorsed nor criticized. Titled Double Standard on Offending Christians and Muslims, Parry’s argument was…

  • “Christians objected to “Piss Christ” and the feces-covered Holy Virgin. And they rightfully wondered why their tax dollars had been used to promote these blasphemies. But their objections and questions were condescendingly dismissed by the secular left in the media and intelligentsia. …
  • “As if in one voice, the mainstream media and self-anointed intelligentsia argued that antiquated religious sensitivities must not be allowed to interfere with either an artist’s free expression or his right to government funding regardless of how offensive his work may be to Christians….”
  • “In Garland, Texas, on Sunday, two radical Muslims died trying to replicate the Charlie Hebdo massacre by mounting an armed attack on a “draw Mohammed” cartoon contest. We are not talking about drawings of Mohammed dunked in urine or smeared with animal dung. No, the gunmen apparently deemed the mere drawing of Mohammed to be an offense punishable by death…The overall media consensus has been to blame the intended murder victims for recklessly provoking the terrorists. Such provocation, we are told, is unacceptable and irresponsible behavior given the risk of retaliation by offended radical Muslims…”
  • “Better to question the wisdom of cartoonists exercising their rights than to acknowledge and vigorously confront and expose the elephant in the room, i.e., that there is a disturbingly large number of radical Muslims in this country who oppose our Constitution and who believe that murder is an appropriate sanction for those who offend Islam….”
  • “All of which leads to this question: Given their pusillanimous double standard, why should any reasonable or serious person believe, respect, or credit the self-serving mainstream media?”

That’s not the question. First of all, there is already no reason to believe, respect, or credit the mainstream media. Second, while Parry is correct that the analysis of the issues in the Garland attack have been largely incompetent and tainted by media dislike of Geller and journalism’s own cowardice (most news outlets were afraid to show the Charlie Hebdo cartoons, even though they were essential to reporting on the Paris massacre), his analogy with “Piss Christ” is no better.

The questions are… Continue reading →

There Is No “Debate”: Graffiti Artists Are Vandals, And The First Step To Stopping Them Is To Eliminate The Myth That They Might Be Anything Else

/ Jack Marshall / 32 Comments
Rattlesnake Canyon "art": Breathtaking!

Rattlesnake Canyon “art”:
Breathtaking!

Since I don’t get out to the ol’ hiking trail that often, being chained to my desk, I was blissfully unaware that a group of lawless and arrogant vandals masquerading as “graffitti artists” are moving their ugly misappropriation of public spaces to the wild.

From the L.A. Times:

Andre Saraiva is an internationally known graffiti artist. He owns nightclubs in Paris and New York, works as a top editor of the men’s fashion magazine L’Officiel Hommes and has appeared in countless glossy magazines as a tastemaker and bon vivant. Two months ago he showed up on the decidedly un-fashionista website Modern Hiker, along with a photo of a boulder he tagged in Joshua Tree National Park. Since then, Saraiva, who lives in France and is known by his fans as Mr. Andre and Mr. A., has been scorned by American nature lovers and thrust into a highly charged debate. Saraiva is of a new generation of graffiti artists who regard nature — not just the built environment — as their canvas. They tag national parks, then post photos of their work on the Internet.

The Times—they are so open-minded in California!—goes on to say that “those acts infuriate outdoor enthusiasts,” as if there is any reason for the acts not to infuriate every thinking and reasoning human being on the planet. This is the awful journalistic device I have flagged in a political context, minimizing clearly unethical conduct by suggesting that only those with an agenda see it as wrong. “GOP critics assail Hillary Clinton for foreign donors,” for example, is a misleading characterization suggesting that one would and should only object to blatantly unethical conduct if one was a Clinton foe. Wrong. There is something ethically rotten about anyone who doesn’t see Clinton’s conduct as seriously unethical, just as everyone, not just “outdoor enthusiasts,” should recognize that defacing rocks, trees and landscapes is indefensible, ethically and legally.

Andre Saraiva is a fick–a person who acts unethically and celebrates it shamelessly. He is an art fick, a sub-species Ethics Alarms has not encountered often.

Jonathan Turley, a hiking enthusiast as well as a Constitutional scholar, makes his conclusion crystal clear, in the embodiment of the Ethics Alarms principle that “where ethics fail, law steps in”: Continue reading →

Another TV Doctor, Another Breach: Dr. Sanjay Gupta’s Heroic And Self-serving Ethics Blindness

/ Jack Marshall / 25 Comments

Are TV doctors entertainers, journalists or doctors? In a way the question doesn’t matter: if they are doctors, then they are obligated to follow medical ethics and the standards of their profession at all times, no matter what else they may be taking compensation for. This is why “Dr. Oz” is ducking the issue when he tries to avoid accountability for pushing quack remedies on his TV show (if it ducks like a quack…) by arguing that he isn’t practicing medicine, but engaging in entertainment. He’s still a doctor, every second of his life, once he takes that oath.

CNN’s Dr. Sanjay Gupta has largely steered clear of ethical issues in his tenure as the network’s medical expert. Not entirely, however; for example, in 2009, he was prominently mentioned as a possible Surgeon General, and was in discussions with the White House while continuing his reporting on the air, raising real and potential conflict of interest concerns. The most recent controversy is more serious. Continue reading →

Acting Ethics: Why We Don’t Want Actors Being Too Picky About Their Roles

/ Jack Marshall / 22 Comments

FergusonX

In the strange ethics category of “Conduct That Isn’t Exactly Wrong But That Will Have Nothing But Bad Consequences To Society If There Is A  Lot Of It” (CTIEWBTWHNBBCTSITIALOI for short) is actors rejecting roles because they have philosophical or political disagreements with the script.

We’ve had two high profile examples of this occur lately. All we can do is hope that it’s a coincidence. The first was when about a dozen Native American actors, including an adviser on Native American culture, left the set of Adam Sandler’s first original movie with Netflix, “The Ridiculous Six,”a western send-up of “The Magnificent Seven,” claiming some of the film’s content was offensive.

Really? An Adam Sandler movie offensive?

The second and more troubling was in LA,  where five actors quit the cast of the new play “Ferguson,” which consists entirely of dramatizations of the Michael Brown murder grand jury testimony, because the actors apparently felt that it did not appropriately support the “Hands Up! Don’t Shoot!” narrative.

That’s really stupid, but I’m not getting into that again.

We don’t see many examples of professional actors doing this for several reasons. One is that they can’t afford to. Acting, except for the top fraction of a per cent, is anything but lucrative; it’s a subsistence level job, redeemable because it is, or can be, art, and tolerable as long as the actor doesn’t have a family to support, or has a trust fund.

The main reason this is unusual, however, is that an actor isn’t responsible for the content of the play, movie or TV show he or she acts in, but only the skill with he or she helps present that content to an audience. Actors—and technical artists like costume and light designers—are the conduits through which a writer’s work of performance art gets to live. They don’t have to like a show, agree with it or understand it, which is a good thing, since many excellent actors don’t have the  education, experience or intellect to understand complex and profound works. As one realistic actor friend once told me, “If we were that smart, we’d be smart enough to be in another profession.” Continue reading →

Comment of the Day: “Ethics Dunces: Ten Prominent Doctors, Surgeons and Med School Professors Who Want Columbia To Kick Dr. Oz Off Its Faculty”

/ Jack Marshall / 9 Comments
The late Prof. George Wald, the best teacher I ever had. In biology, not political science. George did not acknowledge the distinction.

The late Prof. George Wald, the best teacher I ever had. In biology, not political science. George did not acknowledge the distinction.

Commenter Alexander Cheezem, who has quite a bit of expertise (also passion) on such matters, weighed in on the current controversy over the “quackery” of daytime TV star “Dr. Oz.” This time I’ll hold my comments until the end; here is Alex’s excellent Comment of the Day on the post, Ethics Dunces: Ten Prominent Doctors, Surgeons and Med School Professors Who Want Columbia To Kick “Dr. Oz” Off Its Faculty:

I’m going to have to both agree and disagree with you here. First off, I applaud Columbia University’s response and agree that the principle of academic freedom is applicable here… to a point.

Secondly, however, I’m going to have to disagree with you regarding the parallels. Linus Pauling was an embarrassment to medicine, not chemistry. Wald was overly passionate about politics, not biology. Nagel’s views on biology are an embarrassment, not his views on what he’s supposed to be actually teaching. Chomsky’s forays into political science may be an embarrassment (personally, I regard them as something of a mixed bag), but that’s not what he was the professor of, is it?

Kass, McKinnon, Harper, and Singer are closer parallels, of course, but there’s still one rather huge difference: Dr. Oz is a doctor… and runs his show as one. It is, as the comedian John Oliver put it, the Dr. Oz Show, not “Check This Shit Out With Some Guy Named Mehmet”. This is quite relevant for a number of reasons, not the least of which is that offering medical advice is within the scope of what doctors do. Offering that advice while invoking his medical license as a relevant qualification, simply put, can be considered part of the actual practice of medicine. Continue reading →

Comment of the Day: “Now THAT Was A Rape Culture…”

/ Jack Marshall / 2 Comments

Blogger and esteemed commenter here Rick Jones shares my passion for theater and is also, like me, a stage director, but seldom has a chance to weigh in on that topic. My post about the troubling lyrics in “Standing on the Corner,” the best known song in Frank Loesser’s “The Most Happy Fella” gave Rick a chance to swing at a pitch in his wheelhouse, as the baseball broadcasters like to say, and he didn’t disappoint.

I want to clarify something from the original post. Having noted the lyrics, I was no way  criticizing them or the song, or the musical itself. Older shows are valuable and fascinating in part because they serve as windows on past cultural values and attitudes—that was one of the reasons for the ambitious, important and doomed mission of the theater I have been artistic director of for the last two decades. Such politically incorrect references should never be excised in performance.

“The Most Happy Fella” is a slog, however. Ambitious, sure, but too long, too sentimental, and with too many unavoidable “wince points,” as I call them, to make the show worth the huge investment in talent, money and time that it takes to produce competently. Any time the best songs in a musical are the ones that have nothing to do with the plot (“Standing on the Corner,” “Big D,” and “Abondanza!”, which in in the clip above) it’s ominous. The 1925 Pulitzer Prize-winning hit play this pseudo-opera was based on, “They Knew What They Wanted” by Sydney Howard, is much better.

Here is Rick’s Comment of the Day on the post, “Now That Was A Rape Culture…”: Continue reading →

Now THAT Was A Rape Culture…

/ Jack Marshall / 65 Comments

I just happened to be surfing past the  Broadway Channel on Sirius XM, and found myself startled at the tone of the lyrics of that Hit Parade smash from the 1956 musical, “The Most Happy Fella,” by the great composer/lyricist Frank Loesser, “Standing on the Corner (Watching All The Girls Go By)”—especially at the end:

Saturday, and I’m so broke
Haven’t got a girl, and that’s no joke
Still I’m living like a millionaire
When I take me down to Main Street and I review the harem parading for me there..

Standing on the corner watching all the girls go by
Standing on the corner underneath the springtime sky!

Brother, you can’t go to jail for what you’re thinking
Or for the “Woo!” look in your eye
You’re only standing on the corner watching all the girls
Watching all the girls, watching all the girls
Go by!

Nobody saw anything wrong with these sentiments in 1956. It was fun, it was cute, it was innocent! A bunch of guys hanging out, leering and ogling women as they walked on the sidewalk, with “woo”—that is, lust— in their eyes and illegal thoughts in their brains, and periodically wolf-whistling at “the harem.”

Sometimes we forget—sometimes women especially forget—that our culture’s ethics regarding sexual etiquette and respect does advance, and has, as much as self-serving activists would have us believe otherwise.