Arts & Entertainment

Ethics Quiz: Michael Wilbon’s Politically Incorrect Confession

/ Jack Marshall / 3 Comments

mike_wilbon

Sportswriter Michael Wilbon, Tony Kornheiser’s African-American foil on the fluffy ESPN show “Pardon the Interruption” and hardly a rabble-rouser, shocked his audience this week when he announced that he is an aficionado of the word “nigger” (but not in public), and objects to being told that there is something wrong with that, especially by white folks. The issue came up regarding an uproar over a tweet, since deleted, from an NBA player using the word to criticize his team mates. [ Aside: It is funny how frequently a single post on Ethics Alarms  about a topic—say political correctness, word censorship, civility and the morass of related ethical issues—seems to trigger an explosion of news stories in the same area. Undoubtedly it is because the proximity of the post itself influences my judgment regarding which events deserve comment, but it sure doesn’t feel that way. This is similar to the phenomenon where you think you have heard a word or phrase for the first time, and suddenly you’re aware of it everywhere.] Wilbon said, unapologetically,

“People can be upset with me if they want, I, like a whole lot of people, use the N-word all day, every day, my whole life … I have a problem with white people framing the discussion for the use of the N-word.”

Your Ethics Alarms Ethics Quiz this weekend is this:

Is Wilbon’s defense of using the word “nigger”ethical? Continue reading →

More Evidence That Word Banning Is Unethical

/ Jack Marshall / 14 Comments
WHAT did you say?

WHAT did you say?

There is more to discuss, a lot more, regarding what I will now call “The Klosterman Apology,” because it sounds like  a Robert Ludlum novel. For now, however, since it is fresh in my jet-lagged mind, I’d like to focus on the inevitable result of declaring certain words and phrases so objectionable, hurtful, uncivil or politically incorrect that extraordinary means are employed to eliminate them. In the case of The Klosterman Apology, the words were “retard” and “retard,” and a Mom with a blog threatened “The Ethicist” from the New York Times magazine with an onslaught of political correctness bullies if he didn’t immediately express his abject contrition for having used these words in a harsh way a decade ago, in another job that didn’t directly involve ethics. Chuck capitulated, gracefully and well. As I will discuss in another post, I don’t think he had much choice. Still, word-banning is an ugly, and ultimately unethical business. Continue reading →

Comment of the Day: “Jimmy Kimmel, Child Abuse, And Signature Significance”

/ Jack Marshall / 14 Comments

(I am backed up three deep on the “Comments of the Day,” and I apologize to the deserving and patient commenters.)

And who can forget Mickey Rooney's hilarious turn in that beloved American film masterpiece "Breakfast at Tiffany's"?

And who can forget Mickey Rooney’s hilarious turn in that beloved American film masterpiece “Breakfast at Tiffany’s”?

Alex Yuan raised an element of the revolting Jimmy Kimmel stunt discussed in my post, an extension of his penchant for using children as uncomprehending props for his often ugly comedy, that I glided right over: Why was showing a child suggesting that wiping out the Chinese was  a viable solution to national problems even considered fit for broadcast, when a similar comment about Jews, gays, Hispanics or blacks would be considered instantly taboo? Why doesn’t the ethics alarm sound when the minority being slurred or threatened is Asian?

Here is his Comment of the Day on the post, Jimmy Kimmel, Child Abuse, And Signature Significance:

It is interesting that you should mention political correctness because I can’t help feeling that in deciding it appropriate to air this segment, ABC – perhaps as a reflection of societal attitudes at large – is illustrating the alleged double standard against Asians when it comes to how topics concerning minorities and other protected classes are handled in public. Continue reading →

Ethics And “The Rifleman”

/ Jack Marshall / 37 Comments

If you want to ground your child in basic values and ethics, buying the new DVDs (available next month) with all 168 half-hour episodes of “The Rifleman,” the classic Western TV series, is a good way to start. I’ve been watching episodes recently (they are currently showing on both AMC and Starz), and am struck by how virtually every one has a strong ethics lesson to teach, and teaches it well without interfering with the drama. Most of the TV westerns from the genre’s Golden Age (which had already ended before the demise of “Bonanza,” the last of the great ones) had strong ethical values embedded in their plots, but few made ethics as thematic as the show starring Chuck Connors as a single father, living on the prairie in the 1880s, who used his Winchester rifle the way other cowboys used a pistol, but faster and with more accuracy.  Because Lucas McCain was trying to survive while teaching his young son (played by original Mousekateer Johnny Crawford) how to be a good man and citizen, he was always striving to be a role model while solving the difficult and often dangerous problems that came his way. Unlike many Western heroes, McCain didn’t always get it right, sometimes letting his emotions get the better of him or being unfair or impetuous, and had to undergo an ethical course correction by the end of an episode.

A repeated theme in the show was redemption and trust, as McCain often became the champion of a fallen woman or reformed criminal, or had to rely on an ally with a less than sterling past.  Villains in “The Rifleman” sometimes saw the error of their ways at the last second, committing a noble act before dying or going to jail. And sometimes they didn’t, and got shot with the Winchester. I’m sure that “The Rifleman,” with its gun-happy opening sequence (it presents the rifle as the star of the show as much as Connors) will seem like an unlikely source of ethics to the gun-queasy parents out there, and that is a shame. There is much to learn from “The Rifleman.”

You can watch some episodes of the show here,  here and here. The catchy theme music is here; I was surprised to discover that it had lyrics, which by the standards of the generally terrible lyrics of westerns that had songs that were actually sung on a show, aren’t too bad. The best of its endless verses:

                           
THERE IS A MORAL TO HIS EXPLOITS                         

AND HE’S TAUGHT IT TO HIS SON

SPEAK SOFTLY TO YOUR ENEMY

BUT LET HIM SEE YOUR GUN!

Chorus:             

THEY CALL HIM THE RIFLEMAN
THE STRONG, COURAGEOUS RIFLEMAN
A GREAT BIG MOUNTAIN OF A MAN!

 

___________________________________

Sources: Wikipedia, The Rifleman, Chuck Connors,

Jimmy Kimmel, Child Abuse, And Signature Significance

/ Jack Marshall / 22 Comments
In Jimmy's defense, Japan thought "Kill the Chinese!" was funny too...

In Jimmy’s defense, Japan thought “Kill the Chinese!” was funny too…

What a surprise—Jimmy Kimmel did something despicable involving children.

This time, the smug and unethical-to-his-very-DNA ABC late night host may have also triggered an ethics train wreck. Perhaps at last the network and his tasteless, enabling viewers will finally conclude what has been obvious for years—that Jimmy is a cultural corrupter whose miserable methods and values should be rejected, condemned, and sent packing to an obscure corner of table TV!

Nah.

Kimmel’s latest hilarious stunt aired on Oct. 16, in a segment called “Kids Table,” where Funny Uncle Jimmy asks small children who have no idea what is going on or  that a creepy middle-aged man is luring them into saying things that will haunt them on Youtube until the day they die to comment on issues of the day. This time, Mirthful Machiavellian Jimmy caught comedy gold: when he asked a six-year-old how the U.S. could solve the $1.3 trillion trade imbalance, the giggling answer came back, “Kill everyone in China!”

Nice. Continue reading →

Unethical Magazine Cover Of The Year: Time (As Henry Luce Spins In His Grave)

/ Jack Marshall / 32 Comments

Time Christie

It really is past time for Time to go away.

Once the epitome of sharp, incisive, erudite weekly news reporting and commentary, it long ago morphed into just another left-biased shill for liberal politicians and positions, but with a desperate, tabloid-style habit of using intentionally gross, disturbing or controversial cover graphics to sell more copies than its equally biased and shameless rival, Newsweek. Now Newsweek is mercifully gone, but Time’s rude cover habit remains, culminating in the above disgrace to Time’s traditions and responsible journalism.

New Jersey Governor Chris Christie is fat, get it? He’s the “elephant in the room.” Continue reading →

“Walking Dead” Ethics: Hypocrisy, Substance Abuse And Survival

/ Jack Marshall / 33 Comments
"The Walking Dead"...as always, providing abundant ethical dilemmas to chew on...

“The Walking Dead”…as always, providing abundant ethical dilemmas to chew on…

If you can stand the periodic spectacle of shambling, rotting flesh and heads being lopped off or split down the middle, AMC’s “The Walking Dead” still provides the most daring and interesting ethics storylines available on television.

The latest episode, titled “Indifference,” raised two gutsy issues that are unpopular in today’s culture to the point of taboo. It was revealed that Carol, previously the simpering and tragic mother of the now dead, zombified and executed little girl Sophia, has morphed into a stone-cold pragmatic survivalist who advocates killing on instinct when the threat is sufficiently severe. In addition to teaching methods of mayhem to the children entrusted to her instruction in the grim, abandoned penitentiary where our heroes have fortified themselves against the roaming zombie hoards, Carol summarily executed two members of the community who were fatally ill with a pernicious virus on the grounds that they threatened the safety of the rest. For this, Rick, the sheriff-turned farmer alleged leader of the non-zombies, orders her out of the prison.

Strange. In a world without doctors, medicine and hospitals, where the objective is simply to survive long enough for some remote miracle to rescue humanity, a runaway virus is as much of a threat as a maniac with a hatchet. Rick and the rest have long ago accepted the necessity of killing members of their group who are bitten by zombies, since they are certain to “turn”after death and start indiscriminately eating people. True, the preferred method is to withhold execution until the second after the living become undead after becoming unliving, but this is a distinction without a difference. Carol is quite right that a breathing, doomed, virus-carrier is as much of a threat to the group—perhaps more—as a newly-minted brain-muncher. Why is her strong action in defense of the group, a defensible utilitarian act, reason for exile? Continue reading →

World Series Ethics: He Tipped His Cap

/ Jack Marshall / 11 Comments
What would Ted Williams have done? We know the answer to THAT question...

What would Ted Williams have done? We know the answer to THAT question…

The Boston Red Sox won the World Series last night, making me happy. Something else happened too.

Some background is in order. The great Ted Williams used to give Boston baseball fans the biggest hat tip in baseball as they cheered him after a home run. This was when he was first known as “the Kid’ and indeed was one, as his Hall of Fame trajectory was obvious from the moment he stepped on a major league field in 1939 at the tender age of 19. Gradually but rapidly, a vicious local press and some ugly incidents in response to a few jackasses in the stands caused the Kid to sour on the admission-paying mortals who booed him when he struck out, and he decided to ignore their cheers, refusing to extend the traditional courtesy of a hat tip to the fans as he rounded the bases after a home run—which, since he was Ted Williams, happened frequently. Williams  spent his whole career in the city of Boston playing before those fans who offended him in his twenties, but right up to and after his final home run, which he hit, famously, in his last at bat, the Red Sox fans got no hat tip from Ted. He rounded the bases the final time as they cheered themselves hoarse, and never looked up or acknowledged their praise. Screw ’em.

That was Red Sox pitcher John Lackey’s attitude toward the current generation of Fenway fans, for similar reasons. He had been signed to a rich, long-term contract in 2010 to be a Red Sox mound ace, but arrived in Boston with his arm deteriorating and his abilities diminished. 2010 was a disappointing season for Lackey and 2011 was worse, as he pitched in pain for a team that was short of hurlers. The 2011 Red Sox became infamous for their late-season collapse and underachieving starting pitchers, and no one on that team was jeered on the field or savaged in the call-in sports shows like John Lackey. He missed the entire next Red Sox season recovering from arm surgery after the 2011 collapse, and thus missed the 2012 debacle that was even worse. In 2013, however, Lackey returned with a renewed right arm, a fit body and a fierce determination to finally live up to the big contract. He did, too. He pitched well all season, and became a key factor in the Boston charge to the World Series, as they rose from last place in their division in 2012 to first.

In 2013, Lackey received nothing but cheers from the surprised and grateful Boston fans. Nevertheless, he adamantly maintained the Kid’s attitude—“Screw ’em”—all season long. As he walked into to the Red Sox dugout after being relieved in another fine pitching performance and the Boston fans saluted him, Lackey refused to reciprocate with the traditional hat tip, all season long and through the play-offs. The fans were fickle hypocrites, and their loyalty conditional. They booed him when he was valiantly pitching hurt and embarrassed in 2011, and he wasn’t going to forget it. They were going to get snubbed like they deserved, and that was the way it was going to be.

Last night the Boston Red Sox won their third World Series in the last ten years. It was the first time the home team fans had been able to witness the deciding game since 1918 (as the Fox announcers informed the presumably senile audience over and over and over again), and John Lackey was the pitching star for the home town team. The night was a love fest for Boston baseball fans, as they cheered every move of their frequently star-crossed and quirky team, and no Red Sox player was cheered more loudly than John Lackey, as he walked off the field for the final time in 2013 in the 7th inning, with his team safely ahead by five runs. They stood and applauded and chanted his name, as he moved deliberately to the Boston dugout, head down, grim, just like Ted on that gray day in 1960 when he hit homer number 521.

Then he tipped his cap.

It was a small thing, the smallest really, only a gesture and for most players, most of the time, an automatic one…except that it symbolized the ethical virtues of grace, forgiveness, gratitude, humility and fairness. This memorable, wonderful night for the Boston Red Sox and the grand old city it represents—my home town– was no time to let bitterness and resentment prevail. Unlike Ted Williams (who wouldn’t make his peace with Boston fans until years later, when he returned as an opposition manager), John Lackey found the strength and decency to let it go.

It was, as I said, a small thing. But it took character, and it was the right thing to do.

______________________________
Graphic: USA Today

Print The Legend Ethics: The “War of the Worlds” Panic

/ Jack Marshall / 2 Comments

OrsonWellesDailyNews

One of the worst results of an untrustworthy news media is that it becomes difficult, as time passes, to determine with any certainty what the truth is.

A classic example is on display today, in Slate, which celebrates the 75th anniversary of young, svelte, Orson Welles’ famous Halloween Eve broadcast of his radio adaptation of H.G. Wells’ “War of the Worlds,” with no Tom Cruise or Dakota Fanning but a nice conceit that involved telling the story through fake news flashes and eye-witness interviews. (One reporter is fried on the air by the Martian invasion vehicles.) An new NPR program and a PBS documentary both tell the familiar story of how the realistic-sounding radio play caused widespread panic among radio listeners who missed the opening credits, leading them to think that Earth was really under attack. Newspapers of the day headlined mass panic, and gave accounts of citizens running for cover, huddling in the basement, and cringing in terror.  The episode made Orson Welles a national celebrity, and launched him on his meteoric, long and strange career.

According to Slate authors Jefferson Pooley and Michael Socolow, it never happened. Declaring the story of the “War of the Worlds” panic a myth, the authors state without equivocation that the newspaper accounts, headlines, commentary and interviews, were fabricated:

“Radio had siphoned off advertising revenue from print during the Depression, badly damaging the newspaper industry. So the papers seized the opportunity presented by Welles’ program to discredit radio as a source of news. The newspaper industry sensationalized the panic to prove to advertisers, and regulators, that radio management was irresponsible and not to be trusted. In an editorial titled “Terror by Radio,” the New York Times reproached “radio officials” for approving the interweaving of “blood-curdling fiction” with news flashes “offered in exactly the manner that real news would have been given.” Warned Editor and Publisher, the newspaper industry’s trade journal, “The nation as a whole continues to face the danger of incomplete, misunderstood news over a medium which has yet to prove … that it is competent to perform the news job.” Continue reading →

The Hopelessly Muddled Ethics Of Halloween Costumes

/ Jack Marshall / 32 Comments
anna-rexia

“Anna Rexia”

Clearly, we need some rational ethics standards for Halloween costumes, but I doubt that we will ever have any unless political correctness is removed from the equation. The holiday is by its very nature in bad taste with a heavy dose of defiance. The tradition is all about invoking the things that frighten us, with death being tops on the list. Trivializing death or mocking it is any way is guaranteed to offend somebody. My solution: if it offends you so much, don’t participate in Halloween. Boycott it. Don’t give out candy. Let everyone else—you know, those enough to distinguish reality from make-believe and satire from insults—have a good time once a year.

Once Halloween is transformed into Halloweenie, as so many of the political correctness police would have it, it isn’t Halloween, and isn’t fun. We have properly purged the vandalism that once part of the ritual, and if every possibly offensive disguise and costume is deemed socially unacceptable, all we have left is an annual event where kids dressed in blinking lights (to avoid accidents) get non-sugar candy, fruit, dental floss or contributions to charities while dressed up as non-offensive politicians, Greenpeace captains, cartoon characters, occupations and maybe insects. Then parents x-ray the candy and limit how much of it the kids can eat. As for adults, they not only have to wear costumes that won’t offend their friends and fellow party goers, but also costumes that won’t offend somebody, somewhere, when an officious jerk at a party takes a photo with his phone and posts it for the world. What fun. Continue reading →