Flagrant Virtue-Signaling of the Year: CEO of Olympic Broadcasting Services Yiannis Exarchos

I’m sure glad I ignore the Olympics as the corrupt, greed-infested fiasco it had been for decades, because if I gave a rip, the Paris Olympics would have my head exploding more frequently than Old Faithful blows. The whole enterprise appears to be run by silly, incompetent, unethical bureaucrats and con artists.

Here’s a particularly nauseating example: the CEO of Olympic Broadcasting Services (OBS) Yiannis Exarchos decided to burnish his woke creds by telling reporters in Paris that his organization updated its guidelines for camera operators, most of whom are men, to inveigh against “sexist” portrayals of female athletes at the 2024 Summer Olympics. “Unfortunately, in some events they are still being filmed in a way that you can identify that stereotypes and sexism remains, even from the way in which some camera operators are framing differently men and women athletes,” Exarchos said, making no sense at all. “Women athletes are not there because they are more attractive or sexy or whatever. They are there because they are elite athletes.” Exarchos said that the problem primarily stems from “unconscious bias,” which leads to camera operators and TV editors favoring more close-up shots of women than of men.

Oh, shut the HELL up! TV editors favor more close-up shots of women than men because women are more attractive than men, the demographics of Olympic viewing for many events slants male, and there is nothing offensive or disrespectful about showing Olympic athletes like this German sprinter,

Continue reading

Unethical Film and Theater Reviewer Bias, Part II: “OK, It’s a Good Movie, But Where’s the Climate Change Propaganda?”

I supposed technically Margeret Renkl isn’t a film reviewer for the Times: officially she’s a “contributing opinion writer who covers flora, fauna, politics and culture in the American South.” I don’t care: she criticizes an action movie that audiences are enjoying because it doesn’t deliver the progressive agenda propaganda that she thinks good little Big Brotherites should jam into the brains of the trusting public at every opportunity.

Renkle can bite me, and so can the Times for publishing her dreck.

Renkl and the Times concede that “Twisters,” which appears to be the non-superhero hit that Hollywood desperately needs, “ is a humdinger of a summer blockbuster that delivers exactly what theatergoers want in an action film: plenty of explosions, destruction, high-speed chases and heroism, all with a dash of wit and sexual tension thrown in. It is not — and does not aspire to be — high cinematic art.” However, it is, she argues, a missed “golden opportunity to talk about what scientists know and don’t know about how climate change might be affecting the formation, strength, frequency and geographic distribution of tornadoes, or why they now tend to develop in groups.”

No, it’s really not. A movie people want to see for escape and entertainment isn’t a “golden opportunity” for the writers and producers to bombard them with favored and faddish data related to progressive public policy. The Ethics Alarms standard response to the “Why are you talking/writing/singing about what you want to instead of what I want to” is “Write your own blog, direct your own play, produce your own movie or sing your own song.

Continue reading

Unethical Film and Theater Reviewer Bias, Part I: “Straight People Can’t Act”

Film and theater reviewer biases and politics have always been a blight on the field: the late, absurdly worshiped New Yorker reviewer Pauline Kael would pan terrific John Wayne movies just because he had supported Barry Goldwater. It’s hard to watch a revival of “Hair” (or the stunningly bad film version) without wondering, “What were those reviewers raving about, with that faux rock music and the trite book?” Why, peace, pot and love, baby! ” Hair” was against the war in Vietnam, so it had to be at least as good as “Oklahoma!”

Now, of course, in the era of the Great Stupid, explaining what Big Brother’s tastes in the arts require is a job requirement for film and theater reviewer who are paid in real money rather than free passes. In a New York Times column about how “outdated” classic musicals (that is, insufficiently woke) can be salvaged by appropriately sensitive directors, for example, readers were informed by an “expert” that only gay actors can convincingly play gay characters.

Continue reading

Baseball’s Unethical Trade Deadline

Let’s take a break from the election to focus on the things that really matter.

Like baseball.

Baseball’s Unethical Season is upon us. The trade deadline is tomorrow at 6 pm. It means that several teams…fewer this year than usual, but still…will announce to their fans that they won’t be trying to win any more, that hope is lost, and that they will put on the field from now on even worse squads than the ones that got them to this point.

This is because they have decided to trade or sell off many of their best players, especially veterans with big contracts or who will be free agents after the season, for unproven prospects. Those teams will “tank” for the foreseeable future, meaning accumulate losses so they can get high draft picks.

Continue reading

Revisiting the Paris Olympics Opening Ceremony

My sister recorded the whole thing, and invited me over to view it. I would say it’s unwatchable—she agrees—but we did do our best, focusing on the main features of the opening that have caused controversy. This was in the wake of yesterday’s obviously PR-generated non-apology apology from Paris Olympics “organizer” Anne Descamps (whatever that’s supposed to mean):

“Clearly there was never an intention to show disrespect to any religious group. On the contrary, I think Thomas Jolly did try to intend to celebrate community tolerance. We believe this ambition was achieved, if people have taken any offense, we of course are really sorry.”

Should I add that to the Apology Scale as a perfect example of Apology #9? That’s “Deceitful apologies, in which the wording of the apology is crafted to appear apologetic when it is not (“if my words offended, I am sorry”). But I’m not even sure the statement appears apologetic. “Clearly there was never an intention”— that’s a lie, since clearly many, many people believe that was the intention. The “apology” begins by insulting those who were offended. Then again we have the risible “community intolerance” claim. If someone could show me how that mess possibly communicated anything coherent, much less “community tolerance,” I will be eternally grateful.

Continue reading

Curmie’s Conjectures: “Curse You, Red Baron!”

by Curmie

[This is Jack: Almost as if in response to my secret wish, Curmie has submitted a column designed to turn our attention away from politics, division, culture wars and the rest, instead focusing his analysis on pizza ads. Makes me hungry for more…but not more Red Baron pizza. I’ve been eating a lot of frozen pizza since Grace died, and have placed Red Baron on my blacklist. Yechh. DiGiorno, Frescetta and Trader Joe’s offerings are far superior. ]

I can’t speak for everyone, but I’m a little starved for something, anything, other than politics.  The thought that anyone would vote for either of the likely contenders for the presidency (as opposed to against the alternative) is chilling.  So I’ve been casting about, looking for something else to write about.  This may not be much, but at least it’s something.  And I did sort of open the door for this kind of post last Christmas season with an analysis of ads for Monopoly.

Red Baron (the pizza company, not Snoopy’s antagonist, but why pass up an opportunity like this?) has released a trio of new commercials, all connected to the joys of sharing.  They’re not going to convince my wife and me to buy their product—we’ve tried it and found the gustatory difference between it and cardboard to be insignificant (your mileage may vary), but that doesn’t mean their commercials are similarly boring.

Indeed, “Baddie Librarians,” in which two stereotypically bespectacled (complete with glasses chains) older women naughtily share a pizza intended for a single person, is trite but at least reasonably cute.  “Hipsters” is even more fun, as sharing a delicious pizza leads to sharing of a different sort: one character “shares” that he’s tired of being hip, another (her name is Willow, of course) admits that she doesn’t even know what her neck tattoo means, the pizza is described as “way better than kale” (I’ll grant that much), and kombucha is called “garbage water.”  It’s not laugh-out-loud funny, but at least it brings a smile.

Continue reading

About That Paris Olympics Opening Ceremony…

A bizarre sequence in the opening ceremony of the Paris Olympics opening ceremony has created instant anger, controversy and, of course, social media controversy. At one point, a group of drag performers, transsexuals performers costumes to look like something in that range created a tableau that seemed to evoke a very weird version of the Last Supper. Many critics, including Elon Musk, declared the number blasphemous and an intentional insult to Christians. The organizers, cowards and liars as such functionaries tend to be when controversy strikes, claimed that any resemblance to The Last Supper was unintentional, and this was supposed to comment on “the absurdity of violence against human beings” because a giant platter with a representation of the Greek God Dionysus had the drag Last Supper as its backdrop, or perhaps representing the menu at the Last Supper. See?

Oh.

Okaaaay.

You got that? Do you believe it?

Was it ethical to include this spectacle in televised, live entertainment seen all over the world? This seems like a good opportunity to use one of the ethics decision-making models. Let’s roll out the “TWELVE QUESTIONS TOWARD ETHICAL DECISION-MAKING,” adapted from Harvard Business School Professor Laura Nash’ s 1981 Harvard Business Review article, “Ethics without the Sermon.” (The ceremony also included this…

…an image of a famous French queen holding her own severed head. Someone else can figure that one out. At least it wasn’t Kathy Griffin).

Continue reading

Most Competent Campaigner of the Year: Donald Trump

Say what you like about Donald Trump, and if it isn’t one of the Big Lies, I may well agree. But this….

…holding another rally in Butler is pure political genius, and gutsy too. Imagine if Booth had missed, and Abe had announced, “I’m going back to Ford’s Theater to see how that play turned out!”

John Wayne would have loved it…BOTH John Waynes, the real life political conservative, and the icon he played in movies. It’s the equivalent of Rooster Cogburn taking the reins in his teeth and charging at Lucky Ned Pepper and his gang. The message is “You don’t scare me, assholes, and here I come!”

It is political genius, and a great display of classic American defiance.

Bravo.

Confronting My Biases, Episode 12: Actors Hosting TV Game Shows

I guess I should begin by saying that it is a sign of the collapse of civilization that game shows, once almost solely the slightly embarrassing denizens of morning and daytime TV, are now all over the networks in prime time. They are cheap to make, they appeal to morons, and it reduces the need for, you know, comedies and dramas, actual entertainment with lessons to teach and emotions to convey. Quiz shows were big in prime time during the mid-Fifties, then the rigged questions scandal killed them. They crawled back to daytime TV.

The source of my bias, however is that even in the daytime game shows, the role of game show host has been almost completely taken over by actors, or, in some cases, comics. The profession of game show host, as once practiced by worthies like Art James, Art Fleming, Alan Ludden, John Daly, Bud Collyer, Jack Barry, Monty Hall, Bob Barker and my personal favorite, the immortal Wink Martindale, has almost totally vanished, like the Tasmanian tiger.

Continue reading

Pssst! Bill Maher! The “Saved By God” Belief Has Inspired Some of Our Greatest Presidents. Shut Up.

Atheists and agnostics in the public sphere don’t have to be obnoxious, but an awful lot of them are. Their explanation for where the universe came from is no more persuasive that that of the faithful (The Big Bang? Come on.) but they just can’t restrain themselves. HBO’s Bill Maher is a prime example: along with mocking committed relationships (he hates the concept of marriage), extolling drugs and debauchery, and generally keeping his Axis of Unethical Conduct membership current, he ridicules Christianity at every opportunity.

The fact is, and it is a fact, that the United States of America had a much healthier and ethical culture before organized religion had discredited itself so thoroughly, driving whole generations away. Moral codes are especially essential for those who don’t have the time or ability to puzzle through ethics, and believing in God is the best catalyst for an ethical society that there is….and it has always been thus.

Heck, just look at what a jerk Maher is. That’s what atheism can do to you. But I digress.

Continue reading