Arts & Entertainment

A Non-Ethics Note For An Absurd Day

/ Jack Marshall / 8 Comments

Since yesterday’s trivia quiz was so well received, I’m also going to begin today with more non-ethics light-heartedness, sort of. [The answer to that trivia question is Carl Switzer, better known by his “Our Gang” character’s name, “Alfalfa.” It was a trick question in that I deliberately asked about what actor “appeared” in two of the Ethics Alarms Christmas classics that have a viewers guide published annually here (the third is “Miracle on 34th Street). Switzer, his career as an adult actor sinking fast, is the high school student who makes George Bailey and Mary fall into a gym swimming pool while they are doing the Charleston in “IAWL” It’s also his face in the photo (above) of the Haines Sister’s brother, “the Dog-Faced Boy” who served with Bing and Danny in the army. Switzer wasn’t credited for that “appearance.” A couple of commenters alluded to the answer by saying that they were sure “our gang” at Ethics Alarms could come up with the answer, and that there was “a grain of truth in that.” Grain, alfalafa…get it?

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No Wonder Today’s Great Britain Is Choking With Woke Insanity, Censorship and Weeny-ism…

/ Jack Marshall / 5 Comments

The Hollywood version of the Broadway cult musical “Wicked” appears to be a holiday box office smash. I suppose I’m going to have to see it, though “Wizard of Oz” worship alienated me long ago and how they can justify making a two hour, 45 minute film of just Act I of a three hour musical mystifies me. However, there is something to be learned from the nanny state’s British Board of Film Classifications (BBFC) felt that it had to put out these ridiculous trigger warnings for what is essentially a family movie:

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Comment of the Day: “Stupid Thanksgiving Tricks” [Item #1]

/ Jack Marshall / 3 Comments

Gregg Wiggins, an old friend and frequent theater production colleague, issued this Comment of the Day in explanation of the reasons for my complaint yesterday about NBC’s crack staff repeatedly mispronouncing the name of the Radio City Musical Hall Rockettes during the Macy’s Thanksgiving Day Parade broadcast yesterday…. three different ways!

Not very related to Gregg’s post but related to the parade: The New York Tines reported yesterday that the parade became “the most-watched entertainment show in the United States only over the past three years.” Theories for the reasons this has happened vary. One is that the event is still completely apolitical (unlike almost every other form of entertainment programming); another is that the public increasingly longs for a simpler time, remembering that their families watched the parade when they were children and the holidays seemed magical. Yet another holds that a lot of people can’t afford to go to see shows in New York City any more, and the parade’s (lip-synced) street performances of current Broadway fare is the closest they will ever get. I think the development may be an encouraging example of how the culture can still be unified and brought together by shared traditions and experiences. The closest thing to a consensus that the New York Times found is that everyone agrees about the parade remaining essentially the same decade after decade, unlike almost everything else.

Except that the network broadcasters no longer know how to pronounce “Rockettes.”

Here’s Gregg Wiggins on the post, “Stupid Thanksgiving Tricks”…

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Stupid Thanksgiving Tricks [Repaired]

/ Jack Marshall / 14 Comments

“It’s The Great Stupid, Charlie Brown!”

1. I saw that meme on Facebook today. Is that the kind of misinformation social media platforms are supposed to censor, or is there value in learning that one’s Facebook friend is a moron?

2. On today’s Macy’s Thanksgiving Day Parade broadcast on NBC, three separate hosts mispronounced “Rockettes.” One called them the “Rockets,” another said “Rockeets,” and a third said “ROCK-ettes, with the accent on the first syllable. The Radio City Music Hall iconic kick-line dancers have been part of the parade for decades, and NBC has had broadcast rights for the event all year. Yet their “journalists” couldn’t bother to check to see what the perennial act is called? (Or learn to read?)

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The Ethics Alarms 2024 “It’s A Wonderful Life” Ethics Guide, Revised, Expanded, With A New Introduction

/ Jack Marshall / 12 Comments

2024 INTRODUCTION

Last year I concluded that “It’s A Wonderful Life” really belonged in the Thanksgiving movie canon, not Christmas, but I still waited until the pre-Christmas madness to post the 2023 version. This year, I’m finally putting the classic where it belongs. I have always identified with George Bailey, though this year it is for different reasons. Like George, I often feel like I didn’t achieve and experience what I could and should have, that my choices too often didn’t pan out, that I barely missed some breaks (but not all) that I needed when I most needed them. This year, which has been clouded since Leap Year by the sudden death of my wife, best friend, business partner and #1 fan—that’s Grace Elizabeth Bowen Marshall in all categories—I have never felt the lesson of “It’s A Wonderful Life” more powerfully: “No man is a failure who has friends.” I don’t believe that, frankly, but my friends, neighbors, clients, colleagues and blog readers have sustained me generously in this difficult period, and I will always be grateful for that.

Last year I wrote, “This is a tough time for my business and my family, and a lot of the problems are the result of my own selfish choices and mistakes as well as my hard-wired proclivity to cause trouble and not back down after the consequences start becoming clear. I’m seriously considering not celebrating Christmas this year, and we have always been a big Christmas family, because several recent disasters  require the money to go elsewhere.” In retrospect, this reminds me of a joke my father was fond of: “One day as I sat musing, sad and lonely without a friend, a voice came to me from out of the gloom saying, ‘Cheer up. Things could be worse.’ So I cheered up and sure enough—things got worse.” Everything got much worse after I wrote that last year.

I re-watched the movie last night in preparation for revising the Guide. It made me cry at the end, because Grace so loved the final scene, and would tear up at Harry Bailey’s toast, “To my big brother George, the luckiest man on earth.”

Frank Capra must have felt that the movie was bitterly ironic. It was a huge flop, and destroyed his infant project with some other prominent directors to launch a production company called “Liberty” because it would give directors the liberty to put their artistic visions on the screen without interference from the studios. “It’s A Wonderful Life” was the first and last film produced by Liberty: it not only killed the partnership, it just about ended Capra’s career.

James Stewart was, by all accounts, miserable during the shooting. He suffered from PTSD after his extensive combat experience, and the stress he was under shows in many of the scenes, though to the benefit of the film. It is interesting that the movie is scored by Dmitri Tiompkin, a Russian expatriate who is best known for scoring Westerns like “Red River” and “High Noon.” He wasn’t exactly an expert in small town America, but his trademark, using familiar tunes and folk melodies, is certainly on display. Clarence, George’s Guardian Angel (Second Class), is frequently underscored with the nursery rhyme “Twinkle Twinkle Little Star” because he is represented by a star in the opening scene in Heaven. The old bawdy tune “Buffalo Girls” is another recurring theme, an odd one for a wholesome film since the buffalo girls were prostitutes.

As usual, I noticed details in the film this time that escaped me in earlier viewings, and for better or worse, I have appended the Guide accordingly. I also must say that although I wrote the Guide, I enjoyed reading it, and, amazingly, some of my own words made me feel a little better at a time when my spirits are near an all-time low. In particular, the section on regret resonated with me. Good point, Jack!

Now let’s go to Bedford Falls…but first, a stop in Heaven…

1. A Religious Movie Where There Is No Religion

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Unethical Cartoon of the Month

/ Jack Marshall / 7 Comments

This is one of the times I miss our once-frequent cartoonist commenters, the apparently retired King Kool and the now completely Trump Deranged Ampersand. What a snotty, insulting, arrogant and stupid cartoon that is. I’m not sure where it cane from: my guess would be The New Yorker.

Just because the unethical assertion that voting for Donald Trump (or against the spectacularly awful Kamala Harris, the totalitarianism, censorship and anti-Semitism-supporting party she represented or the incompetent Biden administration) means you are deplorable, “garbage,” a racist, a sexist or a fascist comes in a cartoon doesn’t mitigate the vile nature of the statement. I’m sure the cartoon will be defended by the claim that it is mocking people like the speaker in the drawing.

Sure.

Stop Making Me Defend Katy Perry!

/ Jack Marshall / 18 Comments

Pop singing star Katy Perry has one of the longer and less complimentary Ethics Alarms dossiers among overly-influential celebrity types. Let’s see: her last appearance was as an Ethics Dunce in 2023, when she freaked out on “American Idol” over the fact that a contestant had survived a school shooting. Katy screamed, “This is not OK!,” announced that the country had “fucking failed us” and that she was “scared too.” I wrote, in part,

“That’s fine, Katy. Now go along with these nice men in the white coats, and they will help you. This is just the latest example of how celebrities degrade both the level of civic discourse on important issues and the intellectual abilities of anyone foolish enough to take them seriously. I’m pretty sure that no one, literally no one, believes that mass shootings anywhere, not just in schools, are “OK;” Perry was seeking virtue-signaling points for stating the screamingly obvious. Moreover, I am 100% certain that Perry doesn’t have the tiniest clue about how the U.S. has “fucking failed us” because of this school shooting or any schools shooting. What do you want, Katy? Martial law? No Bill of Rights? Everyone stuck going to school via Zoom forever? And if Katy Perry is ‘scared too,’ she should hire better bodyguards.”

Now Katy is being attacked from the conservative side because of a trademark dispute she won in Australia. The Daily Caller wrote in an editorial that Perry had “successfully bullied a woman in court and won, marking another unfair victory by a pretentious celebrity.” The story: An Australian woman named Katie Perry launched a fashion label using her name. Katy Perry’s real name is Katheryn Elizabeth Hudson, which the Daily Caller seem to think is significant. (It isn’t.) Perry also had a trademark for clothes using Katy Perry, and sued Katie for trademark infringement, not for, as Katie describes it, using her own birth name for her brand. Katie beat Katy in the initial round, but Katy filed an appeal and won. “Now the designer has lost everything she worked so hard to build,” sobs Tucker Carlson’s news and commentary site. “This is everything that’s wrong with Hollywood.”

No, this is everything wrong with conservative media. “An innocent person can no longer operate her long-time business with her own legal name. Fake Katy Perry for the win — seriously?” says the Caller.

Ugh. The Daily Caller chose to leave out some rather important details, I’m guessing because it’s open season on show biz celebrities now that Donald Trump’s win has them seeking exile, BlueSky, or rest homes. Among the relevant facts absent from the editorial:

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Weenie of the Week: Disney [Pointer Corrected]

/ Jack Marshall / 18 Comments

Is it too much to ask Disney to at least have the courage of its oppressively woke convictions?

An episode of the new Disney animated show “Moon Girl and Devil Dinosaur” that centered on a transgender character was pulled from the series and there are no plans to broadcast it.

The Disney Channel will not show the episode in 2025 apparently because of its LGBTQ storyline, which involves a transgender character named Brooklyn who is on the girl’s volleyball team and faces discrimination from the opposing team’s coach. The evil coach uses a magic key to lock Brooklyn and her teammates in the girl’s locker room so they can’t play. Brooklyn, who wears pride-themed kneepads and has a “Trans is beautiful” sticker on her water bottle, tells her team mates, “I’m trans, my very existence breaks Greer’s rules.”

Although Disney claims that the timing of the cancellation notice is a coincidence, it seems that all of the artists involved in creating the episode believe that the Presidential election results motivated the decision. Emmy Cicirega, a storyboard artist, wrote on X, “Disney should be ashamed of themselves for canning this episode. You don’t get to approve approve approve something and then destroy it at the last minute, shattering the crew’s hard work and hopes.” Another animator tweeted, “If an episode got this far, it was approved multiple times by multiple divisions, only to suddenly be struck down at the last second? Total breakdown of process and spitting on your team’s careful/thoughtful work…The action being preemptive makes it so much worse to me. The absolute cowardice and second guessing when actually this is when this content is needed most.”

Disney denies it all, but why should anyone trust Disney these days? It does seem spectacularly stupid to self-censor a work of art because of a Presidential election and a close one at that. It seems just as stupid to pull an episode that everyone will think became too controversial because of Trump’s win. If Disney believes as fervently in its all-in support of LGBTQ issues as its much maligned output in recent years suggests, then the company should show some integrity and guts, stick to its metaphorical guns, and tell Brooklyn’s story. One thing you could count on Walt for: if he had a vision, he didn’t care whose ire it aroused. Like all great artists, innovators and creators, if where he was going was into a headwind, he wouldn’t turn back. The decision to red pencil Brooklyn’s story reeks of a company without principles just trying to go where the winds seem to be blowing. Weenies.

Now watch everyone blame the lost episode of “Moon Girl and Devil Dinosaur” on Trump.

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Pointer: Willem Reese [This is a correction: I initially credited JutGory for the tip, who quickly disavowed. EA apologizes to all concerned.]

America’s Pop Culture May Save Us Yet: The “Trump Dance”

/ Jack Marshall / 18 Comments

This is the most wonderfully strange country, isn’t it? I have mentioned here before how the United States “won” the World’s Fair called “Expo 67.” A huge, imposing Soviet Union pavilion displayed threshers, tractors and other farm equipment, tanks and satellites, perfectly capturing the harsh gray gravity of life in the USSR. Not far away was the United States pavilion, housed in a giant transparent geodesic dome (courtesy of Buckminister Fuller), filled with joyful explosions of American pop culture: Raggedy Ann dolls, artifacts from the baseball Hall of Fame, cool cars, rock ‘n roll and classic movie clips running on loops. There was Gary Cooper alone in the dusty street; Cary Grant being shot at by that crop duster; Julie Andrews spinning on the mountain top at the start of “The Sound of Music,” Gene Kelly singing in the rain. Tough choice for the international visitors: which country would you want to live in?

And now, after one of the bitterest Presidential campaigns in our history, following almost a decade of a constantly widening breach in our politics, values and discourse, the essential light-heartedness (and habitual triviality) that has always been a feature of our national character is pulling us together.

I didn’t see this coming.

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Rita Moreno Thought She Was Justifying Hollywood and Broadway’s Woke Casting, But Instead Proved Its Hypocrisy

/ Jack Marshall / 11 Comments

Last December, right before New Year’s Eve, there was a blow-out Broadway celebration of the 80th anniversary of the memorable Rodgers and Hammerstein musical partnership that produced the acclaimed musicals “Oklahoma!,” “Carousel,” “South Pacific,” “The King and I,” “The Sound of Music,” and a couple of clunkers. It was a manufactured event to say the least. Why the 80th anniversary, for example? The team’s first successful collaboration was “Oklahoma!” in 1943, but it opened on March 31 of that year, so they were celebrating the so-called anniversary a full nine months late. (Try THAT with your wife!) But the real anniversary of the team’s formation was when Rodgers and Hammerstein collaborated on the 1920 Varsity Show, Fly With Me when the two were at Columbia University together. Nobody remembers that show, however, but Broadway could have celebrated the 100th Anniversary of R&H in 2020 right before the stupid pandemic lockdown almost killed live theater.

PBS has been showing the event on its “Great Performances” series, and it’s not that great. I was tipped off that the thing would drive me crazy when for some perverse reason the opening number, after the 40 piece symphony orchestra performed an overture that was a medley of well-known R&H tunes, featured a group of gay young men singing “There Is Nothing Like a Dame” from “South Pacific.” There might have been one straight guy among them, but my Gaydar meter almost blew up. Whose idea was that? If you’re going to have gays singing that lament supposedly belted out by horny, sex-deprived sailors in WWII, at least tell them to butch up, or better yet, pick a different song.

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