Well, why not…before all-Mikado Saturday comes to an end, I might as well highlight this astounding example of spectacularly incompetent journalism by the Northern Broadcasting Network’s Aaron Flint, who actually posted this hilarious idiocy on his “Flint Report” (I will have to comment on the text as it goes, since there is too much nonsense to take in all at once.)
His headline: “Palin Beheaded in Missoula Play” Continue reading
I promise I won’t do this often, but this Comment of the Day is by me, a reply to a comment by Ichneumon, which you will find at the end. I have been involved in this debate elsewhere, and a common “gotcha!” being employed against me is the argument that I jumped the gun defending the production of “The Mikado,” because I didn’t (and don’t yet) know what the exact lyrics were. I think this is worth expanding on, since Ichneumon and others have accused me of being “unethical” for calling the critics of the Palin lyric, whatever it was, ignorant. Saturday is usually quiet, and this seems to be all that is going on other than the Middle East blowing up; by tomorrow I’m hoping to be able to move on to issues having nothing to do with Sarah Palin, Missoula, or “The Mikado.” So here is my reply to Ichneumon, with sample verses, on the original post, “Next: A Version of “The Mikado” Without Execution References”:
“The fact is, everyone from the Wall Street Journal to local websites to conservative commentators have been slapping around the production without an exact quote from the production. I am in touch with someone in the cast, and am hoping, waiting, to learn exactly what the lyric was. So what, exactly, would you have me do, when the vast majority is citing this, and only this, as the basis for its condemnation: the production put Sarah Palin, by name on Ko-Ko’s list, and this constituted a declaration that she should be killed? Continue reading
The more I think about the controversy over the Montana production of “The Mikado,” which I discussed in the previous post, the more it bothers me.
The fact that some conservative Missoulans were disturbed by Sarah Palin’s inclusion on the iconic “little list” carried by the fictional Ko-Ko, the Lord High Executioner in Gilbert and Sullivan’s classic musical comedy “The Mikado” is disturbing. The fact that the Missoula Community Theater actually caved-in to ignorance and hypersensitivity and removed the lyric is more so. but the fact that some sensible commentators, like the Wall Street Journal’s usually perceptive and witty James Taranto, have had their brains addled by the current attempt at language, metaphor and humor purging by politically correct hysterics is genuinely terrifying. Continue reading
For a text-book example of how political correctness, ideology, ignorance and a humor deficit can undermine speech, culture and entertainment, we need look no further than Montana, and its public critics of the Missoula Community Theater’s production of “The Mikado,” perhaps the best of all Gilbert and Sullivan operettas and one of the very best musical comedies ever written. Continue reading
Just four audition episodes into the new “American Idol,” it is obvious that the show is done. It might hang on for a few, even several more seasons; after all, “Happy Days” continued for almost a decade after Fonzie jumped the shark. But it’s still over, and it wasn’t because the show lost its center and star, the acid-tongued, irresistible Simon Cowell…well, not exactly. It didn’t have to be the case, but when Simon left, the show lost the one thing it has to have–integrity. Continue reading
[ Finally reduced to hunt-and-pecking blog posts from an Arlington, VA. Starbucks as the result of a still-ongoing power outage at the Marshall home-office, I apologize for an uncharacteristically quiet day.]
All Kansas City pitcher Gil Meche needed to do to collect $12 million in 2011 was to show up, do his best to pitch—which his ailing right arm would no longer permit him to do—and cash the checks. But despite having an iron-clad contract (the last in a long-term deal he signed as a free agent), Meche decided to retire, thus ending the contract and forfeiting the money. Continue reading
USA Today included an editorial yesterday about the explosion of births to unmarried mothers in America that has exacerbated many societal problems. It’s a stunning story : in 1960, the figure was 5.3%; by 1970, in the teeth of the cultural upheaval launched in the late 60’s, it had more than doubled to 10.7%. In 2009, 41% of children born in the USA were born to unmarried mothers, including a frightening 73% of non-Hispanic black children. The editorial suggested that reversing the trend is a priority, but was short on ideas for how to address it. Notably absent was the method of social control that had served the United States well since 1776, and had been effective world-wide since the institution of marriage: calling it wrong. Continue reading
Lang Lang, the Chinese pianist who played for guests the White House State dinner on Jan. 19 honoring Chairman Hu Jintao, apparently regaled the crowd with an unfamiliar melody (to the Americans) that was really a famous anti-American propaganda song from the Korean War, the theme to the movie “Battle on Shangganling Mountain.” Continue reading
The latest issue of “Pole Spin,” the “international pole dance and lifestyle magazine,” features “the world’s youngest pole dancer” and a proud family with four pole-dancing teenagers.
Is this wrong? Child porn? Bad parenting? What the heck is it when something with sexual connotations is used by children in a non-sexual way? Continue reading
At the risk of being accused of proving the old proverb that when all you have is a hammer, every problem looks like a nail, let me offer the observation that the apparently acrimonious departure of Keith Olbermann from MSNBC, despite being the cable channel’s biggest star, is a cautionary tale about ethics.
The lesson: the absence of respect for the opinions of others, accompanied by a lack of humility and a surplus of contempt for fairness and civility, will doom even intelligent, talented and hard-working individuals to inevitable failure, because they cannot be trusted, not by employers, not by colleagues, not by friends.
This is why ethical values are valued: they are essential to individual success, because they contribute to societal and social success. This is, I believe, the fourth time an Olbermann show has ended like this, and like Bill Murray in “Groundhog Day,” he is doomed to repeat the pattern until he learns how to be a more caring, more trustworthy human being.
I hope he makes it. Keith Olbermann has the ability to help make this a better country, instead of a nastier, meaner, more divided one. I hope he gets another chance, and that this time, he figures out how to use his abundant talents to do it.
Ethics Alarms 