That show biz media “bible”, Variety, finally seems to have reached the point where it can no longer pretend that its inherent conflicts of interest don’t exist. The magazine is simultaneously in the business of promoting movies, TV and stage shows, accepting expensive ads from producers, and depending on inside access for its reporting, yet it purports to offer objective critical reviews of the output of the very people and companies whose patronage it depends upon to exist. It’s an impossible balancing act, and truth be told, Variety reviews have never had much credibility in Hollywood or anywhere else. But whatever pretense of integrity the publication had came crashing down with a lawsuit by Calibra Pictures, a small independent film company that had signed a $400,000 contract with Variety in which the publication promised to help Calibra’s new release, “Iron Cross,” ( featuring the final performance of the late, great, Roy “We’re gonna need a bigger boat!” Scheider, who died in 2008) find both a distributor and critical acclaim. [ Ethics Violations #1 and #2—Dishonesty and Breach of Integrity: Don’t promise what you can’t deliver, and don’t sell your independence and objectivity] Continue reading
Arts & Entertainment
Pit Bulls and Bigotry
Writer Charles Leerhsen has experienced a conversion. After witnessing his best friend being viciously attacked and nearly killed on a city street without provocation, he has embraced bigotry with both hands. Now he writes screeds condemning not the attacker, but all individuals of the attacker’s race. In a passionate and angry essay for The Daily Beast, he denigrates not only those individuals but also anyone who defends them, such as “certain PC urban professionals who long to tell the world that they are super-sensitive and understanding souls.”
It’s an ugly essay, emotional, doctrinaire, and illogical, employing the well-worn racist technique of generalizing from the individual to the group and back again. Why would any respectable media outlet print such bile?
Perhaps it is because Leerhsen’s best friend was Frankie, a Wheaton terrier, and Frankie’s attacker was a pit bull. Continue reading
“Raving Private Gump”: Tom Hanks Lets Political Correctness Eat His Brains, and Gets Called On It
I am a big fan of Tom Hanks’ work as an a comic, a dramatic actor, a producer, and in drag, but he has been reliably attached to what may end up being the most infuriating quote of the year. If not the most infuriating, then at least the most ignorant and irresponsible. In an interview with historian Douglas Brinkley in a Time magazine feature about his upcoming HBO series on World War II in the Pacific, Hanks said this:
“Back in World War II, we viewed the Japanese as ‘yellow, slant-eyed dogs’ that believed in different gods. They were out to kill us because our way of living was different. We, in turn, wanted to annihilate them because they were different. Does that sound familiar, by any chance, to what’s going on today?”
If you are not now running in circles, wide-eyed and screaming, you should be. Continue reading
Gawker Asks: “Why Were the Democrats So Ethical?”
One could hardly find a more illuminating window into the unethical political and media culture festering in this country than to read today’s “scoop” on (yecch!) Gawker, the celebrity-stalking, rumor-mongering website that makes TMZ look like The Economist. Its breathless lead:
“Did you know that Scott Brown—the new star Republican Senator—was accused of harassing a female campaign worker in 1998? We have the documents to prove it. Did the Democrats blow an opportunity to keep their 60th Senate seat?” Continue reading
More Humor Ethics: the “Offensive Joke”
Ethicist Jeffrey Seglin answers ten everyday ethics questions over at the Real Simple website, and pretty much knocks them out of the park…except this one:
“If someone tells an offensive joke, is it my responsibility to speak up about it?” Continue reading
Fracking Ethics
The Eric Massa affair quickly revealed itself as the spectacle of a foolish, narcissistic, dishonest man trying to milk every drop of attention out of the well-deserved implosion of a political career that never should have begun in the first place. Fortunately, there was a side benefit: its reporting by the media exposed the dishonesty of the practice of fake civility. Genuine civility is one of the foundations of ethical conduct, though admittedly a shaky one right now. Fake civility, however, is cynical, dishonest, disrespectful and, on top of all that, silly and ineffective.
One of the inappropriate supervisory moments that punched Massa’s ticket out of Congress was that he told a male staffer, in the presence of others, that “I should be fucking you.” Someone at the Mainstream Media High command issued a memo that the gentile and classy way of reporting this statement was “I should be fracking you.” Not that there was any pretense about what the word signified. On the Headline News morning show with giggly news-bimbo Robin Meade (an in-your-face insult to every serious female broadcast journalist in America), Meade listened to the “fracking” account and said—every one of the times the story was repeated during the program— some version of “Gee, I never heard that word before (giggle)!” Whereupon the newsreader replied with some form of “I know (snicker) neither have I!” They were far from the only ones. Dana Milbank used the same code in his account of Massa’s messes in the Washington Post. “Fracking” is the euphemism of the week. Continue reading
Public Privacy and the Ubiquitous Camera
Everybody has a camera…well, almost everybody. Thanks to cell phones, we can be recorded in still or video formats almost every second of the day. We are our own Big Brother. So much so, in fact, that it is hard to muster too much fright and indignation over increasing use of public cameras by the government. Boston police, for example, now have immediate access to street video of shootings, robberies, and homicides on many city streets, and use real time images to send information about the suspects and crimes to responding officers. Continue reading
Forgetting Farrah
The film montage of significant Hollywood figures who have died since the last Oscars broadcast is always an emotional and evocative feature of the Academy Awards, as well as a time to bid a final farewell to various faces that became affectionately remembered parts of our past. Except for fanatic film buffs, there is always the occasional “who the heck is that?” moment, as a the image of a”famous” make-up artist or key grip passes by. But they were all important, in their own ways, and deserve their final salute.
Farrah Fawcett, who died of cancer last year, deserved her final salute too. Yet she was missing. Continue reading
Ethics Train Wreck: Step-Dancing, Racism, and Coke
I missed this story last week. I am almost sorry it came to my attention.
February 20 witnessed the national finals of the Sprite Step Off competition in Atlanta, billed as “the largest Greek stepping competition ever.” I never heard of “step-dancing,” but that is apparently because I’m not black. It is a lively type of dancing favored by black fraternities and sororities. Although the performance by the all-white Zeta Tau Alpha team from the University of Arkansas—the only white team in the competition—received uproarious applause, mixed with amazement on the part of the almost all-black crowd that a white team could master the art, the cheers turned to jeers when they were announced as the winners. Although few disputed that the Zeta team had been one of the very best, angry e-mails and on-line protests from African Americans began building into a tidal wave. There were accusations of “cultural theft,” and the general message was that a white team should not have been declared the winner in a step-dancing competition. That was a black tradition, and only bias could explain the white team’s success. Most of the protests came from people who had not seen the performances. Continue reading
Neighborhood Ethics and the Snow Babe
It’s time to play “Who’s the Worse Neighbor?”!
It’s clear that the media take on the New Jersey story about the risqué snow sculpture will favor the snow-artist neighbor and ridicule the Puritanical neighbors, but the ethics fouls may be on the other side.
A brief summary: a woman and her son used the ample snow on their lawn and the their substantial sculpting talents to make a life-size, headless, armless, torso and trunk of a rather well endowed naked woman instead of the more traditional Frosty the Snowman. If this “came to life one day,” that traffic cop would arrest it for indecent exposure. Continue reading
