Saturday In The Great Stupid Continues: The “Waiting For Godot” Catch-22

I love this dispatch from The Great Stupid! It has everything…

  • It involves a theater production…
  • It’s woke academia at its worst…
  • Copyright and artistic integrity principles are at issue..
  • Diversity, Equity and Inclusion mania is at its core…
  • It’s another “It isn’t what it is” (Yoo’s Rationalization) classic….
  • It didn’t happen here, but I could easily see it happening here, and…
  • It’s really, really, really stupid.

A bit of background: Samuel Beckett, the late Irish novelist and playwright of Theater of the Absurd fame ,best known for his minimalist drama and “Waiting For Godot” in particular, was a cantankerous old coot who didn’t trust directors (with good cause, say I), and directed them in his texts to change neither lines nor character, or risk legal action. Edward Albee was similarly strict on this point, having seen what happens to plays in the public domain (like Shakespeare’s works) when far less talented “artists” decide to make them “relevant.” So if you are going to produce a Beckett play, it’s Beckett’s way or the metaphorical highway.

Oisín Moyne, a fellow countryman of Beckett, was directing “Waiting for Godot” in the Netherlands and auditioned only men for the all-male cast of characters, as he was legally and artistically obligated to do. the college production been in rehearsals since November and was due to be presented at the University of Groningen’s Usva student cultural center in March. (Don’t ask me how or why it would take more than three months to rehearse this play, which primarily involves two guys sitting around talking, but never mind.) Continue reading

Ethics Quiz: Marie Osmond’s Formula For Responsible Parenting When You’re Filthy Rich

Pop star Marie Osmond, seen above apparently being eaten by the same plant mass that devoured Barack Obama in his awful portrait that became a source of a scandal narrative, has announced that she will not be bestowing any of her current wealth, estimated to be about $20 million, on her 8 children or 8 grandchildren.

“Honestly, why would you enable your child to not try to be something? I don’t know anybody who becomes anything if they’re just handed money,” she said last month in an interview. “To me, the greatest gift you can give your child is a passion to search out who they are inside and to work. I mean, I’ve done so many things… I love trying. I wanna try everything,” she added.

Further parenting wisdom from Marie, whose plan is to spend what she has with husband Steve Craig and give whatever is left to charity when she goes to that big Osmond Reunion in the sky: “I just think all [an inheritance] does is breed laziness and entitlement. I worked hard and I’m gonna spend it all and have fun with my husband…” and she says she doesn’t want to set the stage for her heirs to fight over her estate. Marie has said that her role model in this conviction was actor Kirk Douglas, who reportedly left none of his wealth, estimated to be three times Osmond’s, to Michael (who was rich already).

Your Ethics Alarms Ethics Quiz of the Day is… Continue reading

From The Res Ipsa Loquitur Files: This Isn’t Diversity. This Isn’t Inclusion. This Isn’t LGBTQ Respect…

This is cruel and stupid.

And unethical.

The organizers of an international figure skating event in Finland last week decided to show their oneness with the times, known at Ethics Alarms as “The Great Stupid,” by featuring Markku-Pekka Antikainen in the opening ceremony of the ISU European Figure Skating Championships. Antikainen is a 59-year-old man who at age 50 decided to “transition” and become a female figure skater. He would have been just as successful aspiring to be a bunch of carrots. His skating name, which he will presumably use when he is featured in “Disney on Ice” (can you really say with confidence that that won’t happen?), is Minna-Maaria Antikainen. Continue reading

Ethics Dunce (And Preening Jerk): Actor Alan Cumming

Yecchh.

Alan Cumming, whose ticket to stardom was punched by acquiring his initial acclaim reprising a role that was originated by a superior performer (Joel Grey, the first “MC” of “Cabaret”) gladly accepted an OBE, the British award bestowed on the Scottish performer in 2009 by the late Queen Elizabeth II as part of her annual birthday honors list. Cumming was allegedly honored for his work as an actor as well as his campaigning for LGBTQ+ rights: the Crown was trying to pander to the LGBTQ crowd at the time. There is no way Cummings’ acting career warranted the honor itself. It was the equivalent of the Academy of Motion Picture Science giving a Lifetime Achievement Award to Demi Lovato.

Cumming happily accepted the honor and the prestige and publicity that go with it. Now, 11-years later, whatever momentum the Order bestowed on him has waned, as has Cumming’s career. ( His short-lived CBS series “Instinct,” where he played, badly, an academic who assists the NYPD solve crimes, was unwatchable.) And thus it is that he decided he could once again get headlines and stir social media controversy by marking his 58th birthday by announcing on Instagram,

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Cartoon Ethics, Part II: There…

AleXsandro Palombo, an edgy Italian artist who often uses pop culture images to make serious points, was hired to paint appropriate murals around Milan’s Holocaust memorial, which is located at Platform 21 inside the city’s main train station from which approximately  1,200 Jews were sent to Nazi death camps in 1943. Shortly before International Holocaust Remembrance Day, the Shoah Memorial Foundation discovered what the artist felt was appropriate art: characters from “The Simpsons” dressed as Jews at various stages of the Final Solution.

Doh! Continue reading

Cartoon Ethics, Part I: Here…

In Margate, Florida…

…a controversy erupted in South Florida when a shopper at the Presidente Supermarket in Margate saw the logo on a package of  Azucar Morena brown sugar (above). Paul Taffe, the indignant shopper, immediately reported to the local political correctness station—well, a local TV news squad—and expressed his horror.

“Doesn’t matter how you look at it, it’s racism in any form,” Taffe said. “Bottom line, and it should not be on the shelf. When you see an image of a Mammy dancing around with two sugar cane stalks in her hand, thinking that she’s having a jolly old time, it’s not. It was never a jolly old time for us.”

Not to be picky, but how does he know what “Mammy” is thinking? To be clear, like it or not, the fact of life in the U.S. is now that no cartoon representation of blacks is safe to present, unless the approach rejects the exaggeration of prominent features that makes it a cartoon as opposed to just a crude drawing. Exaggerated features on a white cartoon character…

…are recognized as humor and accepted as such; doing the same with any other race is racist, as with the sugar image above or Dr. Seuss’s now banned drawings…

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I Don’t Know Exactly What This Story Signifies, But I’m Going To Write About It Anyway…

Actress Jamie Lee Curtis posted about her chairs on Instagram for some strange reason, and in so doing, revealed the creepy photograph she has hanging in her home. Conservatives, who have been in an art critic mood thanks to “The Embrace” were triggered. “Why does Jamie Lee Curtis have a picture of a naked child stuffed inside a suitcase on her wall,” said rightish broadcaster Stew Peters. “Strong Epstein vibes.” Right-wing activist Rogan O’Handley tweeted in part, “Hollywood has-been Jamie Lee Curtis posted …an extremely disturbing picture she has in her home of a child stuffed in a suitcase. We have serious questions.”

Curtis then took down the post and photo, explaining,

What’s going on here?

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Why Our Culture Needs Old Movies

Typical of the free-association manner in which my brain works, a fatuous essay by a New York Times pundit about a subject he doesn’t understand (but I do)–performing—excavated an ethics memory from my childhood that hadn’t sparked a neuron in decades.

Frank Bruni, for some reason, felt it was necessary to re-hash the ancient debate over whether a movie star is really a skilled “actor,” and can be deserving of an Oscar over “real” actors. Naturally, his target was Tom Cruise and his performance in “Top Gun: Maverick,” the most popular and successful movie of the year. I don’t feel like arguing with Bruni over this; I’ve had the debate too many times. (No, Cruise isn’t going to get an Oscar for this sequel, but he has given Oscar-worthy performances before, because nobody can play Tom Cruise as well as he can). I’ll just give the short version: if an actor plays a part better than any other actor could, it is irrelevant that he can’t play any other part. As a director, I’ll cast a charismatic one-trick pony who is perfect for a particular role over a brilliant, versatile artist who could play Hamlet to cheers every time.

But that is neither here nor there. Here is there: Bruni’s discourse made me think of Spencer Tracy, a movie star and superb actor who had a wonderfully dismissive view of his own field, and then “Edison the Man,” the 1940 biopic, starring Tracy, about Thomas Edison. It was a black and white film that my father made a point of having me see. That film sparked my early interest in Edison, American inventors, technology and extraordinary people through history.

One scene in the movie, however, made a special impression. Edison and his research lab have been laboring on the creation of a practical incandescent light bulb day and night for months. Finally they think they have the right design, and the tungsten filament bulb to be tested is carefully assembled. The new bulb is handed to Jimmy, a teen who does odd jobs at the laboratory, and he dashes across the facility to give it to Edison. In his excitement, Jimmy trips and falls, smashing the precious bulb. Edison’s crew is furious; Edison reproaches the lad. Jimmy is devastated and inconsolable. When Edison’s men finally craft a replacement bulb, Edison calls for Jimmy and give him custody of the bulb, and asks him again to carry it to its destination on the other side of the building. Jimmy, striding carefully and slowly this time, completes his historic task.

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Comment Of The Day: “In The Dispute Over The Fate Of The Elgin Marbles, It Is Time For The Brits To Choose Ethics Over Law”

Last week, Ethics Alarms confidently presented the ethics verdict that it was high time—more than high time, in fact—for the British Museum to finally return the so-called “Elgin Marbles” to Greece. As the priceless art was literally ripped off the Parthenon, I didn’t think the question justified an ethics quiz. I still am unconvinced by the arguments that the Brits should hold on to their ill-gotten gains, but I am the grandson of a Spartan, after all. There were several excellent comments asserting ethical grounds for the British position; this one was outstanding.

Here is P.M.Lawrence’s epic tutorial, rebuttal, and Comment of the Day on the post, “In The Dispute Over The Fate Of The Elgin Marbles, It Is Time For The Brits To Choose Ethics Over Law”:

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“In the early 1800s, Lord Elgin, a British aristocrat, shipped to England treasures of Greek antiquity that he had strip-mined from Greece, including the carved frieze panels that had decorated the Parthenon. Supposedly this was done with the permission of Turkey, which was then ruling Greece, which is like your home invaders giving neighbors permission to take the art off your walls…”

There is a little more to it than that:-

– On the legal maxim of “nemo dat quod non habet”, of course the Turks couldn’t convey title. But they didn’t, they offered a quitclaim, as it were; they removed themselves from obstructing.

– As regards any original owners, there simply weren’t any left. The last remaining ones were ended by rounds of persecution of pagans, centuries earlier.

– As far as any generic claims of common heritage of western civilisation go, and those claims only go for want of better (there being no direct heirs), what better place to put the items than in a museum furthering that common heritage? Are the British somehow less heirs of that than are the Graeculi? Particularly considering how much safer the items were in that museum(those not taken have suffered horribly from war, corrosion, and what not). And, of course, the very word “museum” proclaims that furthering that common heritage.

Now, none of that conveys title to the British Museum, but adverse possession in the years since does – adverse, in that no better claimant came forward. Just as today’s Greeks feel an understandable connection to these items, as they do to the Lions of St. Mark’s, so too do today’s British – and as today’s Venetians do to the Lions of St. Mark’s. They are as intertwined with the histories of each place as of the other.

The Solomonic solution would be to sand blast the items to the condition of those not taken if any effort to transfer them were ever made. But I expect the Sir Humphreys will loudly assert ownership while underhandedly arranging a loan in name only with no means of foreclosing, just as they have with foundational documents that ought to have remained in British archives. That would satisfy none but the Sir Humphreys.

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End Of Week Ethics Exegesis, 1/20/2023, SCOTUS Ineptitude, The Child Shooter’s Parents, A Coinkydink, And More…[Corrected]

[NOTE: This was another one of those posts that I had to squeeze in and get up before I had a chance to do a careful proofing. Coming back to it hours later, it is so embarrassing to find all the irritating little typos: missing letters, transposed letters, words I thought I typed in but didn’t. Ugh. I’m sorry.]

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The mainstream media (and Democrats, but I repeat myself) is doing everything it can to try to make Lyin’ George Santos the big story rather than Joe’s Biden’s document scandal, which has nicely exposed Biden’s hypocrisy along with that of law enforcement and the Trump-Deranged. The Republicans have made it easier for them than it should be: Kevin McCarthy should have created a committee called “Shameless Lying Committee and placed only Santos on it, and made him chairman. Oh, maybe have Adam Schlitt on it to keep George company. McCarthy’s canned line about how Santos was elected to represent his district by voters and they deserve representation is worse than if he said nothing at all. Santos gets to vote on bills, and that’s all an incompetent, lazy, gullible district like his deserves. (If Santos says one more time that he’s done nothing wrong, I may jump out my office window.)

Back to the news media: This morning I watched CNN, Fox, News, and BBC all at once on the DirecTV “News Mix” channel. The experience would be depressing to anyone under the delusion that broadcast news is anything but a confederacy of dunces. As the abrasive and smug “Fox and Friends” kept repeating the same outrage about Joe’s stash of classified materials, CNN interviewed high school students in Santos’ district in an obviously carefully staged segment purporting to show that teens are more ethical and instinctively wise than their elected elders. (Hey, look at these kids! Let’s let 16-year-olds vote!) When one student said that Congress should vote to expel Santos, his grandstanding teacher didn’t point out that Congress can’t, probably because the teacher doesn’t know.

Neither CNN nor the teacher brought up Joe Biden’s career of making up credentials and experiences, which would have been an interesting counterpoint for the aspiring Democrats in the student group (there was one self-proclaimed future Republican, which doesn’t mean there weren’t others afarisd of getting wedgies) to ponder: the thrust of the segment was that Santos and the GOP acceptance of him pushed the students into the Blue.

MSNBC, as usual, was even more flagrant in its bias, and also funnier. It had—get this—Al Sharpton and former Republican National Committee chair Michael Steele discussing how corrupt and incompetent Republican House members were. Michael Steele calling anyone incompetent is like, well, Sharpton calling anyone corrupt. Steele is now a Never-Trump talking head for MSNBC in the Ana Navarro mold, because his flip-flop was the only way anyone would hire him to give his opinion on anything. He was a disaster as RNC head, embarrassing the party by such stunts as okaying a fundraising mailing that intentionally masqueraded as a census document—while the census was underway. Congress passed a bi-partisan law making such chicanery illegal.

Mostly Steele is just an idiot. I know I’ve mentioned this before, but it should be flashed up on the screen any time this dolt tries to be a pundit. When he was running to be re-elected RNC head (he lost), Steele was asked during the one debate among the contenders to name his favorite book. The other hacks (like Reince Priebus, the eventual winner) said that a Ronald Reagan’s biography was their favorite book, but Steele, trying to seem erudite, said “War and Peace.” “It was the best of times, it was the worst of times,” he quoted (from “A Tale of Two Cities”), causing questioner Tucker Carlson to facepalm.

1. The SCOTUS Dobbs leak can’t be found. That’s bad enough. Equally bad were the stunning revelations of sloppy procedures at the Court, probably long the status quo, that nonetheless made this scandal inevitable. From the 20-page report

1. Too many personnel have access to certain Court-sensitive documents. The current distribution mechanisms result in too many people having access to highly sensitive information and the inability to actively track who is handling and accessing these documents. Distribution should be more tailored and the use of hard copies for sensitive documents should be minimized and tightly controlled.

2. Aside from the Court’s clear confidentiality policies and the federal statutes outlined above, there is no universal written policy or guidance on the mechanics of handling and safeguarding draft opinions and Court-sensitive documents, and practices vary widely throughout the Court. A universal policy should be established and all personnel should receive training on the requirements.

3. The Court’s current method of destroying Court-sensitive documents has vulnerabilities that should be addressed.

4. The Court’s information security policies are outdated and need to be clarified and updated. The existing platform for case-related documents appears to be out of date and in need of an overhaul.

5. There are inadequate safeguards in place to track the printing and copying of sensitive documents. The Court should institute tracking mechanisms using technology that is currently available for this purpose.

6. Many personnel appear not to have properly understood the Court’s policies on confidentiality. There should be more emphasis on training so that all personnel fully understand the policies.

7. Bills were introduced in the last Congress which would expressly prohibit the disclosure of the Supreme Court’s non-public case-related information to anyone outside the Court. Consideration should be given to supporting such legislation.

Summary: The Court’;s security has been incompetent and inexcusable.

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