Arts & Entertainment

“Good Censorship”(Cont.): “I Enjoy Being A Girl”

/ Jack Marshall / 12 Comments

No, I’m not ready for the epic job of defenestrating Seth Abramson for his ethics-anti-matter “justification” of re-witing Roald Dahl’s works. It’s not that its going to be difficult— most readers here could do it as well as I can—it’s just going to be tedious and infuriating, and I’m on edge already.

Right now I want to pose a related issue: the song you can hear above from Rodgers and Hammerstein’s Fifties Broadway hit “Flower Drum Song.” I hadn’t heard it myself for a very long time, and when it was played on the Sirius-XM Broadway channel, I almost drove off the road. It’s a famous song; Rodgers, as usual, provided a memorable melody to Oscar’s lyrics…but wow. Are there any demeaning female stereotypes that aren’t endorsed in this song? Here are the lyrics:

I’m a girl and by me that’s only great!
I am proud that my silhouette is curvy,
That I walk with a sweet and girlish gait,
With my hips kind of swively and swervy.

I adore being dressed in something frilly
When my date comes to get me at my place.
Out I go with my Joe or John or Billy,
Like a filly who is ready for the race!

When I have a brand-new hairdo,
With my eyelashes all in curl,
I float as the clouds on air do—
I enjoy being a girl!

When men say I’m cute and funny,
And my teeth aren’t teeth, but pearl,
I just lap it up like honey—
I enjoy being a girl!

I flip when a fellow sends me flowers,
I drool over dresses made of lace,
I talk on the telephone for hours
With a pound and a half of cream upon my face!

I’m strictly a female female,
And my future, I hope, will be
In the home of a brave and free male
Who’ll enjoy being a guy
Having a girl like me!

I enjoy being a girl!
I enjoy being a girl!

I flip when a fellow sends me flowers,
I drool over dresses made of lace,
I talk on the telephone for hours
With a pound and a half of cream upon my face!

When I have a brand-new hairdo,
With my eyelashes all in curl,
I float as the clouds on air do—
I enjoy being a girl!

When someone with eyes that smoulder,
Says he loves every silken curl
That falls on my ivory shoulder—
I enjoy being a girl!

When I hear a complimentary whistle
That greets my bikini by the sea,
I turn and I glower and I bristle—
But I’m happy to know the whistle’s meant for me!

Oh, baby, that whistle’s meant for me!

I’m strictly a female female,
And my future, I hope, will be
In the home of a brave and free male
Who’ll enjoy being a guy
Having a girl like…ME!

Clearly, by the criteria adopted by Puffin Books, that song would have to be re-written and censored, because they “regularly review the language to ensure that it can continue to be enjoyed by all today.” I know women whose teeth would be set on edge right from the title, in which a fully grown woman refers to herself as a girl. As the song proceeds, she checks all sorts of sexist other boxes too, including expressing secret approval of sexual harassment.

Continue reading →

Critic Ethics: “The Top 10 Gilbert and Sullivan Operettas, Ranked And Rated”

/ Jack Marshall / 9 Comments

Readers here know that web lists of “bests” and “greatests” regularly drive me crazy, as they are almost invariably clickbait assembled according to no real standards, usually by self-appointed mavens who don’t know what they are talking about. But what drives me even more crazy are such lists created by actual authorities, whose assessments are taken to be gospel by readers who don’t know what they are talking about.

On March 1, I will be heading a 90 minute program for D.C.’s venerable Cosmos Club, whose members over the past 144 years have included men and (only relatively recently) women distinguished in science, literature, politics, scholarship and the arts. The title is “The Enduring Magic of Gilbert and Sullivan, and 12 numbers from eleven of the operettas will be performed with my narration and commentary. This is, I believe, my 14th such production over the years, but I may be missing a few. The works of Gilbert and Sullivan have had a greater influence on the path of my life and careers than even my obsession with the Presidents of the United States and the Boston Red Sox. I’ve been enjoying them, watching them, studying them, performing in them, directing them, producing them, forming organizations dedicated to them and writing parodies of them since I was ten-years-old.

(That’s the cast of Georgetown Law Center’s Gilbert and Sullivan Society’s 1977 production of “H.M.S. Pinafore” above, which I directed. And that’s me, in the center, as Sir. Joseph Porter, KCB.)

In preparation for the presentation at the Cosmos Club, I decided to see how the old Victorian pair’s masterpieces were doing during The Great Stupid, as they have been subject to the predictable attacks that the shows are dated, sexist, racist, etc. (They aren’t any of these things.) In the process, I stumbled upon a post by Daniel Jaffé, a BBC music critic and classical music expert from a year ago titled, “The Top 10 Gilbert and Sullivan Operettas, Ranked And Rated.”

The piece turned out to be fascinating mess of many ethics problems such as, Continue reading →

Call Me Strict, But I Think A Director Smearing Feces On A Ballet Critic’s Face For A Negative Review Warrants A Bit More Than A Suspension

/ Jack Marshall / 6 Comments

This kind of conduct by an employee doesn’t require an investigation. Nobody needs to know why he did it. A responsible employer whose employee engages in this crime against any individual—yes. even a critic—has to fire him for cause, immediately and without hesitation.

The daily Frankfurter Allgemeine Zeitung reported that the Hannover state opera house’s ballet director Marco Goecke—that’s him above, looking like the son of the sinister Nazi whose head melts in “Raiders of the Lost Ark”— confronted its dance critic, Wiebke Huester, during the intermission of a premiere. Goecke, was furious over a nasty review she wrote of a production he staged at The Hague, and accused her of being responsible for people canceling their season tickets. Then he took dog excrement out of a paper bag he had brought for the occasion and smeared the woman’s face with the guck as she screamed. Huester has filed a criminal complaint.

On its website, the opera house said Huester’s “personal integrity” was violated “in an unspeakable way.” I wonder who came up with those weasel words. It added that the opera house had officially apologized to her. After all, the post said, Goecke’s “impulsive reaction” violated the ground rules of the theater and that “he caused massive damage to the Hannover State Opera and State Ballet.”

So…..?

So, it said, he is being suspended and banned from the opera house until further notice,though the lunatic will be given an opportunity to apologize “comprehensively” and explain himself to theater management “before further steps are announced.” Continue reading →

Ethics Quiz: Alec And The Philharmonic [Corrected]

/ Jack Marshall / 25 Comments

I did not know that Alec “Quick-Draw” Baldwin, currently criminal charges in New Mexico as a consequence of his fatal shooting of cinematographer Halyna Hutchins while filming the film “Rust,” is and has been the New York Philharmonic’s radio host. In writing this,  I am admitting that I haven’t listened to live broadcasts of the orchestra in a long time, probably since Leonard Bernstein was waving the baton. On the other hand, if I knew I had to listen to Baldwin to hear “Peter and the Wolf” again (Lenny’s rendition was big hit when I was 10), I wouldn’t have listened anyway. I can tolerate Baldwin in older films (like “The Hunt for the Red October”) before he became a public asshole, and in more recent movies (like “The Departed,” “Pearl Harbor” and the “Mission Impossible” films) where he is only in a small supporting role: he is, after all, a competent actor (like many assholes). In any other setting, however, if Alec is connected with it, count me out; the cognitive dissonance is too great.

The New York Post reports that despite the actor facing homicide murder charges (two counts of involuntary manslaughter) , the Philharmonic will allow Baldwin to keep his role as the famed orchestra’s  radio host and will remain a member of its board of directors. “He has been an incredibly strong person on the board, and very, very helpful and I think that will probably carry us today,” Charles F. Neimeth, a fellow board member, said in explaining the organization’s decision. “He’s been a strong contributor, both financially and otherwise.” Continue reading →

Replay: Still Time To Be Ethical And Decide Not To Watch The Super Bowl

/ Jack Marshall / 5 Comments

[I was going to write a brand new post pointing out why watching the Super Bowl (and the ads of the NFL’s unethical accessories) was unconscionable, but then I remembered how many times I’ve written similar pieces, and constantly going over the same unethical territory is eating away at my joie de vie—“my twinkle,” as Cosmo Kramer would say. Cant have that, so here is a previous post on the theme from 2019.

It is remarkable to me that the near death of Damar Hamlin mid game less than two months ago has essentially vanished from the sports pages after a brief flurry of “why do we cheer on this mayhem?” pieces before the NFL’s play-offs started. The big concern seems to be whether President Biden is snubbing Fox News be refusing to give a mid-game Super Bowl interview (which is supposedly a “tradition”) or Fox News is snubbing President Biden. In any event Joe’s not being interviewed, though a chat with someone who is cognitively damaged during the game might do some good by reminding viewers what they are cheering.]

Let me say something good about the New York Times: not all of it’s editorials are repetitious attacks on President Trump, just most of them. Last week editorial board member Alex Kinsbury persuaded his colleague to let him used the space for an opinion both ethical and irrefutable. A quick summary: Football is maiming its players, the NFL doesn’t care, and if you watch the Super Bowl and support its sponsors, you’re complicit.

But then you knew that, right? At least you know it if you’re been coming here for any length of time.

Recalling a hard hit on Patriots star Rob Gronkowski, Kinsbury writes, “As the sound of the hit faded into a commercial break, I realized with absolute certainty that I couldn’t watch football anymore. There aren’t enough yards to gain or Super Bowl rings to win that are worth the cost.”

True. What took you so long? He continues by reviewing the well-publicized data:

The first research into the link between football and traumatic brain injury was published in 2005. Since then, the science has become impossible to ignore. In 2017, The Journal of the American Medical Association published the results of the autopsies of the brains of 111 deceased former N.F.L. players, whose relatives gave their bodies up for study. The group was not a random sample, yet 110 showed signs of chronic traumatic encephalopathy, or C.T.E., a degenerative brain disease linked to concussions. Research published in November estimated that a minimum of 10 percent of all professional football players would develop C.T.E. at some point in their lives.

10% is wishful thinking, even for the  players who can still think. Continue reading →

Somebody Explain To Roseanne Barr What A Double Standard Is

/ Jack Marshall / 15 Comments

I guess I should start off by admitting that I have never found Roseanne Barr sufficiently witty, original or entertaining to make up for the ugliness of her world view, her horrible nasal screech, and her unjustified belief in her own brilliance.

I never could stand her hit sitcom or sit through an entire episode, so the reboot was about as welcome to me as most reboots (like the sad zombie version of “Murphy Brown”), but even a little less. When she managed to get herself fired and transformed into a pariah for making a racist slur against Barack Obama’s top advisor (and Michelle’s pal) Valerie Jarrett, tweeting in 2018 that Jarrett was the offspring of the Muslim Brotherhood and the Planet of the Apes movies, I didn’t feel sorry for her. The tweet was racist, and it was a mark of Barr’s arrogance, built up over years of being excessively praised and rewarded for being “outrageous”—I file her in the same general category as similarly unfunny shock-jocks like Howard Stern—that no ethics alarms went off when she thought it would be hilarious to compare an Obama staffer to a monkey. It was also stunningly stupid. From my ethicist perspective, Barr made the offense worse by claiming that she had no idea that Jarrett was black. Sure, Roseanne. Continue reading →

An Ethics Song Challenge: “That’s The Way I Always Heard It Should Be” (1971)

/ Jack Marshall / 8 Comments

Discuss.

I heard Carly Simon’s hit (she co-wrote the lyrics) in the car today; I hadn’t listened to it or thought about it for decades. When I first listened to the song, I just took it as more whiny Sixties “our parents don’t know how to live and we’re still stuck with the world and values they created” lament. Now, after being married myself and actually fighting through life, I realize its a much smarter and perceptive song than I thought, and one that raises a lot of complex ethics issues. I’d be very interested in the commentariat’s thoughts about… Continue reading →

Comment Of The Day: “‘What’s Going On Here?’ Why Does Disney Think It Is Appropriate To Produce And Circulate Abrasive, Divisive, Confrontational Interest Group Propaganda And Indoctrination Like This?”

/ Jack Marshall / 14 Comments

I have a confession to make. I know that the ethical and moral deterioration of the Disney corporation is a major ethics catastrophe with dire consequences for our society and culture, and Ethics Alarms should have been covering it more thoroughly. It hasn’t, and that’s because this topic is particularly painful for me.

I owe so much to Disney’s creations and philosophy. I learned a lot of ethics from the shows and movies growing up, and many of my most enduring and important interests and hobbies were inspired by Walt’s vision. My fascination with dinosaurs began with the terrifying T-Rex sequence in “The Rite of Spring” segment of “Fantasia,” for example. My reverence for the Alamo was inspired by Disney’s “Davy Crockett” series. The first dramatic production of any kind that genuinely move me was “Bambi.” I never got to visit a Disney theme park until college, but finally going to Disneyland after dreaming about it as a kid was one of the epiphanal experiences of my entire life: it was perhaps the only time something I had looked forward to was even better than I expected it to be. Disney’s perfectionism—at the parks, which were immaculate and overlooked no detail to immerse visitors in the fantasy, and in the TV shows and movies—influenced my own view of professionalism and my approach to directing for the stage. His courage and certitude in pursuing risky creative projects that everyone was telling him were doomed to fail—a full length animated film?—bolstered my own resolve when I have had project ideas that seemed nuts to everyone but me.

(And some were nuts, as it turned out. But the times I was right more than made up for those.)

I could go on, but I won’t. The point is that attacking Disney for me is like savaging a childhood hero, or even a parent. But the country, its culture and mental health is being harmed by the current distortion of Walt’s creation’s destructive alliance with the radical Left. It deserves to be attacked, and it’s time I got down to it.

This Comment of the Day (actually two comments, in sequence) by jmv0405 on the depressing post yesterday on a Disney Critical Race Theory video, makes up for some of that lost time by getting the discussion jump-started. It is also a perceptive and illuminating perspective that I wouldn’t have seen without the comment’s guidance. Continue reading →

Stop Making Me Defend The Grammys! (And It Would Be Refreshing If Republicans Stopped Embarrassing Themselves, Too)

/ Jack Marshall / 52 Comments

You know, if Republicans don’t want to end up with a party base with an average age beyond even that of the Supreme Court, they have to stop channeling the ludicrous ministers of the 1950’s who declared rock and roll the Devil’s music and held bonfires of Elvis Presley records. To be blunt, it’s hysterical and stupid, and the young tend to have contempt for old fogeys who call their entertainment satanic….as well they should.

But the Right just can’t help itself. Even after the Elvis freak-out guaranteed that successive generation of teenagers would still be laughing at old black-and-white films of nerdy, balding, middle-aged white guys in horn-rims pronouncing  The King’s hips a danger to America’s soul, its learning curve is flatter than flat. For there was Ted Cruz, Marjorie Taylor Greene and other conservatives today making asses of themselves and anyone who occasionally takes their party seriously by expressing horror at last night’s Grammys whacked-out highlight,  Sam Smith and Kim Petras‘ performance of “Unholy” featuring fire, demon-imitating dangers, blood-red lighting, and Smith in a set of  horns just like Mr. Scratch. Continue reading →

“What’s Going On Here?” Why Does Disney Think It Is Appropriate To Produce And Circulate Abrasive, Divisive, Confrontational Interest Group Propaganda And Indoctrination Like This?

/ Jack Marshall / 25 Comments

Anyone?

I don’t like being shouted at by cartoon characters. Even if they had a valid point, my response to this kind of assaultive advocacy is, has ever been, and always will be…

Bite me.