Arts & Entertainment

“Salt And Seltzer,” A True Life Ethics Spectacular!

/ Jack Marshall / 7 Comments

I can’t believe I am just writing about this wonderful ethics saga from 2005 now, after it had been sitting in my files for all this time. The story has everything: fine art, cowboys, nasty tycoons, fraud, irony, lawsuits, unethical lawyers and condign justice.

In 1972, Steve Morton, heir to the Morton Salt fortune and a noted California art collector, bought the 21-by-27-inch watercolor above, “”Lassoing a Longhorn,”  from the Kennedy Galleries in New York for $38,000. The Kennedy Galleries had purchased it from the Amon Carter Museum of Fort Worth, Texas, which had acquired it from its founder, Amon Carter, a collector of western art. The painting was signed by Charles Russell, along with Frederic Remington recognized as the master of Wild West fine art.  Morton decided to sell the painting in 2001, as the value of Russell painting had ballooned.He arranged to have the Coeur d’Alene Art Auction in Reno, Nevada handle the sale, and as was their practice, the auction house had the painting appraised.

Before agreeing to sell the painting, the auction house contacted Western art expert Steve Seltzer to examine the work, and he announced that it wasn’t a genuine Russell at all. He concluded that it was forgery by a a lesser-known western artist who forged Russell’s signature on the painting. If anyone would know, Seltzer would: the forger was his own grandfather, O.C. Seltzer. Continue reading →

More “Little Mermaid” Ethics: The White Ariel Version Of The Black Ariel Version Of The White Animated Ariel

/ Jack Marshall / 34 Comments

In yesterday’s post, “Stop Making Me Defend Disney!,” Ethics Alarms looked at the controversy over Disney’s live-action version of its 1989 classic animated film “The Little Mermaid” that casts a black performer, Halle Bailey (not Halle Berry) as the Hans Christian Anderson heroine. Well, this one is moving fast.

One of the many fans who object to imposing “diversity, equity and inclusion” on “The Little Mermaid” announced via Twitter that technology was now available that could digitally transform Bailey into a white, red-haired mermaid just as Disney had transformed its original Ariel into a black one:

Continue reading →

Stop Making Me Defend Disney!

/ Jack Marshall / 19 Comments

Disney has a tough job, trying to maintain its roles as a great middle class cultural icon and celebrator of Americana in the midst of social upheaval and culture wars. It couldn’t be doing a lousier, lazier, more destructive job of it, either, but that is, as they say, neither here nor there. The issue of the day is whether Disney deserves to be pilloried for its new teaser trailer for the live-action version of its animated classic “The Little Mermaid.”

It does not.

Conservative media is now resolutely anti-House of Mouse, so it is actively gloating over the detected (but inconclusive) negative reaction to the first look at the film scheduled to hit theaters in May of 2003. Ed Driscoll at Instapundit writes, “Disney in particular absolutely loves …to both gin-up hype, and wave away large scale fan hatred of their latest reboot.” But since fans haven’t seen the film yet, since it hasn’t been finished, “large scale hatred’ is an unwarranted assumption. At The Daily Wire, it is implied that there are widespread objections to the red-headed Ariel of the 1989 animated film being played by Halle Bailey, an African-American, and that fans of the original film who don’t like the color change are being called “racists” by the Woke and wonderful.

Ugh.

Continue reading →

Stop Making Me Defend Jimmy Kimmel!

/ Jack Marshall / 5 Comments

Boy, that’s a headline I never thought I’d write. I detest Jimmy Kimmel. I loathe him. He is the most revolting of all the Left-Licking late night and cable progressive comics, worse than Colbert, Maher, Samantha Bee, all of them. All of them combined. He is an ongoing blight on the ethics of American society, and yet he is self-righteous in the process. I long ago decided that the Emmys were even more rigged and less ethical than other award shows, so I never watch the broadcast. Kimmel was the host this year, so that made the show even less appealing, if indeed that is possible. Thus I missed an incident which, had I witnessed it in real time, would have ensured that I wrote this post before this one, from yesterday: “A Case Study Of How Race-Baiting And Race-Bullying Undermines “Diversity” And “Inclusion”: The New Yorker’s Cartoons.” 

For they are essentially about the same phenomenon.

What happened was this: Will Arnett, before presenting the nominees for best writing in a comedy series, dragged a supposedly unconscious and drunken Kimmel onto the stage with him.  Arnett told the audience that  Kimmel had lost again as a nominee in the late night comedy category, and  “he just got into the skinny margaritas back there.” The host who is chagrined at not getting a award in the show he is hosting is an old, old joke: Bob Hope used it every year at the Oscars. Kimmel was just adding a new wrinkle. Continue reading →

A Case Study Of How Race-Baiting And Race-Bullying Undermines “Diversity” And “Inclusion”: The New Yorker’s Cartoons

/ Jack Marshall / 9 Comments

The cartoon above is from the current issue of The New Yorker, the woke urban sophisticate’s bible, renowned for its witty, esoteric cartoons since its founding in the flapper era. And yet as woke and progressive and Democratic Party-bootlicking-addicted as it is, The New Yorker rarely includes black characters in its cartoons, and hasn’t since its inception. I checked the most recent compendium of New Yorker cartoons covering eight decades and thousands and thousand of humorous drawings. In only a handful (out of thousands and thousands) do cartoon characters of color even appear in crowd scenes and backgrounds. If they do, they look like the male character above from the only cartoon from the current New Yorker issue to show black characters at all. There were 14 cartoons in the issue, and in the outlier above, blacks are portrayed as white people with tans. I’m sure some professor somewhere will pronounce that representation as offensive anyway. Continue reading →

Baseball Ethics: MLB Changes The Rules Because Its Players Can’t Compete Under The Old Ones

/ Jack Marshall / 6 Comments

I feel like I can’t let baseball off the hook while I’m being hard on the NFL today.

Of course, football’s ethical problem (well, one of the many) is that it allows too many players on the field who are killers, rapists and thugs, while baseball’s ethical problem is that it habitually changes the rules of the game rather than make the players accept the consequences of their own flaws.

You know, like Democrats…

Beginning in 2023, Major League Baseball will enforce a set of restrictions it claims “will return the game to a more traditional aesthetic” by outlawing extreme defensive shifts. The goal is to encourage batters to put more balls in play rather than swing for the fences, a trend that has led to record numbers of strikeouts. The theory is that once they feel they have a better chance of getting a hit without knocking the ball out of the park, batter will try to make contact and thus hit more ground balls and line-drives,  giving players in the field more opportunities to showcase their athleticism. The changes are: Continue reading →

Broadway Ethics: Greed Meets Self-Indulgence

/ Jack Marshall / 3 Comments

Guess what soon-to-open Broadway musical revival’s cast members are shown above. Come on—guess!

Why, it’s “1776” of course!

Yes, the 1969 Tony-winning musical is returning to Broadway in a new–ugh!—inclusive and diverse version with apparently no unequivocal men playing the unequivocal Founding Fathers who crafted the Declaration of Independence. The cast is entirely “a racially diverse cast of women, nonbinary and trans actors.”  This, one of the co-directors tells the Times, “wakes the language up.” Oh. More quotes from the director:

  • “I want the audience to hold that dual reality, of what the founders were, but also a company of actors in 2022, who never would have been allowed inside Independence Hall.”
  • When she first read the script, she says she was shocked by the scene where Thomas Jefferson is forced to strike out the condemnation of slavery in order to get the Declaration passed. “I was unaware of that crossing out. How could I not know? That began my journey into the show. I had to reckon with my own experience of American history.”

She means her own ignorance of American history and her biases based on that ignorance. Yes, a show about a complex seminal event in American history is being crafted by people don’t know much about history, as Sam Cooke used to say.

Great. Continue reading →

Detective Chief Superintendent Christopher Foyle Rebuts The “Pro Choice” Argument With A Single Word

/ Jack Marshall / 29 Comments

“Foyle’s War” is one of the very best British TV dramas. A period detective show set during and shortly after WWII, often in the city of Hastings, it was created by screenwriter and author Anthony Horowitz and commissioned by ITV, then ran from 2002 to 2015. “It “Foyle’s War” starred the excellent British actor Michael Kitchens playing Christopher Foyle, a sharp, understated, rye and blunt police detective solving cases often based on historical incidents.

In an especially excellent episode in the second season called “Among the Few,” Foyle, already investigating a petrol-stealing scheme, must solve the murder of a young pregnant woman found dead at the bottom of a flight of stairs. All of the suspects are RAF pilots. Foyle interviews the doctor who told the young woman she was four months pregnant (she had no idea) shortly before she died. Learning of her death, the elderly physician expresses sorrow that a young life had ended so prematurely.

“Two,” Foyle says curtly, correcting the doctor.

Observations On “Flight/Risk”…And Related Matters

/ Jack Marshall / 5 Comments

“Flight/Risk,” an Amazon production, was released on the streaming service today. The documentary is the most recent examination of the tragedy and scandals surrounding the crashes of two Boeing 737 Max planes within a five month period in late 2018 and early 2019. The horrible and disturbing story  is narrated by Pulitzer-winning Seattle Times journalist Dominic Gates, and revealed from the perspective of the deceased passengers family members, their lawyers, and whistleblowers.

Amazon’s fatuous description of its own product, primarily designed to be a “trigger warning,” explains that the movie may be too traumatic to watch for “some” and says the planes crashed “without anyone really understanding why.” That is, to be blunt and vulgar, bullshit. Lots of people understood why, including Boeing engineers, Boeing executives, FAA officials, and anyone (like me) who knows why large organizations are almost always incompetent, unethical and untrustworthy. {Ethics Alarms has several posts about the 737 Max scandal.]

What is so infuriating about the story is that it is so familiar. This is the Challenger disaster all over again, even to the detail of a whistle-blowing engineer being punished for having the courage to speak up, and eventually killing himself. In other ways, it is like the recent Ernst and Young cheating scandal, which Ethics Alarms discussed here.

Continue reading →

Our Arrogant, Ignorant, Corrosive Celebrities

/ Jack Marshall / 7 Comments

Hollywood blogger Christian Toto can be forgiven for perhaps—perhaps—over-estimating the influence of celebrities on public opinion; he does live in Tinseltown, after all. But if he’s off in his alarm, he’s not off by much. Reacting to superstar Jennifer Lawrence’s political rants in a new Vogue interview, Toto writes in part,

There’s no reason for Lawrence to get political in a Vogue feature story….Lawrence mentioned politics to gin up support from her fellow progressive stars. It’s a career choice, and arguably a smart one considering the state of the industry. It still hurts the country, and apparently she doesn’t care.

Conservatives will blast her comments. Liberals will either nod in agreement or think she’s gone too far. Everyone, though, will acknowledge the obvious. It’s another sign of a country teetering toward a breakup.

Yes, Lawrence is just one celebrity. And no, celebrities can’t stop climate change, gun crimes or other maladies. They can’t even pull off an Oscars ceremony without a physical altercation …

They do have bully pulpits, though, and when their interviews go viral the messages reach the masses. For better and worse.

Lawrence’s message is clear. Hate half of the country that doesn’t align with your political party, even if they’re your own flesh and blood…she’s so intolerant she can’t share empathy with her family.

Where does that leave the rest of us?

Well, unless we recognize that in most cases celebrities don’t know what they are talking about when they delve into topics unrelated to their specialized niche, and have been made stupid by bias, narcissism and living in an echo chamber (if they weren’t stupid already), it leaves us being influenced by fools.

Continue reading →