Arts & Entertainment

Worst Idea Ever: Donald Trump As Speaker Of The House

/ Jack Marshall / 16 Comments

In “Jurassic Park II: The Lost World,” Dr. Ian Malcolm (Jeff Goldberg) tells John Hammond’s ambitious and foolish nephew, “Taking dinosaurs off this island is the worst idea in the long, sad history of bad ideas.” Indeed, a T-Rex does run amuck in San Diego later thanks to the irresponsible scheme, eating several people in the process.

But taking a Tyrannosaurus Rex to the U.S. was still a better idea than the idea being floated by some deranged Republicans to make Donald Trump Speaker of the House. I’m not convinced that making a T-Rex Speaker of the House wouldn’t be a better idea.

Most Americans don’t know that the Speaker can be anyone—you, me—whether or not that individual is a member of House of Representatives. Every Speaker has been a member, however, for the obvious reason; bringing in an outsider is dangerous and an invitation to disaster. Making Trump Speaker would be infinitely worse. The chaos he would cause in beyond even my fertile imagination to consider. Any Republican that seriously suggests such a thing should be marked for shunning and political cancellation.

Here’s the scary thing: if Democrats want to destroy the Republican Party as surely as dropping them all in an acid bath, voting to give Trump the Speaker’s position would be the way to do it. Could they be that Machiavellian? Well, it’s the same party that spent millions winning primaries for the very same GOP “election deniers” they later declared to be clear and present dangers to democracy—and that cynical, hypocritical strategy worked.

I wouldn’t put it past them.

I wouldn’t put anything past them.

Iconic Movie Hero Ethics: The Humiliation Of Indiana Jones

/ Jack Marshall / 21 Comments

One upon a time, Hollywood showed respect to its greatest movie heroes. They deserved it, after all. We never had to see what became of Rick Blaine as he battled the Nazis. We never had to watch Scarlet chase Rhett. Nobody made as watch the plucky Hickory High School basketball team try to hold on to its title the next year after its miracle triumph. Hollywood got greedy (greedier), though, as imaginations ran out and audiences looked elsewhere for their entertainment. And thus the sublime ending of “Rocky” (“There ain’t gonna be no rematch!” “Don’t want one!”) was eroded and superseded by endless inferior sequels. “Star Wars” ended with a jubilant celebration of victory over the Empire and the characters happy, safe, and young, but studio finances dictated that it all had to be diluted with inferior and derivative prequels and sequels, with audiences being tortured by aging husks of Leia, Luke and Han Solo, instead of allowing them to be preserved in our memories as immortal, like legends should.

Now it’s Indiana Jones’ turn. Spielberg and Lucas already set up the perfect farewell for Indy in the third of the original trilogy, flawed as it was. We saw him ride off with his father and Marcus Brody into the sunset after drinking from the Holy Grail, which should have conferred eternal youth. Perfect!

They couldn’t let it go, though, or the studio couldn’t, or Spielberg’s alimony, or something. So we had to watch, many years later, an over-the-hill Indy in a jumping-the-shark fourth film that George Lucas signaled would stretch out the franchise ad infinitum by symbolically passing The Hat on to Indiana’s newly discovered son, the then young and promising Shia LaBeouf.

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Latest Development In The Search For The Greatest Stupid During The Age Of The Great Stupid: On Broadway, A “Good Racism” Classic!

/ Jack Marshall / 11 Comments

I have come to the realization that those apathetic, half-awake Americans who shrug off the creeping fanaticism of the antiracism, “diversity, equity and inclusion” mob must not follow developments in the show business and entertainment world, for there the most throbbingly stupid and hypocritical outbreaks of The Great Stupid inevitably occur.

Last month, the ridiculous non-traditional casting version of “1776” opened. Ethics Alarms has discussed it a couple of times: the conceit of casting the Founding Fathers as female, non-binary, trans colonials of color is a naked “Hamilton” rip-off that mocks the show and our history for political grandstanding. As anyone could have predicted, it stinks, though the naturally sympathetic and woke theatrical critic community didn’t have the guts or integrity to say so outright. No, most of them just issued mealy-mouthed deflections like the Times critic, who wrote in part after delivering the mandatory “what a good idea!” virtue-signaling about what was always, absent a miracle, a wretched idea…

….the performances are so vastly histrionic and unchecked by the social situation (this is Congress, after all) that they seem inside-out….It does not help that the new arrangements and orchestrations, aiming to refresh the songs’ profiles in the way the casting is meant to refresh the story, merely make them muddy — and make many of the lyrics unintelligible….

When performers mime the emotions we should be having, the storytelling contract has been broken….What a wasted opportunity!…Instead we get subtracted value. I don’t mean for the cast, who deserve the opportunity, or even for the theater as an industry and an ecosystem….But underlining one’s progressiveness a thousand times, as this “1776” does, will not actually convey it better; rather it turns characters into cutouts and distracts from the ideas it means to promote…. theater makers should have enough faith in the principles of equity and diversity to let them speak for themselves. Are they not, as someone once put it, self-evident?

But of course equity and diversity are not self-evident, and the complete confusion over casting ethics demonstrates this fact beautifully. Let’s see: BIPOC performers can be cast as anyone, regardless of color, ethnicity, gender or race, but white performers can only play white characters. Turning a white fictional character black is to be desired whenever possible (Tangent: My CVS is filled with black Santa dolls and images. Where are the Hispanic and Asian Santas?) but making a fictional character of color (a FCOC) white is “white-washing,” and racist. “The Simpsons” won’t allow white vocal actors to do the voices of a black doctor or an Indian 7-11 owner, but Will Smith can voice a Middle Eastern genie without controversy. Ariel the Little Mermaid will be sung by a black actress; true, they turned Arial black first, but don’t think the same actress wouldn’t  have voiced her if they hadn’t: Diversity! Inclusion! Meanwhile, Tom Hanks said it was wrong for him to be cast as a gay man, though gay men portray about 50% of all the heterosexuals you see on screen and stage.

Clear? Of course not! These aren’t rules or principles: this is racially motivated Calvinball, compensatory racism and related discrimination under the cloak of imaginary virtue.

And yet we hadn’t reached peak stupid yet. Is this latest episode it? Probably not, but behold: Continue reading →

Watermelon-Smashing Ethics: The Sad Tale Of The Brothers Gallagher

/ Jack Marshall / 6 Comments

Prop comic Gallagher, once a college campus comedy superstar, died last week, reviving memories of a classic ethics family drama with many life lessons attached.

Gallagher (first name, never used professionally: Leo) was an acquired taste that I never acquired, but he had many TV specials, a famous bit (smashing things, especially watermelons, with a sledgehammer), and even ran for Governor of California. In 1987, researchers at Loma Linda University in Southern California took blood samples from medical students while they watched Gallagher’s antics. Their white blood cell levels increased the more they laughed at him. His comedy, the study concluded, strengthened their immune systems.

Why hospital staffs don’t smash watermelons in cancer wards, I don’t know. But I digress.

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Suspend Sunny Hostin’s Law License

/ Jack Marshall / 8 Comments

A mere Ethics Dunce designation for The View’s Sunny Hostin isn’t sufficient, because she’s a regular co-host on ABC’s daily cultural offal pile where all of the women are ethics dunces at best. Hostin’s one of the worst, which is quite an achievement, but she’s also a lawyer, making her admission yesterday especially despicable.

I’ve seen the video several times but can’t find a way on Word Press to embed it. Sorry: you can view the evidence on Twitter here. Babbling on about voting with the ladies, Sunny expressed suspicions regarding how absentee ballots were being handled, because, she explained, she had an odd experience while dropping off her son’s absentee ballot which she had filled out for him.

Hostin is a different kind of idiot than the other idiots on the panel: she’s an arrogant, cocky idiot who thinks her law degree means that her idiotic opinions aren’t idiotic. Thus she admitted committing a federal crime on national TV and didn’t even realize it. I’d guess the average first year law student could figure out that this is a serious violation of the Rules of Professional Conduct in every U.S. jurisdiction. Not Sunny, though.

It isn’t a technical violation either; it’s serious. Usually unethical conduct by lawyers when they aren’t practicing law are ignored by bar disciplinary committees, but Rule 8.4, Misconduct, holds that “It is professional misconduct for a lawyer to:

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Oh! Now After Eight Years Of Accusing A Renowned Law Professor And Lawyer Of Sexual Assault, You Now Think You “May Have Been Mistaken!” Sure, OK!

/ Jack Marshall / 6 Comments

Wait, what?

Someone here has been very unethical, and probably criminal. I wonder who?

From the New York Times:

Virginia Giuffre, a victim of Jeffrey E. Epstein who for years maintained that the law professor Alan Dershowitz had sexually assaulted her when she was a teenager, settled a defamation lawsuit against Mr. Dershowitz on Tuesday and said that she might have “made a mistake” in accusing him.

In a joint statement announcing the settlement, Ms. Giuffre said, “I have long believed that I was trafficked by Jeffrey Epstein to Alan Dershowitz. However, I was very young at the time, it was a very stressful and traumatic environment, and Mr. Dershowitz has from the beginning consistently denied these allegations.

“I now recognize I may have made a mistake in identifying Mr. Dershowitz,” her statement said.

The joint statement announced the end of litigation between Ms. Giuffre and Mr. Dershowitz — who had also sued her — as well as of two other lawsuits between Mr. Dershowitz and the lawyer David Boies that stemmed from Ms. Giuffre’s accusation….

The terms of Ms. Giuffre’s deal with Mr. Dershowitz were not immediately clear on Tuesday, though the statement and the court filing said that no payments were made by any of the parties.

I don’t understand this at all. Is there any doubt that there is a lot, including a secret, back room agreement, that we are not being told about? My mind is still a bit foggy, so I can’t recall all of the movies I have seen where crucial witnesses in mysteries, crimes and conspiracies making almost the exact same statement Virginia Giuffre is quoted as making, recanting previous accusations and assertions they appeared to be absolutely certain of but suddenly had second thoughts after finding their dog hanging from a tree, or a horse head in their bed, or receiving a third party check for a lot of money. But boy, there are a lot of them. Continue reading →

Ick Or Unethical? OK, It’s Just Icky, But There’s Something Deeply Disturbing About…”Tattoo Harvesting”

/ Jack Marshall / 9 Comments

Ew.

Cleveland-based company Save My Ink Forever offers  the opportunity for clients to have their tattoos preserved as artworks after they pass away. Yes, their skin. Two words: Ed Gein.

We are trying to do this in the most dignified manner possible. To people, some of these things really are pieces of art,” mortician Kyle Sherwood said. “It gives that family another option and instead of having just the remains or the burial, we can still do that, they have actually a piece of their loved one. They are pieces of art, and it is just amazing the tattoos we get.” The preservation requires  a complex process that takes roughly three or four months. Once it’s done, clients a have a parchment-like artwork that requires no maintenance at all. They can frame it and hang it in the living room! They can make a lampshade out of it!

Save My Ink Forever works with funeral homes around the US, sending them special kits and video tutorials on how to remove the tattoos. The strips of skin are then shipped to Cleveland. Where else? Cleveland was the home of two of America’s most infamous serial killers: The Cleveland Torso Murderer, also known as the Mad Butcher of Kingsbury Run, and  Anthony Edward Sowell, known as the Cleveland Strangler. Save My Ink Forever won’t preserve face and genital tattoos, and has refused to process the skin art into book covers.

That, after all, would be in bad taste.

Morning Ethics Warm-Up, 11/7/2022: Approaching Dread Edition

/ Jack Marshall / 8 Comments

Speaking of threats to democracy: this is the anniversary of the day in 1944 that voters elected Franklin Delano Roosevelt to a fourth consecutive term. There is little question in my mind that had FDR been healthier, he was perfectly capable of deciding to run for fifth and sixth terms too; this was a looming American dictator who wasn’t hiding it, and Americans still blithely voted for him. Everything about Roosevelt made him the template for a democracy-busting, cult-of-personality Big Brother USA, including his ruthlessness. We were lucky: another of the many examples proving Bismarck right when he said, “There is providence that protects idiots, drunkards, children, and the United States of America.”

Oh, he probably didn’t say it, but I’ve taxed quote maven Tom Fuller enough for one week…

1. For my own mental health, I’m going to eschew reading the pre-election freak-outs by New York Times pundits showing up today with titles like “Republicans Have Made It Very Clear What They Want to Do if They Win Congress” and “Dancing Near the Edge of a Lost Democracy.” Still, I couldn’t resist starting to read “What Has Happened to My Country?” but quit when Margaret Renkl made me read, “…Right-wing politicians and media outlets have turned American democracy upside down through nothing more than a lie. They put forth Supreme Court candidates who assure Congress that they respect legal precedent but who vote to overturn Roe vs. Wade the instant they have a majority on the court….”

There is nothing inconsistent about respecting precedent while deciding that a particular case precedent is too misguided and destructive to uphold, Margaret.

“…They endorse political candidates who openly state that they will accept only poll results leading to their own election….”

No candidate has stated that, openly or otherwise, Margaret, you hack.

“They denounce calamities where no calamities exist…”

That was it! I quit. A mouthpiece for the party claiming that electing Republicans will destroy democracy, whose #3 ranking official in Congress compares the U.S. today to Germany in the 1930s when Hitler was on the rise [Pointer: Other Bill], that thinks “The Handmaiden’s Tale” is about to become reality because of the Dobbs decision, and that has gone all in on speculative climate change doomsday predictions does not get to say that about Republicans and be taken seriously.

2. Dangerous slippery slopes ahead….NBA superstar Kylie Irving shared a tweet that promoted the “Hebrews to Negroes: Wake Up Black America” documentary and book. Both are, by all reports, pretty vile, with familiar anti-Semitic tropes like Holocaust denial and claims of a world-wide Jewish conspiracy. There is nothing inappropriate about employers disciplining employees who put their organizations in unflattering light that might hurt reputations and profitability, nor with the Brooklyn Nets suspending Irving for “at least five games” without pay over the controversy. That’s reasonable, even a bit lenient. He responded with a publicist-drafted apology. Then Nike announced that it is suspending its relationship with Irving and will not release Irving’s highly anticipated new shoe, the Kyrie 8, which was scheduled to be released this month.

That’s also fair. A celebrity who represents a corporation and its products can’t engage in high profile prejudice and expect to keep the gig. The loss of the Nike deal will cost Irving many millions of dollars, and that’s what happens when you embarrass a business partner. However, now the Nets have given Irving an ultimatum of sorts: in order to rejoin the team and start collecting his salary, he must.fulfill six requirements:

  • Apologize and condemn the film he promoted
  • Make a $500,000 donation to anti-hate causes
  • Complete sensitivity training
  • Complete anti-semetism training
  • Meet with the ADL and Jewish leaders
  • Meet with team owner Joe Tsai to demonstrate an understanding of the situation

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An Ethics Alarms Quote Verification Special Report: “Jacques Brel And ‘The Color Of Goose Shit’”

/ Jack Marshall / 11 Comments

Guest post by Thomas D. Fuller

[Some background is in order before getting to Tom’s essay. Twice in recent days Ethics Alarms has cited the quote, attributed to the late Belgian singer, song-writer, actor and philos0pher Jacques Brel,  “If you leave it to them they will crochet the world the color of goose shit.” I had referenced the quote before, and Ethics Alarms has a category called “The Jacques Brel” reserved for those officious, censorious, miserable people who seem determined to leech all of the joy out of life. After the latest reference, esteemed commenter Arthur in Maine wrote me off-site to ask for the source of the quote, since he couldn’t find it. Indeed, when I Googled the quote, the only source listed was…me. Ethics Alarms. Now I feared that I was passing along “misinformation.” Can’t have that! 

I have the good fortune to have friend of over 50 years, Tom Fuller, who is a dedicated, one might even say “fanatic,” quotation investigator. He was a credited researcher for the superb “Yale Book of Quotations,” and has commented on Ethics Alarms regarding other quotes mentioned here occasionally. I asked him to do that voodoo that he do so well on the alleged Brel quote, which he remembered from the same source where I first heard it, the Sixties revue “Jacques Brel is Alive and Well and Living in Paris.” Tom generously agreed.

As an aside, I’ve been trying to persuade Tom to launch a blog on the fascinating topic of quotes, and if you enjoy his essay as much as I do, please encourage him.

I’ll have some additional observations after the post.]

***

Introduction

One of the most memorable lines in the 1968 musical revue Jacques Brel is Alive and Well and Living in Paris – indeed, it is often the only line that sticks in viewers’ minds – is:

“Jacques Brel says, ‘If you leave it to them they will crochet the world the color of goose shit.’”

Jacques Brel (Belgian songwriter and actor, 1929-1978) wrote the music and lyrics to all the songs in this piece, but the “book” (and therefore, apparently, this line) was written by Eric Blau and Mort Shuman.  The line in question appears in the script between the songs “Bachelor’s Dance” and “Timid Frieda”, but does not seem to relate directly to the lyrics or sense of either song.  (See here.)

The question is:  Did Jacques Brel really say this, and if so, where?

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Modern Art Ethics: Amusing Evidence That Abstract Art Is The Con Game You Always Thought It Was

/ Jack Marshall / 28 Comments

“New York City I,” a painting by acclaimed Dutch abstract artist Piet Mondrian that is composed of interlacing red, yellow, black and blue adhesive tapes, has been hanging upside down in various museums since it was first put on display in 1941. The painting was first exhibited at New York’s MoMA in 1945, and has hung at the art collection of the German federal state of North Rhine-Westphalia in Düsseldorf since 1980. An art historian has found, embarrassingly enough, that it has been displayed wrong all this time. but warned it could disintegrate if it was hung the right side up now.

When curator Susanne Meyer-Büser started researching the museum’s new show on the Dutch avant garde artist earlier this year, she realized the work was intended to be turned 180 degrees. Since it is supposed to suggest the New York City skyline, she explained, ““the thickening of the grid should be at the top, like a dark sky. Once I pointed it out to the other curators, we realized it was very obvious. I am 100% certain the picture is the wrong way around.”

Very obvious! Just not obvious enough, apparently, for any of the experts in the field to realize that a “masterpiece” wasn’t what they thought it was.

I’m curious: would the experts have been able to figure out that this painting….

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