The assault on free expression as well as the speech-chilling practice of seeking to publicly crush those who do not observe the social justice dictates of progressives in power advanced ominously yesterday. Unsurprisingly, the episode at issue occurred at an Ivy League University, as our educational sectors have been among the trailblazers in speech and idea suppression. Unsurprising to me at least was that it involved Twitter. Just like in the Illya Shapiro controversy at Georgetown Law Center, a scholar didn’t use quite the words he should have (to be safe, and safety is everything these days) according to the Democrats’ Little Red Book. This time, however, the hammer fell harder. Continue reading
Arts & Entertainment
Addendum To “Since The Editor Of The New York Times Just Proved That He Doesn’t Comprehend Journalism Ethics…”
A relentless Times apologist–you know which one—chides me for leaving out this from his interview in the New Yorker, which is the context for the “version of the truth” gaffe, when Baquet said the quiet part out loud (if the Times-enabler hadn’t begun his complaint with “Um,” I might have let it go):
The system of “objectivity” (and I know that’s going to be a bad word) was designed to create a system—Wesley Lowery is right when he describes that—in which the organization’s job was to make sure that whatever your perspective was it didn’t get in the way of reporting the truth. I believe in that very strongly. That’s not the job of every institution. But the job of the New York Times should, in the end, be to come out with the best version of the truth, with your own political opinion held in check by editors and editing. Not everybody believes that, but I believe that. And I think that if you come to work for the New York Times—if you really want to work for the New York Times—you have to embrace that, because that’s what the New York Times is.
In fact, I intended to include that outrageous and insulting lie, but felt it would have just muddled the more important point of the post. (That, and the New Yorker site blocked my access unless I subscribed…) Continue reading
Moral Luck Or Bad Ethics Chess? The Death Of “A Very Young Dancer”
Stephanie Selby was the subject of “A Very Young Dancer,” photographer Jill Krementz’s best selling 1976 book that inspired a generation of would-be ballerinas and future dance stars. When Stephanie, only 10, was chosen for the lead role of Marie in “George Balanchine’s The Nutcracker,” Krementz decided to make her the star of her planned book. She followed Stephanie for a year, taking photos and notes, and produced a fascinating behind-the-scenes portrait. Stephanie became an instant celebrity and role model for thousands of other “very young dancers.” She appeared on the “Today” show and a one-hour “Mister Rogers’ Neighborhood” Christmas special, while getting an avalanche of fan mail.
But Stephanie was emotionally fragile, and her periodic outbursts resulted in her being told to leave her dancing school at 13. Increasingly plagued by clinical depression, she found it difficult to find a stable place in life. The expectations created by the book and her sense of failure for not meeting them were part of her burden. A 2011 interview produced the reporter’s observation that “Stephanie acknowledges that she might have had troubles in life regardless of her association with ballet and the book but says her experience as a child no doubt contributed to her depression later in life.”
She committed suicide last week at the age of 56. Continue reading
Comment Of The Day: “Comment Of The Day: ‘Catching Up: Professional Ethics And The Challenger Disaster’”
Morning Ethics Warm-Up, 2/5/2022 (Cont.): Part 2, Rogan, Roker, “Reacher” And “More”
1. There is hope! The new Amazon Prime Jack Reacher series, “Reacher,” has no mixed race couples in it whatsoever. I was amazed, and wonder if this means the thing was made in 2019, before Hollywood decided that the accidental killing in Minnesota of a black perp by a brutal white cop in an incident having nothing to do with race meant that the world film and TV present to America must be one where nearly 100% of all married and unmarried relationships consist of two races. Isn’t it amazing that a casting feature that was once not only routine but accurate seems remarkable by its absence, and it was completely benign then and would still be accurate now?
2. Just for curiosity, I’m going to keep getting these Harvard alerts. The unethical though famous institution I graduated from once is marking this big reunion year with special online events for participants. The first one, not surprisingly, deals with…climate change! You would think that such a university, with all the subjects it covers and all of the departments available, could put together a schedule that didn’t consist of partisan obsessions, wouldn’t you?
But no. I fully expect subsequent programs to include, “Systemic Racism,” “Protecting the Right to Choose,” “The January 6 Insurrection” and “Mainstream Media Conservative Bias.”
I’m getting enough propaganda on climate change, thanks. Today I learned that “Once considered comic relief to anchors, television meteorologists are making it clear to viewers that they are covering a crisis in real time.” The “news story” headline begins, “As Storms Intensify…” Intensify based on what? There is no proof that storms are “intensifying” that justifies stating this as fact.
But you can’t deny that Al Roker is an “expert” on climate science though! After all, he attended the State University of New York at Oswego where he received a BA in communications in 1976….
Don’t Censor The Anti-Police Mob, Do Expose, Reject And Condemn Them
Susan Sarandon proved with this ugly, stupid and unethical tweet that she is another talented artist, like Robert DeNiro and so, so many others, whose work has to be separated from their ill-informed, ignorant, politically-warped and outrageous personal opinions in order to tolerate it, never mind enjoy it. Sarandon is and always has been one of our very best film actresses, but my Cognitive Dissonance Scale is going to make it very hard for me to watch her performances after this.
The photo in the retweet shows the NYPD police gathered to honor slain NYPD Detective Jason Rivera. Officer Rivera and his 27-year-old partner Wilbert Mora died answering a 911 call from a mother in Harlem who said her son had verbally threatened her. They walked down a hall in the apartment and the son jumped out and opened fire, fatally wounding both officers. The outpouring of grief and professional respect from the New York police was traditional, appropriate and necessary. Continue reading
Welcome February Ethics Warm-Up, 2/1/22: Yes, Whoopi Is Officially An Idiot
A Janet Jackson movie is playing on cable, so of course we’re going to hear, again, how poor Janet was unfairly and cruelly blamed for “Nipplegate,” when the supposedly family-friendly Super Bowl half-time show featured an uncleared rapey bit of choreography in which Justin Timberlake “tore” Jackson’s costume, revealing her breast. It all happened on this date in 2004. CBS got fined and the NFL got in trouble. Timberlake lied, wink-wink, calling it a “wardrobe malfunction,” which everybody thought was cute. Historical revisionism has Janet as a victim of a sexist culture because she was the focus of most of the criticism and not the man in the plot. But it was her breast, after all. She also lied, and has been lying for almost 20 years.
Here is what I wrote about it in part on the Ethics Scoreboard the year it happened. I had forgotten: Janey Jackson got the very first Jumbo!
Janet Jackson has now appeared on the David Letterman Show to deny that her infamous Super Bowl breast-baring was anything but an accident. Before we discuss what a ridiculously transparent lie this is, let us also ask, “Why bother?” The damage, whatever it is, is done. Nobody is going to believe her. This was a fine opportunity for Jackson to stand up, admit an error in judgment, and use her celebrity to endorse some ethical values, like honesty, taking responsibility for one’s actions, and contrition.
But nooooooo.
Janet wants us to believe the incident was an accident, completely unchoreographed or planned. Never mind that:
- Justin Timberlake’s move uncovering Ms. Jackson’s breast occurred on a musical beat, corresponding to song lyrics referring to his “having her naked by the end of this song.”
- Her costume conveniently had a detachable flap that would expose the breast without doing any damage to the rest of her outfit.
- Her breast had a large, uncomfortable-looking decoration of some kind stuck to it, raising the obvious question of what it was doing there if it wasn’t intended to be seen.
- Timberlake’s comments immediately after the show confirmed that the moment was choreographed
Oh, just never mind. If this were a crime, any jury would find Jackson guilty beyond a reasonable doubt. Even the most dishonest people, when confronted with undeniable proof of their misdeeds, will usually confess. Not Janet Jackson.
Here’s your elephant, kid. This Jumbo’s for you!
1. Who can you trust? Justice Breyer was reportedly angry that his plans to retire at the end of the current SCOTUS term was leaked. Only close staff, family, his Supreme Court colleagues and the President had been made aware of his decision. He did not want to be a lame duck justice, and had asked his confidantes for confidentiality. Now the mystery of who betrayed Breyer’s trust is solved. Senate Majority Whip Dick Durbin (D-Ill.) told reporters yesterday that President Joe Biden’s chief of staff, Ron Klain, spilled the metaphorical beans.
If I were Breyer, my reaction would be to do what Donald Trump has done several times with leaks: make the leaker and the news media look foolish by changing course. I would not retire, after a betrayal like that, and make Democrats wait another term. Justice Breyer, however, doesn’t think this way Too bad. Continue reading
Sunday Ethics Fugue: Looking Like America
1. Right on cue...I am seeing an explosion of articles explaining why it is crucial that the Supreme Court “look like America.” This is one of many logically indefensible statements that is pounded into the brains of weak-minded members of the public because it sounds rational if you don’t, or can’t, think about it very hard. What is important about the membership of the Supreme Court is that it contain the best and least biased judicial scholars and legal analysts available, because then we will have the best Supreme court available. I don’t care what the Justices look like, and neither should anyone else. If the nine best legal minds happen to be black, great. If they are all female, or trans, or gay, or in wheelchairs, I don’t care, and neither should anyone else. What drives this particular brand of lookism is the presumption of bias, and judges are supposed to be, indeed are required to be, as free as bias as possible. Bias leads to lousy judges and lousy decisions. The “Make SCOTUS look like America!” crowd, which is almost exclusively on the left, want to substitute a balance of biases standard for the “as little bias as possible” standard. And, of course, the new eruption of this dumb theory is in order to make President Biden’s indefensible decision to place race and gender first among the priorities for picking Breyer’s replacement seem fair, just and rational, when it isn’t. It’s just political pandering.
2. This is a novel way to try to justify the anti-white bias...Jamelle Bouie, the full-time, race-baiting, race-obsessed black pundit formerly of Slate and now with the Times, was given an astounding two full pages in today’s Sunday Review to argue that history hasn’t sufficiently described just how awful slavery was. See, it wasn’t just evil, it was really, really, really evil. “Evil beyond measure!” Thus, we are supposed to extrapolate, it was so unimaginably evil that no current day policies devised to compensate for and make amends for that evil by the descendants of those not enslaved can ever be enough. (So stop bitching about giving blacks an edge in employment forever, because even that won’t be enough.)
Ethics Quiz: Celebrity Post-Retirement Photos
If the photo above was not already going viral, I wouldn’t print it here. Before the post continues, see if you can guess who that is above. No cheating now; this is an ethics blog… Continue reading
It’s Come To This: A Culture War Battle Over Minnie Mouse
Let me stipulate up front: this is a stupid controversy, but not that stupid. I don’t care about Minnie Mouse and never did, I don’t care what she, or it, wears, and I am certain that most of the conservatives now complaining over Minnie Mouse’s “new look”—which isn’t permanent, comes to us from France’s Disneyland, and would probably go unnoticed absent the Streisand Effect triggered by the complaints—care about Minnie either.
However, one of the ways that the extreme Left got such a dangerous foothold in this nation is through ingenious incrementalism…little, teeny-tiny moves to radicalize the culture and indoctrinate rising generations that sane people just shrugged off as not worth making a big deal about until it was too late. Or almost—we shall see.







Matthew B. scored a Comment of the Day by raising an issue I had never thought about before: how the misapplication of PowerPoint leads to inadequate training and information dissemination within organizations and bureaucracies. He also references the reluctance of managers to know when to hand over decision-making to subordinates. That is something I have thought about, a great deal.
Two of my favorite movies illustrate how competent leaders and managers know when to delegate a crucial decision down. “Topsy-Turvy,” the superb 1999 film depicting the creation of “The Mikado” by Gilbert and Sullivan, accurately depicts the real incident when, after the final rehearsal, W.S. Gilbert told the “Mikado” cast that he was cutting “My Object All Sublime,” also known as “The Mikado’s Song.” Gilbert was a tyrannical director, and the cast was terrified of incurring his wrath. This time, however, they stood up to him. The cast as one told him that he was making a mistake. The soloist, Richard Temple, they told their shocked and steaming director who also had conceived of the song, should have the chance to perform it in front of an audience. His fellow cast members were certain it would be a hit. Gilbert, recognizing the certitude the cast must have had to risk his fury at being contradicted, decided that his performers might have a clearer understanding of the show even that he had, and relented. Temple would sing about letting “the punishment fit the crime” on opening night.
The song was an instant sensation, like “The Mikado” itself, and is still one of the most quoted of all G&S songs.
The other example is at the climax of “Hoosiers,” the great basketball film based on the true story of the miraculous Indiana state championship won by a tiny school from Milan, Ind. in 1954. During the last time-out before the team’s last chance to score, which would, if successful, give the team a one-point victory over their greatly favored competition in the championship game, the coach (Gene Hackman), who has led the ragtag group this far by emphasizing teamwork over individual achievement, lays out a play in which the team’s superstar, Jimmy Chitwood will be a decoy. He plans for another player to take the final shot, but the team doesn’t move. “What’s the matter with you?” he shouts as his players just stare, looking hesitant. “If I get the shot, I’ll make it,” Jimmy says, after a long pause. So the coach, who has insisted all season that his word was law, makes the same decision Gilbert did. When your subordinates are that sure, trust them. They know better than you.
Jimmy shoots and scores the winning basket as time runs out.
Here is Matthew B.’s Comment of the Day on “Comment Of The Day: ‘Catching Up: Professional Ethics And The Challenger Disaster’”:
Continue reading →