I just stumbled upon that video from “The Red Skelton Show,” vintage early Seventies. The ethical values being destroyed here are competence and respect (for the audience, for the culture, for the nation, for music and dance.) You can learn so much from the thing, and yet it raises so many questions…like, how did the culture devolve from “Good Morning!” in “Singing in the Rain” to this slop in 20 years? Is this what killed movie musicals—a sudden lack of taste? What caused it? Did the choreographer know he or she was presenting shit? How could he live with himself? They paid someone to create that! Did Simon and Garfunkel see this? Why didn’t they kill themselves? How do we explain Liberace to future generations?How can anyone claim that the US is a nest of white supremacy when whites publicly humiliated themselves like this? Seeing those dancers with their insipid expression and their ridiculous outfits made me want to rip my skin off.
If the United States could survive the Seventies, it can survive again. This video gives me hope and perspective, and I will regard it as beneficial on balance, provided that I can get it out of my brain before it drives me stark, raving mad.
1. Least surprising poll result of the year: A Pew Research Center poll determined that, among reporters who say their outlet’s audience leans left, 30% support “equal coverage for all sides,” and 69% said that “it is not always deserved.” I have problems with Pew’s framing of the issue—you know, polls. Presenting the facts fairly and objectively shouldn’t involve “sides” at all. The objective should be to explain events and issues without picking or having “sides.”
You can be forgiven if you haven’t followed the massive Broadway crack-up saga of the “Funny Girl” revival; after all, Broadway is an elite, increasingly culturally irrelevant dinosaur where 80% of those on stage are gay, 90% of those in those in audience can afford hundred dollar tickets, and half of the shows first premiered when Joe Biden was in braces. You can be excused even more if you missed the massive ethics scandal at the crack-up’s core; after all, most theater reporters have no ethics alarms, just like most theater professionals. Still, to quote a character in an ancient Broadway classic that had an significant ethical impact, “Attention must be paid.”
But first, a cheerful song, because it’s all downhill from here…
Speaking of music, some opening notes are in order:
Yesterday was the anniversary of the much-heralded Scopes “Monkey Trial,” a 1925 ethics train wreck that I wrote about extensively last year, here and here.
Today, July 11, marks two of the most vivid examples of how random chance changes everything—history, culture, values, traditions– in ways that cannot be imagined. The first was the foolish duel in 1804 between Alexander Hamilton and Aaron Burr that resulted in Hamilton’s premature death (but ultimately in a boffo Broadway musical!). The second was Count Claus von Stauffenberg’s close-but-no-cigar assassination attempt on Adolf Hitler in 1944.
Nearer to the present, the apparent collapse of Elon Musk’s purchase of Twitter is disappointing, because it would make reporting on various Twitter-Twiggered ethics issues a lot easier if I could start an account again in good conscience, as I was prepared to do once the service got out from under the clutches of its current censorious and progressive-biased masters.
I also haven’t felt like participating in Facebook of late, as the Woke Hysteria among my once rational friends there over the recent SCOTUS decisions is too great a temptation–as in “target”— for me. Right now they just want an echo chamber to scream in, and that’s what they have. Someone somewhere on the web opined yesterday that late night talk shows, “Saturday Night Live” and its ilk were no longer primarily about comedy, but rather therapy sessions for angry and depressed progressives and Democrats, with the shows using mockery and insults to reaffirm their convictions about “the others”—those dumb, evil, racist conservatives. I think that may be a perceptive analysis. “Saturday Night Live” is a particularly vivid example: the show that once reveled in portraying Gerald Ford as a bumbling klutz and George W. Bush as an outright moron week after week while they were in the White House now hesitates to exploit the comedy gold represented by Biden’s misadventures and Kamala Harris in general. It proves that SNL is more interested in hanging out with the cool kids than actually being funny—which is supposedly its mission. This is a conflict of interest, and the producer and writers aren’t even attempting to resolve it ethically.
1. Twitter Wars #1: @Ka1zoku_Qu0d, an idiot of the sort that literally clogs Twitter, posted this: “Hold on I want to make sure I say this carefully. Yeah Anne Frank had white privilege. Bad things happen to people with white privilege also but don’t tell the whites that.” This caused so much static on the platform that “Anne Frank” ended up “trending.” Continue reading →
The 2nd U.S. Circuit Court of Appeals at New York refused to revive a lawsuit filed by former Alabama Chief Justice and failed Senate candidate from Alabama Roy Moore (and his wife) against comedian comedian Sasha Baron Cohen. Moore v. Baron Cohen had its genesis when the “Borat” satirist and actor tricked Moore into traveling to Washington, D.C. to receive a fictional award for supporting Israel and to be interviewed for Israeli TV. It was all a set-up to ridicule Moore on an installment of Cohen’s Showtime production, “Who Is America?”
Cohen presented himself to Moore as an Israeli anti-terrorism expert with a high-tech military intelligence device ( he’s holding it above) that supposedly was able to detect pedophiles. Moore’s Senate run was crushed by credible allegations that he had sought relationships with underage teenage girls: the episode of the program in which the interview aired was introduced with news clips reporting those allegations, including one involving a fourteen-year-old girl at the time. In a cringeworthy confrontation, Cohen’s character waved “the pedophile-detector” over Moore as it beeped loudly. Moore then walked out of the “interview.” Moore and his wife sued for defamation and intentional infliction of emotional distress. Continue reading →
Typically, Ethics Alarms has highlighted July 3 with reflections on the Battle of Gettysburg in 1863, for which the 3rd was the dramatic last and decisive day. I know it must be hard to believe, but I do get tired of writing the same things over and over again, an occupational hazard of being an ethicist during a mass ethics breakdown in our democracy and among the increasingly corrupt people we have put in power to protect it. I still can’t ignore Pickett’s futile charge and Custer’s charge as well, so I direct you to last year’s post on both events and their ethics implications.
However, this year I am introducing the July 3 warm-up with another crucial anniversary, one that may have had even more impact on the history of the United States, its prospects and its values than Gettysburg. July 2, 1776 is when the Continental Congress finally agreed to take the leap and forge a new nation (John Adams thought the 2nd would be thedaywe celebrated) and July 4, 1776 was the date the document was signed. But in-between those more noted dates the Continental Congress began debating and editing Jefferson’s draft Declaration, eventually making 86 edits that cut the length by about a fourth.
Because the Declaration of Independence is the mission statement of America, framing and sometimes compelling what followed, especially the Constitution, the editing decisions of July 3, 1776 affected our laws and culture in many ways that are unimaginable after more than 200 years. You can read the original here. It is this deleted paragraph, however, that most inspires reflections on what might have been (and what might not):
“He has waged cruel war against human nature itself, violating its most sacred rights of life and liberty in the persons of a distant people who never offended him, captivating & carrying them into slavery in another hemisphere or to incur miserable death in their transportation thither. This piratical warfare, the opprobrium of infidel powers, is the warfare of theChristian King of Great Britain. Determined to keep open a market where Men should be bought & sold, he has prostituted his negative for suppressing every legislative attempt to prohibit or restrain this execrable commerce. And that this assemblage of horrors might want no fact of distinguished die, he is now exciting those very people to rise in arms among us, and to purchase that liberty of which he has deprived them, by murdering the people on whom he has obtruded them: thus paying off former crimes committed again the Liberties of one people, with crimes which he urges them to commit against the lives of another.”
I was surprise to learn that this will be the second Ethics Alarms post involving the pop singer Halsey, the first coming in 2018. It involved her claim that hotels failing to have free little bottles of shampoo and conditioner that were good for guests who didn’t have “white people hair” was a “microaggression.” Now she’s in the ethics crosshairs because she decided to treat her captive concert audience three days ago in Phoenix to a rant about abortion rights, saying in part (angrily, of course), that audience members…
…should be sharing stories about how you’ve benefited from abortion somehow….The truth is that my heart breaks looking out into this audience, because I see so many people … who deserve the right to health care that they need. Who deserve the right to choose themselves in a situation where there is a choice….some of the people I’m looking at right now are going to need an abortion one day, and you deserve that. Whether it’s a life-threatening situation, or it’s not, you deserve it. And here in Arizona, you guys gotta promise me that you’re gonna do that work so that the person to the left of you and to the right of you has that right for the rest of their lives.
Got it. She’s an inarticulate moron. Then she told any dissenters in the throng,
If you don’t like it, you can go home right now. I don’t care. If you don’t like it, I don’t know why you came to a Halsey concert.
I hate to call comic Dave Chappelle a weenie and a political correctness panderer, so instead I’ll settle for Ethics Dunce. He badly miscalculated here.
Duke Ellington School of the Arts in Washington D.C. had planned to rename its performance theater —I once co-wrote directed a show there!—after alumnus Dave Chappelle for his “ongoing commitment and service to the school.” Chappell, fresh off of his controversial Netflix concert that was attacked for its jokes about transsexual activism, appeared at the school in November and faced a barrage of criticism from predictably oriented students. He challenged opponents of his work and his advocates to compete to raise the most money for Duke Ellington, promising to abide by the winning group’s wishes regarding the performing space’s new name.
Well, his fans out-raised the pro-trans mob, but nonetheless, at the dedication of the newly-named theater this week, Chappelle announced that he would refuse the honor, and declared that the theater would be henceforward called “the Theater for Artistic Freedom and Expression.”
To my shock and amazement, my 27 year old son appeared yesterday to wish me a happy Father’s Day. He gave me a big hug, and like his father and his father before him, he is not a hugger. It meant a lot more to me than any damn tie…
1. “Evil” is back streaming for a third season, and return of the odd and creepy drama created by Robert and Michelle King of “The Good Wife” fame reminded me of an unethical ploy by the series’ protagonist in its first season that I neglected to note in 2019. Katja Herbers as Dr. Kristen Bouchard was convinced that her professional rival, Dr. Leland Townsend (gradually revealed over the path of the series to be an agent of evil), had a vendetta against her and a young man facing incarceration. She surreptitiously taped a conversation with him in which he made damning statements, but for some reason only her side of the exchange registered on the recording device. To have his testimony in a hearing discredited, she asked a tech whiz associate to “deep fake” Townsend’s missing answers on the tape based on her (truthful and accurate, of course) memory of them. Then she played the altered tape for the judge.
Her rationalization afterwards was that the faked recording was a small wrong, but that without it a young man’s life would be destroyed and the evil plan of her rival would succeed. Since it’s quite possible that Townsend is the Devil himself or at least some denizen of Hell, the incident literally contradicted my favorite exchange from “A Man For All Seasons”…
It also illustrates the seductiveness of extreme utilitarianism.
2. The weekend debut of the latest installment of Pixar-Disney’s “Toy Story” franchise, which I wrote about here, bombed, with about half the box office that its predecessors had in their first outings. As with the all-female “Ghostbusters” reboot, the culture wars divide is offering contrasting reasons for the flop that support their respective narratives. Conservative writers argue that parents don’t want to take their kids to see animated films that promote gay relationships, and that Disney’s ham-handed woke politics has over-reached, alienating a substantial portion of the public. The other end of the spectrum blames conservatives for poisoning the market for the film by over-emphasizing “the Kiss.” Me? I felt my ideological arm being twisted uncomfortably hard in “Toy Story 4,” as each of the original’s sequels were more and more aimed at progressive messaging.
Disney has a problem. It successfully rose to domination in part because its products appealed to mainstream American values and aspirations, and was viewed as bolstering and supporting them. Recently, it has been betting, like many corporations, most of the media and of course the Democratic Party, that the Great Progressive Borg will assimilate all, and that resistance is futile. It has to pick sides, because cultural power has always been Disney’s engine. However, Walt had an uncanny understanding of the American zeitgeist. I don’t think his current successors do.
3. And speaking of Disney’s quarrel over Florida declaring that gay and trans teachers should keep their sexual histories, practices and activism out of the classroom, here’s a fun story. Alden Bunag, who described himself as “socialist high school teacher” in Hawaii, had a Twitter rant in which he accused conservatives who agreed with the recent prohibitions in Florida and elsewhere of “projecting.” “You’re fucking acting like we want to show kids porn or something, but something I’ve learned through the years is that whenever right-wingers accuse others of something, it’s DEFINITELY because they’re projecting”, he wrote…and then was arrested and charged with sending child porn pictures and video to another teacher and having sex with a 13-year-old student.
4. Oh no! Not “the p-word”! Ivanka’s chief of staff, Julie Radford, told the January 6 Star Chamber that President Trump referred to Vice President Pence using the “p-word.” What the hell is the “p-word?” Or maybe I should say “What the f-word is the p-word?” I actually thought they were talking about “pansy” until CNN’s Jake Tapper, to his great and glorious credit, said the word they were taking about: “pussy.” Ah! Of course!
“Pussy,” you know, doesn’t have to be “the p-word” if the ones using it are members of the feminist Pussy Squad wearing their pussy hats, but when Donald Trump uses the word (allegedly) not to refer to the female anatomy at all but to mean “weenie,” then it has to be referred to as the “p-word.”
There was a character on “The Sopranos” called “Big Pussy.” Did newspaper critics call him “Big P-word”? I don’t recall.
In its horror of “hate speech,” the emerging crazy Left will have us using so much coded speech that communication itself will be impossible, which is the idea. Lizzo recently released a single called “GRRRLS” with the Yeats-like lyrics,
“Hold my bag, bitch. Hold my bag/ Do you see this shit?/ I’m a spaz/ I’m about to knock somebody out/ Yo, where my best friend?/ She the only one I know to talk me off the deep end.”
A single angry tweeter, disability activist, Hannah Diviney, declared that Lizzo’s use of the word “spaz” was offensive and an ableist slur. Lizzo then immediately removed the word from the song. (Must…Obey.. the Mob…) In her case as well, the word (which many news accounts communicated as “s—“) wasn’t used to mean what the complainer was referencing, but never mind. So is “spaz” now the “s-word”? I thought the s-word was “shit,” which is in the same song. Guess not. Does that also mean that “bitch” isn’t the “b-word” any more? What is?
We need a glossary of all the words that the Left wants us to never say, unless we have their permission.
1. I hate to take pleasure in anyone’s career setbacks, but...the word that CNN’s unethical media watchdog, Brian Stelter, is about to get dumped is good news for everyone but him. It also means that CNN will have rid itself of its two most flagrantly partisan and dishonest talking heads, the other being Chris Cuomo. Stelter took over “Reliable Sources” from the flawed but qualified Howard Kurtz, who had covered media conduct for the Washington Post, and at least tried to be objective (and still does at Fox.) Stelter immediately transformed the Sunday show into a CNN-fawning, Fox News-bashing epitome of what a news ethics show must not be. The last hack standing among CNN’s worst is now Don Lemon, who because he is black, gay and cute apparently is immune from his just desserts. As Meat Loaf memorably observed, however, two out of three ain’t bad.
2. Wait, what? Tim Allen isn’t the voice of Buzz Lightyear in the new Pixar film? The Buzz origin film, which has Chris Evans as the new voice of the popular character from “Toy Story” 1-4 is already creating controversy because it features a lesbian kiss. You know: that’s Disney’s way now. The movie’s director Angus MacLane “explained” that the recasting was necessary because the new animated film called for a more serious Buzz. Does anyone believe that? Allen was replaced because he’s an outspoken conservative, and Disney/Pixar wanted a star who would vigorously defend lesbian smooches in a kids movie, because that is apparently it’s priority these days. If the director wanted Buzz to sound more serious, he could direct the voice actor to voice him that way.
Market Hotel agreed to host a concert on July 8th featuring the musical stylings of attempted Reagan assassin John Hinckley, Jr., who has been released into the world on the theory that he was never technically guilty of a crime because he was insane at the time. Hinckley called the show the beginning of his “Redemption Tour,” during which he will play his songs (are those bad rip-offs of Dylan dedicated to Jodie Foster on the program?) to promote, he says, rehabilitation for formerly incarcerated criminals and the mentally ill. Continue reading →
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