Comment Of The Day: “…Oregon High School Grads No Longer Have To Know How To Read, Write, Or Do Math…”

Here’s the third of a run of three impressive Comments of the Day from two days ago: a dissenting take on the pandemic-linked Oregon law allowing students to receive a high school diploma despite not possessing documented proof of basic academic skills at the high school level. Since the author, the much esteemed Curmie, is a professional educator (and not in Oregon) his analysis carries due weight, and is worth pondering.

Below is his Comment of the Day on my post, “It’s A “Ripley”! Oregon High School Grads No Longer Have To Know How To Read, Write, Or Do Math At High School Levels.” And I apologize for the inexcusably clichéd musical accompaniment. At least it isn’t the Art Garfunkle version…

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I’ll stipulate that the argumentation is stupid. That said, the actual change in policy is at the very least far less laughable than you suggest; indeed, I’d argue it’s a net positive.

What has actually happened is that Oregon has decided not to put all its faith in a standardized test run by a for-profit corporation. I don’t think that’s a bad call. Even the most professionally run of these exams have histories of major problems. Numerous math questions aren’t age-appropriate. (The people who write the exams aren’t educators–they’re often education majors who couldn’t get a job as a teacher.) There was a case few years ago where a reading comprehension problem was leaked, and a poet got two out of five questions “wrong” about his own work!

But the writing sections are the worst. Even the testing companies aren’t brash enough to argue that computers can score writing (although some are experimenting with the idea). So they hire graders. These jobs generally pay less than $12 an hour and require only a college degree… in anything! For that kind of money, you’re not going to get someone who can tell the difference between a sonnet and a laundry list.

So the company makes it easy for them: there’s a formula. Five paragraphs. First one says what you’re going to say. Next three, you say it (actually saying anything is more or less optional). Last paragraph: say what you just said. Follow this, without any enormous grammatical errors, and you’ll be fine. But woe betide the student who writes a coherent and persuasive essay… but wraps it up in four paragraphs. (The sonnet/laundry list line is an exaggeration; the five paragraphs or you fail part is not.)

The serious decline in writing skills I see in today’s students relative to their peers of even two decades ago (in the same courses at the same university) has occurred not despite the Great God Accountability (worshiped by both political parties, albeit in different ways), but because of it. I’ve seldom had students question their grades on essays, but when they do, I almost always have to control my urge to scream at them, “you got a bad grade because you didn’t freaking say anything.” But… but… it was five paragraphs, and…

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Comment Of The Day: “‘Kill A Western Cultural Institution, Wear Its Skin’: The Case of Classical Music”

Orchestra2

Ethics Alarms’ resident musician has a fascinating Comment of the Day humming with informative observations, and best of all, it has nothing to do with the Wuhan Virus vaccine

Here is David Rohde on the post “‘Kill A Western Cultural Institution, Wear Its Skin: The Case of Classical Music”…

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Jack, it makes perfect sense that you bring Heather Mac Donald’s very long, two-part screed to your readers’ attention. It’s gotten a lot of notice in the music world. Personally I respect Ms. Mac Donald’s place in the overall cultural and political discussion, whether I agree with her writings or not. I’ve noted either her research or simply her references to the variables of two-parent families and basic levels of educational attainment as fundamental explainers of personal achievement, independent of ethnic background. Her views are part of the overall discussion in America today, or should be.

All that said, her big article about classical music is flawed in at least three ways. Here are those issues:

1. A lot of the article confuses music with musicology. The latter field has been kind of nuts for a while, extending way back before last year. The principal educators of today’s and tomorrow’s performing artists are not theoretical musicologists. They’re a combination of distinguished performers themselves and effective pedagogues, often combined in the same person. I’m not going to excuse some of the crazier things that have recently come out of Juilliard and elsewhere, but conservatory education remains very rigorous and performance-focused, indeed arguably too much so given the supply-demand imbalance for classical music talent.

2. The article is not really fair to the Sphinx Organization. One of the things that Sphinx does is to deal with the same overwhelming problem of expenses for families of limited means that you see in sports such as baseball and soccer. This time of year they bring in, for example, string players – yes “black and brown” ones – to top schools and institutions for intensive education and opportunity for rehearsal and performance experience. An example of someone who came out of the Sphinx Organization is the fantastic violinist Melissa White – yes that’s her name. Melissa has performed in our region at the Phillips Collection in D.C. and the Richmond Symphony, and she has numerous recordings to her name with the Harlem Quartet (which actually performs a huge range of traditional classical and other, adventurous music). And as you know, I believe it is completely valid to assert that, just as in other fields of employment, classical music employers should assess the whole person and what they can bring to an institution, even if their performance chops are obviously the primary criterion.

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Comment Of The Day: “Comment Of The Day: ‘Theater Ethics Meets Pandemic Ethics…’”

It has been a hugely informative and entertaining knockdown, drag-out comment battle over vaccine hesitancy the last few days on not just one but two posts on the topic. It’s time to add another. One irony of long comment threads, which make me happy as a blog proprietor, is that many readers don’t have the patience to pick through them. I’m sometimes guilty of that myself.

This Comment of the Day by Ryan Harkins on Humble Talent’s own provocative (to understate it) Comment Of The Day on my post, “Theater Ethics Meets Pandemic Ethics: If I Were Still Running My Theater Company And We Had A Large Cast Show In Production…” deserves to be highlighted. Here it is (and I forgive Ryan for not calling the virus by it’s rightful, earned non-partisan name.)

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First, I want to take exception to conflating hesitancy to take the COVID-19 vaccines and anti-vaxxers. There’s a huge difference between being skeptical about one particular vaccine and being skeptical about all vaccines. And conflating the two blurs the issues and dismisses out of hand legitimate arguments and concerns.

I stand in an odd position, because I oppose getting any of the COVID-19 vaccines, and I have been vaccinated. I took the double doses of the Moderna vaccine when it became available at my workplace. Was it to protect my family (my wife is pregnant with our fourth)? Not at all. We’re all healthy, and the odds of the coronavirus having any effect other than a harsh cold for my household is surprisingly small. Was it because my workplace pressured me into it? No, though I will cite that the 14 days paid sick time goes away if I snag a sufficiently large batch of SARS-CoV-2 and I’m not vaccinated.

So why did I get the vaccine? At the time, I believed it the right thing to do to help the efforts of reaching herd immunity. So what has changed since then? Let’s consider my thinking, meandering as it is.

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Comment Of The Day: “Theater Ethics Meets Pandemic Ethics…”

I was getting ready to write about Sen. Rand Paul’s manifesto above ( he really is a libertarian, isn’t he?) when Humble Talent’s Comment of The Day, on the post “Theater Ethics Meets Pandemic Ethics: If I Were Still Running My Theater Company And We Had A Large Cast Show In Production…”

Perfect timing, and my favorite kind: it saved me the effort of writing a post. This should open up the pandemic and vaccine debate nicely, and get it out of the constricting limitation of live theater.

Heeeeeeere’s Humble…!

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I find these Covid threads just… really tedious.

I have found common cause with the American left on precious few issues in my lifetime, and I often find that even when I agree with them, they put the issue forward in the most obnoxious and useless way possible: They mock, they demean, they use bad arguments, and even when they’ve come to the right conclusion they rarely understand the source material. It’s frustrating.

But on this one discrete topic…. I understand mocking anti-vaxxers.

Sorry guys, if you’re in the vaccine skeptic group… You are being dumb. Your body your right, yada yada yada. Sure. You have the right to be dumb. Just because it’s your right to be an idiot doesn’t shield you from the consequences of being an idiot. And while telling you that you’re an idiot, pressuring you not to be an idiot, and there being consequences to being an idiot might harm your tender egos, America isn’t going to end.

The reason why I feel on this one discrete topic, mocking anti-vaxxers, particularly American anti-vaxxers is appropriate is because there was no convincing you. On this topic, more than any other in recent history, you are completely information resistant.

“Well Jeff! Look at Israel, they’re having a spike right now, and most of their cases are breakthrough cases, how do you explain that?!?!”

Because everyone is experiencing a spike right now, international travel isn’t completely locked down, the vaccines were never sold as being 100% effective and as new variants come out the efficacy is only going to lower, and because more than 95% of Israeli adults are vaccinated. So when anyone in Israel gets Covid it is orders of magnitude more likely that the case will be a breakthrough than a non-vaccinated case.

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Comment Of The Day: “Not Cakes, But Advocacy: The Tenth Circuit Rules That Compelled Expression Is Constitutional”

Web Design Content Creative Website Responsive Concept

I often feel like issues and discussions fly by too quickly on Ethics Alarms, as trivial matters like an old Star Wars fanatic’s vulgar window sign and the desperate efforts to frame a celebrity gymnast’s ill-timed choke blot out the ethical controversies that are most important to ponder and understand. Fortunately the commenters here often take steps to ameliorate that flaw, as veteran reader Dwayne N. Zechman does here. His Comment of the Day amplifies a post from a week ago that came in the middle of the earth-shattering question of Simone Biles’ “twisties” and only inspired 22 comments other than mine (my replies to comments don’t count). This, despite the fact that, to evoke Ben Bradlee (Jason Robards) at the end of “All the President’s Men,” nothing’s riding on what a Federal Appeals Court ruled in the case at issue “except the First amendment to the Constitution…and maybe the future of the country.”

Here is Dwayne’s Comment of the Day on the post, “Not Cakes, But Advocacy: The Tenth Circuit Rules That Compelled Expression Is Constitutional.”

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So . . . true story:

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Comment Of The Day: “Sunday Ethics Warm-Up, 8/1/2021: Simone Biles-Free Zone Edition!”[Item #2]

David Rohde, a talented theater profession in the Washington, D.C. area and one of the smart ones too, has some thoughtful observations on the performing arts world’s adjustment to the Wuhan virus. Here is his Comment of the Day on Item #2 in “Sunday Ethics Warm-Up, 8/1/2021: Simone Biles-Free Zone Edition!”

I’ll be back at the end to return is volley on the future of live theater…

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I agree with you that the universal masking requirement at Broadway theaters is likely to depress sales, even among those patrons who don’t yet think it matters. When they actually decide whether to go or not, hesitation is likely to creep in. I’ve been to several masked (and, in these cases, distanced) performances of things during the pandemic, and a universal feeling among the performers – who, yes, sense the audience even if there’s a “fourth wall” involved – is that it’s an odd atmosphere because they can’t read facial reactions.

It appears that performing arts presenters in general are trying to get “through the moment” by issuing clear, simple rules to get their institutions reopened. But if you really want to see a furious reaction, check out what happened after the Metropolitan Opera followed up its earlier announcement of required proof of vaccination with an edict that all children under 12 would simply be banned from the building. (As opposed to Broadway’s approach that families can bring proof of a negative test for their kids who are not yet eligible for vaccination.)

You can argue that fewer operas are geared toward attendance by children of those ages than musicals. But the Met’s announcement appeared to touch several cultural third rails, from an accusation that the opera company was acting in almost a Salem Witch Trials manner to a reaction that the Met was killing all global efforts to prove that opera isn’t only for old people. People posted photos on Twitter (I know I know, Twitter) of having taken 10-year-olds to the Met to introduce them to opera, and numerous people pointed out that actually quite a number of famous operas feature children’s choirs somewhere within their plots. The Met actually has a number of distinct challenges in opening its season on time, and this reaction, even leaving aside the obvious trolls and Twitter fakers who are reacting on that platform, is yet one more hurdle.

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Comment Of The Day: “Anatomy Of An Ethics Train Wreck: The Amazon Warehouse ‘Nooses’”

Amazon nooses

SSM Citizen‘s 6th Ethics Alarms comment is a Comment of the Day (and the previous five weren’t too shabby either.) Here it is, on the post, “Anatomy Of An Ethics Train Wreck: The Amazon Warehouse ‘Nooses’”.

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Quite simply, you get more of the behavior you encourage. Finding “racism” and “racists” is encouraged and desired, so there will be more of these situations. In my opinion this is an unproven allegation at best. Really? No one has taken photos of these “nooses”? It’s a construction site. Rope ties of that nature are not unusual and are quite useful for a number of situations, such as hoisting equipment or tools up to a higher level. What is the proof that they were used as a threat against, well, anyone?

Unfortunately, ethics and ethical behavior are hard. Ethical behavior is often unpopular and people want to get along to go along, and get on with their lives. It’s easier to make an apology, maybe some kind of restitution for something that may or may not have happened and MAKE THE COMPLAINERS GO AWAY! Except they never will. They have tasted the power, and they want more. Plus, it’s easy. Racism is something that our society condemns. Rather than take on difficult issues that will make the person pointing out those issues unpopular, though maybe proven right in the long term, it’s easier to take the shortcut. Scream about something you KNOW that society will not defend, and pretend to be brave, revolutionary, standing against the tide. Easy satisfaction, lots of publicity, on to the next target. And there will always be another target. The ones who fight back will be smeared and while they may be vindicated later, it might not happen. And in the meantime, lives are still destroyed.

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Comment Of The Day: “Gee, Jason Whitlock, What Do You REALLY Think About Simone Biles’ Quitting On The Olympics?”

Yes, I guess this is the sixth post related to the Simone Biles controversy. Isaac’s Comment of the Day elaborates on one of the many reasons this episode bothered me so much and continues to, especially as the excuses and rationalizations for Biles’ conduct appear to be taking over the “narrative” in the absence of what I consider persuasive facts and arguments. The next ugly shoe to drop, I predict, will be when the female American gymnast who won a gold in Tokyo gets endorsement contracts in preference to the “Greatest of All Time” who somehow couldn’t access that greatness when the spotlight was on, and chose not to try. The preference for the winner over the “hero” will be attributed to malign influences. Just wait.

Giving women appropriate power and influence in American culture has been generally beneficial to all, but the ascension of traditional female virtues has had the unfortunate effect of diluting some of the the very values that allowed the United States to come into existence and succeed over the centuries. The disastrous handling of the pandemic has been one example of how this development is not an unalloyed good, and the fact that Biles’ conduct is not merely greeted with sympathy, which is nice, but praise, which is offensive, is another.

Here is Isaac’s Comment of the Day on the post, “Gee, Jason Whitlock, What Do You REALLY Think About Simone Biles’ Quitting On The Olympics?”

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America used to be associated with very masculine qualities: toughness, stoicism, risk-taking. This reputation did not exclude American women. Harriet Tubman, Sojourner Truth, Calamity Jane, Amelia Earhart.

It’s easy to point out the Generation X and millennials’ glaring lack of these qualities, but to me it’s their parents who steered America wrong. Specifically every boomer who jumped on the socialist bandwagon and participated in the 1960s and 70s revolutions against marriage, Christianity, monogamy, patriotism, sobriety, and hard work. The ones who think Woodstock was some kind of beautiful, transformative event. The ones who wax nostalgic about the “Summer of Love” when their poorly-raised grandkids turn chunks of Seattle into murder-dystopias. The generation that necessitated the invention of the term “latch-key kid” to describe their neglected children.

So I perused Simone Biles’ Wikipedia page, and, sure enough…in and out of foster care…abandoned by Mom…no Dad ever in the picture. Showed incredible talent that was her ticket to a secure future, only to be one of the gymnasts sexually exploited by serial abuser and boomer Larry Nassau. Diagnosed with ADHD; currently on medication. These are the symptoms of growing up in a world created by the values of the 60s and 70s. We can mock them for not knowing how to talk to girls, change a tire, be in a stable relationship, or cope with stress…but these are things people learn from their dads, their faith, and their stable community of neighbors, extended family, and church. Younger generations were not only not given those things; they were taught they didn’t need them.

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Comment Of The Day: “Simone Biles Betrayed Her Team…Stop Making Excuses For Her”

USA gymnastics

Well, I can write about the great issues of the day here or universal ethics principles, and attract crickets, but when a spoiled superstar female gymnast chokes on the Olympics stage, THAT attracts the most comments in a 24 hour period that Ethics Alarms has seen in months.

Actually, there is more of ethical significance to the Simone Biles Affair than is immediately apparent. The main issue, I think, may be the hypocrisy of feminists and sports journalists who rush to rationalize conduct by a young woman that no male athlete of any note would ever get away with. There are also profound issues of character, duties to one’s team, the ethics of sport and the the narcissism that celebrity creates. There are also some issues that I expect to emerge down the metaphorical road. For example, I haven’t yet encountered anyone arguing that criticism of Biles’ choke is racist, but given the response in Japan to Naoimi Osaka’s shocking loss in tennis, I expect that is coming. I also have written in my head the Ethics Alarms post responding to any post-Olympics product endorsement deals that come Biles’ way.

Yet another issue is raised by the Comment of the Day by JStevens, in what appears to be his inaugural contributions here, as his reaction to the post, “Simone Biles Betrayed Her Team…Stop Making Excuses For Her”…

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Comment Of The Day: “Monday Mid-Day Ethics Considerations: Megan Rapinoe, Harvard, Pelosi And Double Standards,” Item #1, “The College Pledge”

Dallas Justice NOW

A few quick notes on “the College Pledge” are in order. It is the work of something called Dallas Justice Now which claims to be “a member-driven project of activists, researchers, and local leaders dedicated to making our city more just.” Yesterday the rumor was rampant that its threatening “pledge” demanding that white Dallas parents agree not to let their children apply for admission to elite institutions so black and brown kids could have an open field to obtain an Ivy League degree was a conservative “false flag” operation. This does not appear to be the case, and the increasingly unhinged Far Left, which is now just “the Left,” hardly needs any assistance in appearing menacing and racist.

The version of the pledge that I posted yesterday was not the full document, which included the implied threat that those who did not sign would be outed and ostracized, and the miserable device of introducing a false dichotomy: “Will you take the college pledge?” can be answered only with “I am a racist hypocrite.” and “I agree.” That’s rather funny, since the whole exercise is an example of anti-white racist hypocrisy.

I have searched, and apparently no mainstream national media news source finds this attempt to intimidate white Americans in the Dallas area newsworthy.

Here is Michael West’s Comment of the Day on the “College Pledge” item in “Monday Mid-Day Ethics Considerations…”

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The vast majority of wealth is *multi-generational*. Yes, America is replete with the starry examples of rags-to-riches stories, but even those are generally isolated exceptions. For the rest of those who have significant wealth, it is mostly because the generation before them made tiny sacrifices in their lives that they didn’t have to make. Those sacrifices were essentially investments in and for their children that paid off in dividends worth VASTLY more than the sacrifice.

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