The recent essay about the efforts of an apparently bonkers music school to apply DEI policies to the jazz world was really a “Bias Makes You Stupid” post, and perhaps I should have framed it that way. After all, nobody, no institution, no profession, no workplace “needs” DEI discrimination. As my father would say, the nation and society need DEI “like a hole in the head.” In fact, DEI is a metaphorical hole in the head of the nation allowing core American principles to leak out.
I found Sarah B’s Comment of the Day, prompted by Chris Marschner’s comment regarding the correlation between jazz improvisation ans mathematics ability, both fascinating and, as usual with Sarah’s comments, illuminating. (I also found the context of her use of the phrase “toot my own horn” brilliant. )Here it is, in response to the post, Does Jazz Really Need DEI?:
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As a woman musician and mathematician (my husband would claim engineers aren’t mathematicians, but the lay person sees no difference), I think there is one aspect of Jazz that you are forgetting. I tried Jazz and not only do I hate the sounds of Jazz (I like Chopin, Beethoven, and Holst as my personal preference), but I also found the emphasis on improvisation impossible. I cannot improvise music, or anything really. I have no skill at making up music, though if you give me sheet music not horrendously above my level, I’ll play it for you, at least with adequate practice. I can sing nearly anything (in my range) that you can throw at me in at least seven different languages, and with a little time, I can do them from memory. I have a repertoire of several hundred songs that I can pick up and perform adequately on a given day without much more than a little warmup. I read soprano and bass clefs before I read English (my only language). I dabble in 7 instruments, with 2 of those mastered “enough”.
All of this is not to toot my own horn. I have much I could do to improve my music, but I have other priorities and I am happy at “good enough”. However, with all this musical study, I have found that while I can do a lot, I CANNOT improvise, nor can I make up my own lyrics. This means that Jazz musicianship is beyond my reach. It takes a different type of mind than mine to be a good Jazz musician, and not just someone who knows the math and the theory. There is another element besides musical and mathematical thinking, that of a certain type of creativity.







