The Times Afghanistan Editorial

new yorktimes

The New York Times’ editorial on the debacle in Afghanistan is many things. Mostly, it is schizophrenic. The paper’s unshakable bias and determination to serve as the Democratic Party’s Pravda constantly leads the editors into self-contradiction and hypocrisy. They know they have to be critical, but they feel they have to be supportive at the same time. This is a case study in how bias not only makes one stupid, but how it also makes integrity impossible. Here is the whole thing; I’ll break in when appropriate:

The rapid reconquest of the capital, Kabul, by the Taliban after two decades of a staggeringly expensive, bloody effort to establish a secular government with functioning security forces in Afghanistan is, above all, unutterably tragic. Tragic because the American dream of being the “indispensable nation” in shaping a world where the values of civil rights, women’s empowerment and religious tolerance rule proved to be just that: a dream.

This is more anti-American nonsense. The United States has successfully advanced all of those values and more by simply existing and thriving. It undermines those values, and our unique founding principles, when it appears weak, incompetent, and feckless.

This longest of American wars was code-named first Operation Enduring Freedom and then Operation Freedom’s Sentinel. Yet after more than $2 trillion and at least 2,448 American service members’ lives lost in Afghanistan, it is difficult to see what of lasting significance has been achieved.

The Times gets this right.

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Comment Of The Day: “‘Kill A Western Cultural Institution, Wear Its Skin’: The Case of Classical Music”

Orchestra2

Ethics Alarms’ resident musician has a fascinating Comment of the Day humming with informative observations, and best of all, it has nothing to do with the Wuhan Virus vaccine

Here is David Rohde on the post “‘Kill A Western Cultural Institution, Wear Its Skin: The Case of Classical Music”

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Jack, it makes perfect sense that you bring Heather Mac Donald’s very long, two-part screed to your readers’ attention. It’s gotten a lot of notice in the music world. Personally I respect Ms. Mac Donald’s place in the overall cultural and political discussion, whether I agree with her writings or not. I’ve noted either her research or simply her references to the variables of two-parent families and basic levels of educational attainment as fundamental explainers of personal achievement, independent of ethnic background. Her views are part of the overall discussion in America today, or should be.

All that said, her big article about classical music is flawed in at least three ways. Here are those issues:

1. A lot of the article confuses music with musicology. The latter field has been kind of nuts for a while, extending way back before last year. The principal educators of today’s and tomorrow’s performing artists are not theoretical musicologists. They’re a combination of distinguished performers themselves and effective pedagogues, often combined in the same person. I’m not going to excuse some of the crazier things that have recently come out of Juilliard and elsewhere, but conservatory education remains very rigorous and performance-focused, indeed arguably too much so given the supply-demand imbalance for classical music talent.

2. The article is not really fair to the Sphinx Organization. One of the things that Sphinx does is to deal with the same overwhelming problem of expenses for families of limited means that you see in sports such as baseball and soccer. This time of year they bring in, for example, string players – yes “black and brown” ones – to top schools and institutions for intensive education and opportunity for rehearsal and performance experience. An example of someone who came out of the Sphinx Organization is the fantastic violinist Melissa White – yes that’s her name. Melissa has performed in our region at the Phillips Collection in D.C. and the Richmond Symphony, and she has numerous recordings to her name with the Harlem Quartet (which actually performs a huge range of traditional classical and other, adventurous music). And as you know, I believe it is completely valid to assert that, just as in other fields of employment, classical music employers should assess the whole person and what they can bring to an institution, even if their performance chops are obviously the primary criterion.

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Comment Of The Day: “Comment Of The Day: ‘Theater Ethics Meets Pandemic Ethics…’”

It has been a hugely informative and entertaining knockdown, drag-out comment battle over vaccine hesitancy the last few days on not just one but two posts on the topic. It’s time to add another. One irony of long comment threads, which make me happy as a blog proprietor, is that many readers don’t have the patience to pick through them. I’m sometimes guilty of that myself.

This Comment of the Day by Ryan Harkins on Humble Talent’s own provocative (to understate it) Comment Of The Day on my post, “Theater Ethics Meets Pandemic Ethics: If I Were Still Running My Theater Company And We Had A Large Cast Show In Production…” deserves to be highlighted. Here it is (and I forgive Ryan for not calling the virus by it’s rightful, earned non-partisan name.)

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First, I want to take exception to conflating hesitancy to take the COVID-19 vaccines and anti-vaxxers. There’s a huge difference between being skeptical about one particular vaccine and being skeptical about all vaccines. And conflating the two blurs the issues and dismisses out of hand legitimate arguments and concerns.

I stand in an odd position, because I oppose getting any of the COVID-19 vaccines, and I have been vaccinated. I took the double doses of the Moderna vaccine when it became available at my workplace. Was it to protect my family (my wife is pregnant with our fourth)? Not at all. We’re all healthy, and the odds of the coronavirus having any effect other than a harsh cold for my household is surprisingly small. Was it because my workplace pressured me into it? No, though I will cite that the 14 days paid sick time goes away if I snag a sufficiently large batch of SARS-CoV-2 and I’m not vaccinated.

So why did I get the vaccine? At the time, I believed it the right thing to do to help the efforts of reaching herd immunity. So what has changed since then? Let’s consider my thinking, meandering as it is.

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Comment Of The Day: “Theater Ethics Meets Pandemic Ethics…”

I was getting ready to write about Sen. Rand Paul’s manifesto above ( he really is a libertarian, isn’t he?) when Humble Talent’s Comment of The Day, on the post “Theater Ethics Meets Pandemic Ethics: If I Were Still Running My Theater Company And We Had A Large Cast Show In Production…”

Perfect timing, and my favorite kind: it saved me the effort of writing a post. This should open up the pandemic and vaccine debate nicely, and get it out of the constricting limitation of live theater.

Heeeeeeere’s Humble…!

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I find these Covid threads just… really tedious.

I have found common cause with the American left on precious few issues in my lifetime, and I often find that even when I agree with them, they put the issue forward in the most obnoxious and useless way possible: They mock, they demean, they use bad arguments, and even when they’ve come to the right conclusion they rarely understand the source material. It’s frustrating.

But on this one discrete topic…. I understand mocking anti-vaxxers.

Sorry guys, if you’re in the vaccine skeptic group… You are being dumb. Your body your right, yada yada yada. Sure. You have the right to be dumb. Just because it’s your right to be an idiot doesn’t shield you from the consequences of being an idiot. And while telling you that you’re an idiot, pressuring you not to be an idiot, and there being consequences to being an idiot might harm your tender egos, America isn’t going to end.

The reason why I feel on this one discrete topic, mocking anti-vaxxers, particularly American anti-vaxxers is appropriate is because there was no convincing you. On this topic, more than any other in recent history, you are completely information resistant.

“Well Jeff! Look at Israel, they’re having a spike right now, and most of their cases are breakthrough cases, how do you explain that?!?!”

Because everyone is experiencing a spike right now, international travel isn’t completely locked down, the vaccines were never sold as being 100% effective and as new variants come out the efficacy is only going to lower, and because more than 95% of Israeli adults are vaccinated. So when anyone in Israel gets Covid it is orders of magnitude more likely that the case will be a breakthrough than a non-vaccinated case.

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Facts Don’t Matter: Charles Blow Says Vaccination Resistance Is Donald Trump’s Fault

Chart vaccine

The New York Times has a lot of Trump Deranged op-ed writers, a lot of jackasses, and quite a few race-baiters in the mix as well. None scores as high in all three categories as the arrogant Charles M. Blow. His continued presence on the Times opinion pages is a continuing insult to black pundits everywhere. Blow obviously only has his job because he is black, and if this is the best the most prestigious paper in the country could do in seeking “diversity,” “The Bell Curve” was more accurate than we thought. But Blow isn’t the best, or even one of the best, black pundits the Times could employ, and he’s unbearably pompous to boot.

Yesterday Blow’s column was titled “Anti-Vax Insanity.” I have not read a Blow column for more than a year, but this made me think, “Gee, a column from Blow that doesn’t involve foaming at the mouth over Donald Trump!” Silly me. Here is how it starts:

“Nothing better exemplifies the gaping political divide in this country than our embarrassing and asinine vaccine response. Donald Trump’s scorched earth political strategy has fooled millions of Americans into flirting with death. And now thousands are once again dying for it.”

Later he writes,

Why were Americans turning away a vaccine that many people in other parts of the world were literally dying for? Many did so because of their fidelity to the lie and their fidelity to the liar. They did it because they were — and still are — slavishly devoted to Trump, and because many politicians and conservative commentators helped Trump propagate his lies.”

Blow managed to find one poll —you know, polls—that kind of backed his thesis if you squint hard and aren’t thinking clearly, except that it doesn’t mention Donald Trump at all. That’s a pretty big “except.” What the poll shows is that more Republicans than Democrats distrust the vaccine and object to the government telling them they have to take the shots. Well, that would have been the result if Donald Trump had never been born, and whether the vaccine was deadly or conveyed immortality.

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Theater Ethics Meets Pandemic Ethics: If I Were Still Running My Theater Company And We Had A Large Cast Show In Production…

LES_MISÉRABLES.

…the policy would be that every member of the cast, staff and crew would have to be vaccinated and show proof of it. They would, of course, be free to refuse, which is their right. But they still would have no right to work on the production, and to endanger the health of others essential to the show’s success. You can’t rehearse with social distancing, nor with actors wearing masks.

I’ve seen viruses run amuck through casts and ruin shows. Your rights stop when they start adversely and unnecessarily affecting my business and projects. Take your own risks and good fortune to you, but don’t impose them on me.

(Incidentally, I would never produce or direct the show you see above. I consider it unethical to put shows on stage that I can’t stand watching and listening to myself.)

End Of Week Ethics Bombs, 8/6/21

Hiroshima

August 6, 1945 is one of the most important ethics days of all, and among the most controversial. The United States bomber Enola Gay—now on exhibit in a hangar near Dulles Airport, dropped the first atomic bomb on the Japanese city of Hiroshima. Approximately 80,000 people were killed in seconds, and another 35,000 were injured. More than 60,000 would be dead by the end of the year from the effects of the fallout. Was the launching of the nuclear age by the United States ethically justified to save American lives (an invasion of the Japanese mainland had been estimated to risk a million U.S. casualties) and end the war? Was President Harry Truman guilty of a war crime, as non-combatants, including children, constituted most of the deaths? Did the horrible results of the new weapon prevent World War III, or make it more likely? These are still intensely debated questions by scholars, historians, theologians, military strategists, philosophers and peace activists.

1. Well, I’ve been spoiling for a fight, shopping around Northern Virginia and fining myself one of the few unmasked. So far, nobody’s said a word, but anyone who does is in for it. I’ve been vaccinated twice and probably had a mild, symptom-free infection before that. I have always been unusually resistant to viruses. Mask fog up my glasses and make me miserable. If you have chosen not to get your shots, swell, that’s your choice, but your exercise of personal liberty is not going to restrict mine without a fight. And don’t tell me I have to wear a mask so phobics feel “safe.” That’s not my problem either. I am not inclined to “social distance,” either. The mask fetish is going to strangle community, society and the joy of life unless we draw some hard lines. I’m drawing.

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Remember Cooper vs. Cooper, The Racist Dog Owner Against The Black Birdwatcher In Central Park? Well, Our Crack Journalists Finally Got All The Facts Nailed Down 15 Months Later…

Amy Cooper

…but not before Amy Cooper had to flee the country and go into hiding.

To refresh your memory about this Ethics Train Wreck that has been silently rolling all this time, review the posts about on Ethics Alarms here (describing the episode, or at least as we told about it), here, about a month later, commenting on New York City District Attorney Cyrus Vance Jr.’s unethical decision to prosecute Amy Cooper (which he partially justified based on the the intervening George Floyd Freakout), and finally here, from March, when I discussed Amy having to agree to endure state-mandate brainwashing in order to have Vance’s persecution dropped. The short version—but read the posts—is that White Amy Cooper walking her dog off-leash in Central Park was confronted by Black Christian Cooper, a birdwatching enthusiast, who demanded that she leash her dog and filmed her reactions as she demanded that he stop, then called 911. His video showed her telling authorities with increasing agitation that “An African-American man” was threatening her. Black Cooper’s sister then posted the video on line,White Amy became the personification of a racist “Karen,” and the story nicely set the stage for the George Floyd mess, which, through contrived logic and unscrupulous hype, it was linked to.

I must confess that I am proud of Ethics Alarms for its coverage of this case. Even before I had the additional facts (because nobody did), I correctly discerned that both Amy and Christian Cooper, the black bird-watcher whom she called the cops on,

—behaved like jerks,

—that the fury Christian brought down on Amy’s head was disproportionate to her conduct,

—that Don Lemon and others making what was a minor local tiff into a national controversy was unconscionable, and

—that Amy did not deserve to lose her job, career, dog and reputation, plus be prosecuted and get a lifetime ban from using Central Park,

….because, in essence, she was white and behaved like an asshole. (Some readers seemed to think that the fact that Amy eventually got her dog back was sufficient mitigation.) I wrote in the first post, “Proportion is an ethical value. It appears to be completely absent from this fiasco, on all sides.” Truer words I have seldom published, and that was before the recent revelations.

Bari Weiss, the New York Times rebel and exile I wrote about here, has a podcast, and in her most recent release reveals what some non-mainstream media reporters discovered when they dug deeper than their mainstream counterparts bothered to do. Amy Cooper, now living abroad to escape the constant harassment and abuse she endured in the wake of the incident, also is interviewed.

We learn that…

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Questions, Theories And Observations On The End Of The Simone Biles Affair [Corrected]

Biles medal ceremony

Well, the last on Ethics Alarms, anyway, I hope. I wish I could justify not dealing with the “rest of the story,” but I can’t: too much metaphorical ink has been spilled here, there and everywhere over this annoying Ethics Train Wreck.

To bring you up to date, Biles returned to Olympics competition on the balance beam today (well today in Japan) and did well enough to win the bronze medal. She performed back handsprings, flips, split leaps and a double back flip for her dismount, but it was a safe routine not calculated to win. She did not, for example, dismount with the signature move named after her.

What’s going on here? Damned if I know. After debating a number of Biles defenders and reading the relentless spin being offered up by the mainstream media, it is clear to me, at least, that whatever Biles did or didn’t do, said or didn’t say, these people would stick to the established compassionate narrative. Biles, meanwhile, would follow a scripted effort to salvage some of her value as a celebrity cash cow after an Olympics disaster that would have sunk any similarly acclaimed male athlete, and most female ones.

Here’s how the New York Times began its story about Biles, the Greatest Of All Time, aka GOAT, not being able to be better than the third best in a single Olympics gymnastics event:

“Simone Biles didn’t want her Olympics, and perhaps her career, to end with her in the stands and not on the competition floor. It couldn’t end that way, after all, considering everything she had sacrificed to make it to the Tokyo Games. She suffered through years of self-doubt as a sexual abuse survivor after realizing that Lawrence G. Nassar, the longtime U.S. national team doctor, had molested her. And she had endured an extra year of training on aching muscles and painful ankles and dealing with U.S.A. Gymnastics, the entity that failed to prevent her abuse.”

Such shameless framing of an elite athlete’s failure in order to ensure minimal accountability has surely never appeared in print before in a reputable publication. Did any account of Babe Ruth failing to come through for his team in a big game ever begin with a reference to his traumatic upbringing in a shabby Baltimore orphanage? Was Ty Cobb excused for attacking a fan during a game because of the trauma he suffered when learning about the tragic death of his father? [ Notice of Correction: In the original post, I wrote that Cobb’s father had committed suicide, which is what I thought I knew. I was wrong, and should have checked. I apologize for putting more misinformation into the web. Much thanks to LoSonnambulo for alerting me.] No, because the various traumas and tragedies athletes have suffered on their way to triumphs, celebrity, fame, and wealth are irrelevant to their performance in their chosen sports—except for Simone Biles.

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Sunday Ethics Warm-Up, 8/1/2021: Simone Biles-Free Zone Edition!

Tower shooting

I don’t think that we need to debate the ethics of deranged mass shootings. The first one I was ever aware of occurred on this date in 1966. Charles Whitman, a former Eagle Scout and Marine, brought a stockpile of guns and ammunition to the observatory platform atop a 300-foot tower at the University of Texas. He had packed food and other supplies, and before settling in for 90 minutes of deadly target practice, killing some victims from as far away as 500 yards—he was a trained marksman—Whitman killed the tower receptionist and two tourists. He eventually shot 46 people, killing 14 and wounding 32 before being killed by police. The night before, on July 31, Whitman wrote a note saying, “After my death, I wish an autopsy on me be performed to see if there’s any mental disorders.” Whitman then went to his mother’s home to murder her, using a knife and a gun. He returned home to stab his wife to death.

Whitman’s story does raise medical ethics issues. He was seeing a psychiatrist, and in March told him that he was having uncontrollable fits of anger. Whitman apparently even said that he was thinking about going up to the tower with a rifle and shooting people. “Well, your hour is up, Mr. Whitman. Same time next week, then?” The intersection of mental illness with individual rights continues to be an unresolved ethics conflict 54 years later. In addition, the rare but media-hyped phenomenon of mass shootings has become a serious threat to the right of sane and responsible Americans to own firearms. See #5 below.

1. The King’s Pass in show business. A new book by James Lapine tells the antic story of how the Sondheim musical “Sunday in the Park With George” came to be a Broadway legend. Lapine wrote the book and directed the show. The cult musical—actually all Sondheim shows are cult musicals–eventually won a Pulitzer Prize ( you know, like the “1619 Project”) and bunch of Tony nominations. I was amazed to read that the show’s star, Mandy Patinkin, at one point walked out on the production and was barely persuaded to return. Lapine writes that he never fully trusted Patinkin again. Why does anyone trust him? In fact, how does he still have a career? Patinkin has made a habit of bailing on projects that depended on him. He quit “Chicago Hope,” and later abandoned “Criminal Minds,” which had him as its lead. To answer my own question, he still has a career because of “The King’s Pass,” Rationalization #11. He’s a unique talent, unusually versatile, and producers and directors give him tolerance that lesser actors would never receive. Mandy knows it, too, and so he kept indulging himself, throwing tantrums and breaking commitments, for decades. He appears to have mellowed a bit in his golden years.

2. Speaking of Broadway, the ethical value missed here is “competence”…There is more evidence that the theater community doesn’t realize the existential peril live theater is in (the medium has been on the endangered list for decades) as it copes with the cultural and financial wreckage from the Wuhan Virus Ethics Train Wreck. Just as theaters are re-opening, the Broadway theater owners have decreed that audience members will be required to wear masks at all times.

I have one word for that: “Bye!” Maybe some fools are rich, submissive and tolerant enough to pay $100 bucks or more for the privilege of being uncomfortable for three hours. Not me. My glasses fog up when I wear masks. I have been vaccinated; I’m fairly sure I was exposed to the virus before then and had minimal symptoms, and much as I believe in live theater, I will not indulge the politically-motivated dictatorship of virtue-signalling pandemic hysterics. The industry is cutting its own throat, but then theater has never been brimming with logic or common sense.

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