Like all holiday movies, “Planes, Trains and Automobiles” has ethics at the core of its metaphorical heart, though not to the extent of “It’s a Wonderful Life,” “White Christmas” or “Miracle on 34th Street,” the objects of the three Ethics Alarms holiday ethics companions. (Is there another film I should add to the series?) But it really takes effort—and pernicious bias—to claim that the John Hughes classic contains a “dangerous” pro-capitalist message, as SUNY Purchase College Professor Mtume Gant claimed on the insane leftist podcast “Millennials are Killing Capitalism” with host Jared Ware.
The podcast describes itself as a “platform for communists, anti-imperialists, Black Liberation movements, ancoms, left libertarians, LBGTQ activists, feminists, immigration activists, and abolitionists to discuss radical politics, radical organizing and share their visions for a better world.” Great. And it has to dig so deep for topics that it stoops to searching for sinister messages in a formulaic holiday movie?
Steve Martin plays an up-tight ad exec whose asshole tendencies emerge regularly when he gets involved in holiday travel hell as most of us have. He is desperately trying to get home to spend Thanksgiving with his family because it’s what you do, that’s all: he’s also especially sentimental about it. But circumstances conspire to force him to battle his way from Manhattan to Chicago with a gregarious shower-ring salesman (John Candy) who is his emotional and intellectual opposite.
It’s “The Odd Couple” crossed with “A Christmas Carol,” as Martin learns the values of empathy, kindness and good will by the end of the movie, while Candy, who has no family, is embraced by Martin’s in the misty-eyed finale.






