Tide Commercial Reflections–with Acti-Lift!

This post isn’t going to have any additional ethical musings on the Tide commercials themselves, for I am sick to death of them, and almost as sick of arguing about them. What I have been thinking about instead is what to glean from the fact that an ethics critique of a 30 second laundry soap commercial has become the most viewed post on Ethics Alarms after fourteen months and about 1,100 posts, and has generated more debate than all but a few other issues.

Not that I much mind becoming the apparent ethics authority on Tide (with Acti-Lift!).  It’s a small niche, but at least it’s a niche. If you Google almost anything about the original commercial—“green shirt” and Tide, for example—Ethics Alarms is the first non-Tide site that gets listed. Still, with carefully considered ( and occasionally proofed) posts on politics, immigration, global warming, education, sex, law enforcement competing with it for attention, my ethics review of a TV commercial has attracted far more interest than any one of them.

Why? My thoughts: Continue reading →

The Second Annual Ethics Alarms Awards: The BEST of Ethics 2010

The Best in Ethics 2010. Not nearly long enough…but still a lot of men, women and deeds worth celebrating.

Most Important Ethical Act of the Year: Continue reading →

Ethics Dunce: Red Medicine Owner Noah Ellis

Red Medicine is a Beverley Hills restaurant; Noah Ellis is the owner. S. Irene Virbila is the Los Angeles Times restaurant critic, who, like most U.S. food critics, works at staying anonymous, which she had successfully done for sixteen years. Not being recognized served the needs of diners, who want to know what the food and service is likely to be at an eating establishment when the customer isn’t preparing to write a critique that can make the difference between a restaurant’s long-term success or failure.

Last week, Noah Ellis intentionally destroyed Virbila’s ability to perform this service, or at least made it more difficult. Continue reading →

The Second Annual Ethics Alarms Awards: The Worst of Ethics 2010 (Part 2)

The final categories in the Worst of Ethics 2010. Coming up: The Best of Ethics, 2010.

(If you missed Part 1 of the Worst, go here.)

Worst Ethics Presentation: “Ethics in Politics: An evening with Former Governor Rod Blagojevich” (Presented to its students by Northwestern University) Continue reading →

Hall of Fame Ethics: The Jeff Bagwell Dilemma

Members of the Baseball Writers Association of America have been turning in their ballots for the Hall of Fame, their collective totals eventually determining which retired major league baseball stars will have plaques in Cooperstown. If you follow baseball closely, you are aware of the big debates this year: Is Tim Raines worthy? Will Bert Blyleven finally make it? Has Alan Trammel been unfairly neglected? What about Jack Morris and Roberto Alomar? If you don’t follow baseball, you couldn’t care less, and I pity you. One controversy this year, however, should be of interest to non-fans as well as fans, because it involves the proper application of the ethical principles of fairness and equity in an environment of doubt. It is the Jeff Bagwell dilemma. Continue reading →

The Ethics of Reviewing “Spiderman: Turn Off The Dark” During Previews

John Simon, long the toughest of American theater critics and undeniably the most erudite and eloquent writer among them, has launched a blog. His very first post is on an ethical issue: is it ever appropriate for a critic to review a Broadway show that is still in previews?

The issue has emerged because the much-anticipated and incredibly expensive Spiderman musical, Spiderman: Turn Off The Dark, has been engulfed in all kinds of intrigue since the very first preview: falling actors, injuries, malfunctioning sets and special effects, and most recently the surprise withdrawal of the show’s leading lady. A couple of critics, Jeremy Gerard of Bloomberg News and Linda Winer of Newsday could not resist paying for tickets and coming uninvited to performances, resulting in one diagnostic feature story on the production’s progress (by Winer) and one full, and not very complimentary, review by Gerard. Simon properly calls foul, describing the act of reviewing a show before its official opening as the equivalent “grabbing a dish from a restaurant kitchen before it is fully cooked, and then judging the meal by it.”

Exactly. The critics have their rationalizations ready, naturally. The musical is the most expensive in Broadway history. Is that a reason to suspend critical fairness? There is unusual interest in the show and its pre-opening travails. Should the degree of interest suspend long-standing critical standards? The usual excuse, also trotted out in this case, is that preview audiences are paying regular show prices—up to $300 a seat—to see the production right now. Isn’t this a case of “the public has a right to know” if the show is a stinker or not?

No, it isn’t. Broadway audiences know that previews are early glimpses of works in progress, and that is part of their appeal. The audiences for previews are part of the creative process, for how they react to a performance will help decide what stays and what gets cut. The prices they pay for the privilege of being Broadway guinea pigs are fair if they choose to pay them. Continue reading →

SyFy and the Absence of Integrity: A Case Study

At TV.com, there is a fascinating account of the evolution of the Sci Fi Channel, once cable’s reliable source for science fiction programming, into SyFy, which is nothing of the sort. As the article points out, the two individuals who have run the channel since 2002, Bonnie Hammer and Dave Howe, appear not to like, understand, or trust the genre their channel supposedly was dedicated to advancing. Now, having cancelled the two shows its science fiction fans most enjoyed, “Caprica” and “Stargate Universe,” SyFy is a bona fide whatsis, with a schedule that includes professional wrestling, cheesy horror movies, ghost hunter and psychic reality shows, and whatever else Hammer and Howe think will attract what they regard as a non-geek audience.

Here is the problem: Continue reading →

Gee, Thanks a Bunch, Chris…Big Lie Ethics and Obama’s Birth Certificate

Great. Now Chris Matthews is giving support to the birther conspiracy theory.

The excitable MSNBC host recently asked why President Obama doesn’t just put the suspicion and rumors to rest by giving the OK for Hawaii to release his original birth certificate, thus proving that he was born a U.S. citizen and ending the claims that Obama is really foreign-born and never was eligible to become President of the United States. By lending his credibility and perceived legitimacy to the lament of the birthers, Matthews has engaged in irresponsible conduct and done a disservice to the President, the office of the President and the nation. Continue reading →

“True Grit” Ethics

I haven’t seen the remake of “True Grit,” but I know I will, and like many other fans of the original 1969 version, I’m trying to conquer my biases. The latest effort by the usually brilliant Coen brothers creates ethical conflicts for me, and I am hoping I can resolve them right now. Can I be fair to their work, while being loyal to a film that is important to me for many reasons?

The original, 1969 “True Grit” won John Wayne his only Oscar for his self-mocking portrayal of fat, seedy law man Rooster Cogburn, 

who is hired by a young girl to track down her father’s murderer. I love the film; I saw it on the big screen nine times, in fact. Remaking it with anyone else in the starring role feels like an insult, somehow, as if the Duke’s version was somehow inadequate.

Intellectually, I know that’s nonsense. Artists have a right to revisit classic stories and put their personal stamp on them, and they should be encouraged to do it. Every new version of a good story, if done well, will discover some unmined treasure in the material. Why discourage the exploration? Continue reading →

Unintended Consequences of Carelessly Written Ethics Rules Dept: Alaska Admits That Palin Was Victimized

Once she had annoyed the Left and  sparked a media vendetta against her during the 2008 presidential campaign, Alaska Governor Sarah Palin was a marked woman. She had made some serious ethical missteps in the handling of her ex-brother-in-law’s employment with the state, but most of the ethics complaints made against her—there were over twenty-five—were pure harassment, generated by political foes. Unfortunately, Alaska has previously responded to its long history of official corruption by establishing a system that allowed any citizen to file an ethics complaint against a governor and trigger an investigation, leaving the targeted official to foot the bill. Nothing in the procedure prevented frivolous or malicious complaints, and that’s what most of what the complaints against Palin were.

Now, as of December 22, the law has changed. Continue reading →