Literature

The Wrestler, the Girl, and Cultural Confusion

/ Jack Marshall / 7 Comments

"Wanna wrestle?"

Sixteen-year-old high school sophomore wrestler Joel Northrup forfeited his match against a fourteen-year-old wrestler with two X chromosomes, Cassy Herkelman, at the Iowa state wrestling championships, saying that “As a matter of conscience and my faith I do not believe that it is appropriate for a boy to engage a girl in this manner.” Obviously Herkelman didn’t require protection from anyone or anything. She was her district’s 112-pound champion wrestler, and she won the Iowa championship for her class as well.  Cassie had won 20 of 33 matches, all against male wrestlers, on her way to the state championship. Maybe Northrup didn’t want to risk being ridiculed for losing to a girl; maybe he was uncomfortable with the sexual overtones of an inter-gender contest. All we can do is assess his conduct by taking him at his word: he believes a young man wrestling a young woman is morally wrong, and was willing to forfeit a match he might have won. Joel was, after all, the fifth-ranked wrestler in the state at 112 pounds, and had a 35-4 record.

Was his decision admirable, or sexist? Was it gentlemanly, or demeaning? Continue reading →

Aesop’s Unethical and Misleading Fable: “The North Wind and the Sun”

/ Jack Marshall / 42 Comments

Today, by happenstance, I heard an Aesop’s Fable that I had never encountered before recited on the radio. Like all Aesop’s Fables, this one had a moral, and it is also a statement of ethical values. Unlike most of the fables, however, it doesn’t make its case; it is, in fact, an intellectually dishonest, indeed an unethical, fable.

It is called “The North Wind and the Sun,” and in most sources reads like this:

“The North Wind and the Sun disputed as to which was the most powerful, and agreed that he should be declared the victor who could first strip a wayfaring man of his clothes. The North Wind first tried his power and blew with all his might, but the keener his blasts, the closer the Traveler wrapped his cloak around him, until at last, resigning all hope of victory, the Wind called upon the Sun to see what he could do. The Sun suddenly shone out with all his warmth. The Traveler no sooner felt his genial rays than he took off one garment after another, and at last, fairly overcome with heat, undressed and bathed in a stream that lay in his path.”

The moral of the fable is variously stated as “Persuasion is better than Force” , or “Gentleness and kind persuasion win where force and bluster fail.”

The fable proves neither. In reality, it is a vivid example of dishonest argument, using euphemisms and false characterizations to “prove” a proposition that an advocate is biased toward from the outset. Continue reading →

WSJ’s James Taranto Flunks His Ethics Test

/ Jack Marshall / 3 Comments

A longtime Taranto fan, I was waiting for his Monday installment of his “Best of the Web” blog on te Wall Street Journal site to see if he would retract his flat-out wrong and grossly unfair characterization of the Missoula “Mikado.” Alas, he chose to double down, apparently in thrall to a conservative, Gilbert and Sullivan deprived readership:

“On Friday we noted that a theater company in Montana had inserted into its production of Gilbert and Sullivan’s “The Mikado” a lyric calling for the beheading of Sarah Palin. By the close of business that same day, Michael McGill, executive director of MCT Inc., had announced remedial action…”

[The lyric, once again, is: “And that crazy Sarah Palin, needs a psychoanalyst!  She never would be missed.  No. She never would be missed.” Would any fair, sane, English comprehending person say that this “calls for the beheading of Sarah Palin”? Of course not.  Yet there it is.]

Thus Taranto follows a pattern I have noticed among many of the false critics of the production. They don’t seem to care what the facts are, or what is fair. They just want to rise to poor Sarah’s defense, and are willing to victimize an innocent small theater company of very nice, talented, dedicated people to do it.

Ah, James, I have misjudged you, I fear.

Ethics Train Wreck Report: Lessons, Ethical and Otherwise, of the Missoula “Mikado” Mess

/ Jack Marshall / 19 Comments

Much of my weekend was occupied by reading, writing, thinking, and talking about the bizarre controversy over a community theater production of Gilbert and Sullivan’s “The Mikado,” which, by a series of misunderstandings, misdeeds, hypocrisies and journalistic malpractice, has created much anger and unhappiness for no legitimate reason at all. If you are late to the story and want to catch up, you can do so here, here, here, and here.

For the first and perhaps only time I can honestly say that Ethics Alarms is the most reliable source on a story. There may be plenty of ethicists who are more knowledgeable, scholarly, prudent and experienced than I am regarding ethics theory, but none of them knows this topic—Gilbert and Sullivan and “The Mikado”, like I do. I have 50 years experience performing, directing, studying, parodying and laughing at the works of these Victorian geniuses. The second I read the astoundingly wrong-headed interpretation being attached to the Missoula Community Theatre’s inclusion of Sarah Palin in Ko-Ko’s famous song “I’ve Got a Little List,” I surmised exactly what was going on, and my assessment has been confirmed by everything that has come to light since.

I will summarize what we now know in brief (well, briefer than reading all the posts) form:

Continue reading →

Further Ethical Musings on Ko-Ko’s Little List’s “Eliminationist Rhetoric”: the Duty to Fight the Insanity

/ Jack Marshall / 7 Comments

The more I think about the controversy over the Montana production of “The Mikado,” which I discussed in the previous post, the more it bothers me.

The fact that some conservative Missoulans were disturbed by Sarah Palin’s inclusion on the iconic “little list” carried by the fictional Ko-Ko, the Lord High Executioner in Gilbert and Sullivan’s classic musical comedy “The Mikado” is disturbing. The fact that the Missoula Community Theater actually caved-in to ignorance and hypersensitivity and removed the lyric is more so.  but the fact that some sensible commentators, like the Wall Street Journal’s usually perceptive and witty James Taranto, have had their brains addled by the current attempt at language, metaphor and humor purging by politically correct hysterics is genuinely terrifying. Continue reading →

Next: A Version of “The Mikado” Without Execution References

/ Jack Marshall / 30 Comments

For a text-book example of how political correctness, ideology, ignorance and a humor deficit can undermine speech, culture and entertainment, we need look no further than Montana, and its public critics of the Missoula Community Theater’s production of “The Mikado,” perhaps the best of all Gilbert and Sullivan operettas and one of the very best musical comedies ever written. Continue reading →

Michael Palmer’s Ethics No-Brainer

/ Jack Marshall / 10 Comments

Physician/novelist Michael Palmer is something of the new Michael Crichton, though unlike the eclectic late author of “Jurassic Park,” Palmer generally restricts himself to medical thrillers. He is promoting his latest novel, “A Heartbeat Away,” with a series of “ethics brainteasers,” as he called them in a recent Twitter post. Here is the latest, which he posted on his Facebook page and asked fans to discuss:

“What if a close friend confides to you that he/she has committed a heinous crime and you promise that you’ll never tell. However, you soon discover that an innocent person has been accused of the crime and is possibly facing significant jail time. You plead with your friend to give him/herself up, but he/she refuses and reminds you of the promise. What should you do? What if the if jail time was only a few months? What if the sentence was death?” Continue reading →

“Finishing the Hat”: Sondheim, W.S. Gilbert, and Expert Malpractice

/ Jack Marshall / 10 Comments

Stephen Sondheim’s “Finishing the Hat” is a fascinating reflection on a remarkable career and the craft of making musicals by the greatest living master of the form. In the course of recounting his formative years, triumphs, failures, and duels with producers, authors and composers, Sondheim also critiques the lyrics of his predecessors, contemporaries and role models—as long as they are dead. In a nod to gentility or cowardice, the only living lyricist he subjects to his expert critiques is himself.

Sondheim is a tough judge, as one might expect from a composer/lyricist who meticulously measures each vowel sound and stressed syllable for maximum effect. He is also, by virtue of both his reputation and technical expertise, an influential one. The lyricists he grades highly in the book, such as Frank Loesser, Cole Porter and Dorothy Fields, are likely to have their reputations burnished by his praise, and those he slams, like Lorenz Hart and Noel Coward, will suffer by comparison. Because of this, Sondheim had an obligation, as a respected expert in his field, to make each case carefully and fairly. To his credit, Sondheim seems to recognize this, and all of his critical discussions of an individual lyricist’s style and quirks include specific examples and careful analysis. We may disagree with Sondheim as a matter of personal taste, but it is difficult to argue with his specific points, because they are backed up by examples, technical theory, and the weight of his authority.

It is therefore surprising and disappointing to see Stephen Sondheim slide into expert malpractice when he undertakes, clearly half-heartedly, a critique of the lyrics of W.S. Gilbert, of Gilbert and Sullivan fame. Continue reading →

Mr. Friedkin? Mr. Hawks? Meet Mr. Madison and Mr. Twain

/ Jack Marshall / 32 Comments

It was Saturday Censorship at the Movies last night in Cable Land.

First, I got to watch that manly channel, Spike, blanch at showing a possessed 12-year-old girl use the work “fuck”, which, as you horror devotees know, is a word rather central to showing how she has been taken over, like Helen Thomas, by the demon Pazuzu. There was Linda Blair, as the suddenly possessed Regan O’Neill, bouncing rhythmically on her bed as her horrified mother and physician looked on, shouting “—Me!—Me!—Me!”, apparently horrifying them with a noisy outbreak of egocentricity. The later scene in which the Demon Child is found masturbating with a crucifix was also clumsily chopped up so it was impossible to figure out what was going on. Continue reading →

Mr. Madison, Meet Mr. Twain

/ Jack Marshall / 3 Comments

Whitewashing America’s past doesn’t honor it, burnish it, or repair it. All it accomplishes is making present-day Americans ignorant, naive, cocky and shallow. American society deserves respect for recognizing its ethical and moral errors and misconceptions, debating them, and remarkably often, fixing them. This is another reason why the new volume of Mark Twain masterpieces omitting his pointed use of the word “nigger” does damage to history and culture. It is also the reason why the Republican-led reading of the Constitution should have included all of the Constitution, including the document’s initial support of slavery.

It didn’t. Continue reading →