For a text-book example of how political correctness, ideology, ignorance and a humor deficit can undermine speech, culture and entertainment, we need look no further than Montana, and its public critics of the Missoula Community Theater’s production of “The Mikado,” perhaps the best of all Gilbert and Sullivan operettas and one of the very best musical comedies ever written. Continue reading
Physician/novelist Michael Palmer is something of the new Michael Crichton, though unlike the eclectic late author of “Jurassic Park,” Palmer generally restricts himself to medical thrillers. He is promoting his latest novel, “A Heartbeat Away,” with a series of “ethics brainteasers,” as he called them in a recent Twitter post. Here is the latest, which he posted on his Facebook page and asked fans to discuss:
“What if a close friend confides to you that he/she has committed a heinous crime and you promise that you’ll never tell. However, you soon discover that an innocent person has been accused of the crime and is possibly facing significant jail time. You plead with your friend to give him/herself up, but he/she refuses and reminds you of the promise. What should you do? What if the if jail time was only a few months? What if the sentence was death?” Continue reading
Stephen Sondheim’s “Finishing the Hat” is a fascinating reflection on a remarkable career and the craft of making musicals by the greatest living master of the form. In the course of recounting his formative years, triumphs, failures, and duels with producers, authors and composers, Sondheim also critiques the lyrics of his predecessors, contemporaries and role models—as long as they are dead. In a nod to gentility or cowardice, the only living lyricist he subjects to his expert critiques is himself.
Sondheim is a tough judge, as one might expect from a composer/lyricist who meticulously measures each vowel sound and stressed syllable for maximum effect. He is also, by virtue of both his reputation and technical expertise, an influential one. The lyricists he grades highly in the book, such as Frank Loesser, Cole Porter and Dorothy Fields, are likely to have their reputations burnished by his praise, and those he slams, like Lorenz Hart and Noel Coward, will suffer by comparison. Because of this, Sondheim had an obligation, as a respected expert in his field, to make each case carefully and fairly. To his credit, Sondheim seems to recognize this, and all of his critical discussions of an individual lyricist’s style and quirks include specific examples and careful analysis. We may disagree with Sondheim as a matter of personal taste, but it is difficult to argue with his specific points, because they are backed up by examples, technical theory, and the weight of his authority.
It is therefore surprising and disappointing to see Stephen Sondheim slide into expert malpractice when he undertakes, clearly half-heartedly, a critique of the lyrics of W.S. Gilbert, of Gilbert and Sullivan fame. Continue reading
It was Saturday Censorship at the Movies last night in Cable Land.
First, I got to watch that manly channel, Spike, blanch at showing a possessed 12-year-old girl use the work “fuck”, which, as you horror devotees know, is a word rather central to showing how she has been taken over, like Helen Thomas, by the demon Pazuzu. There was Linda Blair, as the suddenly possessed Regan O’Neill, bouncing rhythmically on her bed as her horrified mother and physician looked on, shouting “—Me!—Me!—Me!”, apparently horrifying them with a noisy outbreak of egocentricity. The later scene in which the Demon Child is found masturbating with a crucifix was also clumsily chopped up so it was impossible to figure out what was going on. Continue reading
Whitewashing America’s past doesn’t honor it, burnish it, or repair it. All it accomplishes is making present-day Americans ignorant, naive, cocky and shallow. American society deserves respect for recognizing its ethical and moral errors and misconceptions, debating them, and remarkably often, fixing them. This is another reason why the new volume of Mark Twain masterpieces omitting his pointed use of the word “nigger” does damage to history and culture. It is also the reason why the Republican-led reading of the Constitution should have included all of the Constitution, including the document’s initial support of slavery.
From Publishers Weekly:
“Mark Twain …defined a “classic” as “a book which people praise and don’t read.” Rather than see Twain’s most important work succumb to that fate, Twain scholar Alan Gribben and NewSouth Books plan to release a version of Huckleberry Finn, in a single volume with The Adventures of Tom Sawyer, that does away with the “n” word (as well as the “in” word, “Injun”) by replacing it with the word “slave.”
“This is not an effort to render Tom Sawyer and Huckleberry Finn colorblind,” said Gribben, speaking from his office at Auburn University at Montgomery, where he’s spent most of the past 20 years heading the English department. “Race matters in these books. It’s a matter of how you express that in the 21st century.”
No law can stop Gribben and NewSouth from doing this vandalism to Twain’s classics. The two books are firmly ensconced in the realm of the public domain: no longer subject to copyright, Huckleberry Finn and The Adventures of Tom Sawyer can be published in Pig Latin or with all the characters transformed into Martians. Still, it is wrong, obviously wrong and inexcusably wrong, and the most responsible thing any of us can do in the name of respect for literature, authors, American history, and education is to say so as vociferously as possible in as many ways and media as possible, so no misguided, politically correct fool will ever be tempted to do anything like this again. Continue reading
I haven’t seen the remake of “True Grit,” but I know I will, and like many other fans of the original 1969 version, I’m trying to conquer my biases. The latest effort by the usually brilliant Coen brothers creates ethical conflicts for me, and I am hoping I can resolve them right now. Can I be fair to their work, while being loyal to a film that is important to me for many reasons?
The original, 1969 “True Grit” won John Wayne his only Oscar for his self-mocking portrayal of fat, seedy law man Rooster Cogburn,
Intellectually, I know that’s nonsense. Artists have a right to revisit classic stories and put their personal stamp on them, and they should be encouraged to do it. Every new version of a good story, if done well, will discover some unmined treasure in the material. Why discourage the exploration? Continue reading
Benjamin Franklin recognized the importance of regularly focusing one’s attention on ethical conduct rather than the usual non-ethical goals, needs, desires and impulses that occupy the thoughts of even the most virtuous among us. He suggested that every morning an individual should challenge himself to do good during the day. In the 21st century psychologists call this “priming,” a form of beneficial self-brain-washing that plants the seeds of future choices.
The Christmas season operates as an effective form of mass population priming, using tradition, lore, music, poetry, ritual, literature, art and entertainment to celebrate basic ethical virtues and exemplary conduct toward other human beings. Continue reading
Last year, a three-year old opened a Christmas present and told off his parents when he discovered a book instead of a toy. So amuses were the parents at their offspring’s absence of gratitude and manners that they put the video of his disappointed response on YouTube. This Christmas, the video has gone suddenly viral, and there are dozens of web posts all over cyberspace holding the little ingrate up as an exemplar of all that’s wrong with Christmas, children, America, materialism, and more. Many commenters are suggesting just desserts for this budding illiterate, like no Christmas presents at all, nothing but books as presents from now until puberty, or nothing but books by Dean Koonzt, Sarah Palin, or Marcel Proust. That’ll teach him. Continue reading
Yesterday, as she fumed at President Obama’s compromise with Republican to preserve most of the Bush tax cuts for two more years, MSNBC’s Rachel Maddow did something she has scrupulously avoided doing in the past: she actually called the President on an outright lie. Mocking Obama’s claim that he got major concessions from Republicans, Maddow read a series of reports proving that the “Child Tax Credit,” which Obama had said was something he had to bargain to get included in the package against GOP opposition, was in fact something the Republican leadership always supported. Good for her…except…. Continue reading
Ethics Alarms 