Popular Culture

Iconic Movie Hero Ethics: The Humiliation Of Indiana Jones

/ Jack Marshall / 21 Comments

One upon a time, Hollywood showed respect to its greatest movie heroes. They deserved it, after all. We never had to see what became of Rick Blaine as he battled the Nazis. We never had to watch Scarlet chase Rhett. Nobody made as watch the plucky Hickory High School basketball team try to hold on to its title the next year after its miracle triumph. Hollywood got greedy (greedier), though, as imaginations ran out and audiences looked elsewhere for their entertainment. And thus the sublime ending of “Rocky” (“There ain’t gonna be no rematch!” “Don’t want one!”) was eroded and superseded by endless inferior sequels. “Star Wars” ended with a jubilant celebration of victory over the Empire and the characters happy, safe, and young, but studio finances dictated that it all had to be diluted with inferior and derivative prequels and sequels, with audiences being tortured by aging husks of Leia, Luke and Han Solo, instead of allowing them to be preserved in our memories as immortal, like legends should.

Now it’s Indiana Jones’ turn. Spielberg and Lucas already set up the perfect farewell for Indy in the third of the original trilogy, flawed as it was. We saw him ride off with his father and Marcus Brody into the sunset after drinking from the Holy Grail, which should have conferred eternal youth. Perfect!

They couldn’t let it go, though, or the studio couldn’t, or Spielberg’s alimony, or something. So we had to watch, many years later, an over-the-hill Indy in a jumping-the-shark fourth film that George Lucas signaled would stretch out the franchise ad infinitum by symbolically passing The Hat on to Indiana’s newly discovered son, the then young and promising Shia LaBeouf.

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Latest Development In The Search For The Greatest Stupid During The Age Of The Great Stupid: On Broadway, A “Good Racism” Classic!

/ Jack Marshall / 11 Comments

I have come to the realization that those apathetic, half-awake Americans who shrug off the creeping fanaticism of the antiracism, “diversity, equity and inclusion” mob must not follow developments in the show business and entertainment world, for there the most throbbingly stupid and hypocritical outbreaks of The Great Stupid inevitably occur.

Last month, the ridiculous non-traditional casting version of “1776” opened. Ethics Alarms has discussed it a couple of times: the conceit of casting the Founding Fathers as female, non-binary, trans colonials of color is a naked “Hamilton” rip-off that mocks the show and our history for political grandstanding. As anyone could have predicted, it stinks, though the naturally sympathetic and woke theatrical critic community didn’t have the guts or integrity to say so outright. No, most of them just issued mealy-mouthed deflections like the Times critic, who wrote in part after delivering the mandatory “what a good idea!” virtue-signaling about what was always, absent a miracle, a wretched idea…

….the performances are so vastly histrionic and unchecked by the social situation (this is Congress, after all) that they seem inside-out….It does not help that the new arrangements and orchestrations, aiming to refresh the songs’ profiles in the way the casting is meant to refresh the story, merely make them muddy — and make many of the lyrics unintelligible….

When performers mime the emotions we should be having, the storytelling contract has been broken….What a wasted opportunity!…Instead we get subtracted value. I don’t mean for the cast, who deserve the opportunity, or even for the theater as an industry and an ecosystem….But underlining one’s progressiveness a thousand times, as this “1776” does, will not actually convey it better; rather it turns characters into cutouts and distracts from the ideas it means to promote…. theater makers should have enough faith in the principles of equity and diversity to let them speak for themselves. Are they not, as someone once put it, self-evident?

But of course equity and diversity are not self-evident, and the complete confusion over casting ethics demonstrates this fact beautifully. Let’s see: BIPOC performers can be cast as anyone, regardless of color, ethnicity, gender or race, but white performers can only play white characters. Turning a white fictional character black is to be desired whenever possible (Tangent: My CVS is filled with black Santa dolls and images. Where are the Hispanic and Asian Santas?) but making a fictional character of color (a FCOC) white is “white-washing,” and racist. “The Simpsons” won’t allow white vocal actors to do the voices of a black doctor or an Indian 7-11 owner, but Will Smith can voice a Middle Eastern genie without controversy. Ariel the Little Mermaid will be sung by a black actress; true, they turned Arial black first, but don’t think the same actress wouldn’t  have voiced her if they hadn’t: Diversity! Inclusion! Meanwhile, Tom Hanks said it was wrong for him to be cast as a gay man, though gay men portray about 50% of all the heterosexuals you see on screen and stage.

Clear? Of course not! These aren’t rules or principles: this is racially motivated Calvinball, compensatory racism and related discrimination under the cloak of imaginary virtue.

And yet we hadn’t reached peak stupid yet. Is this latest episode it? Probably not, but behold: Continue reading →

Oh! Now After Eight Years Of Accusing A Renowned Law Professor And Lawyer Of Sexual Assault, You Now Think You “May Have Been Mistaken!” Sure, OK!

/ Jack Marshall / 6 Comments

Wait, what?

Someone here has been very unethical, and probably criminal. I wonder who?

From the New York Times:

Virginia Giuffre, a victim of Jeffrey E. Epstein who for years maintained that the law professor Alan Dershowitz had sexually assaulted her when she was a teenager, settled a defamation lawsuit against Mr. Dershowitz on Tuesday and said that she might have “made a mistake” in accusing him.

In a joint statement announcing the settlement, Ms. Giuffre said, “I have long believed that I was trafficked by Jeffrey Epstein to Alan Dershowitz. However, I was very young at the time, it was a very stressful and traumatic environment, and Mr. Dershowitz has from the beginning consistently denied these allegations.

“I now recognize I may have made a mistake in identifying Mr. Dershowitz,” her statement said.

The joint statement announced the end of litigation between Ms. Giuffre and Mr. Dershowitz — who had also sued her — as well as of two other lawsuits between Mr. Dershowitz and the lawyer David Boies that stemmed from Ms. Giuffre’s accusation….

The terms of Ms. Giuffre’s deal with Mr. Dershowitz were not immediately clear on Tuesday, though the statement and the court filing said that no payments were made by any of the parties.

I don’t understand this at all. Is there any doubt that there is a lot, including a secret, back room agreement, that we are not being told about? My mind is still a bit foggy, so I can’t recall all of the movies I have seen where crucial witnesses in mysteries, crimes and conspiracies making almost the exact same statement Virginia Giuffre is quoted as making, recanting previous accusations and assertions they appeared to be absolutely certain of but suddenly had second thoughts after finding their dog hanging from a tree, or a horse head in their bed, or receiving a third party check for a lot of money. But boy, there are a lot of them. Continue reading →

Morning Ethics Warm-Up, 11/7/2022: Approaching Dread Edition

/ Jack Marshall / 8 Comments

Speaking of threats to democracy: this is the anniversary of the day in 1944 that voters elected Franklin Delano Roosevelt to a fourth consecutive term. There is little question in my mind that had FDR been healthier, he was perfectly capable of deciding to run for fifth and sixth terms too; this was a looming American dictator who wasn’t hiding it, and Americans still blithely voted for him. Everything about Roosevelt made him the template for a democracy-busting, cult-of-personality Big Brother USA, including his ruthlessness. We were lucky: another of the many examples proving Bismarck right when he said, “There is providence that protects idiots, drunkards, children, and the United States of America.”

Oh, he probably didn’t say it, but I’ve taxed quote maven Tom Fuller enough for one week…

1. For my own mental health, I’m going to eschew reading the pre-election freak-outs by New York Times pundits showing up today with titles like “Republicans Have Made It Very Clear What They Want to Do if They Win Congress” and “Dancing Near the Edge of a Lost Democracy.” Still, I couldn’t resist starting to read “What Has Happened to My Country?” but quit when Margaret Renkl made me read, “…Right-wing politicians and media outlets have turned American democracy upside down through nothing more than a lie. They put forth Supreme Court candidates who assure Congress that they respect legal precedent but who vote to overturn Roe vs. Wade the instant they have a majority on the court….”

There is nothing inconsistent about respecting precedent while deciding that a particular case precedent is too misguided and destructive to uphold, Margaret.

“…They endorse political candidates who openly state that they will accept only poll results leading to their own election….”

No candidate has stated that, openly or otherwise, Margaret, you hack.

“They denounce calamities where no calamities exist…”

That was it! I quit. A mouthpiece for the party claiming that electing Republicans will destroy democracy, whose #3 ranking official in Congress compares the U.S. today to Germany in the 1930s when Hitler was on the rise [Pointer: Other Bill], that thinks “The Handmaiden’s Tale” is about to become reality because of the Dobbs decision, and that has gone all in on speculative climate change doomsday predictions does not get to say that about Republicans and be taken seriously.

2. Dangerous slippery slopes ahead….NBA superstar Kylie Irving shared a tweet that promoted the “Hebrews to Negroes: Wake Up Black America” documentary and book. Both are, by all reports, pretty vile, with familiar anti-Semitic tropes like Holocaust denial and claims of a world-wide Jewish conspiracy. There is nothing inappropriate about employers disciplining employees who put their organizations in unflattering light that might hurt reputations and profitability, nor with the Brooklyn Nets suspending Irving for “at least five games” without pay over the controversy. That’s reasonable, even a bit lenient. He responded with a publicist-drafted apology. Then Nike announced that it is suspending its relationship with Irving and will not release Irving’s highly anticipated new shoe, the Kyrie 8, which was scheduled to be released this month.

That’s also fair. A celebrity who represents a corporation and its products can’t engage in high profile prejudice and expect to keep the gig. The loss of the Nike deal will cost Irving many millions of dollars, and that’s what happens when you embarrass a business partner. However, now the Nets have given Irving an ultimatum of sorts: in order to rejoin the team and start collecting his salary, he must.fulfill six requirements:

  • Apologize and condemn the film he promoted
  • Make a $500,000 donation to anti-hate causes
  • Complete sensitivity training
  • Complete anti-semetism training
  • Meet with the ADL and Jewish leaders
  • Meet with team owner Joe Tsai to demonstrate an understanding of the situation

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Ethics Quiz: The Cartoon Quote

/ Jack Marshall / 34 Comments

I would, left to my own instincts, categorize this as a “When Ethics Alarms Don’t Ring” episode. But Legal Insurrection, a conservative commentary blog that I find to be usually reasonable, feels otherwise, so I’ll frame this as an ethics quiz.

Robert Ternansky, a lecturer at UC-San Diego, was interrupted by loud speaking  from the hallway outside his classroom. Ternansky walked into the hallway and seeing students he took to be Hispanic, immediately quoted the signature catch phrases of now politically incorrect Warner Bros. cartoon character Speedy Gonzalez, “The Fastest Mouse in All of Mexico”: “Sí, sí señor! Ándale, ándale! Arriba, arriba!”The video of the class also catches Ternansky  asking his students, “How do you say ‘quiet’ in Mexican?” One replies, it seems, “Caliente,” and the lecturer says,  “Caliente, huh? Help me. All I knew how to say was ‘Ándale, ándale, arriba, arriba.’ I don’t think that was — to be quiet? That’s like hurry up? Did I insult them?”

Apparently! Students complained, and the school responded with this statement:

UC San Diego officials were recently made aware of offensive and hurtful comments that a professor made in a chemistry class when video of the comments was posted to social media. At that time, the professor was engaged about his comments, and it was made clear to him that they do not reflect our community values of inclusivity and respect. The professor has since apologized to the students and will be doing so to others involved.

As a reminder to our community, and as was shared with media outlets who inquired, UC San Diego is committed to the highest standards of civility and decency toward all. We are committed to promoting and supporting a community where all people can work and learn together in an atmosphere free of abusive or demeaning treatment.

Your Ethics Alarms Ethics Quiz of the Day is, in the words of Legal Insurrection writer Mike LaChance…

“Does this strike anyone as a bit of an overreaction?”

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Mayberry Ethics

/ Jack Marshall / 21 Comments

A theme here at ethics alarms is that ethics, unlike morality, is fluid and dynamic. Society gains in ethical enlightenment over time with reflection and experience.

Since I have been severely limited in my activity of late, I found myself watching an episode of the classic sitcom “The Andy Griffith Show.” Many, indeed most, of the popular shows from the Fifties-Sixties era feel stilted and naive today, but not all of them: “The Andy Griffith Show” is one that holds up beautifully. Like many TV shows then (but few today), the continuing saga of Sheriff Andy Taylor’s challenges as a single dad and the center of sanity in a small town full of Southern eccentrics often focused on societal values and ethics lessons, though it never crossed into preachiness.

The episode I happened across, “One Punch Opie,” was about peer pressure and bullying. A new kid in town is bullying the other children to do things they shouldn’t, like raid Mr. Foley’s fruit and vegetable stands outside his store and steal apples and tomatoes. When Opie (the then-unbearably cute Ron Howard) refuses to follow the gang, the much larger kid threatens him. Opie ultimately confronts the boy who quickly proves that he is a coward, and backs down, ending his malign influence over the other boys.

The bullying theme was not what struck me about the episode, however. The new kid breaks a street lamp with an apple, and Sheriff Andy has Opie round up the other boys who witnessed the crime so he can have a chat with them. (The troublemaking new kid refuses to come along.) The boys all say they witnessed the act, but didn’t throw the fateful fruit. Andy tells them that he’ll let their error in judgment go this time, but the next time, he’ll tell their fathers. “And you know what that means,” Andy says. “It means you’ll get a whippin’!”

Yes, in 1962, a wise and reliably benign TV authority figure casually referenced corporal punishment—probably with a belt, no less, as Andy didn’t say “spanking”—- as a fact of childhood and responsible parenting. Nobody blinked. Sixty years later, such a statement would cause an uproar, and be considered an endorsement of child abuse.

What accepted conduct today will seem equally wrongful in sixty years?

The Failure Of “Bros”: Why Don’t Minorities Accept The Right Of Majorities To Feel Like They Do?

/ Jack Marshall / 39 Comments

Gee, what a shocking development! Non-gay audiences haven’t flocked to see a romantic comedy that advertises itself like that!

I’m a movie fan. I have lots of gay friends, family members and associates: I worked in the theater for decades. I respect them all; I support their right to live and love and marry whomever they please; I want them to be treated like any other law-abiding Americans in all things as they are judged solely on the content of their character, and regard discrimination and bias against them as despicable and unconscionable.

But I don’t enjoy watching gay sex and related activities.  I have every right to feel that way. I would no more pay, or take time out of my sock drawer duties, to see “Bros” than I would watch an NFL game, or attend a one-man show by Alec Baldwin. So sue me. But I think there are millions of Americans with similar tastes, and they span the generations.

Apparently the makers of “Bros” convinced themselves that non-gay (I will say “cis” when there is a loaded gun at my head and not before) Americans, who are, believe it or not, the majority, would go to see a romantic comedy about gays because they have been told that they should, and are bigots if the don’t comply. Non-gay America replied, “Bite me!,” and good for them. Continue reading →

Unethical Quote Of The Day: Blogger Ann Althouse

/ Jack Marshall / 24 Comments

“Who is Miles Teller?”

—Ann Althouse, at the end of her blog post commenting on the premiere of “Saturday Night Live” and the New York Times’ review of it

The SNL premiere was guest-hosted by Miles Teller.

I’ve got some income-producing work to do for a client early this morning and I shouldn’t be working on an Ethics Alarms post, and I know I’ve been picking on Ann a lot lately, but I really can’t let this pass.

It’s really simple: if Althouse is going to engage in popular culture commentary as if her opinion should be taken seriously (as in “is worth reading on her blog”), then she has a base obligation to be at least minimally informed regarding American popular culture. She isn’t. She has never been, and I have read her blog for more than two decades, back when she was a law professor. There are arbitrary pockets of pop culture that she is obsessed with (like Bob Dylan songs), but it has always been obvious that Althouse is not very conversant in classic films or network TV; she’s even blogged about this hole in her experience. Not that there’s anything wrong with that, except that if one is going to critique popular culture, especially a show that at least purports to satirize current personalities and themes within pop culture, it is irresponsible, incompetent and arrogant (dare I say, “stupid”?) do do so when you literally don’t know what you are talking about.

Sixty-something Ann Althouse asking “Who is Miles Teller?” is the exact mirror image of those lazy jokes on TV and in movies about clueless Millennials who ask, “Who is John Wayne?” or “Who were The Beatles”‘ after a Boomer makes a reference to them or their equivalents. Saturday Night Live has always featured as guest hosts actors and singers (and sometimes, less successfully, politicians) who are currently popular, in the news and hot commodities, so Ann had to know that if Miles Teller was hosting the first show of the season, he must qualify. If she wasn’t familiar with him, then obviously she should have Googled his name: it would take all of three seconds. Her question, at the end of a post suggesting that “Saturday Night Live” is tired, unfunny and irrelevant (not that it isn’t), conveys stunning elitism as well as the qualities I already attached to it.

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Race Pandering Law Of The Year, And Of Course It’s In California…

/ Jack Marshall / 9 Comments

…and also of course, master progressive panderer Gov. Gavin Newsom signed it into law.

Newsom signed a bill yesterday to limiting the use of hip-hop lyrics as evidence in the criminal trials of rappers, a blatant sop to the African-American fans of the artists, inevitably black, who have an alarming record for assaulting, battering, raping or killing people

The law, welcomed by rappers, their fans, record producers, record industry executives and Black Lives Matter, is the first in the country to ensure someone’s “creative expression” is not used to “introduce stereotypes or active bias” against a defendant or be used as evidence in a trial against them. Yes, that would be because Assembly Bill 2799 is an unnecessary law that would only surface in one of the very few states so thoroughly addled by extreme Leftist ethics rot that such a monstrosity would even be considered without causing crippling laughing fits. A similar bill in New York failed earlier this year—yes, New York is one of those states.

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Today’s Dumb Woke Hollywood Casting Question: “Why Does Hollywood Keep Using Fat Suits?” [Corrected]

/ Jack Marshall / 5 Comments

The New York Times today decides to try a new frontier in the woke casting double standard adventure—you know, the incoherent theory that minority actors should be considered for all roles and all character types regardless of sex, race, size or physical characteristics, but it is unethical for white performers to play any character that they have to act and use make-up to evoke. You know, like good Hollywood liberal Tom Hanks claimed when he issued his recent  mea culpa for playing a gay, AIDS battling lawyer in “Philadelphia.”  So, using the same logic, Tom must have been equally hostile to “diversity, equity and inclusion” when he took a role away from some brilliant, unknown actor with a 75 IQ to play Forrest Gump, just as an autistic actor should have starred in “Rain Man” instead of Dustin Hoffman.

Suuuure. But I’m getting ahead of myself. The Great Stupid often has that effect on me. Sorry.

The Times’ query, in the headline to a column by Arts Section pundit Farah Fleurima, is “Why Does Hollywood Keep Using Fat Suits?” Gee, it’s a mystery! And come to think of it, why does Hollywood keep using make-up? Special effects? Fake blood?

Here’s a much tougher question: why does the New York Times let people who know nothing about performing, entertainment, business, audiences, comedy, and casting write columns like this? Continue reading →