Kanye West Issues a Level #1 Apology…Or Maybe Not

That’s the full page ad that “Ye,” aka. Kanye West, paid to have placed in, of all papers, the Wall Street Journal. I wonder what percentage of WSJ readers even know who the hell he is? Never mind; he did it. Here’s what the ad says (I hesitate to put down “he wrote’):

“Twenty-five years ago, I was in a car accident that broke my jaw and caused injury to the frontal lobe of my brain. At the time, the focus was on the visible damage – the fracture, the swelling, and the immediate physical trauma. The deeper injury, the one inside my skull, went unnoticed….”

It wasn’t properly diagnosed until 2023. That medical oversight caused serious damage to my mental health and led to my bipolar type-1 diagnosis. Bipolar disorder comes with its own defense system. Denial. When you’re manic, you don’t think you’re sick. You think everyone else is overreacting. You feel like you’re seeing the world more clearly than ever, when in reality you’re losing your grip entirely.

Once people label you as crazy, you feel as if you cannot contribute anything meaningful to the world. It’s easy for people to joke and laugh it off when in fact this is a very serious debilitating disease you live from….

The scariest thing about this disorder is how persuasive it is when it tells you: You don’t need help. It makes you blind, but convinced you have insight. You feel powerful, certain, and unstoppable. 

I lost touch with reality. Things got worse the longer I ignored the problem. I said and did things I deeply regret. Some of the people I love the most, I treated the worst. You endured fear, confusion, humiliation, and the exhaustion of trying to love someone who was, at times, unrecognizable. Looking back, I became detached from my true self. 

In that fractured state, I gravitated toward the most destructive symbol I could find: the swastika, and even sold t-shirts bearing it. One of the difficult aspects of having bipolar type 1 are the disconnected moments – many of which I still cannot recall that lead to poor judgment and reckless behavior that oftentimes feels like an out-of-body experience. I regret and am deeply mortified by my actions in that state, and am committed to accountability, treatment, and meaningful change. It does not excuse what I did, though. I am not a Nazi or an antisemite. I love Jewish people. 

To the black community – which held me down through all of the highs and lows and some of my darkest times. The black community is, unquestionably, the foundation of who I am. I am so sorry to have let you down. I love us. 

In early 2025, I fell into a four-month long manic episode of psychotic, paranoid and impulsive behavior that destroyed my life. As the situation became increasingly unsustainable, there were times I didn’t want to be here anymore. 

Having bipolar disorder is not a state of constant mental illness. When you go into the manic episode, you are ill at that point. When you are not in an episode, you are completely “normal.” And that’s when the wreckage from the illness hits the hardest. Hitting rock bottom a few months ago, my wife encouraged me to finally get help. 

I have found comfort in Reddit forums of all places. Different people speak of being in manic or depressive episodes of a similar nature. I read their stories and realized that I was not alone. It’s not just me who run [sic] their entire life once a year despite taking meds every day and being told by the so-called best doctors in the world that I am not bipolar, but merely experiencing “symptoms of autism.” 

My words as a leader in my community have real global impact and influence. In my mania, I lost complete sight of that. 

As I find my new baseline and new center through an effective regime of medication, therapy, exercise and clean living, I have newfound, much-needed clarity. I am pouring my energy into positive, meaningful art: music, clothing, design, and other new ideas to help the world. 

I’m not asking for sympathy, or a free pass, though I aspire to earn your forgiveness. I write today simply to ask for your patience and understanding as I find my way home.”

It’s time to check the old, Ethics Alarms Apology Scale to see where this whatever it is fits.

According to the scale, this is the hierarchy of apologies, their function and their motivation, from most admirable to the least credible:

How Paul Anka Proved Harry Truman Right…

I am not a big fan of Paul Anka or his work, so I considered the new documentary on his career a default choice this morning since ice is on my satellite dish and the channel selection on Direct TV was severely limited. But it’s true: you learn something new and useful almost every day, and often in the least expected places.

I did not know, for example, that Anka wrote “Johnny’s Theme,” the now iconic music that Johnny Carson walked onto the stage to at the start of his version of “The Tonight Show.” But it’s how it ended up as Carson’s entrance music that hammers home an ethics lesson.

When Johnny Carson was preparing to take over from Jack Paar as the host of “The Tonight Show” in October 1962, he ran into Anka, whom he had worked with in a TV special. Carson mentioned to Anka that they needed a new theme, so the pop star composer of “Put Your Head on My Shoulder,” “Puppy Love” and the theme to “The Longest Day” repurposed the instrumental arrangement for “It’s Really Love,” a song recorded by his one-time girlfriend Annette Funicello (not one of Annette’s hits) and sent a demo to Carson.

Johnny phoned Paul and thanked him for the offer (and said he and Ed McMahon loved the tune) but said that “Tonight Show” bandleader Skitch Henderson had “his nose out of joint” (does any one use that phrase any more?) because Carson wanted to use a melody written by a “20-year-old kid.”

So Anka suggested that Johnny Carson write new lyrics to his song and that they call it “Johnny’s theme,” which would then be the composition of the “20-year-old kid” and Henderson’s boss. Brilliant! Henderson had to consent to the song’s use every night, and it was Johnny’s walk on music for 30 years until Carson handed over the show to Jay Leno.

Carson’s name on the song meant that he got half the royalties, which averaged $400,000 per year: Carson’s cut was $200,000 a year for lyrics that were never heard or sung. “Johnny’s Theme” had been played more than 1,400,000 times by the end of the Carson’s show’s run. Anka says that Carson admitted he was embarrassed to make all that money for nothing, but the singer shrugs and smiles about it. Johnny got a great theme, and they both made money.

My favorite Harry Truman quote, perhaps my favorite ethics quote by any President and right up there with Winston Churchill’s immortal, “Success consists of going from failure to failure without loss of enthusiasm,” is:

“It is amazing what you can accomplish if you do not care who gets the credit.”

I don’t know if Paul Anka was familiar with the quote or even if he knows about it yet, but his solution to the “Tonight Show” dilemma is as good an example of Harry’s wisdom in practice as we are likely to see.

[Still waiting for WordPress, or someone, to tell me how to get page breaks in posts under their new %$^&#@ block system…]

If It Exists, Heaven Isn’t a Game Show. I Hope.

When ” Dilbert” cartoonist Scott Adams, in his last days before dying, announced that he had converted to Christianity, my immediate thought was that it was either a final joke by the “cancelled” wit and iconoclast or a classic deathbed conversion that lowered my opinion of him. It may have been both based on his final tweet, which said in part,

“Many of my Christian friends have asked me to find Jesus before I go. I’m not a believer, but I have to admit the risk-reward calculation… for doing so looks so attractive to me. So here I go. I accept Jesus Christ as my Lord and Savior and look forward to spending an eternity with Him. The part about me not being a believer should be quite quickly resolved; if I wake up in heaven, I won’t need any more convincing than that. I hope I’m still qualified for entry.”

Ann Althouse, for some strange reason (but she was always a big Scott Adams fan) finds this announcement astute and charming, rating it “an impressive mix of intelligence, respect, humor, and honesty. I have read many Christians cheering for Adams as well.

This is demeaning to God and Christianity, and I say this as a life-time agnostic. What kind of silly religion holds that you will reach paradise for eternity as long as you say the magic words, whether they are true or not, just before shuffling off these mortal coils?

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What’s This? A TV Show Satirizes Woke Obsessions?

And rather nastily, too.

I’ve been watching the Taylor Sheridan’s Paramount+ series “Landman” starring Billy Bob Thornton as a cynical oil drilling executive with the most non-feminist wife in TV history and a bimbo daughter. In the episode that just dropped, the daughter finds herself paired at TCU with a roommate from Hell: a militant, non-binary extremist who demands a “safe space” in “their” dorm room without music, light, fragrances…life, basically. Ainsley, the bimbo daughter who doesn’t know what her roommate’s pet ferret is (“What’s a ‘weasel’?”) despite an IQ around 80 (That’s a guess, and it might be generous) and a vocabulary to match, is shown winning a brief argument over the validity of gratuitous pronouns, with the grim roommate saying, not in jest, that without instruction she wouldn’t know what Ainsley “identifies” as.

I found the portrayal of the non-binary character unfairly negative, playing into the worst stereotypes imaginable. I know several non-binary individuals and trans men and women, and none of them is anything like the monster this character is. How is that character any different from a fairness perspective than a Steppin Fetchit character denigrating blacks as lazy, shuffling dolts, or the many ridiculous gay characters who lisp, flop their hands from limp wrists in Mel Brooks movies?

Of course, Ainsley Norris, Billy Bob’s bimbo slut daughter, is an absurd stereotype too, but at least she’s nice, sweet, and benign. What surprised me about the episode is that the writer and producer were willing to oppose their super-woke community’s knee-jerk, absolute support of the LGBTQ community, including its excesses, particularly as a trans rights controversy hits the Supreme Court.

The ethics question is whether such an extreme slap in the metaphorical face of the non-binery/trans social trend is a welcome ethical course correction for a biased popular culture, or unethical punching down at a troubled group that already has a lot to cope with, including body dysphoria, indoctrination by the Left in crippling beliefs, hostile, even violent bigots, and arguably, mental illness.

What’s going on here?

A Confederacy of Dunces at the Golden Globes

The sock drawer isn’t small enough not to keep me from watching the annual Golden Globes broadcast, the parade of awards from people I don’t know or respect to performers I’ve barely heard of for shows I haven’t seen. Nonetheless, Hollywood (and others) managed to disgrace itself once again, reminding us that the artists who make our mass entertainment have the critical thinking skills of paper clips.

Once again the “Hollywood progs” (the name used by critics too genteel to call them “Hollywood assholes”) promoted the misguided latest woke cause. Last year it was the anti-Israel position insisting that nation should stop fighting Hamas and let the terrorists re-stock for the next massacre. This year, stars were wearing the fatuous anti-ICE pin, “Be Good.” Yeah, let’s all demand open borders, interfere with law enforcement, use our cars to block I.C.E operations, resist arrest, nearly run down and officer and get shot! Oh-oh, Sidney Wang is demanding a word…

Yeah, we know, Inspector.

We also know now that the late neighborhood open-borders fan was not good, as she was a contributor to Black Lives Matter, signature significance for someone who supports anti-white racism, lies (Michael Brown was murdered, you know!), riots, anti-law enforcement violence, dishonest news and scammers.

But never mind! The ACLU, among other principle-free organizations including communist groups, funded the creation and distribution of that tiny salute to idiocy. Talk about minds: the ACLU has genuinely lost theirs, along with any claim to respectability and credibility. The organization used to stand for free speech. Now it is deliberately using its reputation and resources to mislead the public into thinking Good was engaging in it by blocking law enforcement and defying the law.

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Confronting My Biases #27: Middle-Aged Men Wearing Basball Caps Backwards

I started really being annoyed at this when “The Gilmore Girls,” an annoying chick TV series to begin with, began featuring the single mom’s boyfriend who wore his cap like the guy in the photo. The graphic is a screen shot from a Tik-Tok video in which the guy is railing against wearing caps like that because you look like an idiot when you do. Verdict: True. In fact, I assume anyone who wears a baseball cap that way IS an idiot. It looks stupid, it defeats the purpose of the brim—there is no excuse for it whatsoever, except, in the opinion of the guy in the video, it is an attempt to look “like a ‘bad boy.'”

Oh. Well that’s all right then!

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Ethics Quiz: The Turncoat Fat Comic

I decided to skip this issue a month ago when comic Amy Schumer was being called a hypocrite for suddenly showing off her newly svelte, Ozempic-drowned body all over social media after spending years defending being”plus size.” Then she posted bikini photos yesterday and social media was freaking out again.

“I think there’s nothing wrong with being plus size,” Schumer argued in a tiff with Glamour Magazine a decade ago. “Beautiful healthy women.” Amy got progressively more plus-size as the years went by and was more militantly anti-fatshaming as a “body-positivity” advocate while the pounds piled on.

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So It’s Come To This…

Today I woke up to a new year and made the mistake of allowing my screen to land on Fox News. The gang was seriously interviewing an astrologer. On a news show. She was enthusing about what a wonderful month January is, because the moon is in all kinds of “houses,” or something.

I refuse to watch the movie “Network” again because I know it would send me to the bridge. So many of the seemingly absurd programs screenwriter Paddy Cheyefsky concocted for his dark 1976 satire about a fictional TV network that abandons all integrity and only aims to entertain and inflame the public have come to pass—reality shows, sick competitions, ranting pundits and worse—that the famous film can no longer be amusing. It’s horrifying that the decline of the medium and its journalism particularly has come to pass when this seemed so impossible 50 years ago.

One of the shows on “Network” featured a mystic who predicted the news. Of course Fox News would go down that metaphorical sewer. A real psychic would have seen it coming…

Flashback: Depressing How Little Has Changed In 16 Long Years…

I was looking for an appropriate “Night Before Christmas” post and found this instead, a parody I wrote on Christmas Eve in 2009, the very first year of Ethics Alarms, in reaction to the ethically-tainted passage of the “Affordable Care Act,” which didn’t make health care affordable. I knew the bill was smoke and mirrors and that it would not accomplish what it was supposed to do.  I knew that we would be in one mess or another as a result of the ugly thing, supposedly the signature legislation of the Obama Administration…and sad thing is that it probably was. What does that tell you?

I was struck, as you will be, how much of my mordant satire seems relevant today, and how little has changed.

So let’s travel back to that halcyon year, and the day before Christmas…

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It’s “Do You Hear What I Hear?”Time…Happy Christmas Eve Everyone!

It’s the day before Christmas, and all though my house, there’s no sign of Christmas, but I’ve no right to grouse…

…because it’s my choice to be solitary and miserable this season. Two days ago my adult heir gratuitously sent me a hate bomb that was the most hurtful communication I have ever received from anyone. Given that this individual lives rent free in an apartment in my house and is over 30, I expected just a teeny-weeny bit of, if not gratitude, respect. Uh, no. This was only the latest joy-extracting event this holiday season: I also just wounded my leg (the same one that put me in the hospital in July and hasn’t healed completely yet), I was fired from my oldest ethics gig (as with the unexpected attack from downstairs, the reason is obscure) and the number of administrative Swords of Damocles hanging over my head since Grace died last year have increased rather than diminished, as was my grand plan for 2025. So I’m taking pleasure in other people’s Christmas, including yours. So you better have a great one. Tonight I expect to be playing bridge with three ghosts.

Or heading to the bridge, like George Bailey.

Below is an updated and rewritten version of my earlier post about my favorite modern Christmas song, “Do You Hear What I Hear?” When I still had a professional theater company to oversee, I wrote and directed a musical revue called “An American Century Christmas.” It was staged like one of those old-fashioned TV Christmas specials, with the set decorated like a Christmas living room, and celebrity guests arriving with gifts.

I stuffed everything I loved about the seasonal entertainment into the thing: the scene in “The Homecoming” when John-Boy gets his tablets from his father; the scene in “It’s a Wonderful Life” when George gets emotional realizing that he’s in love with Mary while talking to Sam (Hee-haw!) Wainwright on the telephone; Danny and Bing standing in for the Haines Sisters and singing “Sisters:” a reading of “The Littlest Angel;” the Peanuts kids and Snoopy decorating Charlie Brown’s sickly tree. I don’t think anyone liked that show as much as I did, but so what. It made me happy. Even remembering it now makes me happy.

The first act finale was a rousing rendition of “Do You Hear What I Hear?” The song means a lot to me, and I’ll be blasting the original version tonight.

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