Ethics Quote of the Week: Moses (Charlton Heston) in “The Ten Commandments”

The evil that men should turn their brothers into beasts of burden, to be stripped of spirit, and hope, and strength – only because they are of another race, another creed. If there is a god, he did not mean this to be so.

—-Moses, as played by Charlton Heston and scripted by seven writers, in Cecil B. DeMille’s “The Ten Commandments.” answering to the Pharoah Seti’s question, “Then why are you forcing me to destroy you? What evil has done this to you?”

The Ten Commandments“The Ten Commandments” is so extravagantly fun and entertaining that, I must confess, I never watched it as an ethics film until tonight, as ABC once again broadcast the Biblical epic on an Easter weekend. This quote especially struck me as remarkable for a film made by an infamously rigid conservative, DeMille, in 1956.

On Dec. 1, 1955, Rosa Parks was arrested for refusing to give up her seat on a Montgomery city bus. The next twelve months were tense, difficult days in which the entire U.S. population was undergoing a wrenching cultural debate regarding human rights.  On Dec. 6, 1955, the civil rights boycott, led by Marin Luther King, of Montgomery city buses began. January 1956 saw Autherine Lucy, a black woman, accepted for classes at the University of Alabama in Tuscaloosa, the first African-American ever allowed to enroll.  On Jan. 30, the home of Martin Luther King, Jr. was bombed in Montgomery. February 4 saw rioting and violence on the campus of the University of Alabama and in the streets of Tuscaloosa. Lucy had to flee the campus, and the university’s Board of Trustees barred her from returning. On the 22nd of that month, warrants were  issued for the arrest of the 115 leaders of the Montgomery bus boycott. A week later, courts ordered Lucy readmitted, but the school expelled her. Continue reading

“The Walking Dead” Ethics: The Toughest Leadership Dilemma Of All

“Michonne, you’re gone..these are words that Rick choke upon, my Michonne…

“Michonne, you’re gone..these are words that Rick should choke upon, my Michonne…

In the absence of “Homeland,” currently waiting for Claire Danes to get back in shape after becoming a mom, AMC’s “The Walking Dead” is the best ethics show on TV. Apocalypse ethics is instructive and fascinating, because it addresses ethical problems as they were originally considered, before laws, before enforcement methods, and before organized morality. The objective is survival and continuation of the tribe and the species, without abandoning all semblance of humanity.

Yesterday’s episode built to an ethical dilemma of major consequence; naturally, some reviewers thought this was boring. Rick, the former sheriff leading the (mostly) good guys through the zombie-filled wilderness that was once the United States, is trying to protect the group’s refuge, an abandoned prison, from the imminent attack of a larger, better-armed commune run by a deranged psycho who calls himself “the Governor.” A former member of Rick’s group who now consorts (cough!) with the Governor (and who has been rightly condemned as an idiot for doing so, since she either knows or should know that he has the basic instincts of Vlad the Impaler), attempts a mediation to avoid bloodshed, and Rick and the Governor meet to parley. Continue reading

Ethics Hero: Matt Groening

Duff-Beer

Cashing in, selling out, maximizing income, monetizing assets: the crash of 2008 only accelerated what was already becoming a coarsening cultural trend in America, the mania of never, never allowing any opportunity to make money go unexploited. Every creation or idea is copyrighted or trademarked; every open space is marked with a billboard; every person, place or thing imaginable is sponsored or branded, every citizen who does something admirable or remarkable will sell his or her life story or hire someone to write a book. The effect of this on the community, on life itself, is toxic.

When everything is a potential cash cow, then our choice is to milk it or wait for someone else to steal the milk. A Profit Above All mindset turns everyone into a potential competitor, which means that trust becomes impossible. There are only two antidotes for this trend, which I fear is irreversible. One is for there to be so much money to go around that nobody worries about it any more, which is to say that there is really only one antidote. That one is for our society to evolve and reinforce a hierarchy of values in which money, wealth, profit and material things are not seen as ends, but as means to ends, and not the only means to those ends, either. Wealth can lead to freedom, for example, but only if it is joined with proportion, moderation, responsibility, modesty, and restraint. Otherwise, wealth and the pursuit of it can restrict choices and liberty as effectively as chains.

This is why a rare case where someone eschews the opportunity to make a lot of money for no other reason than that he thinks to exploit the opportunity will make the world a worse place is a qualification for the Ethics Hero designation.  I hate the speech in “Traffic” given by Seth Abraham, the loathsome preppy coke-head played by Topher Grace, about how suburban drug users corrupt the inner city:

“Ok, right now, all over this great nation of ours, ‘hundred thousand white people from the suburbs are cruisin’ around downtown asking every black person they see ‘You got any drugs? You know where I can score some drugs?’ Think about the effect that has on the psyche of a black person, on their possibilities. I… God I guarantee you bring a hundred thousand black people into your neighborhood, into fuckin’ Indian Hills, and they’re asking every white person they see ‘You got any drugs? You know where I can score some drugs? within a day everyone would be selling. Your friends. Their kids. Here’s why: it’s an unbeatable market force man. It’s a three-hundred percent markup value. You can go out on the street and make five-hundred dollars in two hours, come back and do whatever you want to do with the rest of your day and, I’m sorry, you’re telling me that… you’re telling me that white people would still be going to law school?”__

I hate it for two reasons. First, it is more or less true, and second, it is only true because the vast majority of people have such a weak commitment to behaving ethically and not selling out, because our culture reinforces healthy ethical values less and less effectively. It shouldn’t be true, and in a rational society, it wouldn’t be true.

So I am giving Matt Groening the Ethics Hero for something that is relatively minor and trivial, because, I guess, it gives me hope. Continue reading

Justin Bieber’s Tardiness: Calling Card Of The Unprofessional Jerk

Professional on the right, arrogant jerk on the left. Also, anyone next to Cary Grant looks like a troll...

Professional on the left, arrogant jerk on the right. Bonus: Anyone next to Cary Grant looks like a troll…

There is still some confusion how late pop sensation Justin Bieber was for a recent London concert. It may have been as much as two hours, and it may have been only 40 minutes. The ethical verdict on the conduct is the same, however: rude, disrespectful, irresponsible, unfair and arrogant…and inexcusable.

The tardiness is especially inexcusable because the singer didn’t even offer a plausible excuse or one that might prompt some sympathy. He was not kidnapped by terrorists, abducted by aliens, or cornered by a rampaging T-Rex from Isla Sorna. He wasn’t late because he single-handedly rescued a runaway school bus full of kids, or defused a ticking bomb in the London Tube. Justin Bieber was late because he’s an unprofessional jerk who knew that his fans would wait for him until he got there, and so he chose to to get drunk, or get laid, or sleep in, or play Words With Friends with Alec Baldwin, or whatever other selfish conduct suited him rather than meet his obligations as a performer. This is the Star Syndrome in its most obvious and obnoxious form. Continue reading

“House of Cards” Ethics: Zoe’s Unethical Tweet And The Right To Talk To Just One Person

house_of_cards

At the risk of stirring up the incorrigible defenders of the vigilante Applebee’s waitress, I must again point out that using social media to make a private indiscretion a public disgrace is terrible, grossly unethical conduct that threatens our freedom, trust,privacy and quality of life. The fact that the practice is gaining acceptance as something to be feared and expected is a frightening cultural development, and we are all obligated to do what we can to condemn it and eradicate it before it becomes a toxic social norm.

The Netflix political drama “House of Cards” provided a perfect example of what is wrong with this despicable trend in its fourth episode.  Zoe Barnes, the ambitious, unethical reporter in league with Kevin Spacey’s deliciously diabolical House Majority Whip, has brought her newspaper’s editor to the point of apoplexy in a confrontation in his office.  Already considering leaving for greener pastures, the reporter goads her sputtering boss into calling her a misogynistic epithet that she senses is just on the tip of his tongue. “Go ahead,” she taunts. “Say it.”

“You’re a cunt,” he finally replies. Zoe whips out her smart phone and tweets this exchange to her thousands of followers. “Call me whatever you want, “she sneers, “but remember, these days, when you’re talking to one person, you’re talking to a thousand.”

Wrong—not unless the person you’re talking to is unethical, vindictive, has rejected the social conventions of private conversation and is consigning the Golden Rule to the cultural trash heap. Continue reading

And One More…UPDATE: “Cheated Out Of Their Final Bows: Hollywood Snubs Its Own At The Oscars…”

Yesterday I attempted in a small way to make up for the injustice perpetrated on their own by the Academy of Motion Picture sciences, by noting the passing of ten talented and worthy film actors who were unfairly and inexplicably left off the Oscar’s “In Memoriam” feature. I was afraid that I missed someone important, and sure enough, I did. And it was…

Susan Tyrell (1945-2012)

susan-tyrrell

Leaving out Tyrell was especially callous by the Academy (not that dissing the others was not), because, first of all, she was a previous nominee for Best Supporting Actress (for John Huston’s “Fat City,” made in 1972), and second, because Tyrell had battled courageously against multiple health issues while doggedly trying to pursue her craft.  In 2000, she lost both legs as a result of a rare blood disease, but stayed active, performing in seated roles and voice parts to the end. Susan Tyrell was an electric performer, a veteran of Broadway and Off-Broadway, fearless, quirky, and unforgettable.

Except, apparently, by her colleagues in Hollywood.

I’m sorry I missed you first time around, Susan.

Cheated Out Of Their Final Bows: Hollywood Snubs Its Own At The Oscars, And Worse Than Ever

Oscars

Once, the excuse that routinely issued from the Academy of Motion Picture Sciences when a significant film actor was omitted from the annual “In Memoriam” segment at the Oscars—“There just wasn’t enough time!”-–seemed almost plausible. It was still a lousy and dishonest excuse, don’t get me wrong: in a broadcast that routinely approaches four hours and wastes time like it is money in Washington, we are supposed to believe that there aren’t three seconds to give a proper send-off to the likes of Harry Morgan (last year) or Farrah Fawcett (the previous one)? That excuse won’t fly at all now, however, as some diabolical deal with the behind the camera members, the warped priorities of the Oscar show’s Broadway musical nerd producers, Neil Meron and Craig Zadan, and the final decisions regarding who would be featured in the movie industry’s public goodbye being made by, apparently, throwing darts at a dartboard combined to produce the most extensive and egregious snubs within memory.

This is a television broadcast and tailored for the public audience, after all. The Academy gives its technical awards in a separate private ceremony: wouldn’t that be the  place to bid a respectful farewell to the seemingly endless list of deceased publicity agents, make-up artists,movie executives and key grips whose completely unrecognizable faces and names were paraded before us last night, often with out of context quotes that made no sense at all? Then, guaranteeing that the “we ran out of time!” alibi would be risible, the segment’s editors chose a non-actor for the prestigious final place on the death list, composer Marvin Hamlisch, as an excuse to drag Barbra Streisand into the proceedings. I appreciate Hamlisch’s achievements, but his movie credits were not so extensive as to justify the honor (we are basically talking about one Academy Award-winning song, “The Way We Were,” and his arrangements of Scott Joplin’s music in “The Sting”), and the award show’s misbegotten “theme” of movie music was not sufficient justification to place a non-actor in the position of highest honor.

Meanwhile, the following actors, all who made significant contributions to American film in their careers, were cheated out of their final bow, and we, the film-going audience, were cheated of our chance to remember them, and say goodbye. It was a disgrace.

Ethics Alarms isn’t the Academy, but here, like last year, is its salute to the faces and careers Oscar forgot: Continue reading

The Oscar Nominee Truth Squad Goes After “Argo”

argo-poster

The ethics of using artistic license in films based on fact isn’t only being debated in the case of “Lincoln” as we approach the Oscar ceremonies: “Argo” is also under fire.

For some reason conservative radio hostess Laura Ingraham is fond of James Lipton, the unctuous host of PBS’s “Actor’s Studio” interview program. He sounds off frequently on her show, usually about films, and in his most recent gig was pontificating about the Academy Awards. Lipton seems to believe that bias is a condition one is helpless to adjust for: he kept announcing his preferences for various nominees based solely on their association with him or the Actor’s Studio, and explaining his choices by saying, “I’m biased, you see.”

Recognizing bias is just half the job, James. The other half is getting over it. Continue reading

My Spidey Sense Is Tingling: When Skipping The Tip IS Theft

Things are stranger than ever, it seems, in Times Square.

Chelsea? Is that really you?

Chelsea? Is that really you?

Philip Williams, 35, is one of many individuals who makes a living of sorts in Manhattan’s famed pop-culture and commerce jungle by dressing up as a colorful character to amuse tourists. In Williams’ case, it’s Spiderman. He is currently charged with assault and harassment for punching a woman who asked him to pose for a photo with her kids, then after getting her picture, refused to pay him the customary tip when he asked for some money.

“Sorry, I don’t have any,” said she. “You’re crap!” said Spidey, and socked her. Williams claimed in court that his punch was in self-defense, because, he claims, the woman threw a snowball at him. This is disputed. 

Williams’ arrest came when police intervened to stop the assaulted woman’s husband from squishing Spiderman, which he was endeavoring to do with a packpack. Initially, the woman had fingered another Times Square Spiderman as her assailant, but the husband was paying better attention, and knew which one to pound on.

I love this city! Continue reading

Stop Picking On Mike Tyson

This time, it wasn't your fault, Mike.

This time, it wasn’t your fault, Mike.

“Law & Order: SVU” cast former heavyweight boxing champ Mike Tyson as a prisoner and past victim of child abuse victim, who murdered one of his abusers. The episode bombed for the NBC show during the crucial “sweeps” ratings period, and Washington Post TV writer Lisa De Moraes attributes the failure to the show’s insensitivity in casting Tyson.  She wrote in today’s Post,

“Before the episode aired, about 7,000 people signed a petition asking NBC to recast the role. The petition was created by an ardent “SVU” fan who is a rape survivor and who said she felt betrayed by the stunt casting. Among those who signed the petition: “NCIS” star and abuse survivor Pauley Perrette. Tyson was arrested in 1991 and charged with raping then-18-year-old Miss Black America pageant competitor Desiree Washington; he was convicted and served three years of a six-year prison sentence.”

If the “Law and Order” producers erred in casting Tyson, it was in under-estimating the fecklessness, bias and hypocrisy of the viewing public.  Continue reading