Popular Culture

Morning Ethics Warm-Up, 11/7/2022: Approaching Dread Edition

/ Jack Marshall / 8 Comments

Speaking of threats to democracy: this is the anniversary of the day in 1944 that voters elected Franklin Delano Roosevelt to a fourth consecutive term. There is little question in my mind that had FDR been healthier, he was perfectly capable of deciding to run for fifth and sixth terms too; this was a looming American dictator who wasn’t hiding it, and Americans still blithely voted for him. Everything about Roosevelt made him the template for a democracy-busting, cult-of-personality Big Brother USA, including his ruthlessness. We were lucky: another of the many examples proving Bismarck right when he said, “There is providence that protects idiots, drunkards, children, and the United States of America.”

Oh, he probably didn’t say it, but I’ve taxed quote maven Tom Fuller enough for one week…

1. For my own mental health, I’m going to eschew reading the pre-election freak-outs by New York Times pundits showing up today with titles like “Republicans Have Made It Very Clear What They Want to Do if They Win Congress” and “Dancing Near the Edge of a Lost Democracy.” Still, I couldn’t resist starting to read “What Has Happened to My Country?” but quit when Margaret Renkl made me read, “…Right-wing politicians and media outlets have turned American democracy upside down through nothing more than a lie. They put forth Supreme Court candidates who assure Congress that they respect legal precedent but who vote to overturn Roe vs. Wade the instant they have a majority on the court….”

There is nothing inconsistent about respecting precedent while deciding that a particular case precedent is too misguided and destructive to uphold, Margaret.

“…They endorse political candidates who openly state that they will accept only poll results leading to their own election….”

No candidate has stated that, openly or otherwise, Margaret, you hack.

“They denounce calamities where no calamities exist…”

That was it! I quit. A mouthpiece for the party claiming that electing Republicans will destroy democracy, whose #3 ranking official in Congress compares the U.S. today to Germany in the 1930s when Hitler was on the rise [Pointer: Other Bill], that thinks “The Handmaiden’s Tale” is about to become reality because of the Dobbs decision, and that has gone all in on speculative climate change doomsday predictions does not get to say that about Republicans and be taken seriously.

2. Dangerous slippery slopes ahead….NBA superstar Kylie Irving shared a tweet that promoted the “Hebrews to Negroes: Wake Up Black America” documentary and book. Both are, by all reports, pretty vile, with familiar anti-Semitic tropes like Holocaust denial and claims of a world-wide Jewish conspiracy. There is nothing inappropriate about employers disciplining employees who put their organizations in unflattering light that might hurt reputations and profitability, nor with the Brooklyn Nets suspending Irving for “at least five games” without pay over the controversy. That’s reasonable, even a bit lenient. He responded with a publicist-drafted apology. Then Nike announced that it is suspending its relationship with Irving and will not release Irving’s highly anticipated new shoe, the Kyrie 8, which was scheduled to be released this month.

That’s also fair. A celebrity who represents a corporation and its products can’t engage in high profile prejudice and expect to keep the gig. The loss of the Nike deal will cost Irving many millions of dollars, and that’s what happens when you embarrass a business partner. However, now the Nets have given Irving an ultimatum of sorts: in order to rejoin the team and start collecting his salary, he must.fulfill six requirements:

  • Apologize and condemn the film he promoted
  • Make a $500,000 donation to anti-hate causes
  • Complete sensitivity training
  • Complete anti-semetism training
  • Meet with the ADL and Jewish leaders
  • Meet with team owner Joe Tsai to demonstrate an understanding of the situation

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Ethics Quiz: The Cartoon Quote

/ Jack Marshall / 34 Comments

I would, left to my own instincts, categorize this as a “When Ethics Alarms Don’t Ring” episode. But Legal Insurrection, a conservative commentary blog that I find to be usually reasonable, feels otherwise, so I’ll frame this as an ethics quiz.

Robert Ternansky, a lecturer at UC-San Diego, was interrupted by loud speaking  from the hallway outside his classroom. Ternansky walked into the hallway and seeing students he took to be Hispanic, immediately quoted the signature catch phrases of now politically incorrect Warner Bros. cartoon character Speedy Gonzalez, “The Fastest Mouse in All of Mexico”: “Sí, sí señor! Ándale, ándale! Arriba, arriba!”The video of the class also catches Ternansky  asking his students, “How do you say ‘quiet’ in Mexican?” One replies, it seems, “Caliente,” and the lecturer says,  “Caliente, huh? Help me. All I knew how to say was ‘Ándale, ándale, arriba, arriba.’ I don’t think that was — to be quiet? That’s like hurry up? Did I insult them?”

Apparently! Students complained, and the school responded with this statement:

UC San Diego officials were recently made aware of offensive and hurtful comments that a professor made in a chemistry class when video of the comments was posted to social media. At that time, the professor was engaged about his comments, and it was made clear to him that they do not reflect our community values of inclusivity and respect. The professor has since apologized to the students and will be doing so to others involved.

As a reminder to our community, and as was shared with media outlets who inquired, UC San Diego is committed to the highest standards of civility and decency toward all. We are committed to promoting and supporting a community where all people can work and learn together in an atmosphere free of abusive or demeaning treatment.

Your Ethics Alarms Ethics Quiz of the Day is, in the words of Legal Insurrection writer Mike LaChance…

“Does this strike anyone as a bit of an overreaction?”

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Mayberry Ethics

/ Jack Marshall / 21 Comments

A theme here at ethics alarms is that ethics, unlike morality, is fluid and dynamic. Society gains in ethical enlightenment over time with reflection and experience.

Since I have been severely limited in my activity of late, I found myself watching an episode of the classic sitcom “The Andy Griffith Show.” Many, indeed most, of the popular shows from the Fifties-Sixties era feel stilted and naive today, but not all of them: “The Andy Griffith Show” is one that holds up beautifully. Like many TV shows then (but few today), the continuing saga of Sheriff Andy Taylor’s challenges as a single dad and the center of sanity in a small town full of Southern eccentrics often focused on societal values and ethics lessons, though it never crossed into preachiness.

The episode I happened across, “One Punch Opie,” was about peer pressure and bullying. A new kid in town is bullying the other children to do things they shouldn’t, like raid Mr. Foley’s fruit and vegetable stands outside his store and steal apples and tomatoes. When Opie (the then-unbearably cute Ron Howard) refuses to follow the gang, the much larger kid threatens him. Opie ultimately confronts the boy who quickly proves that he is a coward, and backs down, ending his malign influence over the other boys.

The bullying theme was not what struck me about the episode, however. The new kid breaks a street lamp with an apple, and Sheriff Andy has Opie round up the other boys who witnessed the crime so he can have a chat with them. (The troublemaking new kid refuses to come along.) The boys all say they witnessed the act, but didn’t throw the fateful fruit. Andy tells them that he’ll let their error in judgment go this time, but the next time, he’ll tell their fathers. “And you know what that means,” Andy says. “It means you’ll get a whippin’!”

Yes, in 1962, a wise and reliably benign TV authority figure casually referenced corporal punishment—probably with a belt, no less, as Andy didn’t say “spanking”—- as a fact of childhood and responsible parenting. Nobody blinked. Sixty years later, such a statement would cause an uproar, and be considered an endorsement of child abuse.

What accepted conduct today will seem equally wrongful in sixty years?

The Failure Of “Bros”: Why Don’t Minorities Accept The Right Of Majorities To Feel Like They Do?

/ Jack Marshall / 39 Comments

Gee, what a shocking development! Non-gay audiences haven’t flocked to see a romantic comedy that advertises itself like that!

I’m a movie fan. I have lots of gay friends, family members and associates: I worked in the theater for decades. I respect them all; I support their right to live and love and marry whomever they please; I want them to be treated like any other law-abiding Americans in all things as they are judged solely on the content of their character, and regard discrimination and bias against them as despicable and unconscionable.

But I don’t enjoy watching gay sex and related activities.  I have every right to feel that way. I would no more pay, or take time out of my sock drawer duties, to see “Bros” than I would watch an NFL game, or attend a one-man show by Alec Baldwin. So sue me. But I think there are millions of Americans with similar tastes, and they span the generations.

Apparently the makers of “Bros” convinced themselves that non-gay (I will say “cis” when there is a loaded gun at my head and not before) Americans, who are, believe it or not, the majority, would go to see a romantic comedy about gays because they have been told that they should, and are bigots if the don’t comply. Non-gay America replied, “Bite me!,” and good for them. Continue reading →

Unethical Quote Of The Day: Blogger Ann Althouse

/ Jack Marshall / 24 Comments

“Who is Miles Teller?”

—Ann Althouse, at the end of her blog post commenting on the premiere of “Saturday Night Live” and the New York Times’ review of it

The SNL premiere was guest-hosted by Miles Teller.

I’ve got some income-producing work to do for a client early this morning and I shouldn’t be working on an Ethics Alarms post, and I know I’ve been picking on Ann a lot lately, but I really can’t let this pass.

It’s really simple: if Althouse is going to engage in popular culture commentary as if her opinion should be taken seriously (as in “is worth reading on her blog”), then she has a base obligation to be at least minimally informed regarding American popular culture. She isn’t. She has never been, and I have read her blog for more than two decades, back when she was a law professor. There are arbitrary pockets of pop culture that she is obsessed with (like Bob Dylan songs), but it has always been obvious that Althouse is not very conversant in classic films or network TV; she’s even blogged about this hole in her experience. Not that there’s anything wrong with that, except that if one is going to critique popular culture, especially a show that at least purports to satirize current personalities and themes within pop culture, it is irresponsible, incompetent and arrogant (dare I say, “stupid”?) do do so when you literally don’t know what you are talking about.

Sixty-something Ann Althouse asking “Who is Miles Teller?” is the exact mirror image of those lazy jokes on TV and in movies about clueless Millennials who ask, “Who is John Wayne?” or “Who were The Beatles”‘ after a Boomer makes a reference to them or their equivalents. Saturday Night Live has always featured as guest hosts actors and singers (and sometimes, less successfully, politicians) who are currently popular, in the news and hot commodities, so Ann had to know that if Miles Teller was hosting the first show of the season, he must qualify. If she wasn’t familiar with him, then obviously she should have Googled his name: it would take all of three seconds. Her question, at the end of a post suggesting that “Saturday Night Live” is tired, unfunny and irrelevant (not that it isn’t), conveys stunning elitism as well as the qualities I already attached to it.

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Race Pandering Law Of The Year, And Of Course It’s In California…

/ Jack Marshall / 9 Comments

…and also of course, master progressive panderer Gov. Gavin Newsom signed it into law.

Newsom signed a bill yesterday to limiting the use of hip-hop lyrics as evidence in the criminal trials of rappers, a blatant sop to the African-American fans of the artists, inevitably black, who have an alarming record for assaulting, battering, raping or killing people

The law, welcomed by rappers, their fans, record producers, record industry executives and Black Lives Matter, is the first in the country to ensure someone’s “creative expression” is not used to “introduce stereotypes or active bias” against a defendant or be used as evidence in a trial against them. Yes, that would be because Assembly Bill 2799 is an unnecessary law that would only surface in one of the very few states so thoroughly addled by extreme Leftist ethics rot that such a monstrosity would even be considered without causing crippling laughing fits. A similar bill in New York failed earlier this year—yes, New York is one of those states.

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Today’s Dumb Woke Hollywood Casting Question: “Why Does Hollywood Keep Using Fat Suits?” [Corrected]

/ Jack Marshall / 5 Comments

The New York Times today decides to try a new frontier in the woke casting double standard adventure—you know, the incoherent theory that minority actors should be considered for all roles and all character types regardless of sex, race, size or physical characteristics, but it is unethical for white performers to play any character that they have to act and use make-up to evoke. You know, like good Hollywood liberal Tom Hanks claimed when he issued his recent  mea culpa for playing a gay, AIDS battling lawyer in “Philadelphia.”  So, using the same logic, Tom must have been equally hostile to “diversity, equity and inclusion” when he took a role away from some brilliant, unknown actor with a 75 IQ to play Forrest Gump, just as an autistic actor should have starred in “Rain Man” instead of Dustin Hoffman.

Suuuure. But I’m getting ahead of myself. The Great Stupid often has that effect on me. Sorry.

The Times’ query, in the headline to a column by Arts Section pundit Farah Fleurima, is “Why Does Hollywood Keep Using Fat Suits?” Gee, it’s a mystery! And come to think of it, why does Hollywood keep using make-up? Special effects? Fake blood?

Here’s a much tougher question: why does the New York Times let people who know nothing about performing, entertainment, business, audiences, comedy, and casting write columns like this? Continue reading →

A Case Study Of How Race-Baiting And Race-Bullying Undermines “Diversity” And “Inclusion”: The New Yorker’s Cartoons

/ Jack Marshall / 9 Comments

The cartoon above is from the current issue of The New Yorker, the woke urban sophisticate’s bible, renowned for its witty, esoteric cartoons since its founding in the flapper era. And yet as woke and progressive and Democratic Party-bootlicking-addicted as it is, The New Yorker rarely includes black characters in its cartoons, and hasn’t since its inception. I checked the most recent compendium of New Yorker cartoons covering eight decades and thousands and thousand of humorous drawings. In only a handful (out of thousands and thousands) do cartoon characters of color even appear in crowd scenes and backgrounds. If they do, they look like the male character above from the only cartoon from the current New Yorker issue to show black characters at all. There were 14 cartoons in the issue, and in the outlier above, blacks are portrayed as white people with tans. I’m sure some professor somewhere will pronounce that representation as offensive anyway. Continue reading →

More On Nichelle Nichols: Regarding Althouse’s Misguided Snark

/ Jack Marshall / 19 Comments

In the introduction to this post, Ethics Alarms mentioned the passing of “Star Trek” icon Nichelle Nichols, whose obituaries prominently noted her participation in TV’s first inter-racial kiss. I wrote in part,

“She was more model than actress, and as her role developed, much to her disappointment, the part of “Uhura” became little more than set dressing. But she played one of the first  black female characters on TV to have a non-subservient role, indeed Uhura was fourth in the “Enterprise” chain of command…. In her autobiography, Nichols wrote that Martin Luther King told her that she was advancing civil rights objectives, and convinced her not to quit when William Shatner was getting too obnoxious” …

But Ann Althouse complained on her blog yesterday,

They got away with putting a beautiful woman in a minidress in the background of as many shots as possible, but what did she do other than provide eye candy for the little boys and little men who watched? She was the secretary, seated at the switchboard, receiving calls.

Come on. The sexual politics was ridiculous, and blackness was the device to make it seem progressive, or at least to shut up the critics.

And I mean no disrespect to Ms. Nichols or to any other black actor who accepted a role constrained by stereotypes. There should have been more offers. There should have been more roles.

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Can Of Waning Work Week Ethics Worms: Race-Based Justice And Other Revolting Creatures [Corrected]

/ Jack Marshall / 16 Comments

1. I hate to take pleasure in anyone’s career setbacks, but...the word that CNN’s unethical media watchdog, Brian Stelter, is about to get dumped is good news for everyone but him. It also means that CNN will have rid itself of its two most flagrantly partisan and dishonest talking heads, the other being Chris Cuomo. Stelter took over “Reliable Sources” from the flawed but qualified Howard Kurtz, who had covered media conduct for the Washington Post, and at least tried to be objective (and still does at Fox.) Stelter immediately transformed the Sunday show into a CNN-fawning, Fox News-bashing epitome of what a news ethics show must not be. The last hack standing among CNN’s worst is now Don Lemon, who because he is black, gay and cute apparently is immune from his just desserts. As Meat Loaf memorably observed, however, two out of three ain’t bad.

2. Wait, what? Tim Allen isn’t the voice of Buzz Lightyear in the new Pixar film? The Buzz origin film, which has Chris Evans as the new voice of the popular character from “Toy Story” 1-4 is already creating controversy because it features a lesbian kiss. You know: that’s Disney’s way now. The movie’s director Angus MacLane “explained” that the recasting was necessary because the new animated film called for a more serious Buzz. Does anyone believe that? Allen was replaced because he’s an outspoken conservative, and Disney/Pixar wanted a star who would vigorously defend lesbian smooches in a kids movie, because that is apparently it’s priority these days. If the director wanted Buzz to sound more serious, he could direct the voice actor to voice him that way.

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