Popular Culture

I Have To Ask: What Is Disney Doing And Why?

/ Jack Marshall / 57 Comments

For a couple of weeks now, I’ve been planning a long post examining what Disney’s mission and methodology need to be in 21st Century America. Walt’s creation faces an important challenge and a difficult one, and I would hope that the people responsible for guiding a company whose role in shaping U.S. culture has been both successful and beneficent as well as profitable are up to the task. They had better be, for the sake of the culture, not merely stockholders.

I was well on the way to devising a post I felt would be perceptive and provocative when I saw the video above. That stopped me cold. I wasn’t exactly optimistic about Disney, which has been a major positive influence in my own life, being able to safely navigate around the cultural icebergs in the roiling societal seas ahead before I watched the thing, but now I am as confused as I am depressed.

The classic starting point for ethical analysis is “What’s going on here?” In this case, it is more appropriate to ask, “What THE HELL is going on here?”

I’m open to suggestions.

It Pains Me To Say This, But It Just Might Be Time To Stop Assuming That The FBI Is Ethical, Trustworthy Or Competent…

/ Jack Marshall / 16 Comments

If you watch TV even half as much as I do, the image of the Federal Bureau of Investigation hammered into your skull weekly is that of the most dedicated, well-trained, well-run and honorable law enforcement organization on Earth. There are three hour-long dramas focusing on the FBI’s heroism; its work is also central to “Blacklist.” On the streaming platforms and on cable, special series and older FBI-centered shows are abundant: “Criminal Minds,” “Without a Trace,” “White Collar,” “Night Agent,” “The X-Files,” “Blindspot,” “Quantico,” “The Rookie,” “Shooter”…too many to list, so I won’t list them all. Movies in which FBI agents are the heroes are legion There is no agency or organization that has a more suffocating and relentless indoctrination presence in the popular culture than the FBI.

It is no wonder the that public and the media are inclined to pooh-pooh or ignore entirely the massive evidence of sinister and illegal FBI activities devoted to bringing down the Trump administration, the machinations of James Comey, and the other scandals. Periodically some glimmers of the corruption and abuse of power that has infected the FBI’s culture since the long reign of its shadowy creator J. Edgar Hoover sneak into various programs: the lying FBI forensic expert whose work is exposed in the documentary “Staircase;” and the two excellent docudramas exploring the horrors of Waco and its cover-up are examples.

Clearly, the time has come to discard the presumption of virtue that has protected the FBI for generations. It is at least as inept, corrupt, politicized and incompetent as the rest of federal government, and perhaps even more so.

An episode in Boston earlier this month—barely reported by the mainstream media, of course—strongly hints at an “Emperor’s New Clothes” situation. The FBI was holding a special training exercise at the Revere Hotel in downtown Boston in coordination with the U.S. Army. Role players—that is, actors—were supposed to help create a realistic simulation for the agents who had to react to unexpected developments. Around 10 p.m. on the evening of April 6, FBI agents banged loudly on the door of the room where a Delta Air Lines pilot was staying. The surprised guest was handcuffed when he opened the door, detained and interrogated, and thrown into the shower.

Oopsie! Wrong room number.

Continue reading →

If Cleopatra Was Black, Maybe I Am Too!

/ Jack Marshall / 17 Comments

Netflix is telling its subscribers that Cleopatra was black, but both Cleopatra and I come from Greek stock, so if she was black, I must be too. This is just the break I have been waiting for after seeing my legal ethics training business torn to pieces by the stupid Wuhan virus lockdown, and income reduced to trickle that cannot be restored to its previous whoosh! Now that I can market my services as one of the very few blacks in the field, whole new vistas are open to me. Thanks, Netflix!

But I’m getting ahead of myself. Sorry, I’m just giddy.

A new Netflix new docu-series, “African Queens: Queen Cleopatra,” stars black British actress Adele James as the fabled Egyptian ruler. Producer Jada Pinkett Smith (yes, she’s the one her husband slapped Chis Rock over) has said that “she wanted to tell the story because ‘”we don’t often get to see or hear stories about black queens.” Somebody should tell Jada that one reason for that is that they prefer to tell the stories of white queens and pretend they are black, as when the very white second wife of King Henry the VIII was cast as being black in 2021 British mini-series. As I pointed out in the linked post, this kind of fantasy revisionism is considered benign—DEI, man!—-while casting a white women to play a black one would be “whitewashing” and racist. Similarly, casting a black actress to play the red-haired, fishy-white Little Mermaid in Disney’s life action version of the animated classic is hunky-dory, but using computer magic to make the black version of whitefish Ariel white again is racist. Clear?

I sure hope not.

Continue reading →

On Rasmussen’s Terrible Poll, Conservative Media Spin, And Scott Adams’ Self-Cancellation

/ Jack Marshall / 12 Comments

Ugh. Polls.

Some misguided fool at the conservative polling operation Rasmussen Reports convinced the gang to ask 1,000 randomly chosen Americans two questions:

1. Do you agree or disagree with this statement:  “It’s OK to be white”?

2. Do you agree or disagree with this statement:  “Black people can be racist, too”?

Question #1 is unforgivable—incompetent, irresponsible, unethical. “It’s OK to be white” was designed as parallel “gotcha!” linguistic retort to “Black lives matter,” an equivalent to “When did you stop beating your wife?” What does it mean? Agreeing with “It’s OK to be white” might mean, “I reject the premise behind Black Lives Matter and Critical Race Theory!” It also could mean, “Of course it’s okay to be white; any other position is racist.”

Disagreeing with the statement might mean, “I see what you’re doing there: trying to weasel out of white society’s obligation to recognize the intrinsic injustices it inflicts on black citizens!” Or it might mean, “I hate those honky bastards! They’re all the same: evil.” Without defining terms, no poll is legitimate.

Rasmussen should be ashamed of itself.

Continue reading →

Comment Of The Day: “‘What’s Going On Here?’ Why Does Disney Think It Is Appropriate To Produce And Circulate Abrasive, Divisive, Confrontational Interest Group Propaganda And Indoctrination Like This?”

/ Jack Marshall / 14 Comments

I have a confession to make. I know that the ethical and moral deterioration of the Disney corporation is a major ethics catastrophe with dire consequences for our society and culture, and Ethics Alarms should have been covering it more thoroughly. It hasn’t, and that’s because this topic is particularly painful for me.

I owe so much to Disney’s creations and philosophy. I learned a lot of ethics from the shows and movies growing up, and many of my most enduring and important interests and hobbies were inspired by Walt’s vision. My fascination with dinosaurs began with the terrifying T-Rex sequence in “The Rite of Spring” segment of “Fantasia,” for example. My reverence for the Alamo was inspired by Disney’s “Davy Crockett” series. The first dramatic production of any kind that genuinely move me was “Bambi.” I never got to visit a Disney theme park until college, but finally going to Disneyland after dreaming about it as a kid was one of the epiphanal experiences of my entire life: it was perhaps the only time something I had looked forward to was even better than I expected it to be. Disney’s perfectionism—at the parks, which were immaculate and overlooked no detail to immerse visitors in the fantasy, and in the TV shows and movies—influenced my own view of professionalism and my approach to directing for the stage. His courage and certitude in pursuing risky creative projects that everyone was telling him were doomed to fail—a full length animated film?—bolstered my own resolve when I have had project ideas that seemed nuts to everyone but me.

(And some were nuts, as it turned out. But the times I was right more than made up for those.)

I could go on, but I won’t. The point is that attacking Disney for me is like savaging a childhood hero, or even a parent. But the country, its culture and mental health is being harmed by the current distortion of Walt’s creation’s destructive alliance with the radical Left. It deserves to be attacked, and it’s time I got down to it.

This Comment of the Day (actually two comments, in sequence) by jmv0405 on the depressing post yesterday on a Disney Critical Race Theory video, makes up for some of that lost time by getting the discussion jump-started. It is also a perceptive and illuminating perspective that I wouldn’t have seen without the comment’s guidance. Continue reading →

“What’s Going On Here?” Why Does Disney Think It Is Appropriate To Produce And Circulate Abrasive, Divisive, Confrontational Interest Group Propaganda And Indoctrination Like This?

/ Jack Marshall / 25 Comments

Anyone?

I don’t like being shouted at by cartoon characters. Even if they had a valid point, my response to this kind of assaultive advocacy is, has ever been, and always will be…

Bite me.

Why Our Culture Needs Old Movies

/ Jack Marshall / 13 Comments

Typical of the free-association manner in which my brain works, a fatuous essay by a New York Times pundit about a subject he doesn’t understand (but I do)–performing—excavated an ethics memory from my childhood that hadn’t sparked a neuron in decades.

Frank Bruni, for some reason, felt it was necessary to re-hash the ancient debate over whether a movie star is really a skilled “actor,” and can be deserving of an Oscar over “real” actors. Naturally, his target was Tom Cruise and his performance in “Top Gun: Maverick,” the most popular and successful movie of the year. I don’t feel like arguing with Bruni over this; I’ve had the debate too many times. (No, Cruise isn’t going to get an Oscar for this sequel, but he has given Oscar-worthy performances before, because nobody can play Tom Cruise as well as he can). I’ll just give the short version: if an actor plays a part better than any other actor could, it is irrelevant that he can’t play any other part. As a director, I’ll cast a charismatic one-trick pony who is perfect for a particular role over a brilliant, versatile artist who could play Hamlet to cheers every time.

But that is neither here nor there. Here is there: Bruni’s discourse made me think of Spencer Tracy, a movie star and superb actor who had a wonderfully dismissive view of his own field, and then “Edison the Man,” the 1940 biopic, starring Tracy, about Thomas Edison. It was a black and white film that my father made a point of having me see. That film sparked my early interest in Edison, American inventors, technology and extraordinary people through history.

One scene in the movie, however, made a special impression. Edison and his research lab have been laboring on the creation of a practical incandescent light bulb day and night for months. Finally they think they have the right design, and the tungsten filament bulb to be tested is carefully assembled. The new bulb is handed to Jimmy, a teen who does odd jobs at the laboratory, and he dashes across the facility to give it to Edison. In his excitement, Jimmy trips and falls, smashing the precious bulb. Edison’s crew is furious; Edison reproaches the lad. Jimmy is devastated and inconsolable. When Edison’s men finally craft a replacement bulb, Edison calls for Jimmy and give him custody of the bulb, and asks him again to carry it to its destination on the other side of the building. Jimmy, striding carefully and slowly this time, completes his historic task.

Continue reading →

Arrogant, Deluded And Ignorant Is No Way To Go Through Life, Jennifer Lawrence…

/ Jack Marshall / 20 Comments

Jennifer Lawrence is a charismatic, versatile, talented movie star, but someone misled her into believing that everything that pops into her head is worth saying, and it isn’t. In this case, it wasn’t just banal or gratuitous progressive blather points, but a wildly false and disrespectful over-praising of her own significance at the expense of actresses that she ought to be honoring rather than insulting.

In a recent interview with Variety magazine, the star of the “Hunger Games” movies (beginning in 2012), “Silver Lining Playbook” and other films said,

“I remember when I was doing ‘Hunger Games,’ nobody had ever put a woman in the lead of an action movie because it wouldn’t work. We were told … girls and boys can both identify with a male lead, but boys cannot identify with a female lead.”

If you don’t know your film history, don’t make statements about film history. It makes one look like a conceited fool, as the social media mob rushed to inform Lawrence. Continue reading →

Best of Ethics Award 2022, Best Ethics TV Show: “The Good Fight”

/ Jack Marshall / 6 Comments

Ethics TV shows, once, long ago, a major segment of popular television fare, are an endangered species. When I last gave out this award six years ago, the winner was the zombie apocalypse AMC hit “The Walking Dead.” Eventually TWD itself became a zombie; if I had named a winner of the award in recent years, based on what I saw, it probably would have been old standby and previous champion “Blue Bloods” on CBS, or as I call it, “The Conflict of Interest Family.” To the great credit of Tom Selleck and the writers, it’s still a strong ethics show in its 13th season; brave too (imagine: in 2022, a pro-police drama about a devout Catholic family that meets for Sunday dinner every week!). But I’ve found—finally–a better one.

And if I had been more alert, I would have found it six years ago. The show is “The Good Fight,” a spin-off of “The Good Wife” which Ethics Alarms discussed frequently during its run. I was a bit jaded after “The Good Wife,” because, as good legal series often do if they go on too long, it began resorting to outlandish plot devices as new ideas became harder to come by. Maybe that’s why I was so late checking in on “The Good Fight.” The series picks up the story of Christine Baranski’s character in “The Good Wife,” and streams on Paramount Plus, which I only recently subscribed to. This is the show’s final season, its sixth, but I’m starting from the beginning.

If the next five season raised no ethics issues at all—an impossibility with ethics-obsessed creator-writers Robert and Michelle King in charge—“The Good Fight” would still be the smartest and most sophisticated legal ethics drama since “The Defenders.” You can watch it here.

There are a lot of legal dramas on streaming services right now: “The Lincoln Lawyer,” “The Firm” (based on the John Grisham novel and film, with Grisham producing), “Partner Track,” “Extraordinary Attorney Woo,” the now-completed “Better Call Saul,” and the extremely entertaining if over-the-top drama “Goliath,” starring Bill Bob Thornton as an alcoholic, depressive, idealistic litigator. If I had to recommend one over the rest, “The Good Fight” would be my choice.

Continue reading →

‘HA! You Fell For The Trap, White Boy!’

/ Jack Marshall / 17 Comments

I almost made this an Ethics Quiz, but then decided that there is only one ethical answer.

Star high school quarterback Marcus Stokes posted a video of himself in a car singing a rap song that used the term “niggas.” Or maybe it was “niggers.” We can’t find out, you see, because our infantile, unethical news media will only write  that he said the “N-word,” and the video has been deleted. Journalism!

Stokes’ video caused the University of Florida to rescind its scholarship offer. Stokes is white; there is little question that if he were the right color, singing the song and posting it would not have raised any issues at all. But as Yahoo!’s Murjani Rawls observes, “Saying the N-word as a white person goes into another territory,” at least in the hypocritical, race-obsessed worlds of sports and academia. Continue reading →