Comment of the Day: “The Provocative T-Shirt Problem”

Rick Jones, whose excellent blog posts on ethics, academia, politics and life can be read here, at Curmudgeon Central, again delivers the Comment of the Day, on my post about the gay couple asked to hide an innocuous T-shirt message while visiting Dollywood.

“It strikes me that attempting to draw clear lines of demarcation in terms of either content or location is inherently fraught with peril. The best determinant may indeed be the Golden Rule. But that inevitably touches on intent. The purpose of a “marriage is so gay” t-shirt isn’t to “get in the face of” opponents of gay marriage; it’s to make a mildly humorous point about an issue without being strident.

“The guy who wore the “I’m a Muslim. Don’t Panic” t-shirt to the Ground Zero celebration after the killing of Osama bin Laden—not terribly clever, but not at all offensive, either.

I wouldn’t be offended by a t-shirt backing a political candidate I’d never support (I might have an indication of whether to engage in conversation with this person as we wait in the queue, but that’s another matter); I would be by a t-shirt defaming that same candidate: comparing him to Hitler, for example. Yes, intent matters. Continue reading

Did Amy Winehouse Cheat the World?

 

A mark of failure, or betrayal?

I appreciated Amy Winehouse’s talent rather than enjoyed it. Nevertheless, her death-–many have said her completely predictable death—of a drug overdose at 27 once again causes me to ponder the recklessness with which gifted artists who can give so much to the world throw their lives away.

As an ethicist who never hesitates to hold individuals ethically responsible for conduct that harms others, I have not completely worked out in my own mind how to characterize the many artists and performers whose self-engineered destruction have robbed the world of laughter, enlightenment, and joy. Every time I watch John Belushi in “Animal House” or an old Saturday Night Live clip, I get angry at him—I admit it. I know Belushi didn’t want to die young any more than I wanted him to die young, but he treated his life as if it was disposable and without value, when it really was of extraordinary value. When Belushi sacrificed it in a stupid drug binge, it was more than a tragedy for his friends, lovers, colleagues and family; it was a tragedy for the art and history of comedy. Much the same can be said of Amy Winehouse—and James Dean, Jimi Hendrix, Billy Holiday, Heath Ledger, Michael Jackson, River Phoenix, Marilyn Monroe, and Elvis. Continue reading

Haboob By Any Other Name

"The haboobs are coming! The haboobs are coming!"

The line between national pride and patriotism on one side and small-mindedness and bigotry on the other can be perilously thin. Some Arizonans, however, have stumbled over the line where it is thicker than the annotated Federal tax regs,

The Arizona natives are objecting to local weathermen adopting the Middle Eastern term haboob to describe the small dust storms that have bedeviled Arizona this summer.  Haboob is a wonderful word, considerably more colorful than its Arizona equivalent, which is—-wait for it—“dust storm.” Nonetheless, the newspapers and local talk shows have been been awash recently with complaints like this letter to the editors of the Arizona Republic: Continue reading

Tardy and Biased Ethics Half-Hero: National Organization for Women (NOW)

Well, better late, confused, ineffective, biased and hypocritica than never, I guess.

Well, what do you know! The National Organization for Women, after sitting back and tolerating (or perhaps enjoying) comedian Bill Maher’s repeated use of misogynistic language to denigrate women as long as the women—Michele Bachmann, Sarah Palin—were anti-abortion and conservatives, finally spoke up and followed their mission when Maher’s show, as it was bound to do, went too far even for NOW.

NOW issued a release condemning Maher and his guests on HBO’s “Real Time” for endorsing rape and sexual abuse, or “angry fucking,” as proper punishment for Bachmann for the crime of not seeing the world as Maher and guests Dan Savage and Marc Maron do. While discussing Michele Bachmann’s husband Marcus’s controversial gay Christian therapy clinic, the panel and Maher discussed “Mr. Bachmann’s” sexuality and marriage with Michele.  Marc Maron declared that he hoped Marcus “takes all that rage that comes from repression and denial and brings it into the bedroom. . . I hope he fucks her angrily, because that’s how I would, and I’ve thought about it.” Continue reading

Conservatives, Rotting Children’s Brains On Principle

Why can't today's TV pass on good taste like this to our children?

Perhaps I am over-reacting, but I was recently horrified. Sometimes conservatives allow their ideology to lead them into places that make it impossible to take them seriously, or  to view them as rational and responsible. This is especially true when it comes to the arts.

Yesterday, radio talk show host Laura Ingraham was bemoaning the coarsening of the culture, and the way she feels that television is poisoning the minds of children. She spoke nostalgically about how entertainment in the golden past was family-friendly, and reliably conveyed the values of humor and wit that enriched children’s minds, their taste, and their understanding of “good entertainment.” Those days are no more, Ingraham said. Television is vast slime-pool, and concerned parents can only look to past gems of the comic arts to teach their children “humor and wit.”

So what show did Laura Ingraham, accomplished writer, former Supreme Court law clerk, and author of political satire extol as epitomizing these lost values? What classic TV show’s complete set of DVDs did she reveal that she had given to a colleague so he could save the minds and souls of his children?

“Gilligan’s Island.”

“GILLIGAN’S ISLAND!” Continue reading

Ethics, Stereotypes, and Holly Golightly

"Andy Hardy, the Asian Years"

A Bronx woman, Ursula Liang, has started a petition against Brooklyn Bridge Park’s “Movies With A View” series showing “Breakfast at Tiffany’s,” the 1961 Audrey Hepburn classic that gave us “Moon River” and one of actress Hepburn’s most endearing performances. Why? Well, the movie, which has long been popular for summer screenings in New York City and elsewhere, also contains a pre-political correctness performance by Mickey Rooney as Holly Golightly’s comic Japanese neighbor, “Mr. Yunioshi.”

Rooney’s performance, in my opinion, was cringe-worthy even in 1961, one of director Blake Edwards’ not uncommon excesses in vaudeville humor, placed in a context where it didn’t belong. It is a scar on an otherwise marvelous film, but there is nothing inherently wrong with comic stereotypes. Stereotypes are a staple of comedy, and have been forever; the question is whether a particular stereotype is cruel, gratuitous, harmful, or funny. Some stereotypes are cruel and funny. Continue reading

Wanted, Desperately Needed, and Lacking: Professionals, Adults and Values in the Media

What? Is there something wrong?

There is not a lot to say about the graphic above, other than:

  1. It is crude.
  2. It is funny.
  3. It is intentional.
  4. It is inappropriate for a general audience newspaper
  5. A competent editor should have caught it, and
  6. The graphic artist needs a warning and a reprimand.

The media, its staff, celebrities and assorted vulgarians and boors seem to be determined to make public square America as uncivil as a locker room, as crude as a peep show, and as juvenile as a junior high school farting contest. Professionals, including USA Today editors and publishers, can either do their duty and discourage this intentional rudeness in their products and services, or shrug it away. Similarly, our culture needs to decide if we are going to just define our deviancy down some more, and accept gratuitous sexual innuendo that will gradually make the whole population into a bunch of snickering Beavises. Continue reading

“Twelve Angry Men,” A Million Angry Fools, and the Jury System

Their defendant was probably guilty too.

Ethics Alarms All-Star Lianne Best sent me this link about a member of the Casey Anthony jury who is going into hiding because of all the hate and criticism being directed at jury members and their controversial verdict. Her plight, which must be shared by other members of the much-maligned jury, highlights the unethical, not to mention ignorant, reaction of the public to the Florida ex-mother’s narrow escape from a murder conviction she almost certainly deserved.

The problem begins with publicity. We may need to re-examine the logic behind broadcasting high-profile cases. The combination of live courtroom feeds and quasi-semi-competent commentary gives viewers the mistaken belief that they are qualified to second guess the jury, and they are not. They are not because the jury is in the courtroom, and the viewers aren’t. The jury and TV watchers see different things; individuals communicate different emotions and reactions in person than they do on camera. There is only one fair and sensible way to answer those on-line instant polls that ask, “Do you think Casey Anthony should be found guilty?”, and that is “I don’t know.”

Most of all, the viewers and pundits are not present in the jury room. Continue reading

What Today’s Broadcast News Regards As “Credentials”

"Yes, yes...journalism degree, experience at a local affiliate, blah, blah...but no rapes? Arrests? Scandals? Sexual abuse? Miss, you have NO credentials that make you valuable as a network reporter! Wait--what's your bra size?"

Good for media ethics pundit Howard Kurtz for blowing the whistle, however gently, on ABC News’s hiring of Elizabeth Smart as a contributing on-air expert on missing children cases. “Does that strike anyone as odd?” he writes.

Well, it depends what you mean by “odd,” Howard.

If you mean, does it surprise me that a broadcast media outlet, one of the journalistic mutations that hired Eliot Spitzer, fresh off his prostitution disgrace, to headline a current events show on CNN, that puts a giggly fold-out-come-to-life  like Robin Meade in charge of Headline News’ morning, and that, like Fox News, chooses its female newsreaders and guest pundits according to their degree of resemblance to Mamie Van Doren or Raquel Welch, would hire a young, attractive blond woman with no credentials other than her role as the victim of kidnapping, sexual abuse and rape, as a correspondent, why no, I don’t find it odd at all.

If you mean, do I find it odd that a supposedly professional news network would so blatantly abandon professional standards  just to cash in on the Casey Anthony uproar, however, then…wait, no, I don’t find that odd either. Revolting, but not odd. Continue reading

Thanking Dick Williams…Finally

The late Dick Williams, doing what great leaders do

If you are not a baseball fan, or under the age of thirty, you probably never heard of Hall of Fame manager Dick Williams, who died yesterday at the age of 84. I never met Williams myself, but I have been indebted to him for four decades. I never told him the immense difference he made in my life, just by doing his job.

In the winter of 1967, I was a devoted fan of my home town team, the Boston Red Sox, and had been since 1962.  Over that period I had listened to every single baseball game on my transistor radio when a game wasn’t on TV, which was most of the time, or when I wasn’t at the game, which was almost always the case. I was the only person I knew who followed the team, and for good reason: it was torture. The Red Sox were hopelessly mediocre on the way to awful, and hadn’t had a winning season in more than ten years.

It is a great character builder to follow the fortunes of a terrible baseball team. Almost every day, for six months, you are let down, and yet return to the scene of your despair the next, attempting to muster hope while steeling yourself against likely disappointment. You find yourself finding things to appreciate other than winning: the gallant veteran player who “plays the right way” (Eddie Bressoud, shortstop, 1962-1965); the exciting rookie who gives promise of a better future (Tony Conigliaro, right fielder—rest in peace, Tony); the unique talent who is worth watching for his own sake (Dick Radatz, relief pitcher, 1962-1966). These things help, but following a perennial losing team and caring about them is like being punched in the gut four or five days a week without knowing which day you’re getting it.

Since 1965, I had always reserved seats for the first day of the season and one of the last two home games, just in case those last games would be crucial to a (hahahaha!) Red Sox pennant drive. This was especially pathetic, since the team was getting worse. They had finished in a tie for 9th place in 1966, and as the 1967 season loomed, Vegas had them installed as 100-1 underdogs to win the American League pennant. In truth, the odds should have been longer. Nonetheless, I wrote the Red Sox and got my tickets, this time for the next to last day of the season.

The team was full of rookies and near rookies, and appropriately had hired a minor league manager, Dick Williams, to be the new skipper. Williams was something else, however: he was a gifted leader. One day, in the middle of Spring Training, a Boston scribe asked the new manager what the prospects were for the upcoming season. Would the team escape the cellar? Would there be forward progress? Williams’ answer was instant front page news:

“We’ll win more than we lose.” Continue reading