Ethics Hero: Jerry Lewis

Great comedians are usually, as Sid Caesar once memorably told Larry King, “miserable sons of bitches,” and few fit that description better than Jerry Lewis. As a result, he also stands as a classic example of how not-so-nice people can still do wonderful, heroic deeds. In Lewis’s case, the deed is the  Jerry Lewis Muscular Dystrophy Association Telethon. Lewis has announced that because of his failing health and advanced age (he is 86), the 2011 version will be his final telethon, and the show itself is being drastically scaled back from over 20 hours in its heyday to about 6 hours. The decline of his Labor Day telethon tradition is as good a time as ever to give Lewis—arrogant, loutish, egomaniacal, tough old bastard that he is—his due. Jerry Lewis is an Ethics Hero. There’s just no way getting around it.

For decades I thought that Jerry Lewis’s involvement with MDA was a stunt cooked up by his publicist during his decline in popularity, to ensure that he would have public visibility after studios stopped offering him movie roles. That was wrong: Lewis started doing telethons for muscular dystrophy in 1952, when his stardom was just blooming and he was still teamed with Dean Martin. his fundraising for medical research began as a series of local broadcasts and went national in 1966. By then Lewis’s career was indeed on the wane (his last hit movie had been “The Nutty Professor” in 1963), but the telethon had already been a constant in his life for 14 years. Jerry wasn’t doing it for himself. He really was doing it for “the kids.” Continue reading

The Unethical Consequences of Ethical Coffee

"Mmmmmmm! Smells ethical!"

When ethical conduct becomes too complicated, confusing, or controversial, the vast majority of people will shrug and give up, leaving the conduct to be embraced by fanatics who can be relied upon to argue among themselves about who is really being ethical.   Welcome to the world of so-called ethical coffee, where adherents must choose between a dizzying number of certifications and categories to ensure that their coffee purchases support ethical practices and objectives.

“Shouldn’t the dollars you spend support the values you believe in?,” chirps the home page of EthicalCoffee.com. “Fortunately, when it comes to the morning cup of coffee so many of us love, it’s easier to put your money where your conscience is than with any other commodity. (Just try to find a gas station that can certify that the gasoline you’re putting in your tank isn’t linked to environmental disasters or labor abuses halfway around the world.) With coffee, you can pay a little more and know the grower is getting a minimum price or be sure you’re helping preserve winter habitat for some of the same songbirds that will show up next summer in your back yard.”

Hey, sounds great! Love those song birds! Then comes the “but’… Continue reading

Jerk of the Year: Donald Trump

Where Donald Trump is King

I know it’s only May, and I know that Rev. Jones is still out there somewhere, planning on burning a picture of Mohammad or making confetti out of the Quran or some other offensive stunt designed to attract the attention of Fox News and sell some tee shirts. I know Allan Grayson can surface at any time, and that Michael Moore is joining forces with Keith Olbermann, which is a good bet to make both of them more obnoxious. And I know Newt Gingrich, Ron Paul, Michele Bachman and some other GOP candidates for president can be counted on to say or tweet outrageous things in the coming weeks and months. Yes, and Harry Reid is still running amuck, and there are plenty of athletes, singers and actors who will be embarrassing themselves, their profession and their species before the year is out.

Never mind all that. I’m ready to declare Donald Trump the Jerk of the Year.

I’ll admit my bias up front: I think Trump has been a contender for Jerk of the Year every year for at least two decades. Even I, however, never thought he was a big enough jerk to use the developing 2012 campaign for President of the United States—at a critical juncture in the nation’s history, with literally life-and death crises in the nation’s economy, housing market, and job markets, with the Middle East erupting and America involved in three armed conflicts, with a leadership vacuum at the highest levels of the government and with American trust and hope for the future at a record low—for personal ego gratification and to promote his cheesy, freak-show reality program “The Celebrity Apprentice.” But that’s what he did, soiling the news and  political discourse along the way by giving aid and support to the assortment of paranoids, wackos and racists who had been denying that Obama was a natural born citizen. Continue reading

Ethics Dunce: Guitarist Carlos Santana

Legendary rock guitarist Carlos Santana thought it was appropriate to lecture a ballpark full of Atlantans when he was  honored with a “Beacon of Change” award at Sunday’s MLB Civil Rights Game at Turner Field. Pronouncing Georgia’s  new immigration law just signed into law by Georgia Gov. Nathan Deal “anti-American,” the Mexican-born Carlos Santana said,“I represent the human race. The people of Arizona, the people of Atlanta, Georgia, you should be ashamed of yourselves.”

Dear Carlos: If you can't say something responsible about immigration, please just shut up and play.

Later, he told reporters , “This is about fear, that people are going to steal my job. No we ain’t. You don’t clean toilets and clean sheets, stop shucking and jiving.”

Santana is entitled to express his opinion; he is even entitled to express stupid and ignorant opinions. But when he uses his fame, name recognition and a forum given to him as an honor to express a stupid, ignorant and irresponsible opinion, that is intolerable. Continue reading

OH NO! Political Correctness Got Me!

Late last night as I was battling worry and insomnia, my TV remote transported me to the Cartoon Network where I encountered, for the first time  in 40 years, a minor Hanna-Barbara animated series called “The Perils of Penelope Pitstop.” Like all Hanna-Barbara shows, but especially the Saturday morning variety, “Penelope” was crudely drawn and aimed its humor at the lowest common denominator: compared to it, Woody Woodpecker is Faulkner. Drawn in by the comforting sounds of great vocal artists of the era like Mel Blanc and Paul Winchell, however, I watched about ten minutes of the show and realized, to my horror, that I now found it offensive…and not for the reason that I found it annoying in 1970 (it is, after all, moronic).

The plot of  every episode of “The Perils of Penelope Pitstop” (a spin-off of H-B’s more successful but just as repetitious and silly “Wacky Racers”) was the same. A female auto racer who is also a blonde, helpless bimbo with a Southern accent is stalked by a villain called “The Hooded Claw,” voiced by the great Paul Lynde.  The Hooded Claw, for no discernible reason,  concocts elaborate plots to kill Penelope, but is foiled, at the last second, every time. The cartoon is an obvious riff on “The Perils of Pauline,” the famous Pearl White silent movie cliffhanger serial in which each segment ended with the heroine tied to a railroad track or falling to earth dragging a collapsed parachute. Yet I found it impossible to appreciate the cartoon’s meager charms because of the loud clanging of  ethics alarms in my brain. Why is the only woman in the show portrayed as a walking, talking Barbie Doll? And why are kids being encouraged to laugh at a woman being stalked by a homicidal maniac? Because he’s an inept homicidal maniac? What could possibly be funny about stalking, an insidious phenomenon that every year leads to multiple murders?

“Oh my God,” I thought. “I’m politically correct!Continue reading

Ethics Dunce: Tucson’s NBC Affiliate KVOA

Next  Monday night’s“Law & Order: LA” episode involves “a crazed gunman” who “goes on a rampage at a political rally, killing a state senator.” Sound’s upsetting. Hmmmm...where have I heard of something like that happening?

Oh, right.

Tuscon, Arizona, where the NBC affiliate, KVOA  has decided that residents are not only too traumatized  to view such an episode “ripped from the headlines,” but apparently to be in the same city where anyone else can view it. Station president and general manager Bill Shaw explains that “the Tucson community is still going through the healing process” and NBC’s show has too many similarities to “that horrible day.” KVOA will broadcast the episode on May 17 starting at 1:05 a.m, because…gee, I can’t figure out what the logic is. To make the show as difficult and inconvenient as possible to see for those in the Tucson area who want to see it?  To punish NBC for broadcasting it at all? This is paternalism of the most offensive and insulting kind.

The censorship of the TV episode is an abuse of the station’s responsibility to the community, and if I was in a position to do so, I’d pull KVOA’s license. Who are the station execs to decide what network fare is or isn’t too traumatic for its viewers? Why would a Tuscon resident who would be traumatized by a fictional drama based on January’s tragic events in the city watch the show? Why shouldn’t a viewer who feels up to the task be allowed to see what everyone else in the country is watching? If the episode is a masterpiece, or sets off a national debate, what right does Bill Shaw have to take Tucson citizens—of all people— out of the debate?

The station’s decision is unfair, disrespectful, presumptuous, an abuse of power and, as is often the result of such ingredients, utterly, utterly stupid.

The Uncommon Common Dilemma

Emily Dickinson, he's not.

It is unusual to encounter a situation where there is no course that doesn’t violate some legitimate ethical principle. The dilemma involving rapper Common’s controversial invitation to the White House is one of them. None of the options are strictly ethical, and this has led advocates both for and against his inclusion in Michelle Obama’s poetry event, “An Evening of  Poetry at the White House,” to behave unethically themselves. Let’s see: what comes closest to being ethical conduct of the possible outcomes?

Option A: Michelle has her poetry event, but doesn’t invite any mainstream rapper. Ethical breaches: Incompetence, bias, censorship, dishonesty.

Rap is the most dynamic and popular form of poetry in America today. Having an event to “showcase the impact of poetry on American culture” at the White House that excludes popular rappers is absurd on its face; it would be like the White House celebrating the influence of sports in American culture and omitting football. Continue reading

Legal Ethics Train Wreck on “The Good Wife”

Oh, Alicia, Alicia...what have they done to you?

The CBS legal drama “The Good Wife” continues to show the seamy side of big firm legal practice, with heroine Alicia Florrick’s firm, Lockhart, Gardner and Bond, its adversaries, and even Good Alicia herself violating legal ethics rules with abandon, and at an accelerating rate, based on recent episodes. There is nothing wrong with this as entertainment, as long as the Rules themselves are not being misrepresented (they aren’t), the misconduct isn’t being presented as ethical (it isn’t, though it is sometimes hard to tell), and viewers don’t get the idea that this is how most law firms behave. Unfortunately, like most legal shows, “The Good Wife” fails in this important realm. I work with many large law firms, and they are all very aware on the ethical lines, bold or fuzzy, that they must not cross, and take their obligations seriously.

The most recent episode of “The Good Wife,” entitled “Getting Off” included a full-fledged ethics train wreck sparked by the firm’s habitually unethical adversary, the fecund Patti Nyholm. In the middle of representing the defendant hospital in a lawsuit brought by a Lockhart, Gardner and Bond, Nyholm is fired by her firm and removed from the case. With a twinkle in her eye, she approaches none other than the Lockhart firm to represent her in a multi-million dollar lawsuit against her former firm for discrimination and wrongful termination, on the theory that it fired her because she was pregnant. Continue reading

Ethics Hero Emeritus: Marlene Dietrich (1901-1992)

The great Marlene Dietrich, Ethics Hero

It was on this date in 1992 that the magnificent Marlene Dietrich died, in her sleep, in her Paris apartment at age of 91. She had hidden her face from the world since she had stopped performing over a decade before, saying that the public should remember her as she had been. Sadly, Dietrich is one of those former icons of Hollywood whom the public is slowly failing to remember anything about at all; most are more familiar with Madeleine Kahn’s send-up of her in the Western spoof “Blazing Saddles” than they are with Marlene herself. That is wrong, for she deserves better. Not only was Marlene Dietrich a unique performer and important cultural figure, she was also an Ethics Hero.

She was a rising German stage and screen actress when director Josef von Sternberg cast her as Lola-Lola, the beautiful, cynical leading character in “Der blaue Engel,” (The Blue Angel), Germany’s first talking film. The movie made Dietrich a star. Von Sternberg took her with him when Hollywood beckoned and signed her with Paramount Pictures. There Dietrich built her image and legend by perfecting her femme fatale film persona in a series of classic films directed by her mentor: “Morocco” (1930), “Dishonored” (1931), “Shanghai Express” (1932), “Blonde Venus” (1932), “The Scarlet Empress” (1934), and “The Devil Is a Woman” (1935).

Meanwhile, she had already begun fighting Hitler’s regime. Continue reading

Geronimo Ethics

"GERONI-"--no, I'm sorry. Let's see...uh..."

Somewhere, I sometimes suspect, there is a mega-computer that scans all news, media, films, TV, video games and pop music offerings, alerting various minority groups to fresh new opportunities to manufacture complaints based on victim-posturing and absurd political correctness. The thought has passed through my brain once again, as I see reports such as the one that appeared in the Washington Post this morning, describing how Native American advocates are offended that the codename for the military operation that killed Osama bin Laden was “Geronimo,” named after the iconic Apache warrior.

A codename, as the term implies, is a word or name intended to stand for something other than its actual meaning and historical significance. Ergo, the Manhattan Project was not a plan to drop New York City on Japan. Many codenames have had absolutely no relationship to their military meanings; what is important is that they not be too hard to remember or too easy for enemies to figure out. The mission to get bin Laden could have been named “Meat Loaf,” “Lindsay” or “Charlie Sheen,” all of whom would have been honored and amused, presumably. The military picked “Geronimo.” Continue reading