Bruno Tonioli, one of the judges on “Dancing With The Stars,” gave celebrity dance contestant Michael Bolton a lousy score for his lousy quickstep to the tune of “Hound Dog”with partner Chelsie Hightower, and reportedly Bolton’s fellow dancing celebrities were “enraged”—especially since Tonioli said the performance was the “worst” dance he’s seen in 11 seasons. That may have been a little harsh, but not by much. His dancing was arguably not worse than, say, Tucker Carlson of a few seasons back, who never got out of a chair. Still, among past dance-challenged contestants who actually got on their feet, Bolton was about as bad as it gets. He made Kate Gosselin look like Cyd Charisse by comparison. Continue reading
Popular Culture
Wildlife Documentary Deception
Great. CNN and NBC weren’t enough: now we can’t trust the National Geographic channel and Animal Planet.
Chris Palmer, a veteran wildlife photographer, recently went on NPR to talk about his new book. In Shooting in the Wild: An Insider’s Account of Making Movies in the Animal Kingdom, Palmer reveals the secrets of his trade, which apparently include renting trained animals when the ones in the wild won’t cooperate and putting M&M’s in the carcasses of prey, so the predators eat with gusto. He also expound on the use of a sound-effects technician to simulate sounds of animals breathing, chewing, drinking and flying. “You can’t get close enough to a bear to record his breath or his splashing in the water. If you got that close, you’d be in great danger,” he told NPR.
Although Palmer attributes the increase in the use of staged and fake footage in nature films to tighter budgets and shooting schedules, surely we had an inkling that this went on from the very beginning. The inventor of the form, Walt Disney, used animals as documentary actors in movies like “The Incredible Journey,” and I always assumed that Disney’s “true life adventure” nature films like “Jungle Cat” and “The Living Desert” included staged scenes, including battles between animals that were far from spontaneous.
Disney, however, is in the entertainment business. When wildlife documentaries announce themselves as real, they should be real, and if the producers staged sequences, rented animals, or used M&M’s, they have an ethical obligation to tell the audience. This goes for sounds as well. After all, there are people who think big snakes make the roaring sound the CGI villain makes in “Anaconda”; the fake sounds in nature films mislead many more. Real life footage is supposed to teach us something, not stuff our heads full of more misinformation.
That’s the job of CNN and NBC.
There is a lot of amazing wildlife footage that is not staged; the question now, in light of Palmer’s book, is how we are supposed to identify the fakes. The sound effects are a good clue. I will say this: if I find out that the story of Christian the lion was faked, I’m going to be angry.
But there is always “the battle at Kruger.”
[Thanks to Lauren Larson for the tip.]
Accountability Alert: The “Embarrassment” Was the Nation’s, Not Colbert
In a stunning failure of perception, accountability and responsibility, the second most powerful Democratic House leader, Steny Hoyer of Maryland, actually had the gall to criticize Stephen Colbert for Hoyer’s own party’s disgraceful conduct, which was egregious enough to humiliate the institution of Congress, the democratic process, and the nation as well.
“I think it was an embarrassment for Mr. Colbert more than the House,” Hoyer told “Fox News Sunday.”
“What he had to say was not the way it should have been said.”
Unbelievable. Hoyer’s party’s own committee invited Colbert, a comedian whose shtick is mocking conservative Republicans, to testify about the wisdom of allowing illegal migrant workers to harvest crops despite the fact that he has no special expertise or credibility on the subject whatsoever. Continue reading
Katy Perry’s Cleavage and Sesame Street Ethics
“Sesame Street’s” producers yanked pop songstress Katy Perry’s upcoming appearance on the iconic PBS children’s show after parents complained about her low-cut dress. They had seen a preview of her duet with Elmo on YouTube, and were scandalized.
The complaint, to put it mildly had no merit. Continue reading
Ethics Dunce: Rep. Zoe Lofgren
Rep. Zoe Lofgren, chairman of the House immigration subcommittee, has called Comedy Central’s Stephen Cobert to testify before the committee on illegal immigration policy. Colbert, who reportedly will testify as his TV persona, a pompous, none-too-conservative talk-show ideologue, has no particular expertise in the topic, other than a gag interview he had with United Farm Workers (UFW) President Arturo Rodriguez on his show. Continue reading
Stupid Ethics Tricks: Buns, Mascots, Mottos and Maher
Advertising Ethics: KFC is marketing its new “Double Down” chicken sandwich by paying college co-eds—who must meet some secret standard of butt-comeliness—to wear sweat pants with “Double-Down” printed on the seats. The National Organization of Women objects: “It’s so obnoxious to once again be using women’s bodies to sell fundamentally unhealthy products,” says Terry O’Neill, NOW’s president. What an odd comment: is it all right in NOW’s view to use women’s body to sell healthy products? Is O’Neill saying that (not to give KFC any ideas) paying buxom co-eds to wear tight T-shirts advertizing fried chicken breasts would be wrong, but the same campaign for healthy, broiled breasts would be just fine?
I am tempted to say that any ethical condemnation of the “buns as billboards” method is attributable to the “Ick Factor,” not ethics. Continue reading
Guest Commentary: “When Children Work; A Dialogue”
By Paul Petersen
[Paul Petersen is the founder and president of A Minor Consideration, a non-profit advocacy group that seeks to protect the welfare of juvenile performers. Mr. Petersen was a prominent child star himself, most famously as “Jeff Stone” on the long-running TV comedy, “The Donna Reed Show.” The following commentary, also posted on his website, is inspired by the hearings this week on proposed child labor legislation in Pennsylvania, where “Jon & Kate Plus 8” was filmed. The legislation proposed by State Representative Tom Murt defines reality television and would require all minors to have work permits issued by the state Department of Labor and Industry to ensure all adequate provisions have been made for the minor’s educational instruction, supervision, health and welfare. The bill also provides that minors can only work between 7 a.m. and 10 p.m., and sets guidelines for the amount of hours, work, recreation, school and activities per day. A certified teacher would be required on the set of any production to monitor working conditions, and the bill would require 15 % of a child actor’s gross earning be set aside by the employer in a trust.]
Imagine if your boss unilaterally declared that your time spent in a commercial workplace wasn’t work at all but merely “participation.” That might be said of the drug store cat, or a barnyard animal, but to say that about a living, breathing, conscious human being passes all understanding. Yet that is precisely the position taken by reality show Producers and the Networks that broadcast commercial products called “reality shows” that feature children. Continue reading
Fake or Real, “I’m Still Here” is Unethical
Now, having had his film reviewed by most major critics as a genuine documentary and being widely assailed as an exploitive creep (including here), Casey Affleck is telling the media that the film is a put-on. If it is (and why anyone should believe a liar when he admits he is lying is an unanswerable question), then he exploited the audience and defrauded them into seeing a film under false pretenses. The movie isn’t funny, like “Borat,” and there is no legitimate entertainment purpose in staging a fake portrayal of a drugged out, self-absorbed jerk, who is really only a lying, self-absorbed jerk. Just as James Frey’s A Thousand Little Pieces was a lousy novel that attracted interest because he falsely represented it as non-fiction, “I’m Still Here” only could attract an audience if they were lied to—because nobody would care about Juaquin Phoenix’s idea of satire. Andy Kauffman he’s not. They will, however, pay to watch a human train wreck. Is Affleck trying to make the audience feel foolish? They are only foolish for trusting him. They won’t do it again.
I still think it’s 50-50 whether the hoax admission is another hoax, as a desperate effort to gin up box office. But it really doesn’t matter. Whether the film is truth or fabrication, Phoenix and his pal Affleck are despicable…just for different reasons.
Casey Affleck, Worst Brother-in-Law of the Year
Imagine that your wife’s brother, who is also one of your best friends, is in trouble. He is ruining his health, career and reputation with habitual drug use and other self-destructive behavior. He seems to be deluded, yet his business associates and friends are enabling his behavior. A tragedy is unfolding, and no one seems to care.
What do you do? Continue reading
Police Brutality: Direct TV Strikes Again!
In a previous post that apparently established the proprietor of Ethics Alarms as a “fuddy-duddy,” I discussed the disturbing series of stereotype-bashing Direct TV commercials that sets out to show how amusing irrational hatred and gratuitously cruel behavior can be. The commercials seem to be escalating, and why not? Ethics Alarms isn’t their only, or most prominent, critic, and ethics be damned—the ads are being watched and talked about! Victory! And besides, they’re aimed at football fans, a demographic that is rather less likely to find the encouragement of random violence upsetting in any way.
The latest “hurt your rival” drama from Direct TV shows two police casually tasering a man who “cheats” in the Fantasy Football league by using his Direct TV NFL feed to get an upper hand on the competition. (He is seen twitching on the floor. LOL!). As a commenter on the previous post has pointed out, police nationwide are fighting a perception and public relations battle over alleged incidents of excessive force, many involving tasers. This commercial encourages distrust of the police, and reinforces a false and unfair perception that misuse of their power and authority is the norm. Is it worth the laughs, if indeed there are any?
I think the standards for comedians and commercials should be different, with comics having the broadest possible discretion to do or say whatever they feel is necessary to promote mirth from their audiences. TV commercials are more than entertainment: the audiences don’t choose the content of ads or know when they will see them, and their visibility and repetition gives the commercials enough influence over cultural attitudes to warrant a higher level of responsibility on the part of the company and the ad agency.
Mainstream media ads both reflect public attitudes and mold them. The Direct TV ads either show we have a callous society, or are helping to make us one.
