Popular Culture

Empathy and Ethics Insanity in Hollywood: “CSI New York”

/ Jack Marshall / 8 Comments

In this week’s episode of C.S.I. New York, entitled “Unusual Suspects,” a 14-year old is shot and his younger brother intentionally misleads the police regarding the shooter, identifying the wrong suspect who is ultimately chased by the police and fatally hit by a bus while trying to flee. Eventually the truth comes out. The two boys–armed with a gun!—robbed a bank, and the older boy, who engineered the crime, was shot by a man who subsequently took the loot from them.

The boys knocked over the bank because they overheard their mother say that she couldn’t pay the rent. This is apparently sufficient justification for the bank and the District Attorney to decide not to press charges against the little dears. As the show ends, two of the C.S.I. squad look in on the hospital room, misty-eyed. where the wounded boy lies recovering, as his brother and mother sit vigil by his bed.

“There’s a lot of love in that room,” observes one of the officers.

A lot of felons, too. Continue reading →

Ethics Hero Emeritus: Lena Horne, 1917-2010

/ Jack Marshall / 3 Comments

When actress Hattie McDaniel, the imposing African-American actress who played “Mammy” in the film “Gone With the Wind,” was criticized for her willingness to accept stereotypical and often degrading roles, she countered, “I’d rather play a maid and make $700 a week than be one for $7.”  Not Lena Horne.  Breaking into the movie business as a dynamic and glamorous singer-actress in 1942, she insisted on a long-term contract with MGM that specified that she would never have to play a maid. Continue reading →

The Ethics of Silencing Hate

/ Jack Marshall / 1 Comment

Good and just people are not just bothered by the bad things people do, but also by the bad things they may be thinking while they do it.  This is reasonable, on its face, because a lot of  the time (though far from always), misconduct arises from ideas, emotions, motives and intentions that are not very admirable and sometimes despicable. The indisputable connection between what we think and what we do increasingly is fueling the idea that we can and should try to control people’s thoughts—not by encouraging good ones through education, culture, philosophy, role models and positive reinforcement, but by preventing bad thoughts through punishment, enforced conformity, censorship, and linguistic controls.

The civil rights movement, once dedicated to wiping out discrimination, which is a kind of conduct, now focuses on eliminating bigotry and bias, a form of thought. Hate crime legislation extends penalties for criminal acts beyond the act itself to what the criminal was thinking while he committed it.  The term “hate speech” is frequently used to describe any intense negative opinion as a way of both suppressing and de-legitimizing political opinion. The label effectively argues that an opinion, even a reasonable opinion by itself, should be shunned and even suppressed based on the “illegitimacy” of the thought process used to arrive at it.

As many predicted, this device or tendency (which you call it depends in part on how cynical you are) has intensified with the election of our first African American president, allowing the kind of intense opposition rhetoric, satire, condemnation, hyperbole and ridicule that has been directed at virtually every president before him to now be characterized as hate speech, or proof of racial prejudice. People, of course, have a right to engage in this tactic, but it is wrong.

Over on Facebook, over a million people have joined a fan page called “DEAR LORD, THIS YEAR YOU TOOK MY FAVORITE ACTOR, PATRICK SWAYZIE. YOU TOOK MY FAVORITE ACTRESS, FARAH FAWCETT. YOU TOOK MY FAVORITE SINGER, MICHAEL JACKSON. I JUST WANTED TO LET YOU KNOW, MY FAVORITE PRESIDENT IS BARACK OBAMA. AMEN”, inspired by a joke that is a lot older than Barack Obama, and probably older than Millard Fillmore. Continue reading →

CBS: Nostalgia Spoilsport

/ Jack Marshall / 4 Comments

For many years, I’ve been trying to track down a recording of the theme song from the wonderful 1963-64 TV anthology “The Great Adventure.” A critically praised, largely forgotten dramatic series that portrayed stories from American history, “The Great Adventure” began with a spirited march written by composer Richard Rodgers, of Rodgers and Hart and Rodgers and Hammerstein fame.

Now I can play the show’s intro on my computer any time I feel like being inspired, thanks to a wonderful web resource, televisiontunes.com. The site has collected over 15,000 songs and instrumental pieces from the entire expanse of television history, and it is a magic doorway to instant nostalgia, not to mention some fun and excellent music, like the Rodgers composition, that is difficult to find anywhere else. Want to hear, for example, “Interjections!”, the cleverest and catchiest of all ABC’s “Schoolhouse Rock” creations? It’s there…or rather, here.

But if you want to listen to the “Twilight Zone” theme, or the iconic intro to “Perry Mason,” or, most tragically of all, the opening strains of “Hawaii Five-O,” perhaps the best TV theme ever, you are out of luck. You are out of luck because CBS, alone among the networks, has had its lawyers start pulling off the best-known themes from the CBS shows, as is CBS’s right as the owners of them. Continue reading →

Twins on Trial: Just Like “The Patty Duke Show”!

/ Jack Marshall / 4 Comments

Are you old enough to remember “The Patty Duke Show”? You know, with Patty, then a young starlet fresh off her Broadway and film triumphs as Helen Keller, playing “identical cousins” Patty and Cathy (with a British accent)? If you do, you surely remember the disturbingly catchy theme song about “two pairs of matching bookends, different as night and day!” Well, here’s a story about recent “matching bookends” who caused some ethics problems. To introduce it properly, to the melody of Patty Duke’s theme: Continue reading →

What Hugo Alfredo Tale-Yax Can Teach America

/ Jack Marshall / 2 Comments

The one with the premium-grade ethics alarms bled to death on the sidewalk. The people who never had them installed at all took pictures. Is this the way it’s going to be?

Hugo Alfredo Tale-Yax was a Guatemalan immigrant who lived in Queens, New York. His life was a mess; he was destitute, ill, and had no job or likelihood of getting one. When he saw a knife-wielding man apparently assaulting a woman on the street two weeks ago, however, he knew what his ethical obligations were. He rescued her by intervening in the struggle, and got stabbed, badly, for his actions. The attacker ran off, and so did the woman, who didn’t check on Hugo after he fell, and  never contacted the police. She also neglected to say, “Thanks for saving my life.” Continue reading →

“Everybody Draw Muhammad Day” Ethics

/ Jack Marshall / 66 Comments

The “Everybody Draw Muhammad Day” mess is a wonderful example of how ethics train wrecks begin to engulf anyone who get near them. It also an example of an idea that is clever, funny, well-intentioned, and wrong. Continue reading →

Conan on “60 Minutes”: Failing His Own High Standards

/ Jack Marshall / Leave a comment

Conan O’Brien went on CBS’s “60 Minutes” this week, and managed to carefully trash NBC and Jay Leno without crossing the boundaries laid out in his agreement with NBC, which prohibited him from “disparaging” the network that treated him so abysmally and paid him 30 million dollars in the bargain. I sympathize with Conan. A “60 Minutes” softball interview (CBS is a competitor of NBC, remember, so it likes Conan, an NBC casualty and victim; “60 Minutes” only does tough interviews with people they don’t like) is good for Conan’s image, helps him publicize his national comedy tour and his new deal with TBS, and best of all, allows him to stick it to the people who did him dirt. This would be hard for anyone to resist, and obviously Conaa couldn’t. Still, it would have been better if he had. Continue reading →

“The Good Wife” Ethics Follies

/ Jack Marshall / 12 Comments

“The Good Wife,” CBS’s legal drama starring Julianna Margulies, began as an unusually nuanced show of its type that presented intriguing ethical dilemmas without crossing into David Kelley’s over-the-top Legal Theater of the Absurd. Little by little, however, the show’s willingness to ignore core legal ethics principles is becoming more pronounced. “Boom,” which aired last week, continues a trend that is ominous, considering “The Good Wife” is still in its first season. After all, the lawyers in Kelley’s “The Practice” didn’t start finding severed heads and getting charged with murder until a couple of seasons in.

If you missed “Boom,” or if you didn’t but had misplaced your A.B.A. Model Rules of Professional Conduct, here are the legal ethics howlers committed by the “Good Wife’s” attorneys: Continue reading →

The Weintraub Delusion

/ Jack Marshall / Leave a comment

Jerry Weintraub, the epically successful producer of movies and manager of legendary performers, notably Elvis Presley, has written an entertaining autobiography entitled, “When I Stop Talking You’ll Know I’m Dead: Useful Stories From a Persuasive Man.” Maybe the stories are useful, but clearly not in the way Weintraub thinks they are.

As Weintraub was promoting his book on NPR this morning, he told several stories, all amusing. One involved a period when he was managing the late singer John Denver. Continue reading →