And Another One BitesThe Dust: Bowling Green State’s Unethical Slap At Lillian Gish [UPDATED]

The problem with so many of the statue-toppling/ renaming debacles at U.S. universities isn’t just that they are  transparent grandstanding, virtue-signalling and pandering to power-seeking black activists. The more disturbing problem is the intellectual vacuousness and lack of critical thought that school administrators display in the process of their grovels. The recent action of Bowling Green State University in Ohio is a particularly noxious example.

[Correction notice: the post originally had the university in Virginia, perhaps because I was once pulled over for reckless driving in Bowling Green, Virginia. Anyway, that was wrong. My apologies.]

Lillian Gish ( 1893-1993) had an epic  film career spanning 75 years, from 1912, in silent films,  to 1987. She was frequently  called the “First Lady of American Cinema,” and film historians credit her with introducing basic movie performing techniques to her craft. The PBS series, American Masters devoted an episode to Gish’s life and achievements; Turner Classics Movies observes,

Having pioneered screen acting from vaudeville entertainment into a form of artistic expression, actress Lillian Gish forged a new creative path at a time when more serious thespians regarded motion pictures as a rather base form of employment. Gish brought to her roles a sense of craft substantially different from that practiced by her theatrical colleagues. In time, her sensitive performances elevated not only her stature as an actress, but also the reputation of movies themselves. 

She had 120 film and TV credits before she was done, including “Night of the Hunter,” an enduring classic. In short, she was important. She enhanced the culture and her industry, and she earned her honors. She should be remembered.

Bowling Green State University has honored  Lillian Gish (and her less-celebrated acting sister Dorothy) for more than 40 years. But members of the college’s Black Student Union objected the theater’s name, on the grounds that in 1915, when she was 22 years old, she was one of the stars in D.W. Griffith’s “Birth of a Nation,” a seminal work in the U.S. film canon by one of its most talented and influential directors. The film, despite its artistic merits and importance to the development of the movies, is widely regarded as racist in content and purpose, celebrating as it does the rise of the Klu Klux Klan. The film is also blamed in part for the rise of Jim Crow in the South, also aided by President Woodrow Wilson’s open promotion of the movie as well as Griffith’s political views.

None of which has anything to do with Lillian Gish. Actors don’t write scripts or control a movie’s message, nor are they responsible for how audiences perceive a film beyond their own performances. D.W. Griffith was not only the early 20th Century’s equivalent of a Stanley Kubrick or Steven Spielberg, he was young Lillian’s patron and metor. She had literally no choice other than to accept his decision to cast her in his Reconstruction opus; to rebuff him would have risked ending her career. Nor was there any way, in 1915, for Gish to know what the impact of “Birth of a Nation” might be, or to know, while she was being filmed, what the director would do with the footage.

Gish was not responsible for the movie, and holding that she was is as ignorant and indefensible as it is unfair. Continue reading

Early Memorial Day Weekend Ethics Warm-Up, 5/24/19: Movies And Women, Real And Imagined

Good Morning!

My father loved Sousa marches. So do I. Sousa was a genius in a very narrow range, but a genius he was. The Liberty Bell was one of my dad’s favorites. Here is a great website to familiarize yourself with the great march-master’s creations; it has instant links to each march.

1. Since it has done such a superb job ensuring world peace, the U.N. moves on to the important stuff… Unesco has issued a report claiming that having female voices in machines like GPS’s, smartphones and personal assistant devices reinforces gender stereotypes and enables the oppression of women. From the Times:

“Obedient and obliging machines that pretend to be women are entering our homes, cars and offices,” Saniye Gulser Corat, Unesco’s director for gender equality, said in a statement. “The world needs to pay much closer attention to how, when and whether A.I. technologies are gendered and, crucially, who is gendering them.”One particularly worrying reflection of this is the “deflecting, lackluster or apologetic responses” that these assistants give to insults. The report borrows its title — “I’d Blush if I Could” — from a standard response from Siri, the Apple voice assistant, when a user hurled a gendered expletive at it. When a user tells Alexa, “You’re hot,” her typical response has been a cheery, “That’s nice of you to say!” Siri’s response was recently altered to a more flattened “I don’t know how to respond to that,” but the report suggests that the technology remains gender biased, arguing that the problem starts with engineering teams that are staffed overwhelmingly by men. “Siri’s ‘female’ obsequiousness — and the servility expressed by so many other digital assistants projected as young women — provides a powerful illustration of gender biases coded into technology products,” the report found.

Gee, that’s funny: I thought the reason a woman’s dulcet tones were used in such devices is because they were easier on the ear than, say, HAL. Nor would it occur to me that a woman was being subservient or submissive when the female voice was coming from a lump of metal and plastic on a table.

FACT: Yes, a consumer should have the option of having a device speak in a male or female voice.

FACT: If the owner of such a device wants to insult it, make sexual comments to it, or crush it with a hammer, that’s none of the U.N.’s business.

FACT:  Programming AI to be adversarial to its owner, whatever voice the device is using, is unethical, and, obviously, bad business.

Unesco’s report is the epitome of manufactured offense. Continue reading

Ruby Tuesday Ethics Warm-Up, 5/21/2019: Of “Bad Charity,” Fake Headlines, Dumb Atticus, And Being Mean To Mr. Ratburn

Tuesday’s child is full of grace.

Tuesday’s ethics, not so much…

1. The other shoe drops...the New York Times yesterday editorialized against the  generous gift to Morehouse students by billionaire and Ethics Hero Robert F. Smith.  It also took a swipe at Smith himself, whose wealth the Times appears to consider suspect. What the mouthpiece of the Left is lobbying for is Bernie Sanders’ free college for all, meaning that not just billionaires but you and I will all have to pay for inflated tuition at institutions that do not so much teach as indoctrinate (or, in the case of Ohio State and who knows what others, molest).

The wonderful thing about Smith’s gift is that it was a complete surprise. The students had a strong financial motivation not to waste their college years taking useless courses on the Patriarchy of Gas Grilling, and instead had every reason to try to prepare themselves for the workplace. Free college education becomes a privilege and a lark, with no accountability or commitment required.

2. Fake Headline Dept. I have seen this in several places: “Ciara Accepted Into Harvard University’s Prestigious Business School.”  (Ciara is a pop diva, if you care.)

Uh, no, she wasn’t. She is going to attend a  Business of Entertainment, Media and Sports program at the B-school that lasts all of three days. She’ll pay for it, too. Ciara doesn’t have a college degree, not that there’s anything wrong with that, but I bet she’ll tell people for the rest of her life that she attended the Business School, just like Bill O’Reilly still says he’s a Harvard grad because he attended the Kennedy School of Government on campus.

Not that a Harvard degree is anything to boast about these days… Continue reading

Saturday Morning Ethics Warm-Up, 5/11/2019: No Laughing Matters

You know, Saturdays  were a lot more fun when I watched cartoons in the morning …

1. More on the divisive Red Sox visit to the White House, as all the blacks and Hispanic-Americans—but one—boycotted the honor.  Kyle Smith at the National Review has some spot-on observations. Some samples:

Naturally the media blamed the target of this calculated mass protest. “Did Donald Trump honor the Red Sox or the ‘White’ Sox?” asks columnist Edward Montini in the Arizona Republic, adding, “Trying to pretend that President Donald Trump has not caused a widening racial and ethnic divide means not believing what you can hear with your own ears and see — clearly — with your own eyes.” MSNBC guest and former Joe Biden chief of staff Ron Klain said, “I bet [Trump] was happy today that he was able to say that the white players were here and players of color weren’t. That’s the kind of division he fosters deliberately.”

Isn’t Klein’s statement obviously the blathering of an asshole? How far gone do you have to be to buy that? More from Kyle…

[L] et’s call this what it is: Top athletes, especially top athletes of color, are insulting the President of the United States. They have every right to do this, but let’s at least get the direction of the animosity right. Trump doesn’t invite just white athletes to the White House. The racial resentment in these ceremonies is being flung at him, not by him. The athletes, not the president, are racializing these ceremonies….These feel-good photo-ops for jocks are nonpartisan. Everyone used to understand this. Participating in a White House ceremony does not constitute an endorsement of a president, much less agreement with all of his policies. Before the Trump era, only a handful of athletes had ever been conspicuous no-shows at White House events to honor them, and most of them hastened to clarify that they had non-political reasons for missing the events. These days everything must be scrutinized for political content. Dave Zirin of The Nation is assailing Tiger Woods for accepting a Presidential Medal of Freedom from Trump, saying it amounted to “to kiss[ing] Trump’s ring.

Read it all, but really: who’s being an asshole here? It isn’t Trump.

2. Let’s give credit to conservative pundit Ben Shapiro for openly admitting that he behaved like jerk, but he really did behave like a jerk. Shapiro was a guest on  the BBC to discuss his new book, New York Times best-seller “The Right Side of History: How Reason and Moral Purpose Made the West Great,.” Apparently he was expecting the kind of soft-ball, pandering interview from host Andrew Neil that he criticizes U.S. journalists for serving up to progressives and Democrats. Uh, no.

After greeting one another (the interview was conducted from London via satellite) Neil asked Shapiro whether he believed Georgia’s new abortion law was a return to the “dark ages.”

Rather than answering the question, Shapiro attacked the  questioner, saying, “OK, a couple of things. Are you [an] objective journalist or an opinion journalist?”

Neil’s response: “I’m a journalist who asks questions.” Continue reading

Saturday Ethics Warm-Up, 5/4/2019: No Trump, No “Resistance.” Enjoy!

Good Morning!

This song, the only “hit” (kind of) by “The Carpenters” sung by Karen’s brother Richard, matches my conflicted mood today. Richard’s teasing and criticism played a part in killing his sister, who possessed one of the most wonderful voices of any popular female vocalist in U.S. history, but who was doomed by anorexia. I am also both perplexed and amused that someone with a lisp would choose a song that repeats “Saturday” as his break-out solo. I wonder if Karen teased him about that?

1.  More on high-testosterone competitors in women’s sports. As I recently wrote here, I am floating in an uncharted sea of uncertainty on this issue, especially regarding Caster Semenya, the intersex South African track star. I do know, however, that I applaud her defiance of the recent court order dictating that she will have to take testosterone-lowing medication if she wants to compete. After a race this week, which she won, as usual, Semenya was asked if she would take the drug. Her answer:  “Hell no.”

Athletic organizations are treading through a mine field here. If they regard taking performance enhancing drugs as cheating, as they should, demanding that certain competitors with natural physical and genetic advantages should take performance-handicapping drugs seems like a double standard.

2. Stop making me defend Woody Allen! I have been unable to watch an Allen movie, even old favorites like “Bananas,” “What’s Up. Tiger Lilly?,” and “Annie Hall,” without gagging since the comic/director cheated on Mia Farrow with her adopted teen-aged daughter, to whom he was a virtual father, and then married her. Thus I have watched none of his films at all. I didn’t need to make a judgment about his daughter’s claims that he sexually molested her, which Allen denies, and since I have no more evidence than the she said/he said (and my certainty that Allen is a certifiable creep), I can’t. However, once Dylan Farrow and her vengeful mother Mia renewed their accusations against Allen while #MeToo was raging,  virtually all of Hollywood turned on Woody, even actors who had worked with him well after Dylan first made her claims. What changed? Nothing, really, except that now they are afraid of social media retribution, so they are pretending to be horrified at what didn’t bother them previously and assuming Woody’s guilt because “believe all women” is the “woke” place to be.

Well, Woody is a creature of Hollywood: this is unethical and unfair, but as Hymen Roth would tell him, “This is the life you have chosen.” Translation: if you voluntarily spend your career in (and benefiting from, and contributing too) an ethically warped culture, don’t expect a lot of sympathy when it turns on you.

This is more troubling: apparently Woody has a completed manuscript of his memoirs, which would have once sparked a publishers auction and an eventual multi-million dollar advance. Now, however, no publisher will pay a cent for it, because “while he remains a significant cultural figure, the commercial risks of releasing a memoir by him were too daunting.”

That means that the publishers are afraid of boycotts. How courageous. Allen is a significant cultural figure as well as a talented humorist. His memoirs have cultural importance, and they belong in the historical record, loathsome as find the man. Easily as loathsome are William Jefferson Clinton and his wife, yet both of them managed to score 7 figure book advances for memoirs they didn’t even write themselves.

Essentially what is happening to Woody is human statue-toppling. He is being erased from the culture despite never having been charged with or tried for a crime (unlike Bill Cosby and O.J. Simpson) because it is a sign of virtue among sufficient numbers of people with social media access to assume he is guilty. The boycott and progressive bully culture is a direct threat to basic freedoms. I’d regain some respect for Woody Allen if he would say so. Continue reading

Morning Ethics Warm-Up, 5/3/2019: The “All They Had To Do Is Not Be Crazy, And They Couldn’t Even Do That” Edition [Part II]

I’d recommend reading the Introduction to this two-part post before diving into this. I also recommend holding down the top of your head…

1. You want crazy, I’ll give you crazy... The Washington Post, one of the two loudest media heralds for the  Woke, progressive and nuts, felt it was necessary to raise this question: “Why didn’t Chewbacca get a medal?” As I’m sure you know, Peter Mayhew, the tall actor who played the lovable, if inarticulate Wookie, died yesterday. Thus the Washington Post felt it was newsworthy to discuss whether the Rebels in the original Star Wars were white supremacists or something because the final scene shows Luke and Han wearing medals for saving the galaxy far away but poor Chewbacca with nothing, although he’s obviously being honored too.

We really do have to be trained to see racism everywhere, especially when white bitches like Princess Leia call the shots.

This comes on top of another Post  article by John Broich, who teaches WWII and British Empire history at Case Western Reserve University, and typifies why sending your kid to college today is irresponsible. His position:  “Allied leaders were anti-Nazi, but not anti-racist. We’re now paying the price for their failure.”

Now if I read this right, the logic of the current history-cleansing Left would require that all monuments to W.W. II leaders, generals and soldiers should be hauled down, since they enabled racism. He concludes,

“After Charlottesville, too, social media echoed with variations of the line: “My grandpa didn’t fight the Nazis only for them to return.” And it’s possible that a good many of our grandfathers might have fought the Nazis expressly to oppose their race supremacy. But it’s worth putting this plainly: The Allied leadership did not fight the war over fascist race-nationalism. That was the historical path not taken.”

The allied leadership and its soldiers fought the war to win, and did.  The total defeat of Hitler and Japan sent the most powerful message possible to the public and the world that genocide and race hatred were suicidal ideologies. Continue reading

“Avengers: End Game” Ethics

I should begin by noting that there is no way I’m going to see this movie, unless I’m in the hospital, it’s on TV and my best alternatives are “Ellen” and Don Lemon.  I’m sick of CGI movies, sick of super-hero movies, and  have never been enamored of the genre since Christopher Reeve took Margot Kidder flying. As for this particular super-hero movie, the fact that it is 3-hours  is a minor problem, overwhelmed by the fact that I would have to watch the previous long Avengers movie, “Infinity War” to have a prayer of knowing what the hell’s going on.

However, many fans of such films are annoyed by the fact that “End Game” is so long yet has no intermission. They should be. One should be able to see the entertainment one has paid for without having to miss a chunk because nature calls. Movies don’t have intermissions any more, but that doesn’t mean there’s a good reason for them not to. Continue reading

“Porgy And Bess” Ethics

“Porgy and Bess,” the now  iconic opera that premiered in the United States in 1935, tells the tragic and heroic  story of a Southern African-American ghettoemploying  some of the most memorable music in  the musical theater canon. Composer George Gershwin denied licensing rights to  companies that wanted to use white performers in the opera (requiring black make-up)  and his estate still stipulates that the work  be performed by an all-black cast, or rights will be denied.

It will not shock anyone who has read much here to learn that I oppose Gershwin’s all-black edict, just as I oppose objections to actors of any race being prohibited from playing characters of different races. The only question should be whether the production and artistic version is fair to the work and to the audience. Prior restraint of any vision is antithetical to the spirit of the performing arts. I happen to think that a white version of “A Raisin in the Sun” would be ill-advised, but how do I know for sure? I’ve been proven wrong before, and more to the point, I’ve proven others wrong with my own productions.

The inevitable result of Gershwin’s grandstanding, for I believe that’s what it was, is that most people never have a chance to see a full production of “Porgy and Bess.” Yet there is no reason why the cast would have to be all black. Let’s even put aside the inflammatory  issue of “black-face.” Some characters in the show, like the snake-like hustler Sporting Life, could be portrayed as white without distorting the show one bit. Non-traditional casting principles would argue that the whole cast could consist of whites, Asians and others playing the black characters. It would be fun—yes, I think of this kind of principled fight as fun—to cast the show with light skinned African-Americans and mixed race performers who identify as black. What would the Gershwin estate do about that, I wonder? Continue reading

Pssst! CBS! “NCIS” Is Confusing People About Sexual Harassment And Sexual Assault!

“NCIS” starring Mark Harmon and an ensemble cast, is the second longest running scripted drama on television at 15 full seasons (trailing only “Law and Order: SVU,” which will apparently continue until Mariska Hargitay drops dead of old age) and the seventh longest running such show since television began. A breezy procedural that records the adventures of the Naval Criminal Investigative Service, it depicts a diverse team that demonstrably idolize its leader, the enigmatic and tragic Jethro Gibbs, and support each other like a family.

As with all series that run this long and go into syndication while the show is still being produced ( “Criminal Minds,” “The Simpsons,” “NCIS LA,” and “Blue Bloods” is getting there), I eventually got sick of “NCIS” and hadn’t watched it for several seasons. However, last night’s Red Sox game was so dispiriting that I gave up for an inning or so, and peeked in to see how Gibbs and the gang were doing in Season 16. Almost immediately, I witnessed Harmon’s character planting a kiss on the face of the team’s new forensic specialist, Kasie Hines (Diona Reasonover, who appears to be about 18) just as he had often kissed Hines’s predecessor, Abby Sciuto (now departed Pauley Perrette), as you can see in the clip above. I gathered from Kasie’s reaction that this was the “new kid’s” first kiss from Gibbs, and she behaved as if it was both a surprise and the thrill of a lifetime.

For God’s sake.

A leader, manager, or supervisor should not, cannot, and must not kiss (or hug, or in my view, even touch) subordinates, particularly when the supervisor is male and the subordinate is female. This conduct was never appropriate, but beginning around 1980 the law began flagging it as potentially discriminatory, and once sexual harassment law crystallized—and Joe Biden’s memory to the contrary, that was a long time ago—such kisses, touches and hugs could be actionable. Continue reading

Easter Ethics Warm-Up, 4/21/19: As Ethics Lays Some Eggs…

Happy Easter!

1.  A cultural note: there is no discernible Easter programming anywhere on TV, cable or network. Oh, TCM is playing “Easter Parade” and “King of Kings” in prime time, but that’s it. ‘Twas not always thus.

2. Speaking of TCM…Bravo for the classic movie network’s teaming with Fandango to offer big screen presentations of John Wayne’s “True Grit” in May. They could have justifiably chosen many other Westerns equally worthy or more so, like “Shane” or “High Noon.” I like to think that choosing the Duke’s Oscar winning performance is an intentional rebuke to the recent attack on Wayne’s legacy by the social media mob, a true “Fill your hand, you son of a bitch!” to the cultural airbrushers and statue-topplers.

I’ll be there, cheering Rooster on.

3. Other than journalists, have any other professionals debased themselves and their professional integrity more flagrantly that lawyers and law professors in their determination to Get Trump? This article in Slate by a law professor argues that asking or telling one’s lawyer to do something that the lawyer refuses to do—like firing Robert Mueller—can be criminal obstruction of justice. By this theory, every time a client says that he wants the lawyer to assist in an illegal act, it’s a crime.  But that’s not how attorney-client relationships work. The attorney is obligated to say, when appropriate, “No, you can’t do that, and I won’t do that for you, and here’s why.” In the end, it is indistinguishable from the client asking the lawyer’s advice, because clients only have the power to order a lawyer to do a very limited number of things, like accepting a settlement.

The professor’s argument also assumes that Trump firing Mueller would be obstruction of justice. Not only is this unprovable—that would have to be his intent—the President had a perfectly good reason to fire the special counsel, just as he had good reason to fire James Comey. Mueller’s investigation had been tainted many ways, and since Trump knew he was innocent, he saw the exercise as a calculated scheme to make it impossible for him to do his job. Firing Mueller and ending the investigation  would have been really, really stupid politically, but it wouldn’t be obstruction.

This, however, is how desperate “the resistance” is to bootstrap some kind of impeachment theory. Continue reading