Here is another installment of a frequent topic on Ethics Alarms: non-traditional casting, DEI casting, and and virtue-signaling stunt casting just to appear woke. The position here as a long-time stage director who has been responsible for some audacious non-traditional casting in my time (I once cast the role Cole Porter with a woman) remains unchanged: if it works and the audience enjoys the show as much or more than it would have with a traditional casting choice, then all is well. (Full disclosure: casting Cold Porter as female did NOT work. At all…)
The mission of any stage production is to be fair to the show’s creators and make the production as effective theatrically as possible, not to make political or social statements that get in the way. (Prime example of the latter: this.)
Curmie sent me a link to “Yes, You Can Whitewash ‘Little Shop of Horrors’, But Please Don’t” at Chris Peterson’s Onstage blog. I love the musical (my old high school doubles tennis partner, Frank Luz, co-starred as the sadistic dentist in the original off-Broadway production and the cast album) based on the wonderful 1960 Roger Corman camp movie classic. I thought its creators would revive the genre, but Disney snapped them up (“The Little Mermaid”; “Beauty and the Beast”) and then half the team, Howard Ashman, died.
Peterson cites the license-holders’ quite reasonable casting note:




