Popular Culture

Political Correctness Files: X-Men, People Magazine And The Case Of The 6’4″ Dwarf

/ Jack Marshall / 90 Comments
"Hey, look! It's Tom Selleck!"

“Hey, look! It’s Tom Selleck!”

Apparently political correctness in the media now requires affirmative misrepresentation.

The People Magazine review of “X-Men: Days of Future Past” contains this sentence:

“You’ll understand her motivation when you meet Dr. Bolivar Trask (Peter Dinklage), a government type who creates the sentinel project, and is even more sinister than his Magnum P.I.-by-way-of-IBM looks would suggest.”

For anyone who has seen the movie, or even anyone familiar with the (excellent) actor, Peter Dinklage, I have this question: What is odd about that quote?

For it is extremely odd. Continue reading →

Child Care Ethics And Leashes For Toddlers: CNN and Its Viewers Flunk An Ethics Alarm Test

/ Jack Marshall / 105 Comments

Kids on leashes

It is constantly amazing to me that journalists so seldom identify obvious and critical ethics issues in the topics and events they cover. The rest is mixed emotions: this absence of ethics awareness is a serious culture-wide problem; then again, were this not so, I’d probably be in a different, and less stimulating profession.

Today I sat down to lunch as CNN engaged in a breathless discussion of whether using leashes on toddlers and even older children was a good idea, as it is either a growing trend among parents, or CNN was having a slow news day. The phone lines were open, and many viewers weighed in, with the primary camps expressing the following positions:

1. “If it makes children safer, then there is no reason not to do it. Safety is everything. Kids have been killed running into the street.  A leash will prevent that.”

2. “This shows the decline of child-rearing skills in the United States. If you can’t control your kid better than this, you are the problem.”

If the question of whether it was fair, kind, respectful or right to treat  your child like a cocker spaniel occurred to anybody in this discussion (I know the CNN staff never considered it), I saw and heard no evidence of this. Yet that is the central question, and it is an interesting one to consider. The fact that matters of human dignity, responsibility, respect, fairness, autonomy, kindness, proportion and prudence need to be balanced to answer the question at hand never came into the discussion, and those debating the issue demonstrated neither awareness of the competing ethical values, nor the ability to know how to employ them. Continue reading →

No, NPR, The Ice Cream Truck Isn’t “Racist,” But I Know Why You Want Us To Think So

/ Jack Marshall / 103 Comments
ice cream truck

“Racism! Come and get your delicious racism!”

I will not be surprised to see a formal course of study emerge in the near future in our institutions of higher learning, teaching the skills necessary to become a certified race-grievance manufacturer. One would be trained in such classes as Advanced Race-baiting, Historical Distortions, The Uses of Paranoia, and The  Permanent Victim Mindset, and a typical honors thesis would be exactly like the essay featured on NPR’s website, by Theodore Johnson III, but with footnotes. Come to think of it, maybe that’s where Johnson’s article did come from. If so, I’m sure he got an A.

And, as was the objective, other race-baiting lackeys, like RYOT’s Viola Knowles, picked up the baton by taking Johnson’s thesis to the next level, with her opus, “So It Turns Out Your Beloved Ice Cream Truck Is Actually Super Racist.” Like its origin, the piece is a lesson in confirmation bias and intellectually dishonest research. Also like the NPR piece—and tell me again why my tax dollars support an institution that encourages racial distrust—it is sinister in intent. “If you’d rather I not crush all of your beautiful childhood memories with ugly racism then you may want to leave now,” she begins ominously. For NPR has discovered that the jingle traditionally played by the friendly neighborhood ice cream truck—“or the racist truck,” she says, is “one of the most racist songs in America.”

Here, in brief is Johnson’s thesis— Continue reading →

Jurassic ObamaCare

/ Jack Marshall / 13 Comments

jurassic-park

John Hammond: All major theme parks have delays. When they opened Disneyland in 1956, nothing worked!

Dr. Ian Malcolm: Yeah, but, John, if The Pirates of the Caribbean breaks down, the pirates don’t eat the tourists.

That memorable exchange from Jurassic Park came to mind constantly when major break-downs in the Healthcare.gov website were being called glitches by government toadies and the news media (but I repeat myself), and it came to mind again when the President was taking his absurd victory lap in April after the enrollment figures came out, as if the public’s ability to finally make the damn website work was the final definition of success.

Like the pathetic Hammond, the visionary who built his dinosaur theme park only to see it fall victim to Chaos Theory and hubris, Obamacare’s army of deceitful supporters and cheerleaders resolutely refuse to admit what should be apparent. The project was too ambitious, badly designed, sloppily executed, and dependent on too many untrustworthy contractors—like Dennis Nedry, who was just Newman in disguise. The evidence has been obvious, but as has now become standard operating procedure for this epically incompetent, amateurish, dishonest and unaccountable administration, the strategy has been to deny, delay, confuse, posture and accuse, while hoping some miracle or collective amnesia prevents the day of reckoning.

Yesterday we learned the raptors are out of their enclosure. On top of the revelation that the enrollment numbers do not ensure the stability of the program as various disgraceful choruses from the media claimed in March, we were told this (from the Washington Post): Continue reading →

The Pazuzu Defense For A School Board President Who Called A Parent “Chubby-Wubby”

/ Jack Marshall / 5 Comments
Exorcist IV: Pazuzu And The School Board

Exorcist IV: Pazuzu And The School Board

In the “funny but wrong” category:

Raymond Cote resigned as the head of the Mahopac Board of Education in the Putnam County school district (in upstate New York) after an open microphone at a meeting caused him to be overheard saying, “Oh I know, I know. This one here, ‘Chubby wubby.’ She gets fatter and fatter at every meeting. She really does!”

This isn’t political correctness. This is a leader demonstrating contempt and lack of respect for his constituency. Denigrating parents based on weight and personal appearance makes Cote untrustworthy as a school board member obligated to be responsive to parental concerns. He also announced he would not run for re-election. to the board. He got that right, at least.

His apology, however, was ridiculous: he embraced the Pazuzu excuse, in which someone who says something horrible claims that he was somehow not responsible for the words that cane out of his mouth, as when Linda Blair served as the ventriloquist dummy for the demon Pazuzu in “The Exorcist.” Cote emailed an apology to parents:

“I would like to apologize for my choice of words after the close of the board meeting on April 8, 2014, which are regretful. My words were inappropriate and do not reflect my feelings or attitudes. I will strive to regain the trust and respect of the community.”

Interesting!

1. If the words didn’t reflect his feelings, whose feelings do they reflect? Of course they are his feelings. Why would he say something completely alien to what he thinks…unless…it was the demon Pazuzu!!!

2. It wasn’t his choice of words, it was what his choice of words expressed. Is there a choice of words that would be a, kind, civil, respectful and acceptable way to say the parent gets fatter every meeting?

3. The words may have been regrettable, but they were not “regretful.” Maybe finding  a literate, English-speaking head of the school board is an idea whose time has come.

________________________________

Pointer and Facts: ABA Journal

 

 

The Washington Post, Faking it.

/ Jack Marshall / 29 Comments

This one’s for you, Bob Hoskins.

You deserved better.

Who-framed-roger-rabbit-Jessica-RabbitIf you come here frequently, you know that I deeply resent lazy, inadequate or inaccurate obituaries of famous and accomplished figures. Obituaries are the beginnings of their legacies, and set the foundations for how, and even if, they will be remembered. Not fairly representing these lives is lousy and lazy journalism, and worse, it is disrespectful to the deceased and contemptuous of history.

Bob Hoskins, the superb and versatile British actor, died this week. He was one of my personal favorites—a better, cockney version of Joe Pesci—but even if he meant nothing to me, the Washington Post’s sloppy and factually wrong obituary today would have been inexcusable. I liked Hoskins’ various tough guys and mobsters, but the film role that blew me away was his amazing portrayal of the human detective trying to unravel a cartoon mystery in the 1988 Disney classic, “Who Framed Roger Rabbit?” Hoskins, in addition to wielding a perfect American accent (he was really a Cockney), was intense, funny, moving and entracing while interacting with characters that were drawn into the scenes long after he performed them. He made the complex conceit of the movie work, and I would rank it among the most impressive acting turns of all time.

Here is how obituary writer Adam Bernstein described Hoskins’ most famous role in the print version of the Post today:

“(He) won over American audiences as a detective who falls in love with a voluptuous cartoon character in “Who Framed Roger Rabbit?”‘

and

“Mr. Hoskins was a boozing detective who falls for Jessica Rabbit, a cartoon human of pneumatic proportions who can’t help but bewitch men. “I’m not bad,” insists Jessica (voiced by Kathleen Turner). “I’m just drawn that way.””

Continue reading →

Comment of the Day: “Ethics Quiz: Peeps Ethics”

/ Jack Marshall / 9 Comments
Peeps Last Supper by Leonardo DiPeepchi

Peeps Last Supper by Leonardo DiPeepchi

Extradimensional Cephalopod’s thoughtful answer to today’s ethics quiz was instantly recognizable as a Comment of the Day, so here it is, EC’s musings on the ethical limits on peeps art, as posed by the post, Ethics Quiz: Peeps Ethics:

Full disclosure: I identify as a freethinker, which in my case means my opinions are informed by this idea: “It is the mark of an educated mind to be able to entertain a thought without accepting it.” –Aristotle (or so the Internet tells me)

With that in mind, offhand I’d say anyone who can’t handle the juxtaposition of a serious scene with a cutesy or comical medium is not emotionally mature enough to be trusted to react appropriately in today’s complex and nuanced culture, and their reverence is likely to be taken to unhealthy levels. I think it is not only ethical, but a requirement for intellectual health to be able to entertain different perspectives and styles of presenting even the most serious subjects. Before someone asks, yes, that includes depictions of the prophet Muhammad, along with all other historical figures on pedestals. I think taboos are unhealthy for a society because they limit critical thinking and creative free thought, both of which are necessary (yet seldom employed) to resolve social issues and differences in perspective.

Bad taste is still a valid concept, but it is context-dependent. It is possible that a subject is not appropriate for most contexts because it leads people to feel bad, but it is imperative that there be some place where it can be discussed, even if it is only under the Jester’s Privilege. My subjective judgment rules that depicting the Civil Rights Movement with marshmallows in this case is not intended with disrespect: the contest stipulated that the medium be marshmallows, and the artist chose a powerful scene without regard for the medium, as is the artist’s prerogative. I personally think the marshmallow scene is quite dignified, but then I am a bit out of sync with humanity as to what I take at face value and what I don’t. I form opinions of peeps by their actions, not by their countenance. It’s unethical for an artist to deliberately spread misconceptions about history, and it may be unethical for an artist to deliberately show disrespect to powerful agents of good. Disrespect is usually unethical because it causes so many problems. However, I’m not sure a sincerely respectful artist can be unethical in their art, unless they simply fail to do the research on the facts they depict and the cultural context for showing respect.

If depicting scenes from the Civil Rights Movement with marshmallows (and putting a good deal of effort into it) is wrong, though, what else is wrong? Crayon drawings by kids? Macaroni? Charcoal? Embroidery? Spray paint? Etch-A-Sketch? Is anything that looks insufficiently grandiose for depicting humanity’s legendary heroes an affront upon their memories? Are scenes of historical importance off-limits to mediocre artists, for fear the general public will lose respect for heroes drawn with funny expressions and ridiculous poses? What if an artist is deliberately depicting a heroic person comically, but without telling lies? Why can’t we be mature, and tell the history with respect while artists do their best in sincerity or spite? Why not simply say, “Well, it’s nice, but it really doesn’t do it justice,” and walk away?

Continue reading →

Ethics Quiz: Peeps Ethics

/ Jack Marshall / 43 Comments

peeps winner

I collect sentences that can safely be said to have never been uttered before in the history of mankind, and encountered one this morning in a letter of complaint to the Washington Post. It read…

“To take a sacred and historic event in our nation’s history and depict it using marshmallow candy is highly insulting and offensive to the legacy of the Rev. Martin Luther King Jr. and to all those who worked, and continue to work, for racial justice in this country.”

Like all of the sentences in my collection, my favorite being my sister’s immortal, “That fish looks so good, from now on I think I’ll wear my bra on my head,” this one requires some context. The Post holds an annual contest for its readers around Easter, challenging them to submit the best diorama of a scene, using marshmallow peeps. This year’s winner was created by Matthew McFeeley, Mary Clare Peate, and Alex Baker, and involved meticulously painting the colorful bunny stand-ins for King and his throng  at the 1963 March on Washingtonian eight shades of gray to evoke the black-and-white photographs of the event.

Your Ethics Alarms Ethics Quiz, in the sadly neglected field of peeps ethics, is…

Is it unethical to use marshmallow candy as a medium to portray serious, solemn, or other events that many feel deserve respect and reverence?

I know my answer, but this time, I’ll hold my fire until I hear from readers. I’d also be interested in whether any events—Gettysburg…JFK’s assassination…the Lindbergh baby kidnapping…the Crucifixion…Pearl Harbor…9-11…  are ethically off-limits for peeps creativity as inherently offensive, or if this is just  an unappetizing mixture of “ick,” art, humor, and candy.

Cover Art Ethics: Sexism, “Rape Culture” or Just Marketing

/ Jack Marshall / 34 Comments

If you had asked me thirty-five years ago whether we would still be debating what is the appropriate and ethical use of women as sex symbols—or “objectification,” if you like—in non-sex trade publications today, I would have answered, I think, “Are you kidding? By 2014 we will have hashed all this out. Either the combination of consensus  political correctness and the increased influence of women in business in general and publishing in particular will have reformed standards of acceptable practices, manners and taste, or emerging feminism will embrace the power of sexuality as a source of influence and power over the male of the species. The battles over this are too hot now to keep going on indefinitely! Either using sexy women and models in “take me” poses will be considered shameful and unappealing in 2014, or they will be accepted as part of an “anything goes” culture.”

No, I’m not very bright.

Case Study #1: The Golf Digest Cover

Paulina-Gretzky-on-cover-of-Golf-Digest

The cover of the latest issue of Golf Digest caused a stir by featuring Paulina Gretzky, who plays a little golf but who is primarily a model, and obviously there for other reasons. Until the Gretzky cover, the only woman to appear on the magazine’s cover without having won a pro or major amateur event was Golf Channel personality Holly Sonders, in May 2013. From the New York Times: Continue reading →

Bergen Community College Shows Us Why Justin Carter Is Being Persecuted

/ Jack Marshall / 80 Comments
Can't have this. Terrifying. Dangerous.

Can’t have this. Terrifying. Dangerous.

Remember Justin Carter? Last I checked, he was being tried for making a joke on Facebook, because of the culture of fear and speech monitoring created by the irresponsible hysteria over guns and terrorism.  He faces prison time. That this is a freedom-suffocating societal illness that threatens any and all of us is chronicled in Ken White account, and accompanying commentary, on the astonishing mistreatment of Bergen Community College Professor Francis Schmidt by the school, which was sent into a frenzy of terror because he posted to Google+ “a cute picture of his young daughter wearing a Game of Thrones t-shirt in a yoga pose next to a cat.”  Inside Higher Ed reports what happened next: Continue reading →