Broadway Ethics: Greed Meets Self-Indulgence

Guess what soon-to-open Broadway musical revival’s cast members are shown above. Come on—guess!

Why, it’s “1776” of course!

Yes, the 1969 Tony-winning musical is returning to Broadway in a new–ugh!—inclusive and diverse version with apparently no unequivocal men playing the unequivocal Founding Fathers who crafted the Declaration of Independence. The cast is entirely “a racially diverse cast of women, nonbinary and trans actors.”  This, one of the co-directors tells the Times, “wakes the language up.” Oh. More quotes from the director:

  • “I want the audience to hold that dual reality, of what the founders were, but also a company of actors in 2022, who never would have been allowed inside Independence Hall.”
  • When she first read the script, she says she was shocked by the scene where Thomas Jefferson is forced to strike out the condemnation of slavery in order to get the Declaration passed. “I was unaware of that crossing out. How could I not know? That began my journey into the show. I had to reckon with my own experience of American history.”

She means her own ignorance of American history and her biases based on that ignorance. Yes, a show about a complex seminal event in American history is being crafted by people don’t know much about history, as Sam Cooke used to say.

Great. Continue reading

Wait: Why Did It Take A Congressional Commission To Point Out That A KKK Plaque Wasn’t Appropriate At West Point?

[NOTICE: This post was materially wrong, based as it was on bad and incomplete information. An UPDATE is here]

This does not give me great faith in the military’s powers of observation and urgency.

That bronze panel above is one of three mounted at the entrance of Bartlett Hall Science Center U.S. Military Academy at West Point in New York. It’s unclear how long it has been there (I bet Woodrow Wilson had something to do with it, KKK fanboy that he was) but it wasn’t exactly hidden from view for the decades cadets passed under it. Yes somehow, it wasn’t until the report released by a congressional panel this week pointed out the damn thing that West Point was moved to do something.

The panel, called the Naming Commission, was created by Congress to provide recommendations for the removal or renaming of Defense Department places, decorations and things that commemorate the Confederacy, including those that appear at the military academies. The commission flagged the KKK plaque but said that recommending the its removal fell outside of its scope because the Ku Klux Klan, though founded by former Confederate soldiers, doesn’t technically relate to the Civil War, but rather to Southern resistance to post-war Reconstruction. That still doesn’t explain why the plaque was still up at West Point. One can argue about the effort to erase Confederacy figures from the nation’s honors and memorials (although the military has the strongest argument for doing so: the other two bronze plaques honor Robert E. Lee and J.E.B. Stuart, who fought against the U.S. military), but the Klan is irredeemable, and has been an unambiguous symbol of hate, racism and evil at least since the 1950s. Finding out that a Klan plaque was on display all this time at West Point is like discovering that St. Paul’s Cathedral had a statue of Satan hanging around for centuries without anyone objecting.

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Comment Of The Day: “The Little League Cotton Fiasco: Good Job, Everybody! Now U.S. Race Relations Are In Ethics Zugzwang!”

In the Ethics Alarms post about this horrible example of how broken our race-relations are (I believe that the death-spiral was set in motion by Barack Obama, but that’s a topic for another day, when I get to him in the “Worst Presidents’ series), I did not sufficiently focus on one of the most disgusting aspects of the story.

As is usually the case, a reader was ready to remedy the omission. Here is E2’s Comment of the Day on the post, “The Little League Cotton Fiasco: Good Job, Everybody! Now U.S. Race Relations Are In Ethics Zugzwang!”

***

Did it occur to absolutely no one that these are kids and kids do silly things? Emulating a Little League star is basically an innocent thing: expecting these same kids to equate pseudo-cotton balls to slavery and racism is asking more than is fair for their age. These are kids!

So no children can no longer be children, apparently And it is clearly up to the progressives to instill — from birth, I guess — a deep sense of guilt about America’s checkered history. That there many inspiring and admirable aspects to our history  are conveniently forgotten or treated as subordinate to the moral and ethical missteps.

If a kid wore his grandad’s WWII medal would that make him a little warmonger?

Kids live in the day, not in history as adults record and interpret it. And they remain innocent for an astonishingly short period of time. Can’t the Left just allow children to enjoy being kids before they are indoctrinated, brain-washed and turned against their nation and fellow Americans?

I guess not, as long as there are nasty, ill-intentioned, ultra-negative progressive adults out there.

An Abject Grovel That Explains So Much

Ethics Alarms has frequently discussed the ethical and professional deterioration of the historian profession, as it, like so many other professions and institutions, has given up integrity for ideology and political agendas. History itself is under attack as a result, with historical censorship and airbrushing increasingly being favored over objective and balanced examination that does not distort past figures and events by the viewing them through the lens of “presentism.”

In an essay on the website of the American Historical Association, the organization’s president, James Sweet, offered constructive criticism of the trend, writing in part,

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When Ethics Alarms Don’t Ring (And You’re Incompetent And Stupid Too)

The Lawrence County Republican Party in Montgomery, Alabama wanted to post a GOP elephant graphic on its Facebook page, and settled on the charming one above, on which the white spaces between the pachyderm’s legs double as hooded hooded Klansmen.

Naturally, Democrats pounced, as they had every right to do and should be expected to do. “Shame on the Lawrence County Republican Party for this disgusting image,” Alabama House Minority Leader Anthony Daniels posted on Twitter.

“I would like to offer a deep and sincere apology for a picture that temporarily appeared on this page last night. A Google search picture of a GOP elephant was used and later found to have hidden images that do not represent the views or beliefs of the Lawrence County Republican Party,” Shannon Terry wrote in a Facebook post apologizing for the use of the image. “As chairman I take full responsibility for the error,” Terry added.

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Believe It Or Not! The Incoherent Hollywood Casting Rules Get Even More Incoherent And Hypocritical In A “Lord Of The Rings” Controversy

To bring you up to date, The Great Stupid mated with the Diversity, Equity and Inclusion cult to bring forth the following casting rules for movies, theater, TV and commercials. Per Tom Hanks, only gays can play gay roles, but gay actors can play “cis” characters. It’s fine for Andy Garcia to play Sonny Corleone’s son in “Godfather 3,” but verboten for a non-Hispanic performer to play a Hispanic character. Presenting a real life “character of color” as white in a film is despicable whitewashing, but presenting Aaron Burr, Thomas Jefferson and Alexander Hamilton as non-white in a hit Broadway musical is brilliant, and playing Joan of Arc as a nonbinary individual who goes by “they” is illuminating. Marilyn Monroe being played by a Hispanic actress is testimony to her versatility and range, but Natalie Wood playing Maria in “West Side Story” was a shameful relic of Hollywood racism. Changing the genders and races of popular comic book characters is social justice progress, unless they are changed to white or male.

All clear now?

The eagerly awaited Amazon spectacular “The Lord of the Rings: The Rings of Power” is being skewered on social media and fan sites because the production, led by a creative team that is ostentatiously woke (Brain-melting quote by Executive Producer Lindsey Weber: “It felt only natural to us that an adaptation of Tolkien’s work would reflect what the world actually looks like.”), has cast actors who do not resemble how Tolkien described their characters and has them doing things the characters in the books would never do. For example—The Horror!—there’s a black elf. “Rings” fanatics are screaming foul, so, naturally, Weber has called the casting critics racists.

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Ethics Quiz: The Return Of Sacheen Littlefeather

Apparently the Oscars are looking hard for virtue-signaling opportunities.

In this instance, they had to travel back in time 50 years and decide to make amends for one of the more ludicrous examples of celebrity grandstanding in pop culture lore. Marlon Brando, a cinch to win the Best Actor statuette for “The Godfather” in 1973, decided to snub the Academy of Motion Picture Sciences, his Hollywood colleagues and the Oscars’ TV audience by sending an obscure, Native American actress named Sacheen Littlefeather to go to the podium when Marlon’s name was read and make a statement about the abuse of Indians at Hollywood’s hands while announcing that Brando was rejecting his honor in protest. You know, because “The Godfather” was all about Native American mobs, or something.

It was a complete non sequitur, and many suspected that the whole stunt had little to do with Native American portrayals in film (about which Brando had previously said nothing) and more to do with the famously weird actor’s desire to stick his thumb in the eye of the industry that had made him rich and famous. He might have just as well had his statuette rejected by Bozo the Clown; maybe it came down to a coin flip: heads, Sasheen (it was an Indian Head nickel), tails, Bozo.

The young woman’s appearance did not go over well. “Mr. Brando very regretfully cannot accept this very generous award,” Littlefeather said. “And the reasons for this being are the treatment of American Indians today by the film industry and on television in movie reruns, and also with recent happenings at Wounded Knee.”  That was a reference to a protest a month earlier,when the American Indian Movement had occupied the South Dakota town of Wounded Knee, site of the infamous massacre, to protest Hollywood’s killing and..no wait, it was the U.S. government’s treatment of Native Americans that protest was about. What did it have to do with movies, Brando, and the Oscars?

Oh, nothing. Continue reading

Poe’s Law In “The Great Stupid”: Which Is Satire And Which Is Woke Derangement?

Two stories, both head-explodingly idiotic, both linked to Bizarro World Ethics and pathological virtue-signaling needs in oppressive leftist-indoctrination saturated cultures. One is a gag, the other is a tragedy, yet there is hardly a filament of difference between them in the 21st Century ethics and rationality rot they illustrate.

I read the two in succession by pure coincidence, and Poe’s Law immediately leaped into my mind. Poe’s Law was formulated in 20o5 (by Nathan Poe, not Edgar Allan Poe) and has become an essential concept since. It holds that satirical accounts involving extreme examples of ideological insanity can be impossible to distinguish from actual events, because current ideological extremism defies parody. Let’s cut to the chase, for this isn’t a quiz: the satirical piece was “I apologize for my white baby.”

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It is Apparently “Bizarro World Race Ethics Day” On Ethics Alarms: The BIPOC Only Debate Tournament

There goes my head. I find this story incredible. Northeastern and Boston College co-hosted a debate tournament last Fall restricted to students who “do not identify as white.”

Here is the announcement, tracked down by Campus Reform (hence the logo in the background):

Analysis: What the hell?

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More On Nichelle Nichols: Regarding Althouse’s Misguided Snark

In the introduction to this post, Ethics Alarms mentioned the passing of “Star Trek” icon Nichelle Nichols, whose obituaries prominently noted her participation in TV’s first inter-racial kiss. I wrote in part,

“She was more model than actress, and as her role developed, much to her disappointment, the part of “Uhura” became little more than set dressing. But she played one of the first  black female characters on TV to have a non-subservient role, indeed Uhura was fourth in the “Enterprise” chain of command…. In her autobiography, Nichols wrote that Martin Luther King told her that she was advancing civil rights objectives, and convinced her not to quit when William Shatner was getting too obnoxious” …

But Ann Althouse complained on her blog yesterday,

They got away with putting a beautiful woman in a minidress in the background of as many shots as possible, but what did she do other than provide eye candy for the little boys and little men who watched? She was the secretary, seated at the switchboard, receiving calls.

Come on. The sexual politics was ridiculous, and blackness was the device to make it seem progressive, or at least to shut up the critics.

And I mean no disrespect to Ms. Nichols or to any other black actor who accepted a role constrained by stereotypes. There should have been more offers. There should have been more roles.

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