
Part I set some kind of Ethics Alarms record for reader disinterest, which I much admit, I don’t understand. These are all topics we have covered in some detail here over the last year, and the analysis of them by the alleged “newspaper of record’s” experts is, to say the least, perverse and revealing…yet the post’s first installment inspired just a single comment. Well, the Times’ take on the remaining issues are arguably worse. I find it fascinating, anyway. Here’s the rest of the highlights…
Can we save the planet?
It is embarrassing for a supposedly respectable news organization to frame an issue in such a hysterical and intentionally fear-mongering manner, which assumes one side of a debate is correct without reflection of nuance. The Times’ author on this topic, Farhad Manjoo, is a tech reporter, not an expert on climatology, so he has been given a platform to opine on something he doesn’t understand sufficiently to discuss reliably. On the topic of climate change, this is, sadly, typical. His article contains the kind of sentence midway through that would normally make me stop reading because of the bias, spin, hyperbole and mendacity: “During the Trump years — as the United States tore up international climate deals and flood and fire consumed swaths of the globe — unrestrained alarm about the climate became the most cleareyed of takes.”
There were no “climate deals,” just unenforceable virtue-signaling and posturing like the Paris Accords; the link between present day “flood and fire” and climate change is speculative at best, and unrestrained alarm is never “cleareyed,’ especially when those alarmed, like Manjoo, couldn’t read a climate model if Mr. Rogers was there explaining it. Then, after telling us that the Trump years were a prelude to doom, he says that since 2014, things are looking up. Much of what he calls “bending the needle” occurred under Trump.
Should the Philip Roth biography have been pulled?
This one is so easy and obvious that the fact that the Times thinks it deserves special attention is itself a tell. The answer is “Of course not!,” as an Ethics Alarms post explained. An absolutely competent biography was pulled by its publisher, W.W. Norton, never to be in print again, because its author, who had written other acclaimed biographies, was in the process of being “cancelled” for allegations of sexual misconduct toward women. I wrote,
“…[P]ublisher W.W. Norton sent a memo to its staff announcing that it will permanently take Blake Bailey’s biography of Philip Roth out of print, as a result of allegations that Bailey sexually assaulted multiple women and also behaved inappropriately toward his students when he was an eighth grade English teacher.
If that sentence makes sense to you, The Big Stupid has you by the brain stem.
It apparently makes sense to the Times, although its review of the matter doesn’t answer its own question. Why not? This is also obvious: as journalists, the idea that what a writer writes should be judged by what a writer’s personal life has involved is anathema, but the Times’ readers are so woke that the paper would dare not say so. Integrity! Continue reading →
Matthew B. scored a Comment of the Day by raising an issue I had never thought about before: how the misapplication of PowerPoint leads to inadequate training and information dissemination within organizations and bureaucracies. He also references the reluctance of managers to know when to hand over decision-making to subordinates. That is something I have thought about, a great deal.
Two of my favorite movies illustrate how competent leaders and managers know when to delegate a crucial decision down. “Topsy-Turvy,” the superb 1999 film depicting the creation of “The Mikado” by Gilbert and Sullivan, accurately depicts the real incident when, after the final rehearsal, W.S. Gilbert told the “Mikado” cast that he was cutting “My Object All Sublime,” also known as “The Mikado’s Song.” Gilbert was a tyrannical director, and the cast was terrified of incurring his wrath. This time, however, they stood up to him. The cast as one told him that he was making a mistake. The soloist, Richard Temple, they told their shocked and steaming director who also had conceived of the song, should have the chance to perform it in front of an audience. His fellow cast members were certain it would be a hit. Gilbert, recognizing the certitude the cast must have had to risk his fury at being contradicted, decided that his performers might have a clearer understanding of the show even that he had, and relented. Temple would sing about letting “the punishment fit the crime” on opening night.
The song was an instant sensation, like “The Mikado” itself, and is still one of the most quoted of all G&S songs.
The other example is at the climax of “Hoosiers,” the great basketball film based on the true story of the miraculous Indiana state championship won by a tiny school from Milan, Ind. in 1954. During the last time-out before the team’s last chance to score, which would, if successful, give the team a one-point victory over their greatly favored competition in the championship game, the coach (Gene Hackman), who has led the ragtag group this far by emphasizing teamwork over individual achievement, lays out a play in which the team’s superstar, Jimmy Chitwood will be a decoy. He plans for another player to take the final shot, but the team doesn’t move. “What’s the matter with you?” he shouts as his players just stare, looking hesitant. “If I get the shot, I’ll make it,” Jimmy says, after a long pause. So the coach, who has insisted all season that his word was law, makes the same decision Gilbert did. When your subordinates are that sure, trust them. They know better than you.
Jimmy shoots and scores the winning basket as time runs out.
Here is Matthew B.’s Comment of the Day on “Comment Of The Day: ‘Catching Up: Professional Ethics And The Challenger Disaster’”:
Continue reading →