For unexplainable reasons, my wife and I have been watching old episodes of “48 Hours” of late. You know the show, I assume: the CBS documentary/news magazine has been broadcast on the network since January 19, 1988, though in periodically mutating forms. It is currently the only remaining first-run prime time shows appearing Saturday nights on the four major U.S. broadcast TV networks, and as such illustrates what dinosaurs those networks are and where they are headed.
“48 Hours” illustrates a lot of other things too, I have discovered, many of them carrying useful, disturbing, or surprising ethical and cultural implications. Although the show’s format is sometimes chucked to cover a breaking news story, most of its astounding number of episodes are devoted to “true crime” tales, usually mysteries and recently solved cold cases.
The formula seldom varies: we get a quick description of a U.S. locale, snippets of local citizens describing it in glowing terms, then an ominous overview of the participants in the ugly event we are about to hear, almost invariably a shocking murder. Then the CBS host—here’s how old the show is: the original host was Dan Rather—is shown interviewing family members, witnesses, law enforcement officials, journalists, lawyers, jurors and other participants. The show is carefully apolitical, but it is still a fascinating series of snapshots of our society and the treatment of it by the news and entertainment media.
Among the striking impressions that emerge from the accumulated impact of “48 Hours”—





