When Debbie Reynolds Took A Stand

Some readers were offended that I noted in a comment here that Debbie Reynolds characteristically upstaged her daughter by dying a day after Carrie Fisher, again stealing the spotlight from her daughter. Sorry about that—but it’s true. For most of her life, Reynolds was less than comfortable when she didn’t feel an audience watching her, as Fisher herself complained in her semi-autobiographical novel, “Postcards from the Edge.” Debbie Reynolds shared the life-defining neurosis of many performers: she was happiest when she was being herself for the world to see. Debbie, in fact, was an extreme version of this model. Most such performers are miserable, and recognizably so, when they aren’t performing. Reynolds appeared not to acknowledge that there was a world off-screen.

In “The Unsinkable Debbie Reynolds,” an excellent appreciation of her career today in the New York Times (another good one is this, in “Variety,”and the Times obituary is here.), Anita Gates confirms my assessment. It was hardly a difficult one, for Reynolds radiated her love of performing in everything she did. Here are some excerpts (do read the whole essay), as Gates begins by doubting that we will ever see a show business figure like Debbie Reynolds again in our increasingly cynical culture:

“Who’ll be as plucky? Who’ll work as hard to stay as morally pure? Who the hell is gonna be named Debbie? …We’ve all been happy to be at the movies. She always seemed happy to be in the movies. She never ceased to be thrilled to be herself. Ms. Reynolds, who died Wednesday, didn’t so much act as sell — she sold happiness, she sold pragmatic romance, she sold professional stardom…Ms. Reynolds was, as they say, a trouper. So she did what came naturally to her: She trouped… Ms. Reynolds embraced virtue. She was the least ostensibly neurotic of her peers — a class that included Shirley MacLaine and Doris Day. The movie titles got a lot of that anti-anxious decency across. She played “The Singing Nun,” for heaven’s sake. But she also starred in the 1964 musical “The Unsinkable Molly Brown,” a title whose adjective best explains the full Debbie Reynolds experience: maximum buoyancy…”

When a time came to take a public stand on principle, however, Debbie Reynolds proved that she had her priorities straight. Continue reading →

George Michael’s “Trunk”

trunk

Performers are dropping dead left and right, and people are trying to find ways to keep their talents and names profitable without their consent so quickly that it’s hard to keep up. I just read that a CGI version of Debbie Reynolds will star in a sequel to “Singin’ in the Rain.”

Kidding!

So far, at least.

Pop singer George Michael died on Christmas day, and already there is a controversy over his unpublished songs, what Irving Berlin and his generation referred to as a songwriters’ “trunk.” The “trunk” was where composition deemed unfinished, unsatisfactory or just not quite right were stored, perhaps for future commercial use, perhaps for oblivion.

Fadi Fawaz, Michael’s partner, posted online a song from Michael’s unreleased and unfinished album “Trojan Souls.” The song, called “This Kind of Love,”includes the lyrics: “This empty house seems to get colder and colder. So won’t you stay here with me?”

Michael’s  fans immediately clamored for the song to get an official release, calling for it to be properly edited to share with the world in George’s  memory. Michael’s Wham! collaborator Andrew Ridgeley has disagreed strenuously.  In response to one fan who suggested that a previously-unheard track should be released to raise money for Michael’s preferred charities, Ridgeley tweeted:

“No, #GM [George Michael] controlled all his output. I, nor anyone else have the right to transgress that principle.”

The singer’s representatives have not confirmed plans for any future releases, but don’t be surprised if they do: now that he is dead,  Michael’s music is hot and flying up the charts. We can expect that the same rationalization regarding Michael we have heard regarding the “Star Wars” franchise using Peter Cushing’s cyber-zombie to reprise his original role despite the fact that he is long dead and never anticipated having post-mortem, computer controlled performances attributed to him: “I’m sure he would have wanted it this way,” or in the case of Cushing’s  heirs, “We’re sure he would want us to make money off of him.”

Maybe, maybe not. In the case of performances and songs an artist chose not to reveal to the public while he was alive, the ethical course is to presume he did so for a reason, and whatever that reason was, it should be respected now.  Andrew Ridgeley is right.

Keep that trunk closed.

 

Dear Rockettes: You Are Professionals And Americans…Act Like It.

rockettes

Asked about whether he would perform at the January 20 Inauguration or its subsequent official celebrations in Washington, D.C., country music super-star Garth Brooks said, simply, “It’s always about serving. It’s what you do.”

Right answer. This marked him as a professional, a patriot, and an adult (or perhaps as a lying hypocrite, since for whatever reason, he is not performing). The opposite reaction of so many of his show business colleagues mark them, in contrast, as divisive, arrogant, ignorant and unprofessional jerks.

Performers fit all the requirements for being regarded and respected as professionals, who are those who use their skills and talents for the benefit of humankind and society. The traditional definition adds that professionals do this service at some personal sacrifice, a virtue that most doctors and many lawyers can no longer claim. Performers, however, are largely impoverished, devoting their lives to making people gasp, laugh, weep, cheer or most important of all, think, because they love what they do, and understand the importance of art to society and civilization.

It is as unprofessional for a singer, dancer, juggler or actor to refuse to entertain audience members whose politics or character they oppose as it is for a doctor to refuse to treat them, for a lawyer to refuse to represent them, or a clergyman to  withhold from them spiritual guidance. The problem unique to performers as professionals is that they are not educated to appreciate their responsibilities like typical professionals, nor do their professions exercise any ethical oversight. As a result, we get the current display of divisive and ignorant grandstanding over performing—or not performing— at Donald Trump’s inauguration.

In Honolulu, Hawaii, yet another partisan and bigoted establishment has ordered anyone who voted for Trump to take its business elsewhere, as a local cafe posted a sign that reads: “If you voted for Trump you cannot eat here! No Nazis.” It has become clear that if many progressives have their way, their efforts to divide the nation into the Good and the Bad, with the fairly elected President of the United States as the defining feature of the latter, will shatter societal bonds coast to coast like nothing the U.S. has seen since the Civil War. The sooner the Angry Turned Vicious Left comes to its senses, the safer and healthier we all will be.

Performers, as professionals, are supposed to understand that they have a higher calling than restaurant owners. They are here to bind society together, for what we all experience in a diverse audience brings us closer in sentiment, emotion, empathy and enlightenment. For performers to decide to excise certain audience members from that process is madness, as well as a betrayal of their mission and art. Continue reading →

Déjà Vu Ethics Dunce: Steve Martin (Coward, Too)

martin-tweet

Comedian Steve Martin posted the heartfelt tweet above after the announcement of the death of “Star Wars” star Carrie Fisher yesterday. Some internet Political Correctness Furies were lying in wait, however, eager to find someone to bully for thoughtcrime, and pounced. In addition to the shaming tweets Martin’s reflection generated—Objectification! Objectification!—a New York Magazine writer named Claire Lansbaum scolded Martin on its affiliated website, The Cut. Martin, compliant progressive weenie that he is, deleted the tweet.

He’s pathetic. Martin is a skilled and literate writer and should stand up for the words he uses. “Creature” includes human beings among its accepted and traditional definitions. There was nothing inappropriate or in any way condescending about his use of the word, accept to those looking to be offended and to bend a victim to their will. Nor was an honest memory about how Fisher made Martin feel as “a young man” anything but truth—though we know that fanatics believe that truth they don’t like should be hidden and distorted. When young Martin saw Fisher, she was dressed like this…

leia-slave

…which was an appearance designed to make young men see her as a “beautiful creature,” to use one of the more restrained descriptions. Landsbaum writes about how Fisher fought against her image as a sex symbol. Well, of Carrie’s many admirable and provocative public positions, that was the least credible. The reason Fisher was an icon, the reason anybody cared about what she thought, and the only reason her death is being publicized like she was Katherine Hepburn, was in part because she excited young men as Princess Leia. Continue reading →

Unethical Website Of The Month: AWD News

My best guess: "AWD" stands for "Assholes Wanting Destruction."

My best guess: “AWD” stands for “Assholes Wanting Destruction.”

You might think that AWD News gets this coveted Ethics Alarms Honor by having one of its hoax news stories prompted a threat of nuclear retaliation against Israel by Pakistan’s Defense Minister.

You would be wrong. That embarrassing response from a Pakistan official with a penchant for saber rattling is just moral luck. The story that “The former Israeli Defence Minister has threatened to “destroy” Pakistan-after Pakistan said on Thursday it will send Sunni fighters to Syria” was a hoax, and since no other news source was reporting it, the fact that Pakistan’s defense minister, Khawaja Muhammad Asif, allowed his confirmation bias to take over his brain, and leaped to the assumption that it was accurate just shows that Pakistan has an irresponsible fool in a key government position.

Imagine that. Continue reading →

A Lawyer Ponders: “Will Obama Pardon Clinton? And If He Does, Will She Accept?” An Ethicist Answers…

get-out-of-jail2

Over at The Hill, lawyer David Weisberg examines the questions in the title above. Frankly, I assumed that Hillary needing a pardon from Obama was a dead issue, but Weisberg persuades me that it might not be.

Let’s begin by pointing out that it would be gallactically stupid for the Trump Justice Department to prosecute Clinton. Doing so would be a guaranteed circus; it would inflame Democrats who are already resembling The Human Torch, and it would appear to be a political prosecution. A winning President tries to put his losing opponent in jail would reek of banana republic vengeance, and that’s one reason why no American President has ever done it.

This is Donald Trump we are talking about, however, so who knows? Certainly many of his more angry and less grey matter-blessed supporters would love to see Hillary in the slammer. I am hoping and praying that Trump either is smarter than this or has advisors who can talk him out of his worst ideas, but I am not as confident as I should be. Weisberg makes the reasonable point that Hillary may not be confident either:

“Since being elected, Trump has been remarkably warm towards the person he used to call “Crooked Hillary.” But how confident could Clinton be that the Justice Department, under a Trump administration, would not prosecute? Prosecutorial decisions are supposed to be independent of political considerations, so Trump’s recent friendliness should not be controlling once the new attorney general is in office.”

That last sentence is both true, and following the wretched partisanship of the Obama Justice Department, very much in the category of  legal fiction. Continue reading →

Ethics Quote Of The Day: Washington Post Columnist Richard Cohen

'Oh, all right, here's what I really think, since I'm already ticked off...'

‘Oh, all right, here’s what I really think, since we’re way past the 2012 election and I’m already ticked off...’

 “The Russians managed to do what they wanted to do in Syria. Why not the United States? The answer has always been clear to me. Obama did not care enough. Not from him ever came a thundering demand that Russia and Iran get out and stay out. Behind the arguably persuasive reasons to do little in Syria was an emotional coldness. This was not Obama’s fight. Kellyanne Conway keeps pointing out that Hillary Clinton had no message. True. Neither for that matter did Obama. He waved a droopy flag. He did not want to make America great again. It was great enough for him already. The banner he flew was one of American diminishment. One could agree, one could not be proud . . . Since the end of world War II, American leadership has been essential to maintain world peace. Whether we liked it or not, we were the world’s policeman. There was no other cop on the beat. Now that leadership is gone. So, increasingly, will be peace.”

Richard Cohen, reliably liberal Washington Post op-ed columnist of long-standing, in his latest titled, “Thanks to no-drama Obama, American leadership is gone.”

Good for Cohen. Like George Will on the conservative side, Cohen will occasionally break through his biases to pronounce hard truth. Except to pacifists and isolationists, Obama’s foreign policy has made the world a far more dangerous place, and created a power vacuum that is being filled by Russia, Iran, China and terrorist organizations. Weak, feckless and inept, the President’s foreign misadventures and evasions have been substantially shielded from accountability by public apathy, media alibis, and Hillary Clinton’s bind, which prevented her from articulating her own criticisms of our current foreign weakness  for fear that it would lose her the support of the blind Obama cheering section. Continue reading →

The Professor’s Blackface Salute: An Ethics Mess

oregon-blackface-mashup

Halloween costumes, political correctness, law, privacy, and the Niggardly Principles—this one has it all.

Last Halloween, University of Oregon law professor Nancy Shurtz dressed as Dr. Damon Tweedy, the author of Black Men In A White Coat , as an homage to the African American physician and author. She did this at a Halloween party in her own home. Nobody at the party appeared to misunderstand the gesture or the intent of the costume, in part because she could explain it on the spot, and because they knew that Shurtz was no racist. Shurtz had also told the students who were invited that she would be “going as a popular book title,” hence the blackface, Afro wig, white coat, and  stethoscope.The university report on the episode states that Shurtz “was inspired by this book and by the author, that she greatly admires [the author] and wanted to honor him, and that she dressed as the book because she finds it reprehensible that there is a shortage of racial diversity, and particularly of black men, in higher education.”

But as always happens now because there is no such thing as a reasonable expectation of privacy even in one’s own home, reports of Shurtz in costume and make-up got out into the campus at large, and inflamed the predictable outrage. The university launched an investigation that culminated in a critical report prepared by an attorney and the university’s Office of Affirmative Action and Equal Opportunity.  Shurtz issued an apology—for her private conduct within her own home that was pounced upon by Political Correctness Furies, since she appears to be one herself-–on November 1. Some of her colleagues on the faculty and many students demanded that she resign, and she may have to yet. Shurtz has been censored and suspended, and is now on paid leave. It being claimed that her wearing the costume–within her own home as a gesture that all agreed was intended as benign and that nobody at the party either objected to or failed to understand— created “a hostile environment” at the school. This is apparently because

“as part of the uproar, students said things of which the administration disapproved: The report specifically notes that students used “other offensive racially-based terminology during class times in the context of discussing this event and broader racial issues.” It related that “some of the witnesses reported that the students’ reactions to the event were racially insensitive or divisive.” And it apparently viewed such statements as relevant to whether Shurtz’s own speech was properly punished.”

The report, meanwhile, concludes that the costume constituted “harassment,” and that her intentions are irrelevant.

Writes First Amendment expert Prof. Eugene Volokh: Continue reading →

“Rogue One” Ethics: Peter Cushing Returns From The Grave

He's baaaaack!

He’s baaaaack!

Hammer Films horror icon and Christopher Lee foil Peter Cushing died in 1994 from prostate cancer. That couldn’t stop the makers of the latest “Star Wars” movie from bringing his image back from the grave.  The gaunt-faced British actor—an early “Doctor Who”!—played Grand Moff Tarkin in the original “Star Wars,” a bad guy, Cushing’s specialty. Since “Rogue One,” the current addition to the series, is a prequel, Tarkin is alive again (he went down with the Death Star in Episode IV). Instead of recasting the part, the producers decided to recreate Tarkin/Cushing using CGI technology. Lucasfilm-owned digital effects house Industrial Light & Magic reanimated Cushing’s likeness so that a recognizable Tarkin could make a convincing  appearance in “Rogue One.” The results are not perfect, but it is still one step closer to allowing future movies to cast avatars of long dead stars to interact seamlessly with live performers.

We have recently seen actors like Arnold Schwarzenegger, Jeff Bridges and Anthony Hopkins digitally youthened, but forcing a dead actor’s image to perform is a different matter entirely. The use of computer animated images of dead performers to do the bidding of their director masters evokes memories of “Looker,” a science fiction film directed and written by the late Michael Crichton of “Jurassic Park” and “Westworld” fame. In that 1981 movie, a corporation transferred the images of living models to a computer program that could use the new cyber-models to do and say anything more effectively and attractively than the models themselves in television ads. Then the company had the models killed—less residuals that way.

The emerging technology raises many ethical issues that didn’t have to be considered before, but when it comes to using a dead actor in a new role, the ethics verdict should be easy. It’s unethical, unless a performer  gives informed consent for his image to be used post mortem in this fashion. Presumably, the consent or the lack of it will be part of future negotiations and standard contracts. Actors who agree to have their images used as cyberslaves will also probably want to limit the uses of their names and images. No porn films, for example. No uses of an actor in a role he would have never agreed to playing while alive. Don’t make John Wayne shoot someone in the back. Don’t show Fred Astaire as clumsy on his feet; don’t make Jimmy Cagney a weenie.

Allowing another actor to use a dead one’s face and body, like Andy Serkis wore his cyber King King suit, is a closer call. If it is clear that the dead actor isn’t the one doing the acting, and that digital technology is being used as the equivalent of make-up, maybe that practice is just icky rather than unethical, provided the credits are clear.To make Cushing’s Tarkin live again on screen, “Rogue One’s “film-makers hired Guy Henry, a 56-year-old British actor who resembles Cushing. Henry played the part of Tarkin on the set, then the tech wizards transformed him into a Cushing clone. Continue reading →

Ethics Hero: Former President Jimmy Carter

jimmy-carter

As its stands now, only Jimmy Carter among the four surviving former Presidents of the United States will be attending Donald Trump’s inauguration in Washington, D.C. on January 20. The others, Bill Clinton and the two George Bushes, will not, if their failure so far to RSVP to their official invitations means what most think it means.

President George H.W. Bush can be given a pass due to his advanced age and and precarious health; not so his son and Bill Clinton. Their absence will be petty and unpatriotic. Jimmy Carter knows what his duty is, and will do it. Good for him.

The inauguration of a new President is a national ritual and a vital one, signalling the support of the nation for a  leader duly elected to take the mantle of Washington, Lincoln and the rest. It is a tradition to celebrate the nation and its remarkable  system of peaceful transfer of power, and not, as I will soon explain to the Rockettes, the individual who will be President when the ceremony is over. It is a day to unite the country after an election, not to further divide it.

For former Presidents Bush and Clinton not to recognize this is no less than disgraceful…specially these Presidents, one who himself won office while losing the popular vote, and the other who never received a majority of votes cast in two elections. We know why Clinton and Bush are sulking. President Elect Trump, in his ugly campaign, personally insulted both Bush 43 and his younger brother Jeb, and Jeb may well regard his brother’s attendance at the Inaugural a betrayal. Well, Jeb needs to grow up. January 20 is about the United States of America, not hurt feelings or family solidarity. George Bush has an obligation to be there, not back in Texas snubbing the nation to get back at Trump. Continue reading →