
So, as the saying goes, it’s come to this.
What’s “this”? “This” is a metastasizing cultural mandate that it is part of systemic racism for a white citizen in the United States to seek any position, place of honor, influence, prestige or prominence, reward, benefit or achievement that a “BIPOC” might have attained without the competition. Naturally Hollywood in one of the agar nutrients growing this toxic and unethical contagion.
The Academy of Motion Picture Arts and Sciences has announced that it will be “conducting a review” of this season’s Oscar nomination campaigns by studios and artists. Everyone knows, however, that the real impetus for the investigation is the grassroots campaign that nabbed a best actress Oscar nomination for Andrea Riseborough’s performance in the independent film “To Leslie.” Riseborough is, to the public at least, an obscure 41-year-old British actress whose film was heard of by few, seen by fewer, cost little to make and grossed nothing by Hollywood standards. Critics, however, were lavish in their praise for her performance, and, missing the advantage of big studio promotional marketing aimed at Oscar voters, she and the film’s supporters created buzz the old-fashioned way, through networking and word of mouth.
The film’s director, Michael Morris and his wife, the actress Mary McCormack, appealed to notable friends in the actors’ section of the Academy of Motion Picture Sciences, urging them to see the film, post about Riseborough’s performance on social media, and to host in-person or Zoomed interviews with the actress. Among the glitterati who promoted Riseborough on social media or through events hyping the film were Susan Sarandon, Helen Hunt, Zooey Deschanel, Mira Sorvino, Constance Zimmer, Rosie O’Donnell, Alan Cumming , Edward Norton, Charlize Theron, Jennifer Aniston, Courteney Cox, Minnie Driver, Gwyneth Paltrow, Amy Adams, Frances Fisher and Kate Winslet, who said of Riseborough’s To Leslie performance at the event she hosted, “I think this is the greatest female performance onscreen I have ever seen in my life!”
It worked. But—oh-oh!—none of Riseborough’s advocates were black, and you know what THAT means. Continue reading →