Waning Sunday Ethics Reveries, 7/12/2020: You Know, Ethics Isn’t Fun For Me When Everyone’s Acting Irrationally

/ Jack Marshall / 17 Comments

Let’s see what we have today…

1. Oh. The art made some people uncomfortable. Well that’s a good reason to destroy it… Vermont Law School is going to paint over a mural in its student center that celebrates Vermont’s role in the Underground Railroad and the abolitionist movement. Several students and alumni had recently objected to its depictions of African Americans and said it made some people uncomfortable.

VLS President and Dean Thomas McHenry said in a campus-wide email last week that the mural in the Chase Community Center  painted by Vermont-based artist Sam Kerson in 1993 had to go because “the depictions of the African-Americans on the mural are offensive to many in our community and, upon reflection and consultation, we have determined that the mural is not consistent with our School’s commitment to fairness, inclusion, diversity, and social justice. Accordingly, we have decided to paint over the mural.”

Translation: ‘Some of our African American students and alumni as well as supporters of the George Floyd Freakout thought this was an ideal time to show what they could  do by crying “racism” in an institution that could be counted upon to cave to just about any demands in order to avoid being called “unwoke” and be swarmed by social media mobs. And they were right!’

The mural is titled “The Underground Railroad, Vermont and the Fugitive Slave” and has two 8-by-24-foot panels, with four scenes in each panel intended to“celebrate the efforts of black and white Americans in Vermont and throughout the United States to achieve freedom and justice,” the artist’s website says.

The first panel includes half-naked Africans being forced into slavery and sold at auction, as well as resistance symbolized, in part, by “the resurgence of African culture via drums, masks and costumes.”

The second panel includes images of John Brown, Frederick Douglass and Harriet Beecher Stowe, as well as a scene where a blonde Vermont woman tries to block the view of a bounty hunter bearing down on fugitives trying to escape slavery on the Underground Railroad. Here it is…

VLS students Jameson Davis and April Urbanowski resembled yahoos at a modern art exhibit complaining that “them dang Picasso people look like freaks!,” writing “One issue of many, is the fact that the depictions of Black people are completely inaccurate. Regardless of what story is being told over-exaggerating Black features is not OK and should not be tolerated.”

The artist is not happy. “This is a monument to abolition in Vermont and a description of the people who struggled against slavery, and it is important to our culture,” Kerson said of his mural. “To paint it over is outlandish — it’s like burning books. It’s so inflammatory, I can’t believe it’s actually happening.”

Forget it, Sam. It’s George Floyd Freakout Town… Continue reading →

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part 2: Give My Demands To Broadway…)

/ Jack Marshall / 22 Comments

Upon careful consideration, I think this clip is the fairest representation of what black theater activists on Broadway are advocating:

In Part I of this series, we discussed the dead-end strategy recently pursued by the performing woke of imposing one-way limitations on which actors could portray what roles. Across the full range of group grievance activism, everyone is rushing to try to exploit and capitalize upon the George Floyd Freakout, perhaps recognizing that the present state of self-flagellation and submissiveness by white decision-makers, governments, businesses and other institutions won’t last forever. In their haste, many groups—in this I would include the “resistance,” Democrats and the news media among others—are metaphorically cutting their own throats. This is especially true of the theater community.

A coalition of theater artists called “We See You, White American Theater” has posted online a 29-page set of demands that if adopted, the New York Times opines, “would amount to a sweeping restructuring of the theater ecosystem in America.”

Wrong, Bias Breath! If adopted, the demands would kill commercial live theater, and it is more than half dead already, though most theater community members are in denial.

The list reminded me of the bad old days of the 1960s, when student anarchists, protesting the war in Vietnam, would take over university buildings and then, thinking that they had the upper hand, would submit a list of demands including the Moon and the kitchen sink, many of which had nothing to do with the war at all.  This list of demands makes those look reasonable, one reason being that simply reading the 29 pages of arrogant woke-speak is a task few will have the patience to undertake.

I’ll just focus on some highlights. (By the way, you need to know that BIPOC means “Black, Indigenous and People of Color”):

  • “We demand the naming and acknowledgement of American Indian, Alaska Native and Native Hawaiian tribal land and its Native peoples who have lived, currently live, and will live on the land where any theatre activity happens.”

I hate to keep having to break it to these naifs, but theater is just not that important to most people, particularly those in power. “We have to rename Indianapolis to have theater here? OK—we won’t have any theater then! Problem solved!”

This one is worth repeating in full: Continue reading →

Ethics Quote Of The Day: Roger Kimball

/ Jack Marshall / 16 Comments

“Everything that is happening between now and November 3 is about November 3. But the fundamental choice is not really Donald Trump or Joe Biden. It is civilization and America on one side, anarchy and woke tyranny on the other.”

Critic and New Criterion publisher Roger Kimball

I detest the habit of so many of my Facebook friends, posting daily the published opinions of pundits–Paul Krugman, Eugene Robinson, George Conway, et al.—in an unending appeal to authority. Usually they have barely thought about the topic at hand at all (often, neither have the authors of the pieces they are circulating); literally, the process saves them the trouble of thinking at all.  When I challenge these opinions by proxy, what comes back more often than not is an attack on an imaginary authority that I must be channeling rather than the substance of my argument. They do this because they can only relay the opinions of others which can be used as passports to a position of favor on their bubble-dwelling “team.” That’s not what I do.

Occasionally, however, an analyst independently comes so close to cloning my conclusions on a topic and does such a superb job expressing them that I cannot do better than pointing readers his way.

Roger Kimball’s article in American Thinker contains many powerful statements. Here’s another: Continue reading →

Comment Of The Day: “Unethical Website Of The Month: Etsy”

/ Jack Marshall / 3 Comments

Commenter Benjamin has a supple metaphorical pen, and this Comment of the Day, on the previous post regarding the open market platform Etsy selling facemasks as porous as cheesecloth is a blast. I’ll be back at the end to explain why it’s also a crock, but for the nonce, here is Benjamin’s Comment of the Day on the post, “Unethical Website Of The Month: Etsy”:

I oppose that modern compulsion to demand oversight of every man, woman, and child which blames every proximate business or municipality for every loophole it can find not as though a new opportunity has been found but as though this was malfeasance not to have thought to cover every possible route of escape. Etsy likely sees itself as a platform for individual sellers who found a way out of their over-managed corporate bureaucracies, not as an over-managing corporate employers of every seller on its platform. I applaud this model, knowing that other one from the inside with no realistic hope of escape. I could imagine an argument that Etsy must become this wretched, undesirable other thing which creeps throughout the world looking for life and happiness to strangle, but arguments from the presumption that it already is that thing are arguments from an untrue premise. Continue reading →

Unethical Website Of The Month: Etsy

/ Jack Marshall / 14 Comments

I haven’t had an unethical website to feature for a while, once I decided that sites like the New York Times, Washington Post and CNN shouldn’t be considered. Today’s choice, however, really deserves the honor, because this is really, really stupid.

Etsy is a website that sells products from other producers, often small, home-based operations. During the Wuhan virus outbreak, Etsy merchants have been doing a booming business  marketing masks made out of mesh, lace, and other materials that have visible holes in them. These masks are advertised as fashionable, comfy, and “breathable,” none of which are features related to the purpose masks are supposed to serve. Continue reading →

“Facts Don’t Matter”: The Anti-Police Movement Has No Credibility

/ Jack Marshall / 12 Comments

Instant protest!

Today’s smoking gun—literally!—evidence:

In Detroit, a 19-year old man named Hakim Littleton, was shot and killed by police. Immediately, the activist group Detroit Will Breathe called for followers to immediately report to the scene of the shooting to protest.

And indeed they did. No facts, no explanation necessary; the police are hunting black kids again. The group presumed racism, police guilt and unjustified violence. Continue reading →

Ethics Quote Of The Week: Prof. Jonathan Turley

/ Jack Marshall / 3 Comments

“The sordid history of White House pardons makes this commutation look positively chaste in comparison.”

—-George Washington University Law School Professor Jonathan Turley, responding to the wildly exaggerated indignation of pundits and Democrats over President Trump’s commutation of Roger Stone’s sentence.

Turley, who is always courtly and, for my tastes, excessively restrained even when pulling apart the most irresponsible positions, was clearly irritated by CNN’s legal analyst Jeffrey Toobin, a grand hack, who declared that the commutation was “the most corrupt and cronyistic act in perhaps all of recent history” (“cronyistic”?) and  Senator Mitt Romney’s characterization of it as “unprecedented, historic corruption.”

Turley took to The Hill to give Toobin, who should know better, and Romney, who was just exercising his Trump-bashing muscles without concern for such trivialities as facts, a lesson in American Presidential history, saving me the time and trouble: Continue reading →

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part I: “The Simpsons”)

/ Jack Marshall / 16 Comments

Item: Fox’s apparently immortal animated series The Simpsons  released a statement last month regarding casting for non-white characters, including  black characters like  Dr. Julius Hibbert: “Moving forward, ‘The Simpsons’ will no longer have white actors voice non-white characters.”

This, stupid as it is, follows the non-logic of recent white actresses who dropped their gigs as the voices of grayish-brown inked “mixed-race” cartoon characters. How will that “only people of the same race can play roles of characters of that race” be reconciled with the objective of  non-traditional casting, which was devised in part (many decades ago) to open up more opportunities for black and minority actors, allowing them to take on roles written as white?

It can’t. It’s as simple as that. The two approaches eventually clash, and are mutually exclusive. “The Simpsons” policy is wrong and destructive in every conceivable way, and its ethical values, as in competent, fair or responsible, are non-existent.

  • If white actors can only play white characters, then white characters cannot be played (or voiced) by black performers. Oh, I’m sure that while in the grip of fear during the George Floyd Freakout and overwhelmed with the desire to signal virtue to one’s peers, white performers will tolerate such an obviously unfair and absurd double standard for a while, but show business is a brutal and competitive field, and the vast majority of actors of any color have scant financial resources and no job security. The arrangement being pushed by black performers and activists as they sense a window of opportunity created by the Freak-out and the concomitant intimidation of decision-makers will eventually engender resentment and conflict. If the BLM lackeys in the entertainment field really think that this double-standard “solution” to “systemic racism”—which means installing a new system of systemic anti-white racism—will prevail, they are deluded.
  • Moreover, the idea is anti-art, as is the “non-traditional casting as affirmative action” fallacy. If the performing arts aren’t a meritocracy driven by the market—does the performance entertain, or doesn’t it?—then they are doomed. Even with all the brainwashing and bullying to come, the public will never have enough people who will like a show (or a novel, or a painting, or a song)—or pay money to see it— based on its demographics and diversity rather than the quality of the performances
  • To “The Simpsons” and similar products, if the authentically black voice of Dr. Hibbert isn’t as funny, well-timed and deft as white Harry Shearer’s performance, the character won’t be as effective.

I look at all productions this way: a perfect show has 1000 points. Everything that isn’t perfect loses points for that production—a bad accent here, an ill-fitting costume there, missed lines–they all count.  One flaw that loses a few points won’t kill the show; it might not even be noticed. But all of those lost points add up, and when the points sink below a certain level, the production is no longer viable.

“The Simpsons” is voluntarily giving up points, which is simply bad show business and terrible art. If Harry Shearer is the best voice for the Simpsons’ family doctor, then it can’t matter what color he is. The audience doesn’t care.  Every show loses points no matter how perfect it tries to be; giving them up intentionally is unethical, because the artist’s duty is to present the best, most popular and most profitable  work possible, not to meet EEOC quotas.

Continue reading →

Morning Ethics Warm-Up, 7/11/2020: Still Crazy After All These Posts

/ Jack Marshall / 14 Comments

1. Atticus, Aaron and Alexander. Today, July 11, was a crucial date in history for two great Americans, now in danger of being canceled by the ignorant woke. One cancellee was a real man, Founder Alexander Hamilton; the other is fictional, Atticus Finch. Both have been pronounced wanting in character of late because they did not manage to discern in their eras the full extent of the necessary racial equities Americans have largely come to understand today, with the benefit of decades more of debate and experience than Finch, and with a 250 years advantage over Hamilton.

In Finch’s case, this is his “birthday”:  on July 11, 1960,  34-year-old novelist  Harper Lee published her first, and except for a rejected “sequel” to  “Mockingbird” published later under ethically dubious circumstances, her only, novel.  Fortunately for Atticus, the version of the Depression Era small town Alabama lawyer that most Americans know is the film’s, where he is played by Gregory Peck as a pure idealist without any of the alleged flaws—like saying that it is wrong to assume that racists can’t still be good people—that the novel’s Atticus is condemned for today. (The multiple Atticus problem is discussed here.)

While Atticus Finch was “born” on this date, Alexander Hamilton died, perhaps by bravely but naively exhibiting ethical character while at the mercy of a man whose ethics were elusive at best, Aaron Burr, who fatally shot the nation’s first Secretary of the Treasury in a duel this day in 1804.

The adversaries met at 7 a.m. at the dueling grounds near Weehawken, New Jersey on the same spot where Hamilton’s son had died defending his father’s honor in 1801. (The concept of karma was apparently unknown in 1804.)  According to Hamilton’s “second,” Hamilton deliberately fired his weapon into the air rather than at Burr (Burr’s second claimed that Hamilton fired at Burr and missed) , whereupon Burr, who had the second shot,  killed  Hamilton by sending a bullet through his stomach into his spine. Hamilton died the next day.

If you think politics are crazy now, consider: Hamilton’s death was the direct result of his publicly attacking and demeaning Burr for years (“I feel it is a religious duty to oppose his career,” he once wrote). Hamilton also was instrumental in blocking Burr from becoming President in the ridiculous election of 1800, when a quirk in the election rules threatened to allow the sociopathic Vice-Presidential candidate  to defeat his running mate, Thomas Jefferson. Continue reading →

Unethical Quote Of The Year: House Speaker Nancy Pelosi

/ Jack Marshall / 27 Comments

“People will do what they do.”

—-Speaker of the House Nancy Pelosi  yesterday, following being  asked at a press conference about her reaction to the statue of Christopher Columbus being torn down and dumped in the Bay by the usual gang of vandals and anarchists who are symbolically tearing down the United States and Western civilization, as well as its values.

I am serious about this being the Unethical Quote of the Year. I can’t imagine a worse one, once Pelosi’s status as the third ranking official in the United States Government and the leader of the Democratic Party is taken into consideration. This would be a morally, legally and ethically bankrupt statement if it came from a sociopathic teenager. Coming from a leader who people follow and trust, it is infinitely worse. Such an attitude strikes at the soul of civilized society. “They just do what they do” is a line from  “Jurassic Park,” as the paleontologist, Dr. Grant (Sam Neill) explains to the children that dinosaurs aren’t good or bad, they are just animals that “do what they do.”

But they were animals. Continue reading →