Note To Conservatives On The “Hamilton” Cast’s Harassment Of Mike Pence: I’ve Got This. You’re Not Helping.

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The problem is that, as you might guess, Trump-supporting Republican and conservatives are as ethically clueless as the Democrats attacking them.

Now there is a backlash against the “Hamilton” actors who singled out an audience member (who happened to be the Vice-President Elect) for specific abuse last week, because, the theory goes, elected officials who a cast doesn’t like shouldn’t be able to attend live theater without entailing the risk of being harassed. Ethics Alarms has been very clear about why this is wrong in every way, and all rebuttals have boiled down to “But we don’t like Mike Pence or Donald Trump, so we should be able to suspend ethics!”

Keep telling yourselves that.

Now it has been discovered that some of the “Hamilton” grandstanders probably didn’t vote in the election, and the actor whose mouth was used to issue the lecture to Pence had himself authored some Trump-like misogynist  rhetoric in a tweet or two. This is supposed to prove hypocrisy, and undermine the legitimacy of the cast’s ambush.

It doesn’t do this, because the cast’s stunt had no legitimacy at all, votes or not, hypocrisy or not.

Is the whole Trump term going to be like this? I fear so, since the incoming President literally is bewildered by all concepts ethical, and his defenders appear to be similarly disabled.

Look: if it is per se unethical and wrong for a theatrical production to turn on audience members without consent or warning to humiliate, threaten or accost them, the qualifications of the cast members engaging in this harassment can’t make the unethical act more or less so. Continue reading

Well, These Episodes WOULD Have Helped Elect Donald Trump, If He Hadn’t Been Elected Already…

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I can’t bring myself to be thankful for the election of a President who has horrified and revolted me for the better part of a decade, but I am thankful that some troubling trends and attitudes in our society and culture have received the metaphorical slap in the face that Trump’s victory delivered. The Ethics Alarms tag “This will help elect Donald Trump” is about to be retired, but when mourning progressives ask you today, while passing the gravy, “Why? Why?”, you should direct them to this link, and this post.  If they don’t help, they are are beyond helping.

Three awful stories surfaced after the election, two of them yesterday, that illustrate the kinds of social dysfunction that have been nurtured in the Obama years, and if a Trump administration can erase them and their ilk, returning some sanity to the national landscape, no one will be able to say the Trump experiment was a total bust…

1. First, and most unforgivable, we have this recent quote from Bernie Sanders’ former spokeswoman, Symone Sanders (no relation). Appearing on CNN yesterday and talking about the future of the shell-shocked Democratic Party, she said in part…

“In my opinion we don’t need white people leading the Democratic party right now.”

On April 6, 1987, Dodger executive Al Campanis appeared on  the ABC News show “Nightline,” and infamously said that black people couldn’t be major league baseball managers. The statement caused an uproar, and Campanis, whom nobody who knew him regarded as a racist, lost his job and career. Symone Sanders’ comment, which like that of Campanis equates the ability to do a job with race, is no less offensive than what Campanis said, but similar sentiments are broadcast frequently from black public figures without widespread obfection or consequence. ( Sanders also said sarcastically this month, after the election, when shown a video of a mob beating up a Trump supporter, “Oh my goodness, poor white people!”)

Acceptable anti-white racism and a bigotry double standard both defy American values, including basic decency, respect and fairness, but there are seldom consequences for shameless bigots like Sanders, except the cumulative one of having the people she and others denigrate for their color and ancestry sticking the human thumb named Donald Trump in their eyes.

It is no more racially biased for white Americans to take offense at the broad negative stereotyping endorsed by Sanders than for black Americans to oppose white supremacists…or clueless passive bigots like Al Campanis. Their anger at being told their skin disqualifies them for any job is justified, and the fact that news media talking heads nod respectfully at racist bile like the comments of Symone Sanders is further justification. (  Ted Koppel’s reaction to Campanis’s jaw-dropping statement 30 years ago can be fairly summarized as, “Wait…what? ) Not happily voting for a political party that embraces individuals who want to marginalize you because of race or gender isn’t bigotry, as the current Bitter Hillary Fan narrative now styles it. It is common sense.

Promoting racial division and bias is unhealthy and un-American no matter what direction it comes from. Until everyone can be certain that the Democratic Party is on board with that concept, and until proud and arrogant racists like Symone Sanders are shown the same level of tolerance Al Campanis received—that is, none—distrust of  progressives and the news media will grow, and should. Continue reading

At Least They’re Keeping An Open Mind…

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Ann Althouse, who flagged this, wrote, “Oh, New Yorker!”

She’s right: what a relentlessly negative and divisive way to welcome a new President. The New Yorker is supposed to be the flagship publication for sophisticates and intellectuals. The better term for the audience appears to be “bitter snots.”  The flagship is playing to the mob, Althouse suggests. Is that all the media has become? Clickbait purveyors and the reinforcement of pre-existing biases, fears and prejudices?

I’ve been around a long time. I have never seen those on the losing side of any election behave so nastily, defiantly and unfairly. It reflects poorly on the nation, its politics, and its journalism, but it really reflects badly on Democrats and liberals. I’m embarrassed for them.

Ann tags this “Trump derangement syndrome.” That is too kind.

Opening The Door, Tit-For-Tat, And The Drunk In The “Hamilton” Audience

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All right, all right, maybe this is the final word on the “Hamilton” controversy.

What do we make of this?

A supporter of President-elect Trump reportedly interrupted a Saturday-night performance of “Hamilton” in Chicago with profane shouts at the show’s cast. According to BroadwayWorld, somebody seated in the balcony shouted, “We won! You Lost! Get over it! Fuck you!” during the number “Dear Theodosia,” which is about Alexander Hamilton and Aaron Burr coming to terms with what being a father meant in the newly formed United States. The audience member was escorted out of the theater by security after a brief altercation.

Rueful thoughts: Continue reading

A New Poll Shows That President Elect Trump’s Popularity Is “Soaring”…GOOD!

Yes, it's that cognitive dissonance scale again! See, if the nation and the U.S. Presidency is +10, and a newly elected POTUS was -3 before being elected, what happens?

Yes, it’s that cognitive dissonance scale again! See, if the nation and the U.S. Presidency is +10, and a newly elected POTUS was -3 before being elected, what happens?

Ann Althouse, who blogged about the poll, seemed surprised. “Why do you think this happened?” asks the astute, well-educated, presumably historically informed law professor.

Why? Because that’s the way it’s supposed to work, and that’s the way it has always worked, that’s why. I explained this phenomenon here, to the jeers of skeptics. I also wrote, “Most people don’t understand the Presidency or their own culture,” though I’m a bit surprised that it applies to Ann. In the original post about the vicious attempts on the Left to undermine the new President before he has even taken office, I explained,

“Americans have always realized that the slate is cleared when someone becomes President, and that the individual inherits the office and the legitimacy of that office as it has been built and maintained by it previous occupants. He (no “he or she” yet, sorry: not my fault) becomes the symbol of the nation, the government and its people, a unique amalgam of prime minister, king and flag in human and civilian form. That immediate good will, respect for the Presidency, and forgiveness of all that went before has made the transfer of power in the US the marvel of the world, and has kept the nation from violence and division. It is part of our strength as a society. It is part of the election process, and a vital one.”

Let me quote the Gallup piece I cited before, backing this up:

“In general, the American public rates all new presidents positively — all have received majority approval in their debut ratings — though Obama is clearly near the top of the list. The three presidents who took office after the death or resignation of their predecessors tended to start out with even greater public support, as the nation rallied around the new chief executive in times of crisis. These include Harry Truman in 1945 with an 87% approval rating, Lyndon Johnson with 78% in 1963, and Gerald Ford with 71% in 1974.”

The new POLITICO/Morning Consult poll of registered voters found that 46% of voters now have a very favorable or somewhat favorable opinion of the previously reviled Trump.  Now only 34%  have a very unfavorable opinion of him, with 12% somewhat unfavorable. Continue reading

The Last Word On The “Hamilton” Cast’s Harassment Of Mike Pence

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In the end, after several posts and a large number of comments about this incident, I am convinced that, more than anything, it shows how little the American public, even well-educated, culturally-engaged members of the public, and even participants in the entertainment profession understand and respect the importance of live theater.

This, at least, is no surprise. The New York Times recently reported that a survey had revealed that symphony orchestras no longer are viable without charity: fewer and fewer, mostly aging, patrons bother to attend concerts any more. Live theater is heading down the same path, probably irreversibly. Theater will never hit rock bottom, of course; it will always be possible to put on a show like Judy and Mickey, and live theater can exist as long as there is a single talented performer, a street corner, and a crowd. But theater is dying as something relevant to society, and that is a tragedy. Each generation goes to live theater events less and less. I have not seen the up-dated figures, but in the Nineties a study showed that Americans under 30 were more likely to have called a phone psychic at least once in the past year than to have attended a single live theater performance in their entire existence on earth.

The role of theater in society has  been extolled by Aristotle and social critics through the centuries as a unique and important community activity in which citizens of all social strata engage in the ancient ritual of sitting together in a darkened theater, and not only experience the events being portrayed on stage but experience it communally, hearing and feeling the reaction of others. Now that social force has receded to the vanishing point. A vacuum has taken its place. Movies seldom explore serious issues any more, and younger audiences have increasingly retreated to watching films online, and often alone. The potentially life-altering experience that is being lost is hard to describe when someone hasn’t experienced it. The power of the medium to communicate ideas and concepts vividly and to change minds and lives is unmatched, and unmatchable. I have seen it. I have experienced it. I have even helped make it happen.

The department store mogul Bernard Gimbel attended an early performance of Arthur Miller’s “Death of a Salesman” on Broadway in 1949. The plight of Willy Loman, an aging traveling salesman being pressured out of the only employment he had ever known, so shattered Gimbel’s world view that he couldn’t sleep. The next day, he called his managers together and told them and all of his stores that no over-age employee was to be fired. Alfred C. Fuller of the Fuller Brush company asked Miller to dinner to seek his guidance on how to  keep his Fuller Brush salesmen from quitting. That’s power. That’s wonderful. We should want influential people, elected officials, business owners, policy-makers, bankers, investors and corporate executives to see that kind of theater. In today’s New York Times, Ben Brantley, the Times drama critic, explains…
Continue reading

Ethics Dunce Collective: The American Music Awards

I can make this uncharacteristically short. Just re-read the post on John Oliver’s nasty full-show, post-election anti-Trump rant, and substitute “American Music Awards.” Also worth reviewing is the list of rationalizations used to justify Oliver, which I posted here, especially since so many of them are also being trotted out to excuse the ambushing of Mile Pence when he dared to exercise his right to enjoy “Hamilton” on Broadway without being personally called out and attacked by the cast.

It can be argued that the American Music Awards’ insults to the duly and lawfully elected POTUS—who has yet to do anything as President— last night were even worse than Oliver’s disrespectful ad hominem barrage. At least Oliver, a skilled satirist, was occasionally amusing. The two AMA hosts from Saturday Night Live were juvenile, desperate and amateurish, counting on their Trump-hating demographic for laughs they didn’t earn. If we ever see a more inept impression of Donald Trump than Jay Pharoah’s, be it in four years or a century, I’ll be shocked. Worst of all, however, was Gigi Hadid’s unfunny, mean and hypocritical imitation of Melania Trump, for the crime of existing.  The principle, just for application to Republican First Ladies, now, is apparently that having an accent  makes you ridiculous and an idiot.

If anyone, anywhere, on a live television show had dared to do such a grotesque mockery of Michelle Obama when she was the incoming First Lady, they would have been tarred a boor, a racist, and a virtual traitor.

I wonder which of the rationalizations will be used to defend Hadid? Whatever they are, the real defense is just this, the same that is being used to defend “Hamilton”: We hate these people, and they don’t deserve to be treated fairly.

Got it.

One clarification: Green Day is a political band, and their decision to shout No Trump / No KKK” during their performance of the catchy and tuneful  “Bang Bang” is as fair as it was predictable…also moronic, but what do you expect? It’s a band.

My Ethics Hero: Some Guy In The Harris Teeter Meat Section

I was doing some quick shopping yesterday at a large Harris Teeter supermarket in Alexandria, Virginia. My list from my wife included an option—always a doorway to a shopping confidence crisis—between a whole chicken, a small marinated chicken, or two large chicken breasts. I had decided on the marinated bird, but couldn’t find them where they usually were, and was more or less frozen, like the “hosts” in “Westworld” get when Anthony Hopkins wants them quiet, staring where I expected them to be.

“I’m going to buy one of them, the question is, which one?” a jaunty, relaxed voice close behind me said. At that moment I realized I had been staring at turkeys (I wasn’t there to buy one), and I turned around, not startled but curious, to face a broadly smiling, handsome, bearded African-American man about my age, probably a little younger.

“Isn’t it a little early?” I asked, smiling back. Being habitually disorganized, I am typically shopping  for everything the day before Thanksgiving.

“Oh, no, not for me!” he said, laughing. And he told me that he was going to cook up one or more turkeys for his church on Sunday. We talked about the ways he cooked his turkeys; he preferred to smoke them. He was also a grilling specialist. He took out his phone and showed me pictures of his specialty, ribs. We talked about his favorite recipes, and his church, his family, and its Thanksgiving plans, as I told him about mine. I mentioned that my wife was our traditional Thanksgiving chef, and that got the discussion turned around to marriage. We both have been married a long time, and he took me by the shoulders and talked intensely about commitment in relationships.

I had a twenty-minute conversation with this delightful stranger, just standing by the meat section. Finally, I announced  that I had to finish my assignment, and wished him wonderful holidays. I offered him my hand and introduced myself; he shook it firmly, and gave his name in return. Then we spontaneously hugged each other, which I never do, being from Boston and trained to be reticent in such intimacies, he flashed that terrific smile, and we parted.

My encounter with this exuberant gentleman suddenly made me feel good about life, my community, the country and the human race as I had not for a very long time. I think we’ll be all right. All that had happened was that a stranger just reached out and began a conversation about something two people shared, showing openness, kindness, human interest and trust, and a connection was made. That’s all it takes.

I start conversations with strangers a lot; it was something my father did. He was better at it than I am, and my friend in the Harris Teeter meat section is obviously a grandmaster. But as the holidays approach, and I keep reading these essays about families boycotting each other because of Trump-Clinton divides, it is so obvious that my dad and my turkey buddy are the wise ones.  We’re all just human beings together on a short and unpredictable trip: we should  just focus on that, and reach out.  Why is it so hard? Continue reading

Ethics Hero: Stevie Van Zandt

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There is at least one liberal, Donald Trump-hating celebrity performer who has the integrity to insist that wrongful conduct is still wrongful regardless of the target.

Bruce Springstein guitarist Stevie Van Zandt, an inductee to the Rock and Roll Hall of Fame (and a memorable actor on “The Sopranos”), used a series of tweets to criticize the cast of the musical “Hamilton” for targeting Vice-President Elect Mike Pence  from the stage when Pence was in the show’s audience. Van Zandt wrote:

“Lin-Manuel is a genius. He has created the greatest play since West Side Story. He is also a role model. This sets a terrible precedent…When artists perform the venue becomes your home. The audience are your guests. It is nothing short of the same bullying tactic[s] we rightly have criticized Trump for in the past. It’s taking unfair advantage of someone who thought they were a protected guest in your home…There never has been a more outspoken politically active artist than me. Everyone who is sane disagrees with [Pence’s] policies…He was their guest. You protect your guests. Don’t embarrass them.”

Boy, just wait, Stevie: now you’ll get all the good progressives explaining to you that Pence had it coming, that he doesn’t deserve to be treated like a guest, that these vile Republicans should be treated like they will treat others, that these are not ordinary times, that ethics is a luxury we can’t afford right now, that the cast was nice about it (actually, I just saw the video, and they weren’t nice at all; they were strident and  confrontational), that everybody does it, that the ends justified the means, on and on. Just check the “Hamilton” defenders’ excuses on the threads here and here.

Van Zandt is 100% correct, of course, and courageous to oppose the approved unethical cant from the Left.  Unfortunately, most of his ideological mates have decided that standards of decency, respect, fairness and professionalism were suspended by an election result they disagreed with.

“Hamilton” Ethics Follow-Up: Somewhere In The Multi-Verse, I Am In The Audience At “Hamilton” When The Cast Decides To Abuse Its Position And The Audience’s Trust By Harassing Mike Pence, And This Happens…

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Luckily, I had been tipped off by a friend in the production regarding what had been planned.

As Brandon Victor Dixon stepped forward and called out Pence, thanking him for attending, and then began his planned statement with We hope you will hear us out. We, sir…, I stood up from my seat in the center of the fourth row, orchestra. I have a very loud voice. I said,

“Excuse me, Mr. Burr, is the show over? Or is this part of the performance?”

“It’s not part of the show, no…now, Mr. Pence…”

“That means we all can leave, right? We aren’t all being held captive while you lecture us, just Mike Pence? Is that what’s happening?”

“Well..I…Yes, yes, you are free to leave. This statement is for the Vice-President Elect. Now, if you’d let me finish…”

“Was he aware that you were going to single him out like this? If not, does that mean that every other audience member that buys a ticket to “Hamilton”—great show, by the way, though I only caught about half the words—should be ready to be singled out and told how to do their jobs by you actors? Are you pleased when you’re grocery shopping or at Home Depot or going to see a movie when the staff there recognizes you and  singles you out and tells you how to perform while everyone else stares and listens? I know that Alec Baldwin and Sean Penn take swings at people who do thing like that in the street…”

“No, this is for the Vice-President Elect only! Now if you’d just sit down…”

“I thought you said I could go!”

“You can go! Get lost! We’re trying to speak to the Vice-President elect…”
Continue reading