actors

Yet More Casting Ethics: “Hamilton’s” ‘No Whites Need Apply’ Open Casting Call

/ Jack Marshall / 11 Comments

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[ I am back from a speaking engagement that required over eight hours of driving, being in a supposedly “luxury resort” hotel room that had no Wi-Fi for most of my stay and no functioning TV for any of it,  and various other distractions and misadventures that prevented me from posting so far today. I apologize, though it is really the famous Omni Homestead in Hot Springs, VA. that should apologize. The good news is that my seminar was well-received, and that the disappointing trip–this time I was paid only with the supposedly sumptuous two-day  Homestead experience for myself and my long-suffering spouse, including outdoor activities that were impossible due to constant rain and a room with more things in poor repair than a Motel 6—is over.]

 

Broadway’s biggest hit, the Tony-winning  “Hamilton,” is under attack for, of all things, racism.

An open casting announcement on the show’s website read…

“Hamilton” is “seeking NON-WHITE men and women, ages 20s to 30s, for Broadway and upcoming Tours.”

Whaaaat? This joyous musical celebration of America’s founding and its Founders’ inspiration…engaging in racial discrimination? How could this be? Sniffed Actors Equity spokeswoman Maria Somma “The language … is inconsistent with Equity’s policy.”

Yes, this would be because Actor’s Equity has a lot of dumb policies, and like all unions, doesn’t really care about keeping the industry its members work in healthy, productive and profitable, only  making sure as many members as possible have jobs or at least shots at them. There is nothing whatsoever racist or discriminatory about a show that relies on the concept of non-white actors playing the very white Founding Fathers announcing that only actors who can fulfill that conceptual requirement will be considered for roles.

Civil rights attorney Ron Kuby, in an interview with the NY Daily News,  agreed the advertisement might technically violate the city’s human rights law, but that this is because casting is an anomaly. “It’s almost always illegal to advertise on the basis of race, but when you’re casting … it can be a bona fide occupational requirement,” he said. Continue reading →

Oscar Ethics Post Mortem: The Academy Just Guaranteed That Whatever Artists Win Oscars Next Year, They Will Have No Credibility Whatsoever

/ Jack Marshall / 32 Comments

Good job, everybody!

Good news, Sipke! The fix is in: if you make a movie this year, no matter how crappy it is, you'll get a nomination. Happy now?

Good news, Sipke! The fix is in: if you make a movie this year, no matter how crappy it is, you’ll get a nomination. Happy now?

Thanks to an extended public self-flagellation by the Academy of Motion Picture Arts And Scientists last night, any future Oscar nominations or awards to black performers, designers, writers and directors will be regarded by the public and the Hollywood community itself with justifiable suspicion, doubts and cynicism. Last night’s ceremony, from Chris Rock’s all-race monologue to the choice of the music over the credits, was a tacit commitment by the Academy to henceforth and forever name sufficient minority nominees and winners regardless of the merits of their work or the comparative merits of their work to any white artists. Diversity is officially more important than merit. By hook or by crook, there will now be prominent honors to Hollywood blacks….even if some of the honored work is crap.

Not surprisingly, given its traditional and intellectually wan reflex liberalism, Hollywood painted itself into an affirmative action and quotas mandate. After last night, the voters won’t dare fail to nominate a whole bunch of blacks, so Spike Lee will come to the ceremony.  This does put pressure on black artists to actually turn in some outstanding, or at least plausibly decent, work to avoid making all those guaranteed nominations and awards look as phony and rigged as they will be. If the 2017 Oscars include nominations for Samuel L. Jackson playing Samuel L. Jackson, a lifetime achievement award for Sydney Poitier and a gift nod to James Earl Jones for a charming cameo as a crusty old hermit in “The Sandlot, Part 3,” it’s going to be even more obvious what’s going on. Continue reading →

It’s Time To Play “Ethical, Unethical, Stupid, Or Tongue-In-Cheek?”, The Celebrity Quote Game Show!

/ Jack Marshall / 27 Comments

Quiz show5

Are you ready, panel?

Here we go…I read to you from Mediate:

As the controversy continues over the white-washed pool of actors nominated this year for the Oscar awards, gay British actor Sir Ian McKellen has stated that homophobia is just as prominent in the film industry as racism.

McKellen, perhaps most prominently known for his work in the Lord of the Rings and X-Men series, spoke with Sky News today about why he felt sympathetic to the minority actors who felt like they were being overlooked by the Academy. While McKellen said that the concerns had merit, he also stated that black people were not alone in feeling disenfranchised by Hollywood.

“It’s not only black people who’ve been disregarded by the film industry, it used to be women, it’s certainly gay people to this day,” McKellen said. “And these are all legitimate complaints and the Oscars are the focus of those complaints of course.”

In a separate interview with The Guardian, McKellen also said that actors have won Oscars for playing gay characters in the past, and yet despite being nominated himself, no openly homosexual actor has ever won.

Now, you need some background for this round, panel. 

It is almost certain that a very large proportion of Hollywood is gay, and it has always been this way. The exact percentage is open to question, but those who have worked in other areas of show business encounter a large percentage of gay men, and also women, among designers, producers, directors, and actors, at all levels of the theater. In most college theater programs, there is a clear predominance of gays among both faculty and students. It would be strange indeed if the dominance of gays in the other aspects of show business was significantly different from the demographics in film. This suggests that there must be a strong contingent of closeted or privately gay men and women among the voting members of the Academy of Motion Picture Arts and Sciences.

So now your question, panel: Was Ian McKellen’s bold assertion…

“Ethical, Unethical, Stupid, Or Tongue-In-Cheek?”

You have…30 seconds!

Time’s up!

Continue reading →

X-Files Ethics: There Is Nothing Weird About Offering Scully One-Half Mulder’s Contract

/ Jack Marshall / 38 Comments

X-Files

Gillian Anderson reported that when the producers approached the actress about reprising her co-starring role in the re-boot of “The X-Files,” she was offered only one-half of the salary that her male partner, David Duchovny, had agreed to. From the Daily Beast’s shocking account:

The work Anderson put into securing equal pay back in the ’90s seemingly came undone when it came time to negotiate pay for this year’s event series. Once again, Anderson was being offered “half” of what they would pay Duchovny.“I’m surprised that more [interviewers] haven’t brought that up because it’s the truth,” Anderson says of the pay disparity, first disclosed in the Hollywood Reporter. “Especially in this climate of women talking about the reality of [unequal pay] in this business, I think it’s important that it gets heard and voiced. It was shocking to me, given all the work that I had done in the past to get us to be paid fairly. I worked really hard toward that and finally got somewhere with it.

“Even in interviews in the last few years, people have said to me, ‘I can’t believe that happened, how did you feel about it, that is insane.’ And my response always was, ‘That was then, this is now.’ And then it happened again! I don’t even know what to say about it.”

That’s all right, Gillian. I know what to say about it. This was not unfair, disrespectful. or an example of discrimination against women in the workplace. This is called negotiation, and there is nothing unethical about it at all.

Continue reading →

Unethical Maybe, Unprofessional Definitely: Saturday Night Live With Host Donald Trump

/ Jack Marshall / 44 Comments

donald trump larry david snl

Last night, Saturday Night Live was terrible, even for Saturday Night Live. The skits were flat and desperate, the performances were slack and lacking energy. My reaction from the almost joke-free cold open (if an actress can’t do a better impression of Rachel Maddow than that, it’s time to hang it up) was, “They are intentionally tanking this!”

My impression got stronger as the show went on. If anything, SNL’s current young cast usually tries too hard. The key to live comedy performing is radiating energy and control, as well as communicating that you are having fun. Last night it was the mostly opposite: no energy, no enthusiasm. An off night that just happened to fall on the night that Donald Trump was hosting? Maybe. You can say my suspicions are born of confirmation bias, but I was surprised. These are supposedly pros. They should be able to deliver if they had to perform with Satan.

Trump wasn’t phoning it in. He was doing his best, and it wasn’t bad by the standards of a non-performer. The SNL cast acted as if it didn’t want to associate with him. Continue reading →

Guest Post: “Can We At Least Agree On This?”

/ Jack Marshall / 6 Comments

by

Paul Petersen, guest blogger

paulpetersenjpg-7e3983c6cd2404d1

[This is Paul Petersen’s second guest blogger appearance on Ethics Alarms. Based on his own experiences as a child actor on “The Donna Reed Show” and what he observed in the treatment of his less fortunate colleagues in the field, Paul  created the profession of child performer advocate and activist, educating the public and assisting individual  performers. (His Facebook friend list is a Who’s Who of former child actors.) Although Paul is officially retired, he continues to speak out about conditions, legal and otherwise, that place child performers in financial, physical, and social peril. The number of child stars, current or grown, who are indebted to him and his organization A Minor Consideration are beyond counting. A true Ethics Hero, his work and statements have been referenced here many times.–Jack]

Can we at least agree on this? Children are a special class of humankind. They are uniquely unformed, utterly dependent, and slaves to the adults who brought them into this world and the society into which they were born.

We all know how children are created, right? They did not ask for this. They are, in a word, innocent. Biologically mature adults are responsible. Of that there is no doubt. Children are a special charge. The rules, for kids, are different…or at least they used to be.

When did they become sexual objects? Since when are they merely background players, mere props? Who decreed that a child immersed in a working environment in which all the contributory adults are compensated for their labor, could somehow NOT be themselves working? Continue reading →

Ethics Quiz: “Fixing” “Elf Ears”

/ Jack Marshall / 31 Comments

ears

6-year-old Gage Berger was being bullied by his first grade classmates because he had protruding ears, and was often derided as “Elf  Ears.” His Salt Lake City parents decided to address the problem here and now, before, they say, his self-esteem (I almost wrote elf-esteem…) was  permanently damaged, so they had his ears de-elfed to look like everyone else’s.

Now he’s bullying other funny-looking kids.

Kidding.

I hope.

But seriously, folks, the story has aroused a controversy over societal and medical ethics. Did the parents choose plastic surgery too early and for the wrong reasons? Is that how we want society to be, where bullies and critics can pressure individuals to conform to a narrow standard of acceptible appearance? Doesn’t this give them power? Does it not encourage bullying? Is a first-grader old enough to meaningfully weigh these issues? Isn’t this a choice he should make, when he’s old enough to make it?

Your Ethics Alarms Ethics Quiz for today is…

Was it ethical to clip Gary’s ears?

Continue reading →

Audience Ethics And Ethics Dunce Kelvin Moon Loh

/ Jack Marshall / 24 Comments
"I hear child screaming in audience, so audience cannot hear King. Is a puzzlement! But brave..."

“I hear child screaming in audience, so audience cannot hear King. Is a puzzlement! But brave…”

I don’t want to be harsh, because Mr. Loh is obviously a sensitive and compassionate young man who means well. However, he is also receiving plaudits on Facebook and in the media for taking a position that is not ethical, and is in fact just more political correctness guilt-mongering and double standard-peddling. It is also likely to provoke disrespectful and arrogant parents to believe that they have a right to impose their problems on unsuspecting theater audiences.

At  Broadway’s Vivian Beaumont Theater, a screaming child disrupted a matinee performance of “The King and I.”  Some members of the audience agitated for the child to be removed, and the woman with the child indeed left.

One of the understudies in the production, Kelvin Moon Loh, defended the woman who brought the child to the performance in a post on his Facebook page, in which he assumed the kid was autistic and used the incident to argue for compassion and “inclusiveness” in the theater, and compassion.  Loh actually praised the woman as “brave.” Brave she may be; she also was selfish, irresponsible, disrespectful and absolutely wrong.

This is not an issue of tolerance. This is not an issue of compassion. The ethical issue is whether one person has a right, and can be right, to ruin a theatrical performance for the rest of the audience, or to unreasonably risk doing so. It’s an easy call: no.  Never. It is no more “brave” to take a child who cannot behave properly to a Broadway show (or any show) than it is to take a cranky infant to a movie. This is not like the airplane situation, where the mother has no choice, and the child’s noise doesn’t interfere with the flight’s main purpose, which is to get to the destination. The mother doesn’t have to see “The King and I,” nor does she have to bring her child to potentially disrupt it. Doing so is inconsiderate; defending her conduct, as Loh does, stands for a kind of etiquette affirmative action, in which being the mother of an autistic child relieves one of any obligation to care about anyone else. Continue reading →

Lee Daniels’ Ugliest Race Card

/ Jack Marshall / 35 Comments
Lee Daniels---one more celebrity we can safely ignore forever.

Lee Daniels—one more celebrity whose pronouncements we can safely ignore forever.

African-American “Empire” star Terrence Howard, recently admitted in an interview that he struck his first wife. The big controversy is over whether he hit her with his fist or with an open hand–so what? Quibbling about his mode of physical abuse is inherently offensive. He hit her. Howard also hit second ex-wife Michelle Ghent, who filed a restraining order against him and was photographed with a black eye in 2013. Howard claims this was self-defense.

Okay, let’s accept that.

He hits his wives.

Lee Daniels, who placed his name in front of his film “The Butler”—even Orson Welles wasn’t that much of an egotist—and is “Empire’s” co-creator, came to his star’s defense in a recent interview with The Hollywood Reporter. “That poor boy,” Daniels said. “[Terrence] ain’t done nothing different than Marlon Brando or Sean Penn, and all of a sudden he’s some fuckin’ demon That’s a sign of the time, of race, of where we are right now in America.”

The toxic values and warped perception inherent in that comment are staggering. Continue reading →

Acting Ethics: Why We Don’t Want Actors Being Too Picky About Their Roles

/ Jack Marshall / 22 Comments

FergusonX

In the strange ethics category of “Conduct That Isn’t Exactly Wrong But That Will Have Nothing But Bad Consequences To Society If There Is A  Lot Of It” (CTIEWBTWHNBBCTSITIALOI for short) is actors rejecting roles because they have philosophical or political disagreements with the script.

We’ve had two high profile examples of this occur lately. All we can do is hope that it’s a coincidence. The first was when about a dozen Native American actors, including an adviser on Native American culture, left the set of Adam Sandler’s first original movie with Netflix, “The Ridiculous Six,”a western send-up of “The Magnificent Seven,” claiming some of the film’s content was offensive.

Really? An Adam Sandler movie offensive?

The second and more troubling was in LA,  where five actors quit the cast of the new play “Ferguson,” which consists entirely of dramatizations of the Michael Brown murder grand jury testimony, because the actors apparently felt that it did not appropriately support the “Hands Up! Don’t Shoot!” narrative.

That’s really stupid, but I’m not getting into that again.

We don’t see many examples of professional actors doing this for several reasons. One is that they can’t afford to. Acting, except for the top fraction of a per cent, is anything but lucrative; it’s a subsistence level job, redeemable because it is, or can be, art, and tolerable as long as the actor doesn’t have a family to support, or has a trust fund.

The main reason this is unusual, however, is that an actor isn’t responsible for the content of the play, movie or TV show he or she acts in, but only the skill with he or she helps present that content to an audience. Actors—and technical artists like costume and light designers—are the conduits through which a writer’s work of performance art gets to live. They don’t have to like a show, agree with it or understand it, which is a good thing, since many excellent actors don’t have the  education, experience or intellect to understand complex and profound works. As one realistic actor friend once told me, “If we were that smart, we’d be smart enough to be in another profession.” Continue reading →