July 7th’s front page story in the New York Times not only made my head explode, it has me considering whether to chuck it all and become a bottle cap collector or something else more useful than trying to promote ethics awareness in a society where its most respected newspaper publishes something like this. Or maybe I should just give up entirely and flush myself down the commode.
The headline online is “When ‘Black Lives Matter’ Is Invoked in the Abortion Debate.” It just as well might have been: “TWSXQ@$#7mm.”
I’ll just post and comment on some of the gems in the piece, then you read the whole thing and meet me at the top of the ROLAIDS tower in Baltimore and we’ll jump together, holding hands and singing the Pina Colada Song.
“As a pastor, Clinton Stancil counsels his black congregants that abortion is akin to the taking of innocent life. But as a civil rights activist, Mr. Stancil urges them to understand the social forces that prompt black women to have abortions at disproportionately high rates.”
If the good pastor believes that abortion is the taking of innocent life, the “social forces” don’t excuse the act at all. This is like saying that we should “understand” what makes serial killers kill. Murder—taking of innocent life–is an absolute wrong; nothing can excuse it. This is equivocation.
- “But to many African-Americans like Mr. Stancil, who is the pastor of Wayman A.M.E. Church in St. Louis, abortion cannot be debated without considering the quality of urban schools. Or the disproportionately high unemployment rate in black communities. Or the significant racial disparities in health care.”
Then many urban schools are graduating African-Americans like Pastor Stancil who have the reasoning ability of household appliances and believe that taking innocent lives can be justified or rationalized by irrelevant matters. Continue reading
Happy dying gasps of 2018!
1. Double standards inquiry: Will someone please explain to me why this magazine cover, which made O.J. Simpson blacker than he really is…
was universally condemned as racist, and this current cover of New York Times Magazine, making the late Aretha Franklin look like a ravenous rotting zombie from Hell..
…is just an artistic choice? (ARRGHHHHH!!!)
2. And speaking of looks…It is impossible not to notice that TV commercials are increasingly featuring overweight, ordinary-looking actors instead of the impossibly beautiful people who once were the automatic choices to sell products. This is an ethical development for the culture generally, and should help children develop more realistic aspirations regarding their own appearance. Now if only TV dramas would adopt the same inclusive casting policies—a particularly egregious candidate for reform is “law and Order” creator Dick Wolf. His old series cast one eye-popping beauty after another as the male ADA’s sidekick, and now he is stocking his current NBC line-up of Chicago Med, Chicago Fire, and Chicago PD, with police women, female firefighters and distaff doctors who would be right at home in the pages of Vogue.
3. More on “Enemies of the People”: Novelist and conservative gadfly Sarah Hoyt has issued a spirited defense—okay, it’s a screed, a rant even— of President Trump’s characterization of the news media, going over ground I have covered (most recently here and here), but with special brio. Read the whole thing— she is mostly right, if a bit hyperbolic and inflammatory—but here are some highlights: Continue reading
In a classic cheap shot, race-baiting, virtue-signaling feature that is now standard fare in the mainstream news media, the New York Times implied that the Radio City Music Hall Rockettes are racist. The article, headlined in the print edition “Where All Your Christmases Are White.” included a cutline, “At the Rockettes holiday show I saw, there were more camels onstage than black women.” That made me read the article. I wasn’t aware that the EEOC had a camel/black woman percentage requirement. You learn something every day.
After pointing a bony finger and whispering “racist,” the author does note that while only one of the 40 dancers in the performance she saw appeared to be black, this was something of a deceptive proportion. “Among the 80 dancers who make up the Rockettes corps, 10 percent are women of color, a spokeswoman for the company told me; you are only seeing half the cast during any given show because there are so many performances to fill — on weekends, up to six a day,” Ginia Bellafante writes. Ah. So if she saw the other troupe of 40, there would have been seven black dancers. (OK, “dancers of color,” whatever THAT means.) Not only would seven have outnumbered the camels, it would make a percentage of 17.5. 12.3% of the population is black. Tell me what the point of this feature is again, New York Times?
Ginia also hints that the problem may be that the kickline looks too white. ” [A]ny variance in skin tone is obscured by lighting and makeup that have the effect of creating a stultifying homogeneity, which is the point and amounts, ultimately, to an eerie celebration of whiteness,” she writes. You know, I’ve seen the Rockettes many times, not that I don’t find kick-lines boring or have a single vivid memory of a performance. I never sat there, watching these impossibly tall, long-legged women kick over their heads, and spent my time counting how many of the looked white, or thought of the performance as having anything to do with race at all. Doing so would be like watching an exciting NBA game, where about 75% of the players are black, and think of it as “an eerie celebration of blackness.” As they say, Ginia, if the only one hearing the dog-whistle is you, you’re the dog. Continue reading
When the #MeToo movement emerged, the idea appeared to be that women (and men!) should speak out about sexual assault and sexual harassment, that powerful people should not feel entitled to take physical liberties with others, and that the culture needed to unequivocally and clearly condemn such conduct. Like most abstract concepts, it sounded good in theory, until—
—the question about what constituted sexual assault and harassment remained unanswered, because in so many cases it is a matter of perception and perspective.
—basic due process and the presumption of innocence were ignored, minimized, or jettisoned entirely, turning the accused into victims themselves
—Democrats sought to weaponized the movement politically, raising questions about motive, equal justice, and bias, and turning what should have been a bi-partisan movement into a cynical partisan one.
—The “women must be believed” mantra, discriminatory, unjust and ridiculous on its face, became part of the narrative and burst into open misandry and outrageous double standards.
Good job, everybody!
Now here’s where we are: Continue reading
1.Who Could Have Predicted That Black Men Would Identify With Brett Kavanaugh?,cont. From the New York Times yesterday:
A white woman who called police after claiming that a young black boy touched her behind in a Brooklyn deli drew a storm of ridicule and criticism on social media, and late Friday she made a public apology to the child.
Critics characterized the incident as the latest example of a hypersensitive white person calling the police to report black people for dubious reasons. Many detractors imputed racist motives to the woman, Teresa Klein.
She was quickly labeled “Cornerstore Caroline” by Jason Littlejohn, 37, a lifelong Flatbush resident who recorded the commotion Wednesday outside the Sahara Deli Market on Albemarle Road. Littlejohn’s Facebook recording of the incident had been viewed 4 million times by Friday evening.
“I was just sexually assaulted by a child,” Klein is heard saying on the video as she was on the phone with the police. The boy, who is about 9, and another child burst into tears outside the store as bystanders confronted Klein about the incident. “The son grabbed my ass and she decided to yell at me,” Klein continued in the video, referring to his mother. The video was first reported by The New York Post.
I just don’t think the Left thought through this “believe all women who claim to be victims” bit. And I’m still confused about the rules. You have to believe a white woman who accuses a white high school kid of sexual assault if she remembers it 30 years later, but you don’t have to believe a white woman who accuses an even younger kid immediately, if he’s black? Does it matter if she’s black? If the accused was a white high school kid, then would everyone have to believe her?
2. Newton’s Third Law! From the Huffington Post:
Minutes after an event at a Manhattan Republican club meant to celebrate violence against leftists, attendees belonging to a proto-fascist, pro-Trump street gang reportedly pummeled three people on the sidewalk in Manhattan’s Upper East Side while shouting homophobic slurs.
Footage posted online by video journalist Sandi Bachom shows a group of men who appear to be Proud Boys — a misogynistic and anti-Muslim fraternity known for committing acts of political violence across the country — kicking and punching three apparent anti-fascist protesters as they lay prone on the sidewalk.
“Do you feel brave now, faggot?” one of the attackers yelled, according to Bachom and another journalist, photographer Shay Horse. Another video shows multiple attackers yelling “faggot.”
HuffPo, being smear-meisters, calls the group “Pro-Trump” in its headline. I don’t recall any news source calling the antifa a “pro-Obama group” when it was running amuck punching people on Inauguration Day. Speaking of the antifa, here’s a tweet from a Portland journalist from October 8: Continue reading
Kanye West may be crazy, but he isn’t wrong.
Writes the former race-baiting ESPN reporter Jamele Hill in The Atlantic:
On Tuesday night, I was in an auditorium with 100 black men in the city of Baltimore, when the subject pivoted to Brett Kavanaugh. I expected to hear frustration that the sexual-assault allegations against him had failed to derail his Supreme Court appointment. Instead, I encountered sympathy. One man stood up and asked, passionately, “What happened to due process?” He was met with a smattering of applause, and an array of head nods.
Why did Hill expect a group that has historically been the victim of “believe the white woman” more than anyone to regret the failure of the desperation hit on the SCOTUS nominee using the banneer of #meToo waving over an unsupported accuser? Why did the Democrats? It’s pure bias: they assume that any group in their base automatically approves of their “ends justifies the means” tactics, no matter what basic principles of justice or democracy have to be sacrificed. I heard about Hill’s bias-driven myopia before I read the whole article, and immediately wondered what Brian Banks, the promising high school football player whose life was upended when a jury believed his false accuser, Wanetta Gibson, would think of the argument that Kavanaugh’s appointment should be forfeit because a single accuser “must be believed.” As it turns out, Hill thought about Banks too, and even approached him.
I reached out to Banks and asked whether he had any thoughts about this solidarity some black men seem to feel with Kavanaugh, but he politely declined to comment. I can’t say that I blame him, since there’s probably nothing Banks could say that wouldn’t be interpreted as being unsympathetic toward victims.
Interpreted by who? I’m sympathetic toward victims, but like Banks, I suspect, I’m not sympathetic with those who want to ruin the lives of men, be they a an African American high school athlete or a judge with an impeccable personal and professional record as an adult, by discarding the principles of due process, equal justice, and presumption of innocence. Nobody can say that Blasey-Ford is a victim any more than the women who got Emmet Till killed was a victim. Democrats wanted her to be a victim, and that was the sole basis for her to be believed more than the man she accused. Continue reading